Here are 100 books that The Duke Who Didn't fans have personally recommended if you like
The Duke Who Didn't.
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As a historical romance reader, I’m a sucker for stories about the glamorous aristocracy falling in love. While Regency and Victorian romances have explored feminism for at least the last two decades, the genre often falls short of asking more of itself. Of course the debutante shouldn’t need a man – but while the story liberates her, it doesn’t take any notice of the non-aristocratic, non-Anglican, non-White, less-abled, and/or non-cishet straight characters around her. I yearned for stories that required my favorite aristocrats to acknowledge, examine, and leverage their privilege. All five of these authors deliver – without forgetting our favorite tropes and genre conventions!
In research for my own books, I have learned how present the British were in the Caribbean for centuries.
Yet it is not often that I find Caribbean characters when reading historical romances. That is one of the reasons I was so excited to pick up A Caribbean Heiress in Paris– and I was not disappointed!
In this novel, you get a heroine who is trying to defend her identity on three fronts: as a businesswoman, as a mixed-race woman, and as a woman who does not want marriage to be the solution to her problems.
Much of the hero’s growth is discovering how to witness and learn about Luz Alana’s challenges without barging in and “solving” them.
This is a great read with a delightful plot, new insight into Caribbean-European history, and an endearing romance.
'A Caribbean Heiress in Paris is a triumph!' Sarah MacLean
'Historical romance at its very best - fresh, lush and full of steam!' Sophie Jordan
Paris, 1889.
Luz Alana Heith-Benzan, heiress to the Cana Brava rum empire, has sailed all the way from Santo Domingo with one purpose: expanding her family's business.
Enter James Evanston Sinclair, Earl of Darnick. From their first tempestuous meeting, Luz Alana is conflicted - why is this titled, and infuriatingly charming, Scottish man so willing to help her?
Evan might have his own reasons for supporting Luz Alana but every day they spend together makes…
As a historical romance reader, I’m a sucker for stories about the glamorous aristocracy falling in love. While Regency and Victorian romances have explored feminism for at least the last two decades, the genre often falls short of asking more of itself. Of course the debutante shouldn’t need a man – but while the story liberates her, it doesn’t take any notice of the non-aristocratic, non-Anglican, non-White, less-abled, and/or non-cishet straight characters around her. I yearned for stories that required my favorite aristocrats to acknowledge, examine, and leverage their privilege. All five of these authors deliver – without forgetting our favorite tropes and genre conventions!
When I want a historical romance that knows exactly what it is and how to hit the right notes with each of its tropes, I turn to Erica Ridley.
Take the opening conceit of The Perks of Loving a Wallflower: It felt so familiar to read about a shy heroine who has a secret group of bluestocking friends and who is trying to avoid her parents’ matchmaking schemes.
From there, however, Ridley uses the conceit of a missing cipher to match Philippa with Tommy, a master of disguises and rejecter of labels.
Through a very fun, comforting historical romance plot, we get to explore gender roles, identity, and class snobbery.
As a master of disguise, Thomasina Wynchester can be a polite young lady-or a bawdy old man. She'll do whatever it takes to solve the cases her family takes on. But when Tommy's beautiful new client turns out to be the highborn lady she's secretly smitten with, more than her mission is at stake . . .
Bluestocking Miss Philippa York doesn't believe in love. Her heart didn't pitter-patter when she was betrothed to a duke, nor did it break when he married someone else. All Philippa desires is to decode a centuries-old manuscript to keep a modern-day villain from…
As a historical romance reader, I’m a sucker for stories about the glamorous aristocracy falling in love. While Regency and Victorian romances have explored feminism for at least the last two decades, the genre often falls short of asking more of itself. Of course the debutante shouldn’t need a man – but while the story liberates her, it doesn’t take any notice of the non-aristocratic, non-Anglican, non-White, less-abled, and/or non-cishet straight characters around her. I yearned for stories that required my favorite aristocrats to acknowledge, examine, and leverage their privilege. All five of these authors deliver – without forgetting our favorite tropes and genre conventions!
True Pretensesis a novel that took me by surprise.
The hero, Ash, is a Jewish man hiding his identity because of personal experience with violent antisemitism. Lydia is a well-meaning aristocrat who is more than a little out of touch with the rest of society.
Since Ash is a con man, there are some fun capers and misunderstandings – even more so once Lydia embraces him for who he is. For anyone looking for a tender historical romance that opens your eyes to a fresh slice of history – namely, Judaism in 19th century England – this is a book you can’t miss.
