Here are 66 books that Violin fans have personally recommended if you like
Violin.
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I am a big believer in ghosts. I love to read about them both in fiction and in nonfiction. I think ghosts can be used to elevate a plot in so many ways, either in subtle ways via background influences or overtly by making the supernatural entity a vital character. Beyond ghosts, there are so many ways the supernatural and its various creatures/forms can add layers to a text. Not all supernatural stories have to be a horror story. I also enjoy comedic ones and ones that relay a meaningful message. It’s not the things we see that fascinate me; it’s the things we don’t see.
I adored this book because it was not of the typical Stephen King variety. I did, of course, enjoy the rich kingdom that King weaves, but the very ingenious escape of one of the main characters nailed it for me.
I like it when things are not easily guessed, and I love it more when books are so creative that you remember details 30 years after you’ve read them.
I’ve read crime fiction since I was a kid, starting with Nancy Drew and the mystery magazines—Alfred Hitchcock, Mike Shayne, and Ellery Queen. While in elementary school, I wrote mystery short stories, which my sister illustrated, and we sold them on the street corner for 25 cents apiece. In the nineties, I devoured novels by Patricia Highsmith, Ruth Rendell, and P.D. James. The 2000s introduced another generation of favorite authors, including Belinda Bauer, Chris Whitaker, and Tana French. I love too many to name! My current passion is for novels that I can really sink my teeth into, with complex characters hiding dark secrets.
There were a lot of juicy secrets to unravel in this gothic thriller. Murder, feral twins, a devastating fire, an abandoned baby, and a ghost child.
Vida Winter, old and ill, has been safeguarding the family’s secrets, but she doesn’t want to take them with her to the grave. She hires biographer Margaret Lea to write her life story. But Vida isn’t the most reliable narrator, forcing Margaret to conduct her own investigation to uncover the truth. Eventually, the secrets are laid bare, but one question remains open at the end...
'Simply brilliant' Kate Mosse, international bestselling author of Labyrinth
***
Everybody has a story...
Angelfield House stands abandoned and forgotten.
It was once home to the March family: fascinating, manipulative Isabelle; brutal, dangerous Charlie; and the wild, untamed twins, Emmeline and Adeline. But the house hides a chilling secret which strikes at the very heart of each of them, tearing their lives apart...
Now Margaret Lea is investigating Angelfield's past, and its mysterious connection to the enigmatic writer Vida Winter. Vida's history is mesmering - a tale of ghosts, governesses, and gothic strangeness. But as Margaret succumbs to the power…
I am a big believer in ghosts. I love to read about them both in fiction and in nonfiction. I think ghosts can be used to elevate a plot in so many ways, either in subtle ways via background influences or overtly by making the supernatural entity a vital character. Beyond ghosts, there are so many ways the supernatural and its various creatures/forms can add layers to a text. Not all supernatural stories have to be a horror story. I also enjoy comedic ones and ones that relay a meaningful message. It’s not the things we see that fascinate me; it’s the things we don’t see.
Charley’s a grim reaper–that’s all I needed to know to get caught up in this book. I was surprised by it, to be honest. I was not expecting this sarcastic heroine (did I mention I am also one with the sarcasm?) to fall in love.
This love story, if that is what it can be called, and her profession leads into other books in this series, but this first book–made me want a Reyes of my own–and the ability to help people cross over.
Private investigator Charlotte Davidson was born with three things: looks; a healthy respect for the male anatomy; and the rather odd job title of grim reaper. Since the age of five, she has been helping the departed solve the mysteries of their deaths so they can cross. Thus, when three lawyers from the same law firm are murdered, they come to her to find their killer. In the meantime, Charley's dealing with a being more powerful - and definitely sexier - than any spectre she's ever come across before. With the help of a pain-in-the-ass skip tracer, a dead pubescent…
I am a big believer in ghosts. I love to read about them both in fiction and in nonfiction. I think ghosts can be used to elevate a plot in so many ways, either in subtle ways via background influences or overtly by making the supernatural entity a vital character. Beyond ghosts, there are so many ways the supernatural and its various creatures/forms can add layers to a text. Not all supernatural stories have to be a horror story. I also enjoy comedic ones and ones that relay a meaningful message. It’s not the things we see that fascinate me; it’s the things we don’t see.
When books about the supernatural involve children, I am always interested, especially if one of the children is not exceptionally likable. This book had two twists (of sorts).
One was eyebrow-raising, and the second was heartwarming. It was the ending, though, that made me recommend it—I got a bit of a chill from it.
