100 books like This House Is Haunted

I am a big believer in ghosts. I love to read about them both in fiction and in nonfiction. I think ghosts can be used to elevate a plot in so many ways, either in subtle ways via background influences or overtly by making the supernatural entity a vital character. Beyond ghosts, there are so many ways the supernatural and its various creatures/forms can add layers to a text. Not all supernatural stories have to be a horror story. I also enjoy comedic ones and ones that relay a meaningful message. It’s not the things we see that fascinate me; it’s the things we don’t see.

I’ve read crime fiction since I was a kid, starting with Nancy Drew and the mystery magazines—Alfred Hitchcock, Mike Shayne, and Ellery Queen. While in elementary school, I wrote mystery short stories, which my sister illustrated, and we sold them on the street corner for 25 cents apiece. In the nineties, I devoured novels by Patricia Highsmith, Ruth Rendell, and P.D. James. The 2000s introduced another generation of favorite authors, including Belinda Bauer, Chris Whitaker, and Tana French. I love too many to name! My current passion is for novels that I can really sink my teeth into, with complex characters hiding dark secrets.

I’m a thrill seeker when it comes to reading, and I want to be so immersed in a story that I have to read it in one sitting and then can be completely taken by surprise by a plot twist. It was extremely hard to pick only five titles, so to narrow it down, I 1) made an attempt to pick from a few different sub-genres and, 2) stipulated that Agatha Christie could populate the entire list. All of these titles blend wonderful writing with great twists, and I hope you enjoy them. I did my best to avoid spoilers in the descriptions, although by being on this list, it’s a little bit of a spoiler…

I am a big believer in ghosts. I love to read about them both in fiction and in nonfiction. I think ghosts can be used to elevate a plot in so many ways, either in subtle ways via background influences or overtly by making the supernatural entity a vital character. Beyond ghosts, there are so many ways the supernatural and its various creatures/forms can add layers to a text. Not all supernatural stories have to be a horror story. I also enjoy comedic ones and ones that relay a meaningful message. It’s not the things we see that fascinate me; it’s the things we don’t see.

I’ve been fascinated by haunted houses and the lore behind them ever since childhood. I spent my summers walking our neighborhood cemetery and devouring novels by Stephen King, Dean Koontz, and Shirley Jackson. It was only natural, then, that my debut novel had to be a haunted house story—my own love letter to the genre. Having lived in a haunted house myself, the experiences I had within those walls did little to discourage my fascination with the paranormal. While I may have left my ghosts behind me, you can still sense their lingering presence inside Parting the Veil.

I’ve admired old buildings, hotels in particular, for many years. When immersed in a historic building, I find myself leaning in to discover what the walls might tell me if only I could listen closely enough. When I began writing The Hotel Hamilton series, I scoured the archives for historic hotels, learning how they came to be and how they've evolved through the years. One of the most fascinating aspects of hotel life for me is the juxtaposition of experiences felt by the guests versus those of the hotel staff. The upstairs/downstairs vibe of hotel life is ripe for creating tension within a novel, and that always intrigues me.

I’ve been fascinated with the paranormal since I was a little girl and used to talk to the old lady on the edge of my bed. That old lady turned out to be my grandma, who had passed when I was in my mother’s womb. My entire family is touched by the curiosity and love that comes with the paranormal, so much so my mother is a working psychic medium. For years, I have spent every birthday attending haunted houses with a paranormal team to “investigate.” For some strange reason, I love to be terrified, and I fear I will never stop chasing the thrill. 

Ghost stories are predominantly one flavor: horror. However, my taste in ghost fiction resembles a smoothie. Blend equal parts of contemporary suspense/mystery and the paranormal; add a splash of science, a pinch of dark family secrets, and a sprinkle of romance; and then spike with a heaping cup of twists. That’s my favorite recipe for the paranormal crossovers I love to read and write. My narration preferences are less typical, too. Ghost stories are usually told by characters being haunted. In novels I love, ghosts participate as storytellers, breathing realism into the supernatural. For me, hauntingly plausible stories generate more goosebumps than those horrifically improbable. (Perhaps because I grew up in a haunted house!)

I'm a poet and fiction writer who enjoys popular feminist retellings of Greco-Roman mythology. But I want to draw attention to the rich and powerful myths beyond that canon, myths used by contemporary writers to make sense of our world, our brief mortal lives, and what lies beyond. Scholar Karen Armstrong writes in A Short History of Myth, "Myth is about the unknown; it is about that for which we initially have no words. Myth therefore looks into the heart of a great silence." My poetry book A Terrible Thing reinterprets goddess myths and Siren does the same with myths of hybrid women, half-fish and half-bird and more.

My mother got cancer when I was seven and died when I was in college. So, I began to consider death and the afterlife from a very young age. I don’t know if ghosts are real, but I know that people are haunted. I explore this idea—that haunted houses are really settings for haunted humans—as well as the ambiguity between ghosts and mental descents in my own teaching and writing. I love haunted house novels because they’re wonderful vehicles for this sort of exploration and because they’re so much fun to read! I hope you enjoy these books as much as I do!