Here are 100 books that This House Is Haunted fans have personally recommended if you like
This House Is Haunted.
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I am a big believer in ghosts. I love to read about them both in fiction and in nonfiction. I think ghosts can be used to elevate a plot in so many ways, either in subtle ways via background influences or overtly by making the supernatural entity a vital character. Beyond ghosts, there are so many ways the supernatural and its various creatures/forms can add layers to a text. Not all supernatural stories have to be a horror story. I also enjoy comedic ones and ones that relay a meaningful message. It’s not the things we see that fascinate me; it’s the things we don’t see.
I adored this book because it was not of the typical Stephen King variety. I did, of course, enjoy the rich kingdom that King weaves, but the very ingenious escape of one of the main characters nailed it for me.
I like it when things are not easily guessed, and I love it more when books are so creative that you remember details 30 years after you’ve read them.
I am a big believer in ghosts. I love to read about them both in fiction and in nonfiction. I think ghosts can be used to elevate a plot in so many ways, either in subtle ways via background influences or overtly by making the supernatural entity a vital character. Beyond ghosts, there are so many ways the supernatural and its various creatures/forms can add layers to a text. Not all supernatural stories have to be a horror story. I also enjoy comedic ones and ones that relay a meaningful message. It’s not the things we see that fascinate me; it’s the things we don’t see.
This book stays with me because it was one of the few books where I didn’t see the twist coming. I was intrigued by this book due to Vida’s inferences that the story she is ready to tell involves a ghost and dark family secrets. Do you not love that?
I adore books that you think you know where they are heading, but they suddenly veer in a different direction. This book is like that. I usually pride myself on figuring out what the ending is, but this book got me.
'Simply brilliant' Kate Mosse, international bestselling author of Labyrinth
***
Everybody has a story...
Angelfield House stands abandoned and forgotten.
It was once home to the March family: fascinating, manipulative Isabelle; brutal, dangerous Charlie; and the wild, untamed twins, Emmeline and Adeline. But the house hides a chilling secret which strikes at the very heart of each of them, tearing their lives apart...
Now Margaret Lea is investigating Angelfield's past, and its mysterious connection to the enigmatic writer Vida Winter. Vida's history is mesmering - a tale of ghosts, governesses, and gothic strangeness. But as Margaret succumbs to the power…
I am a big believer in ghosts. I love to read about them both in fiction and in nonfiction. I think ghosts can be used to elevate a plot in so many ways, either in subtle ways via background influences or overtly by making the supernatural entity a vital character. Beyond ghosts, there are so many ways the supernatural and its various creatures/forms can add layers to a text. Not all supernatural stories have to be a horror story. I also enjoy comedic ones and ones that relay a meaningful message. It’s not the things we see that fascinate me; it’s the things we don’t see.
Charley’s a grim reaper–that’s all I needed to know to get caught up in this book. I was surprised by it, to be honest. I was not expecting this sarcastic heroine (did I mention I am also one with the sarcasm?) to fall in love.
This love story, if that is what it can be called, and her profession leads into other books in this series, but this first book–made me want a Reyes of my own–and the ability to help people cross over.
Private investigator Charlotte Davidson was born with three things: looks; a healthy respect for the male anatomy; and the rather odd job title of grim reaper. Since the age of five, she has been helping the departed solve the mysteries of their deaths so they can cross. Thus, when three lawyers from the same law firm are murdered, they come to her to find their killer. In the meantime, Charley's dealing with a being more powerful - and definitely sexier - than any spectre she's ever come across before. With the help of a pain-in-the-ass skip tracer, a dead pubescent…
I am a big believer in ghosts. I love to read about them both in fiction and in nonfiction. I think ghosts can be used to elevate a plot in so many ways, either in subtle ways via background influences or overtly by making the supernatural entity a vital character. Beyond ghosts, there are so many ways the supernatural and its various creatures/forms can add layers to a text. Not all supernatural stories have to be a horror story. I also enjoy comedic ones and ones that relay a meaningful message. It’s not the things we see that fascinate me; it’s the things we don’t see.
Music, madness, and a malevolent ghost made me love this book more than Interview With the Vampire. I found the twist in this book very compelling, as Rice made her main character human and female with no “gift” other than her musical talent.
I’m also drawn to novels that move across time periods, as this one does, and bring in so much rich history.
In the grand manner of Interview with the Vampire, this thrilling novel moves across time and the continents, from nineteenth-century Vienna to a St. Charles Greek Revival mansion in present-day New Orleans to the dazzling capitals of the modern-day world, telling a story of two charismatic figures bound to each other by a passionate commitment to music as a means of rapture, seduction, and liberation.