1867. Eliza Caine arrives in Norfolk to take up her position as governess at Gaudlin Hall on a dark and chilling night. As she makes her way across the station platform, a pair of invisible hands push her from behind into the path of an approaching train. She is only saved by the vigilance of a passing doctor. When she finally arrives, shaken, at the hall she is greeted by the two children in her care, Isabella and Eustace. There are no parents, no adults at all, and no one to represent her mysterious employer. The children offer no explanation.…
I’m a used-to-be, going-to-be pianist, like Sarah, the protagonist in my book. Even though I didn’t take to the concert stage after studying music, I have integrated music throughout my career as a culture journalist and now as a novelist. I interviewed young bands as a radio host, presented German pop music as a TV host, spoke with A-level conductors as an online journalist, and have written two books about musicians who’ve had to rethink their life paths. Now as mom to three young children, including twins, I am known to sing either Schumann’s Dichterliebe or The Itsy Bitsy Spider too loudly during bathtime.
I wish I’d read this book twenty years ago when I was still in music school. Brendan Slocumb’s debut is a fast-paced, entertaining mystery but also a gut-wrenchingly personal commentary on what it’s like to be Black in the white world of classical music. Violinist Ray is even kicked out of a paid wedding gig by the bride’s racist uncle. The painful scenes of prejudice are juxtaposed with Ray’s passion for music and determination to be better than everyone thinks he can be. It’s clear that discrimination is rampant in the classical music scene and this book could be a change bringer.
GOOD MORNING AMERICA BOOK CLUB PICK! • Ray McMillian is a Black classical musician on the rise—undeterred by the pressure and prejudice of the classical music world—when a shocking theft sends him on a desperate quest to recover his great-great-grandfather’s heirloom violin on the eve of the most prestigious musical competition in the world.
“I loved The Violin Conspiracy for exactly the same reasons I loved The Queen’s Gambit: a surprising, beautifully rendered underdog hero I cared about deeply and a fascinating, cutthroat world I knew nothing about—in this case, classical music.” —Chris Bohjalian, #1 New York Times bestselling author…
I have been thinking a lot about what feminism means for me. In this interview, I said, "I wish more authors would write about strong women, beyond the strength and importance of motherhood, but not just emulating traditional male behavior." I feel that this is the kind of strong woman I am, as a woman forging a non-traditional path in mathematics. I have been on something of a mission to find books like this, and particularly ones written by women. I find such books frustratingly rare, so I wanted to recommend a few that I have found. There is more to being a woman than falling in love and having children.
This is my only non-fiction pick, but it reads a little like a gripping work of fiction except that I had to keep pinching myself to remember it really happened. The author is writing about her experience as a professional violinist in a "fake" orchestra. It is a wonderfully nuanced look at the gray area between "fake" and "real", which is devastatingly pertinent to our times. It challenges us to consider if we can actually always tell the difference and if the difference is really clear-cut at all. The reason I'm including it in the list is that the main protagonist, the author, is a strong woman who is determined to make her own way. And there is one section I found particularly satisfying, in which (and I don't think this will give too much away) she refuses to include any romance in the book. She declines to write of…
When aspiring violinist Jessica Chiccehitto Hindman lands a job with a professional ensemble in New York City, she imagines she has achieved her lifelong dream. But the ensemble proves to be a sham. When the group "performs", the microphones are never on. Instead, the music blares from a CD. The mastermind behind this scheme is a peculiar and mysterious figure known as The Composer, who is gaslighting his audiences with music that sounds suspiciously like the Titanic movie soundtrack. On tour with his chaotic ensemble, Hindman spirals into crises of identity and disillusionment as she "plays" for audiences genuinely moved…
I was a painfully awkward teenager, two years younger than the rest of my class and a little too “extra” to fit in anywhere. I spent all of high school desperately seeking my weirdos—people who would accept me the way I was, rabid-puppy enthusiasm and all. One night I met a colorfully-dressed trio on the street who invited me to a loft party that changed my life. That night I fell in love with NYC’s underground party scene: the high-energy music, grimy locations, and most of all the people. I had found my weirdos. When the Beat Drops is my love letter to discovering your people and finding your scene.
I was dying to read this book because I'd heard it was structured after Beethoven's Kreutzer Sonata for violin and piano, and even though it's not a piece I'm intimately familiar with I could almost hear the music as I read. Even though it's billed as a love story, it's not so much a typical romance as it is an ode to following your passions, listening to your heart, and falling in love with New York City...for the first time, or all over again. As a longtime New Yorker I found myself rediscovering the city through Dominique's eyes, and I even learned some cool NYC facts I'd never heard before (not going to spoil anything, but I listen to the subway in a whole new way now)! Highly recommended for anyone who loves music, New York, or lyrical writing about flawed but shimmering characters.
Structured like a sonata, this heartbreaking debut novel hits all the right notes.
Dominique is a high school junior from gritty Trenton, barely getting by. Ben is a musical prodigy from the Upper East Side, a rising star at a top conservatory.
When Dom’s class is taken to hear a concert at Carnegie Hall, she spots Ben in the front row, playing violin like his life depends on it — and she is transfixed.