Something borrowed...Through wit and sheer force of will, Ash Cohen raised himself and his younger brother Rafe out of the London slums and made them (in his unbiased opinion) the best confidence men in England. Ash is heartbroken when Rafe decides he wants an honest life, but he vows to give his beloved brother what he wants. When Ash hears of a small-town heiress scrambling to get her hands on the dowry held in trust for when she marries, he plans one last desperate scheme: con her and his brother into falling in love. After all, Rafe deserves the best,…
As a historical romance reader, I’m a sucker for stories about the glamorous aristocracy falling in love. While Regency and Victorian romances have explored feminism for at least the last two decades, the genre often falls short of asking more of itself. Of course the debutante shouldn’t need a man – but while the story liberates her, it doesn’t take any notice of the non-aristocratic, non-Anglican, non-White, less-abled, and/or non-cishet straight characters around her. I yearned for stories that required my favorite aristocrats to acknowledge, examine, and leverage their privilege. All five of these authors deliver – without forgetting our favorite tropes and genre conventions!
Whenever I read a Cat Sebastian, I sigh in envy at how well she writes nuanced characters with nuanced emotions.
InSoldier’s Scoundrel, two heroes from very different backgrounds unite around a single goal.
From Jack’s perspective, we see the challenges of poverty and classism. From Oliver, we see a veteran trying to adjust to everyday life.
Together, they try to protect and defend women from physical, emotional, and economic abuse. Their love story is beautiful, requires them to pierce layers of their psyches to find vulnerability, and makes you feel all of the feels.
Even better, by the end of the novel, I had a new perspective on how the patriarchy works in societal systems. This is a read that made my empathy grow like the Grinch’s heart!
Jack Turner grew up in the darkness of London’s slums, born into a life of crime and willing to do anything to keep his belly full and his siblings safe. Now he uses the tricks and schemes of the underworld to help those who need the kind of assistance only a scoundrel can provide. His distrust of the nobility runs deep and his services do not extend to the gorgeous high-born soldier who personifies everything Jack will never be.
A soldier untarnished by vice
After the chaos of war, Oliver Rivington craves the…
I have loved history since I was a girl, visiting my grandparents in Virginia and reading American Girl books. I began to focus on women’s history when I learned in college just how much the women’s movement of the generation before mine had made my life possible. So much changed for American women in the ten years before I was born, and I wanted to know how that happened and how it fit into the broader political changes. That connection, between women making change and the bigger political scene, remains the core of my research. I have a B.A. in history and English from the University of Kentucky, and a Ph.D. in American history from the University of Virginia.
Levenstein’s subtitle says it all: we generally don’t think there was a ‘90s feminism. Her book pairs especially well with the others on this list, because it demonstrates how women of color took the lead in an intersectional feminism that focused on a huge range of issues at the end of the 20th century. It’s also a great read about the role of the early internet in 1990s feminist organizing. If you think social media was the first time computer technology shaped grassroots activism, her chapter on technology alone will blow your mind.
On January 21, 2017, massive demonstrations in Washington DC and sister marches held in over 600 American cities drew crowds of over four million people. Popularly called 'The Women's March,' it became the largest single-day protest in American history. The feminism that shaped the consciousness of millions in 2017 had distinct roots in the 1990s.
In They Didn't See Us Coming, historian Lisa Levenstein argues we have missed much of the past quarter century of the women's movement because the conventional wisdom is that the '90s was the moment when the movement splintered into competing factions. But by showcasing voices…
We talk a lot about the big public events that expanded the #MeToo movement so astronomically, like the election to the US presidency of a man who bragged about assaulting women, and the allegations made against Harvey Weinstein. But I think most American women have other, more personal beefs that originate from their being a woman. I, for one, was shocked at how unnecessarily difficult it was to be a new mother in the US. Other places support this vulnerable group much more than we do here, and living that disparity angered me—like, for example, when my husband exhausted what little parental leave he had available before our twins were even released from the NICU.
Cooper details the unique experiences that Black women have when feeling and expressing their anger.
I found this not only an indispensable resource for expanding my understanding of intersectional feminism but also an indispensable examination of the ways that white women like myself exacerbate the challenges faced by Cooper and other Black women.
Far too often, Black women's anger has been caricatured into an ugly and destructive force that threatens the civility and social fabric of American democracy. But Cooper shows us that there is more to the story than that. Black women's eloquent rage is what makes Serena Williams such a powerful tennis player. It's what makes Beyonce's girl power anthems resonate so hard. It's what makes Michelle Obama an icon. Eloquent rage keeps us all honest and accountable. It reminds women that they don't have to settle for less. When Cooper learned of her grandmother's eloquent rage about love, sex, and…
I knew I was an anti-authoritarian before I had words for it, and my education in social justice has been long and slow. I have been researching and writing about anarchism for the better part of three decades, and am now a board member of the Institute for Anarchist Studies. Anarchy is a subject that engages me both at the level of intellectual passion, what lights up my mind, and on a visceral level, in my revulsion at the inequalities and iniquities in this world and my yearning for a fully emancipated way of life.
Bottici is another such friend at first reading, another partisan of the Spinozan current, but one deeply immersed in the feminist thought that Colson regrettably ignores. Hers is a fully intersectional feminism, attending especially to the margins of society, where its freaks and pariahs live. Like Colson, she offers opportunities for difficult thinking that reward us with new vistas, new possibilities for life.
