100 books like Terminal Boredom

This is a book that wears its anime influence on its sleeve quite literally, as the back cover states “for fans of Tetsuo: The Iron Man, Akira, and Cyberpunk 2077.”

For storytellers, this could be used as a bible for grand worldbuilding and epic fight scenes condensed into minimalist, cinematic prose. An insanely fun read that keeps the pedal smashed to the floor beginning to end.

The story takes place within a 12-hour time frame, in which our protagonist—fresh out of prison—must navigate cosmic horrors and old habits on his way to the halfway house.

The whole time, we as the reader are given in-depth historical and cultural insight into the city of Baltimore. The classic “first day out” narrative is given an anime-flavored spin with the inclusion of mech battles, mysterious gimp-suited beings, and eldritch gods. 

The world in this book feels of a time both ancient and unfathomably far into the future.

This, along with the marriage of supernatural elements and science fiction—not to mention oddball characters, hypersexuality, and intense swordfights—make Howl a definitive title of “anime literature.”

Lady Agova, the glass-jawed mystic giantess who guides our protagonists through the dangerous cybergoth landscape, is as iconic as Goku or Naruto and belongs on just as many bedroom wall posters.

There’s a point in countless anime fight scenes where characters engaged in combat are moving so fast, the background becomes nothing but harsh pencil strokes drawn from one corner of the frame to the other.
Black Gypsies contains many scenes with this level of frenetic energy. A fast, pulpy thrill ride that is equal parts colorful, gritty, and sexy.

This is an excellent “life in art,” or a series of chapters on the major works in a biographical context.

Napier discusses such questions as: his feelings about the fact that his family profited from the war, making fan belts for fighter planes; his feelings about his father compared to his mother; the relation of the works to his professional life—the studio, his collaborators, his periodic burn-out and work ethic.

Unlike the other recommendations I’ve given so far, this one is an ongoing series… and a manga.

Now, before you pull back. What if I told you that in addition to the beautiful art, this series had some of the most incredible and complex characters that I’ve seen in queer romance? What if I told you that it touched upon important topics like grief, internalized homophobia, familial expectations, depression, and what it’s like growing up gay in Japan?

Not to mention the sweet, spicy scenes between the two main characters as they grow together in their relationship. It’s one of my all time favorites and even if you aren’t a big manga reader or into anime, it truly is worth it.

This is an excellent, well-designed book for anyone wanting to improve their Anime style of drawing. Many of the young artists I talk to have an intense interest in drawing in this particular style, sometimes referred to as the “Anime” style. This cartoon-style features sharp lines and shapes with stark, colorful graphics. Although this book doesn’t get into much instruction on how to create comics, it does provide the artist with a starting place for drawing in the anime style. From there, the artists can take this knowledge and apply it to the comics that they create. The drawings in the lessons are very well done, and the content covers all the topics that make anime a unique drawing style. I highly recommend this book.

I loved the magical girl reminiscent transformations in this book mixed with a dark story. I’ve always had a fondness for the genre, and this book gave me a mix of Shugo Chara and Madoka Magica vibes. As a demisexual, I also really felt seen from all of the asexual spectrum representation in the main cast. I am a character first writer, so I loved the large cast and how insanely compelling each character and their backstory was. Every personality is so unique it bursts off the page, which is what really drew me into this book and made it my favorite novel of all time. The aesthetics also really help, since the flashier the magic the better in my opinion.

My favorite aspect of this book was the concept of a crime coefficient: a numerical measure of how likely a person is to commit a crime. Punishments are meted out preemptively based on this. I found it a fascinating concept, especially in the context of karma, which also explores the idea of violence at a thought level (it does not delve into karma, but it is a personal interest of mine).

Overall, this had some solid and unique themes around ethics and justice—as well as really interesting worldbuilding, centered around this idea of a non-human (and thus ‘unbiased’) system judging humanity for their sins. I should note that this manga came after the anime—so the anime is the original work.

The medieval fantasy in this book was juxtaposed with band culture for the bard MC early in the book, which gave me a few laughs. I love all of the characters, but even more, I love that I didn’t like them all at first. One character came across too cheery while another was too stuck up, but I ended up loving them all by the end. The world is one I would adore stepping into for a week to live in, so it’s a very good escapist read. The MC’s directive is so simple, since he’s just trying to get into a bard group and prove his family wrong. The fact the scenario twists into so much more but remains so wholesome reminded me of the anime Spice and Wolf.