Posing as an NYU student, Dom sneaks back to New York City to track him down. Soon, the two are desperately in love, each seeing something…
Since 1996 when my first trip to Venice rearranged my interior life, I have been visiting the city and learning everything I can about it. Most of my reading led me to men’s history, but with some digging, I uncovered the stories of Venice’s inspired, undaunted, hardworking women. Their proto-feminism motivated me to share their stories with others in an attempt to redefine beauty. I’ve also created videos showing sites connected to these women’s lives, and I’ve written four books about Venetians, including extensive research into Giacomo Casanova and two anthologies celebrating Venetian life. Reading and writing about Venice helps me connect more deeply with my favorite city.
This historical fiction novel formed Anna Maria dal Violin into a real person for me and inspired me to humanize every woman I wrote about in my own book.
Anna Maria was abandoned at the church of the Pieta in Venice where she was taught to sing and play numerous instruments. She became a violin virtuoso and a favorite of Vivaldi, who wrote pieces specifically to challenge her.
Barbara Quick takes this real story and makes both Anna Maria and Venice live brightly in eighteenth-century Venice.
Fourteen-year-old Anna Maria, abandoned at the Ospedale della Pieta as an infant, is determined to find out who she is and where she came from. Her quest takes her beyond the cloister walls into the complex tapestry of Venetian society, from the impoverished alleyways of the Jewish Ghetto to a masked ball in the company of a king; from the passionate communal life of adolescent girls competing for their maestro's favor to the larger-than-life world of music and spectacle that kept the citizens of a dying republic in thrall. In this world, where for fully half the year the entire…
I have been a professional violinist and teacher for over 30 years. I perform in the Washington-Idaho Symphony and specialize in the Suzuki method. My studio at the University of Idaho Preparatory Division includes violin and viola students ages 5-18. My career as an author began when I searched the shelves at my local library for books for my students to read. Only a few books about classical music graced the shelves. So I decided to try to do something about the void I noticed. My second book, about a trailblazing woman composer erased in history because of her gender, is forthcoming from Bushel & Peck Books.
Not only is Itzhak Perlman considered to be one of the world’s best violinists, he’s also a powerful role model for overcoming adversity.
Growing up, when I listened to Itzhak Perlman’s recordings, I didn’t know that as a young boy, he suffered from polio. So, when I saw him perform for the first time, I didn’t expect to see him enter the stage in a wheelchair. As I marveled at the silvery tone of his violin, I wondered how he navigated through concert halls designed without the physically disabled in mind.
What I love most about this book is that it drives home an important point.
Itzhak’s fiery passion for the violin has never been compromised by his disability.
The author and illustrator's notes explain the importance of the changes Itzhak has made to the field of classical music. In Itzhak’s own words, he explains how and why he has…
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Itzhak
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This book is for kids age
4,
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6, and
7.
What is this book about?
This picture-book biography of violin virtuoso Itzhak Perlman will inspire young readers to follow the melody within themselves
Before becoming one of the greatest violinists of all time, Itzhak Perlman was simply a boy who loved music. Raised by a poor immigrant family in a tiny Tel Aviv apartment, baby Itzhak was transformed by the sounds from his family's kitchen radio-graceful classical symphonies, lively klezmer tunes, and soulful cantorial chants. The rich melodies and vibrant rhythms spoke to him like magic, filling his mind with vivid rainbows of color. After begging his parents for an instrument, Itzhak threw his heart…
I come by my interest in history and the years before, during, and after the Second World War honestly. For one thing, both my father and my father-in-law served as pilots in the war, my father a P-38 pilot in North Africa and my father-in-law a B-17 bomber pilot in England. Their histories connect me with a period I think we can still almost reach with our fingertips and one that has had a momentous impact on our lives today. I have taken that interest and passion to discover and write true life stories of the war—focusing on the untold and unheard stories.
Martin Goldsmith has penned the story of his father and mother who were talented musicians in Germany during Hitler’s rise to power. They met by chance and were invited to play for the Kulturbund, an all Jewish orchestra that was allowed to exist while it was convenient to the Nazi’s. When disbanded, the members were sent to concentration camps. Goldsmith’s parents escaped to America, but carried with them the burden of relatives left behind and the guilt of having played into the Nazi’s propaganda efforts.
Advance Praise for the Inextinguishable Symphony "A Fascinating Insight into a Virtually Unknown Chapter of Nazi Rule in Germany, Made all the More Engaging through a Son's Discovery of His Own Remarkable Parents." -Ted Koppel, ABC News "An Immensely Moving and Powerful Description of those Evil Times. I couldn't Put the Book Down." -James Galway "Martin Goldsmith has Written a Moving and Personal Account of a Search for Identity. His is a Story that will Touch All Readers with Its Integrity. This is not about Exorcising Ghosts, but Rather Awakening Passions that no One Ever Knew Existed. This is a…