How can we be sure the oppressed do not become oppressors in their turn? How can we create a feminism that doesn't turn into yet another tool for oppression? It has become commonplace to argue that, in order to fight the subjugation of women, we have to unpack the ways different forms of oppression intersect with one another: class, race, gender, sexuality, disability, and ecology, to name only a few. By arguing that there is no single factor, or arche, explaining the oppression of women, Chiara Bottici proposes a radical anarchafeminist philosophy inspired by two major claims: that there is…
As a historian of feminism, I have been trying for decades to understand how gender, race, class, and nationality are knotted together in ways that are not always obvious or trackable in our personal experience. The books I recommend here have served as brilliant lanterns for me—not simply pointing out the flawed history of western feminism but instead explaining the complicated effects of whiteness and imperialism in the development of today’s feminist identities, ideologies, and consciousness. For me, these histories offer intersectional keys decoding the map of the world we’ve been dropped into and offering a path leading to a more justly feminist future….I hope they do for you too!
A collection of very short but incredibly interesting and illuminating essays, this book inaugurated the field of study we might call “feminism and empire.” Strobel and Chaudhuri gathered up the most important histories written to that date that explained how nineteenth and twentieth-century feminism emerged from colonialist contexts all over the world. Asking the question “what difference does gender make?” each author teases out the importance of gender for colonial travel and politics in Asia, Africa, and the Americas. Reading this book made me want to contribute to that kind of historical understanding of gender, modeling for me what an “intersectional feminist” method of historical investigation might look like.
"[Western Women and Imperialism] provides fascinating insights into interactions and attitudes between western and non-western women, mainly in the 19th and early 20th centuries. It is an important contribution to the field of women's studies and (primarily British) imperial history, in that many of the essays explore problems of cross-cultural interaction that have been heretofore ignored." -Nancy Fix Anderson
"A challenging anthology in which a multiplicity of authors sheds new light on the waves of missionaries, 'memsahibs,' nurses-and feminists." -Ms.
". . . a long-overdue engagement with colonial discourse and feminism. . . . excellent essays . . ." -The…
One of the best parts of reaching middle age (with all the scrapes and scars of the forty-year trip) is admitting that the mess of life is what makes life pretty damned fun. I’m an expert on little but have a whole lot to say. I love reading stories about people being themselves, figuring out what it means to grow and change, and screwing up along the way. I believe the disaster of admitting I’m a mess has been the journey of a lifetime. We’re all just getting from one point to another in the best way we can—imperfections. I’m here to throw a party for the blips along the way.
Reading this book was like curling up on my best friend’s sofa, a cheap glass of wine in hand, ratty sweatpants snugged around my legs, and an old episode of Sex and the City playing in the background. The overall tone feels like a reel from my head, and I have had to remind myself so often that the author isn’t a close friend.
I love being so engrossed and connected to a work that I feel like I know the main players personally. Realizing that other people think, obsess, and critique how I do was reassuring in more ways than I can describe. I love the conversational tone of this book because it’s light and easy in the best way possible.
DON’T MISS PHOEBE ROBINSON’S COMEDY SERIES EVERYTHING’S TRASH—NOW ON FREEFORM!
New York Times bestselling author and star of 2 Dope Queens Phoebe Robinson is back with a new, hilarious, and timely essay collection on gender, race, dating, and the dumpster fire that is our world.
Wouldn't it be great if life came with instructions? Of course, but like access to Michael B. Jordan's house, none of us are getting any. Thankfully, Phoebe Robinson is ready to share everything she has experienced to prove that if you can laugh at her topsy-turvy life, you can laugh at your own.
Since the age of seven, I've been conscious of the need to bypass how one is supposed to do things. I realized then that my grandmother could not pursue a writing career because she was also a woman and a wife; a cautionary tale I took to heart since I was already beginning to identify as an artist. I'm driven to uncover how we recognize what we see, and how forces beyond our control engender or foreclose upon new ways of being in the world. A professional life lived in the arts has allowed the fullest flexibility for exploring these ideas as one is generally encouraged to think differently.
Through the skillful interweaving of personal experiences mixed with scholarly observations and references, Kern catalogs all the ways that cities have historically been designed for men by men.
Stories all women recognize, like the extra costs of keeping oneself safe in the city, or the boundaries imposed on women with young children who can’t get strollers up staircases or into trolley cars, or the discomfort with dining alone at restaurants, remind readers of how urban planners could and must do better.
Kern is attentive to race, ability, and gender in her observations and references as she seeks to balance the here-and-now with pragmatic solutions for future feminist cities capable of serving everyone equally.
What should a metropolis for working women look like? A city of friendships beyond Sex and the City. A transit system that accommodates mothers with strollers on the school run. A public space with enough toilets. A place where women can walk without harassment.
Through history, personal experience and popular culture Leslie Kern exposes what is hidden in plain sight: the social inequalities are built into our cities, homes, and neighbourhoods. She maps the city from new vantage points, laying out a feminist intersectional approach to urban histories and proposes that the city is perhaps also our best hope for…
