100 books like Life of the Party

My mother got cancer when I was seven and died when I was in college. So, I began to consider death and the afterlife from a very young age. I don’t know if ghosts are real, but I know that people are haunted. I explore this idea—that haunted houses are really settings for haunted humans—as well as the ambiguity between ghosts and mental descents in my own teaching and writing. I love haunted house novels because they’re wonderful vehicles for this sort of exploration and because they’re so much fun to read! I hope you enjoy these books as much as I do! 

My family was divided by religion, leaving me skeptical about belief systems. After a background in science, I studied philosophy and became intrigued by Heidegger's ‘pitiless atheism.’ The power of his thought but his personal failings have long been an issue for academics. I have since been fascinated partly by powerful personalities but more by the struggle of their followers as they suspend critical thinking and make huge sacrifices to offer their support. This struggle and difficulty of turning back, particularly as the systems begin to collapse, are a feature of many of the works of fiction that intrigue me most, particularly in the books I have chosen.

Growing up, books and music became a refuge for the feelings I found I couldn't express aloud. I loved artists like Garbage and The Dresden Dolls. I felt most at home in stories about female angst, sexuality, and rage. Female stories helped me understand the dichotomy of the madonna/whore complex. They helped me understand where my emotions clashed with societal expectations, and how to push at those boundaries in a constructive way. I've always been fascinated with female rage, and stories that poke a stick into the body of the "good girl" stereotype always make for a cathartic and validating read. Females can be anti-heroes too.

Growing up, books and music became a refuge for the feelings I found I couldn't express aloud. I loved artists like Garbage and The Dresden Dolls. I felt most at home in stories about female angst, sexuality, and rage. Female stories helped me understand the dichotomy of the madonna/whore complex. They helped me understand where my emotions clashed with societal expectations, and how to push at those boundaries in a constructive way. I've always been fascinated with female rage, and stories that poke a stick into the body of the "good girl" stereotype always make for a cathartic and validating read. Females can be anti-heroes too.

I wrote my first romance with >40 characters in my mid-forties. It wasn’t like I never saw people of my age in the genre, but I have to say they were (and are) still rare, especially in traditionally published books. I love to see how people navigate what partnership looks like when people are established and their conflicts and experiences have changed. Elder care, relationships with adult children, fighting age-related stereotypes and discrimination: these are just a few of the nuances that set these types of books apart. But you still get that delicious well of emotion and the satisfaction of a happy ending. 

As a historical romance reader, I’m a sucker for stories about the glamorous aristocracy falling in love. While Regency and Victorian romances have explored feminism for at least the last two decades, the genre often falls short of asking more of itself. Of course the debutante shouldn’t need a man – but while the story liberates her, it doesn’t take any notice of the non-aristocratic,  non-Anglican, non-White, less-abled, and/or non-cishet straight characters around her. I yearned for stories that required my favorite aristocrats to acknowledge, examine, and leverage their privilege. All five of these authors deliver – without forgetting our favorite tropes and genre conventions!

My sense of reality has always been tenuous and my work represents that. Almost everything I’ve written has been a blending of genres set in landscapes where things aren’t always what they seem. I’ve written a dark fantasy novel, a horror-Western, a horror-thriller, a literary novel with actual space aliens, and a modern horror novel with roots in historical western expansion in the U.S. And that’s just the books I’ve somehow managed to get published!

I’m a lifelong sci-fi/fantasy reader who loves the way speculative fiction helps us explore who we are, what we could become, and how to troubleshoot the future before we get there. As a parent and active community member, I’m looking for fresh perspectives on how to tackle the increasingly complex challenges of our time, perspectives that go beyond simplistic solutions like finding bad guys and killing them in climactic battles. I hope books that showcase nonviolent social change in all its complexity can help us imagine better ways to make a difference in our own lives.

I’m a children's books author and a cartoonist. I’ve published more than 160 books, most of them are picture books but I’ve also published comics and novels. I work for many French magazines, writing comics and short tales. I usually travel the world to see kids at school or give lessons. I’m also an art director for a literary factory based in London. I play the electric guitar and sometimes I write songs.

As a freelance journalist in Italy, I covered, for Time magazine, the Wall Street Journal, and others, tough topics: terrorism, the Mafia, the heroin traffic which passed via Sicilian laboratories to the U.S. At a certain point I found this overly negative. After taking a course in Rome on archaeology, by chance I was asked to direct a BBC half-hour documentary on Pompeii. In so doing, I realized that it was  time to focus upon the many positive elements of Italian life and history. From that life-changing documentary came this book on Pompeii, on which I worked for five rewarding years. My next book was on historical Venice.