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Drunk on All Your Strange New Words.
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I write about flawed characters as a reflex. I’m more interested in exploring the journey of an alcoholic monster hunter with literal and figurative demons than a white knight. Throughout my life, I’ve seen the effects of substance abuse up close, and while difficult, it helped me find the humanity in flaws. I choose to write about those flaws with a humorous bend, because life is far too long to go through without jokes. As a result, I gravitate towards pithy antiheroes and dark comedy. To feel a character’s pain is human, to laugh in the midst of their darkest moments is divine.
Stephen King’s Dark Tower series might be uneven at the end, but the beginning is masterful.
Roland, a dusty old cowboy on the edge of reality, is the prototypical antihero. He doesn’t care much for other people, he’s got a dark past, and I wanted to follow every dusty step of his journey. The broken pieces of Roland are what make The Dark Tower series unique—that and some astral plane travelling shenanigans. With each dark deed or questionable decision, I wanted to know more about Roland and what led him to that point.
It’s difficult to stay grounded in a world with interdimensional travel and monsters, but I always felt like I had one foot planted in humanity through Roland.
The Dark Tower is now a major motion picture starring Matthew McConaughey and Idris Elba.
'The man in black fled across the desert, and the gunslinger followed.' The iconic opening line of Stephen King's groundbreaking series, The Dark Tower, introduces one of his most enigmatic and powerful heroes: Roland of Gilead, the Last Gunslinger.
Roland is a haunting figure, a loner, on a spellbinding journey toward the mysterious Dark Tower, in a desolate world which frighteningly echoes our own.
On his quest, Roland begins a friendship with a kid from New York named Jake, encounters an alluring woman and faces…
To be honest, and this will sound strange, but suspense is the air I breathe. I’m a pretty calm, boring human being, and the only thing that gets my heart pumping are films, TV, books, and video games in this genre. Suspense and thrillers are genres that make up ninety percent of the entertainment that I consume, and one hundred percent of the entertainment that I write.
I can only speak from my experience and, wow, this book hooked me right at the end of that first chapter, “but it’s happening faster.” Now to go into what that means, I will remain spoiler-free, but my jaw dropped. And the story only ramped up after that.
I love stories where the protagonist finds themselves in genuine peril, and Claire puts Harry August in a particular type of peril that truly had me terrified for his well-being in every chapter. The best type of suspense escalates in every chapter and it escalates here in this book in the best possible ways.
'ONE OF THE FICTION HIGHLIGHTS OF THE DECADE' Judy Finnigan, Richard and Judy Book Club
Featured in the Richard and Judy Book Club, the BBC Radio 2 Book Club and the Waterstones Book Club Winner of the John W. Campbell Award Shortlisted for the Arthur C. Clarke Award
SOME STORIES CANNOT BE TOLD IN JUST ONE LIFETIME
No matter what he does or the decisions he makes, when death comes, Harry always returns to where he began, a child with all the knowledge of a life he has already lived a dozen times before.
Crime fiction, true crime, mystery, and suspense books allow us to brush up against the worst society has to offer without getting hurt. There’s a lot to be said for vicarious thrills, isn’t there. I am just a simple man telling simple stories about good vs. evil. And sometimes, in my stories, fiction or not, the bad guys win. But I do love telling stories, and when I find a good one, I can’t wait to tell you aboutit. That’s what I have done here.
I’ve read this book so many times that I had to buy a hardcover edition to replace the paperback I wore out.
Michael Chabon creates an alternative world where the Jewish people didn’t last long in Israel after World War Two. They wound up in the Federal District of Sitka, Alaska, with a lease for the land from the U.S. government, but now the lease is up, and they have to move. Somewhere. Almost anywhere.
Good story if it ends there, right?
But wait, this one doesn’t.
In the middle of this political conundrum, homicide detective Meyer Landsman finds a neighbor in the fleabag hotel he calls home murdered. And get this; the dead man might be the Messiah the Jewish people have been waiting for.
Good story, End it here? Nope.
Guess who shows up unexpectedly. Meyer’s ex-wife! And now she’s his boss. Awkward!
The brilliantly original new novel from Michael Chabon, author of THE ADVENTURES OF KAVALIER & CLAY and WONDER BOYS.
What if, as Franklin Roosevelt once proposed, Alaska - and not Israel - had become the homeland for the Jews after the Second World War? In Michael Chabon's Yiddish-speaking 'Alyeska', Orthodox gangs in side-curls and knee breeches roam the streets of Sitka, where Detective Meyer Landsman discovers the corpse of a heroin-addled chess prodigy in the flophouse Meyer calls home. Marionette strings stretch back to the hands of charismatic Rebbe Gold, leader of a sect that seems to have drawn its…
I’ve always been interested in personal, character-driven stories set in huge speculative worlds. Not every story should be about saving the world/galaxy/multiverse. Sometimes, the best story is just about surviving growing up or navigating a rocky relationship. If that happens on a spaceship or in the Wild West, great. And if that spaceship happens to be in the Wild West, all the better! Making the fantastic ordinary through a personal POV lets us see the otherworldly as plainly as we see the mailman or grumpy alien cowboy. Fortunately, my dueling careers as a UX designer, historian, and writer give me a lot of material and appetite for cross-genre storytelling.
