I knew I was an anti-authoritarian before I had words for it, and my education in social justice has been long and slow. I have been researching and writing about anarchism for the better part of three decades, and am now a board member of the Institute for Anarchist Studies. Anarchy is a subject that engages me both at the level of intellectual passion, what lights up my mind, and on a visceral level, in my revulsion at the inequalities and iniquities in this world and my yearning for a fully emancipated way of life.
This is perhaps the first attempt to write a global cultural history of anarchism, exploring its visionary utopias, songs of scathing mockery, and poems of piercing idealism. Ranging from Chicago to Chile and Chengdu,Underground Passages unearths a buried archive of the haunting tales of exiled revolutionaries and fugitives, experimental films and melodramas, and dark social satires. The key question that illuminates this “anarchist resistance culture”: how to preserve a sense of dignity and ideals in the face of a cynical and degrading world?
Hartman is one of those academic writers who write like novelists or poets; this is a good thing, because her material is the history of the marginalized, people pushed to the margins of history, so that often the only traces left of them are some entries in police or workhouse or hospital records. How to make those records speak and live again? Daringly, Hartman allows herself the poetic license to imagine in the gaps and silences. What results is a Black history/story that renders visible the unrecorded anarchic rebellions of Black women at the turn of the century, seeking out new and joyful possibilities for life. An incredible achievement.
Beautifully written and deeply researched, Wayward Lives, Beautiful Experiments examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading…
Translating this book from the French was a slow process, the slowest reading I have ever done, and some of the most rewarding. This book did not just return me to my pre-existing ideas; it changed my way of thinking permanently. Colson writes to us from a world that is full of unexpected possibilities for life, a “world within which many worlds might fit,” as the Zapatistas have it—possibilities for the better and the worse that are screened off from our view. Difficult, demanding reading, but it too suggests a way of living that is premised on finding good connections with others (ones that expand your “collective force”) and withdrawing from relations characterized by “error and sadness,” linking people to “the dominations that, internally and externally, chain them to their own misfortune.” In other words, Colson is drawing from the same Spinozan currents as Bergman and Montgomery, that underground current of joyful thought. Colson, too, is attentive to the micropolitics of life lived in social movements (as his has been).
Is the thought of Gilles Deleuze secretly linked to Pierre-Joseph Proudhon's declaration: "I am an anarchist"? Has anarchism, for more than a century and a half, been secretly Deleuzian? In the guise of a playfully unorthodox lexicon, sociologist Daniel Colson presents an exploration of hidden affinities between the great philosophical heresies and "a thought too scandalous to take its place in the official edifice of philosophy," with profound implications for the way we understand social movements.
Bottici is another such friend at first reading, another partisan of the Spinozan current, but one deeply immersed in the feminist thought that Colson regrettably ignores. Hers is a fully intersectional feminism, attending especially to the margins of society, where its freaks and pariahs live. Like Colson, she offers opportunities for difficult thinking that reward us with new vistas, new possibilities for life.
How can we be sure the oppressed do not become oppressors in their turn? How can we create a feminism that doesn't turn into yet another tool for oppression? It has become commonplace to argue that, in order to fight the subjugation of women, we have to unpack the ways different forms of oppression intersect with one another: class, race, gender, sexuality, disability, and ecology, to name only a few. By arguing that there is no single factor, or arche, explaining the oppression of women, Chiara Bottici proposes a radical anarchafeminist philosophy inspired by two major claims: that there is…
Reading Anarcho-Blackness as a white cismale reader was an experience of discombobulation—a certain disorientation followed by a surprising re-orientation. Bey’s Black anarchism, “indebted to... Black queer and trans feminisms” dramatically reorganizes the priorities of an anarchist tradition that is sometimes still too indebted to hollow universalisms and pinched humanisms that don’t sufficiently include everyone. This is an anarchism specifically for Black queer and trans people which ends up—in a sense that is only “paradoxical” for those of us not paying enough attention—being for everyone. The prose is both philosophical and playful, inviting us to imagine a life that is by turns “ungovernable,” “unpropertied,” “uncouth,” “unhinged,” and “uncontrolled.”
Anarcho-Blackness seeks to define the shape of a Black anarchism. Classical anarchism tended to avoid questions of race—specifically Blackness—as well as the intersections of race and gender. Bey addresses this lack, not by constructing a new cannon of Black anarchists but by outlining how anarchism and Blackness already share a certain subjective relationship to power, a way of understanding and inhabiting the world. Through the lens of Black feminist and transgender theory, he explores what we can learn by making this kinship explicit, including how anarchism itself is transformed by the encounter. If the state is predicated on a racialized…
When I opened this book, I knew immediately that I was among friends. This is a handbook for constructing the kind of life in which joyful effects—associated with comradeship and mutual empowerment—might flourish. Eminently practical and down-to-earth, but also informed by a philosophical tradition stretching back through the anarchists to Baruch Spinoza in which life is not reducible to the “recipes” of self-help books but is a creative search for wider possibilities, for the “capacity to participate in something life-giving.” Written in contact with Indigenous and feminist social movements, this is also a guide to avoiding the kinds of blockages and dead ends on which such movements often founder.
"Absolutely what we need in these days of spreading gloom." —John Holloway, author of Crack Capitalism
"A guide to a fulfilling militant life." —Michael Hardt, co-author of Assembly
"Rigid radicalism" is the congealed and debilitating practices that suck life and inspiration from the fight for a better world. Joyful Militancy investigates how fear, self-righteousness, and moralism infiltrate and take root within liberation movements, what to do about them, and ultimately how tenderness and vulnerability can thrive alongside fierce militant commitment.
Carla Bergman co-edited Stay Solid: A Radical Handbook For Youth.
Nick Montgomery is an organizer and writer currently at Queen's…
The Unproposed Guy is a captivating journey through the life of Kevin, a character stuck in a mundane existence and unfulfilling relationships, who discovers his passion for stand-up comedy and rapping amidst an existential crisis.
This contemporary fiction is peppered with humor, sarcasm, and poignant insights into modern relationships and societal expectations. Kevin's struggles and transformations offer a unique blend of comedy and emotional depth, making it a must-read for those seeking a fresh, humorous perspective on love, life, and self-discovery. Dive into Kevin's character of failed relationship and who portrays himself as "Every guy's best friend and every girl's worst nightmare".
There has been no significant change in the life of Kevin—a monotonous routine, ordinary family, and miserably failing relationships—until he finds out he is going through something abnormal: 'Existential Crisis'.
He has always been a marvellous entertainer, but has a mysterious way of putting off girls. The talent in him is growing creatively, and abundantly, but his inability to impress a girl keeps pulling him down slowly. He realises he can be any guy’s best friend, but he also seems to be every girl’s worst nightmare.
Hop onto the rollercoaster journey of Kevin’s life, as he navigates through mocking friends…