While published as an Image comic series, Saga is best approached in its collected graphic novels. I particularly love taking in the ebook version’s artwork on my iPad. This space opera vs. fantasy epic is beautifully scaled down by both its illustrated panels and its close focus on a family of characters through which we encounter a surreal and hostile universe. Hazel, the unlikely daughter of the series’ leading couple, steps in to provide memoir-esque insights from time to time and serves as something of an (adorable) cipher for her parents’ cross-genre Romeo and Juliet arc. Conceived “to do absolutely everything [the author] couldn't do in a movie or a TV show,” Saga pushes both genre envelopes.
Winner of the 2013 Hugo award for Best Graphic Story!
When two soldiers from opposite sides of a never-ending galactic war fall in
love, they risk everything to bring a fragile new life into a dangerous old
universe. From New York Times bestselling writer Brian K. Vaughan (Y:
The Last Man, Ex Machina) and critically acclaimed artist Fiona
Staples (Mystery Society, North 40), Saga is the sweeping
tale of one young family fighting to find their place in the worlds. Fantasy and
science fiction are wed like never before in this sexy, subversive drama for
adults.
This specially priced volume…
I’m an artist who likes to write, but I’ve never been interested in classic superhero or pulp graphic novels. Early in my career, the word “comics” felt like an insult—it's not “real art,” right? Too childish! While that instinct was definitely wrong, I found a (small) world of experimental, abstract, genre-breaking graphic novels that combine art and writing in a wholly unique way. This is a list of some of my recent favorites that have inspired my drawing and writing practice, and will hopefully inspire you.
Press Enter to Continue is incredible on every level. The art is beautiful, with a technicolor palette and skillful drawing that belies the corporate horror in the narratives. We see humiliating job interviews, vampiric computer viruses, and cosmic labor camps that feel a little too close for comfort in our online world. It’s a collection of short stories told with a deadpan minimalism that makes the reader think, sweat, and maybe put their phone away for a while.
Spanish cartoonist Ana Galvañ charts an often-psychedelic and existential course for modernity in her English language debut, utilizing swaths of electric and florescent colors to create a series of short stories that intertwine and explore the dehumanizing effects of contemporary society. Like a candycolored collection of Black Mirror episodes, Galvañ’s world, set in the very near-future, is familiar and cautionary at once. Galvañ’s unwitting and addictive characters navigate a world of iridescent pastels and geometric energy like puppets. Departments of inhumane resources dehumanize the people it is purported to protect; information is determinedly mined like the gold of the 21st…
I’m a big fan of fiction that fills a need. While recovering from a broken pelvis, I wrote a book for my animal/adventure-loving fifth-grader. A year later, while in treatment for ovarian cancer, I wrote a series for my other daughter and teens/tweens who love musical theater but can’t find books set in that world. When the Harvey Weinstein nightmare erupted, I was horrified at the parallels in how naysayers treat victims of both incest and workplace harassment. I decided the world needed a novel exploring that, and taking readers into the minds of survivors. (Thankfully, I wasn’t recovering from an injury or disease while writing that one!)
This hugely entertaining and thought-provoking novel tackles sexual harassment and cyberbullying in a fast-paced revenge tale. Three women in the early stages of successful careers seek to avenge a friend who fell victim to a celebrity’s advances only to be harassed a second time by multitudes of strangers online. We see fault and questionable behavior from the victim, the perpetrators, and the friends. As the book's description says, it's a fine line between justice and revenge. And, I might add, that line differs for every individual.
"Simply superb!" —MW Craven, bestselling author of The Puppet Show and The Curator "On point topical and beautifully written. ★ ★ ★ ★ ★" —Jo Spain, international bestselling author of The Confession
There's a fine line between innocence and guilt. An even finer line between justice and revenge.
Shy and sensible Laura prefers the company of her books to the real world – let alone that cesspit online. But when her best friend Emily becomes the victim of horrific cyberbullying, she makes it her all-engulfing mission to track down the worst culprits using her finely-tuned data skills.
Most of my public success has been as a novelist. My MFA, from the Iowa Writers Workshop, is in poetry. When I grow up, I want to be a short story writer. The dirty truth is, though, I’ve been making trouble with stories since I was a kid. During my first attempt in 10th grade, I wrote a story that got me suspended for two weeks. No explanation. No guidance. Just a conference between my parents, teachers, and principal (I wasn’t present), and they came out and banished me. I dropped out of school shortly after. I reckon that experience, both shameful and delicious, shaped my life and love of narrative.
Such a rule breaker. A complete disregard for the laws of nature. That can’t happen!I shouldn’t feel so for those characters! And yet, and yet! The characters that people these pages are real and convincing. Nana Kwame Adjei-Brenyah takes us in and out of realities. His world is dark sibling to our everyday world, but even his most flawed characters resonate with dignity, and through skillful well-crafted revelation, the reader comes to understand why these characters struggle—often against societal forces larger/older/engrained—and even when his characters make bad decisions (lord knows a misbehaving character is what good fiction is about) a glimmer of the potential for human goodness is exposed. This a contemporary voice, fierce and fresh, and worth paying attention to.
The instant New York Times bestseller 'An unbelievable debut' New York Times
Racism, but "managed" through virtual reality
Black Friday, except you die in a bargain-crazed throng
Happiness, but pharmacological
Love, despite everything
A Publisher's Weekly Most Anticipated Book for Fall 2018
Friday Black tackles urgent instances of racism and cultural unrest, and explores the many ways we fight for humanity in an unforgiving world. In the first, unforgettable story of this collection, The Finkelstein Five, Adjei-Brenyah gives us an unstinting reckoning of the brutal prejudice of the US justice system. In Zimmer Land we see a far-too-easy-to-believe imagining of…
Anime and manga have always been the biggest influences on my own writing, from the drastic tonal shifts and bizarre scenarios to the frenetic pacing and strange characters. Underdogs fighting tooth and nail against increasingly overwhelming foes in a perpetual struggle to take the slightest step forward—those are the characters I relate to, the stories I want to tell.
Through a masterfully balanced blend of straightforward and poetic prose, the late counter-cultural figure Izumi Suzuki depicts raw humanity against proto-cyberpunk landscapes.
People are transplanted into others’ dreams, interstellar border politics are navigated by junkies, and aliens roleplay as human in a world left to ruin. The mix of high emotion and high weirdness that makes the best anime is present in every story of this book.
On a planet where men are contained in ghettoised isolation, women enjoy the fruits of a queer matriarchal utopia -- until a boy escapes and a young woman's perception of the world is violently interupted. Two old friends enjoy cocktails on a holiday resort planet where all is not as it seems. A bickering couple emigrate to a world that has worked out an innovative way to side-step the need for war, only to bring their quarrels (and something far more destructive) with them. And in the title story, Suzuki offers readers a tragic and warped mirroring of her own…
As a writer working in multiple genres (I published two books of poetry before my debut story collection, A Manual for How to Love Us, and also write nonfiction), I’ve always been interested in bridging the ethereal gaps between forms and styles of writing. In college, I loved authors like Neil Gaiman and Ray Bradbury who portrayed fantastical worlds in a literary way. Later, I discovered great fiction in this same vein written by women, stories exploring the visceral, grotesque, and glorious from a distinctly female perspective. These became some of my favorite books, my favorite writers, and undeniably influenced the stories inA Manual for How to Love Us.
The eerie forces in Folk’s debut story collection aren’t so much mystical as they are technological.
Each story in this book could be its own episode of Black Mirror, and readers come away understanding how the messiest human impulses are eternal, no matter the advances we make as a society.
Folk’s characters are people trying (and often failing) to find love, meaning, and purpose while their lives are marked by encounters with artificial intelligence and imminent apocalypse.
'Extraordinary . . . Folk is a dazzling talent' Karen Joy Fowler
'Wonderfully weird' Daily Mail
A woman uses dating apps to find a partner, despite the threat posed by 'blots', artificial men more interested in stealing data than dating. A sculptor, trapped in a skyscraper restaurant when a violent coup erupts below, creates a perfect model of the town as it is destroyed. A curtain of void obliterates the world at a steady pace, leaving one woman to decide with whom she wants to spend eternity.
Haunting and darkly inventive, the stories in Out There deftly combine science fiction…
I was born in Coatbridge, in the West of Scotland, more years ago than I care to remember. I recently took the big step of moving east to Edinburgh, by way of Birmingham, London, Lagos, Nigeria, Chicago, Pittsburgh, and New York: a necessary detour because traffic on the direct route is really, really bad. I’m a graduate of Birmingham University and Harvard Law School, and work in the field of counter-terrorist financing, which sounds way cooler than it is. Basically, I write emails, fill in forms, and use spreadsheets to help choke off the money supply that builds weapons of mass destruction, narcotics empires, and human trafficking networks. And sometimes I write murder mysteries.
Agatha Christie meets Groundhog Day meets Rashomon in this country house murder mystery where the narrator is as much a puzzle as the murder itself. The narrator lurches into the novel as a witness to a killing so dreadful they’ve lost their memory. Then awakes the next morning to live the same day again as a different character with a different viewpoint: a bizarre twist that repeats itself until we have, as the title suggests, seven different versions of what happened, and enough information, finally, to get to the “truth.” Come for the strange, mind-bending trip, leave with a beautifully constructed conclusion.
WINNER OF THE COSTA FIRST NOVEL AWARD WINNER OF THE BOOKS ARE MY BAG NOVEL AWARD A WATERSTONES THRILLER OF THE MONTH SHORTLISTED FOR THE SPECSAVERS NATIONAL BOOK AWARDS SHORTLISTED FOR THE BRITISH BOOK AWARDS DEBUT OF THE YEAR LONGLISTED FOR THE THEAKSTON OLD PECULIER CRIME NOVEL OF THE YEAR
Gosford Park meets Groundhog Day by way of Agatha Christie and Black Mirror - the most inventive story you'll read
Tonight, Evelyn Hardcastle will be killed ... Again
It is meant to be a celebration but it ends in tragedy. As fireworks…
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