At the novel's center: a uniquely fascinating woman, Triana—who once dreamed of becoming a great musician—and the demonic fiddler Stefan, tormented ghost of a Russian aristocrat, who begins to prey upon her, using his magic…
I’ve been fascinated by haunted houses and the lore behind them ever since childhood. I spent my summers walking our neighborhood cemetery and devouring novels by Stephen King, Dean Koontz, and Shirley Jackson. It was only natural, then, that my debut novel had to be a haunted house story—my own love letter to the genre. Having lived in a haunted house myself, the experiences I had within those walls did little to discourage my fascination with the paranormal. While I may have left my ghosts behind me, you can still sense their lingering presence inside Parting the Veil.
There’s no place like home, especially when it’s Wakefield Manor, where ghosts and memories are trapped in an endless loop. When the introverted, quirky protagonist Sam (who reminded me of my favorite Shirley Jackson character—Merricat Blackwood) is forced to welcome her estranged, pregnant sister back to the decaying family manor, Sam’s already-frayed nerves are pushed to the limit. But when her sister’s arrival becomes the catalyst for disturbing visions of a faceless boy with a penchant for cruelty, Sam seeks answers in the claustrophobic halls of her ancestral home. Who is this monstrous, cruel boy? What does he want? Seething with tumultuous family dynamicsand a plot as complex as it is unsettling, the atmosphere of It Will Just Be Ushad me enraptured from the very first pages and didn’t let go until the gasp-inducing ending.
A terrifying new gothic horror novel about two sisters and a haunted house that never sleeps, perfect for fans of Shirley Jackson's We Have Always Lived in the Castle.
They say there's a door in Wakefield that never opens...
Sam Wakefield's ancestral home, a decaying mansion built on the edge of a swamp, isn't a place for children. Its labyrinthine halls, built by her mad ancestors, are filled with echoes of the past: ghosts and memories knotted together as one. In the presence of phantoms, it's all Sam can do to disentangle past from present in her daily life.
I have a passion for novels with creepy settings, because I grew up in a haunted house and also spent my summers at a cottage on a lake with a long history of hauntings. I’m very familiar with the sensation of someone coming up behind you but when you turn around, nobody’s there, with lights flickering and the sound of unaccounted for footsteps, with shadowy corners, and chills running down your spine. As a child I loved to explore dark woods, abandoned buildings, and hold seances. As an adult I still explore these kinds of settings through my own writing and through the reading of some very creepy novels.
Sager’s novel Home Before Dark is set in a large Victorian mansion in the Vermont woods. Nicknamed the House of Horrors, the creep factor for this setting is high. Our protagonist, Maggie, returns after twenty-five years away to learn the truth of what drove her family out of the house late one night when she was only a child. Was the house really haunted as her mother and father had told her for all of those years or is there a logical explanation for the horrible things that had happened there? This novel gets my recommendation because it has three of my favourite things, ghosts, an old, abandoned building, and a protagonist returning to learn the truth.
In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls?
What was it like? Living in that house.
Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later…
I’ve admired old buildings, hotels in particular, for many years. When immersed in a historic building, I find myself leaning in to discover what the walls might tell me if only I could listen closely enough. When I began writing The Hotel Hamilton series, I scoured the archives for historic hotels, learning how they came to be and how they've evolved through the years. One of the most fascinating aspects of hotel life for me is the juxtaposition of experiences felt by the guests versus those of the hotel staff. The upstairs/downstairs vibe of hotel life is ripe for creating tension within a novel, and that always intrigues me.
I have never been to the Hotel del Coronado, but after reading this novel, I feel as though I not only stayed at the hotel, but also got to hang out with the cast and crew of Some Like It Hot.
I am also a bit of a sucker for a story that boasts a ghost, and this book happily scratched that itch for me. Intriguing and fun, this story features a family mystery and a budding romance where everything comes together to deliver a great summer read.
A legendary hotel on the Pacific becomes a haven where dreams, love, and a beguiling mystery come alive.
1958. Kate Morgan, tethered to her family's failing San Francisco restaurant, is looking for an escape. She gets her chance by honoring a cryptic plea from her grandfather: find the beautiful stranger. The search takes her to Hotel del Coronado, the beachfront landmark on the Southern California coast where filming is underway on the movie Some Like It Hot.
For a movie lover like Kate, it's a fantasy come true. So is the offer of a position at the glamorous hotel. And…
Ghost stories are predominantly one flavor: horror. However, my taste in ghost fiction resembles a smoothie. Blend equal parts of contemporary suspense/mystery and the paranormal; add a splash of science, a pinch of dark family secrets, and a sprinkle of romance; and then spike with a heaping cup of twists. That’s my favorite recipe for the paranormal crossovers I love to read and write. My narration preferences are less typical, too. Ghost stories are usually told by characters being haunted. In novels I love, ghosts participate as storytellers, breathing realism into the supernatural. For me, hauntingly plausible stories generate more goosebumps than those horrifically improbable. (Perhaps because I grew up in a haunted house!)
Fill the genre blender with equal parts contemporary mystery, paranormal, and family dysfunction, and then add several scoops of atmospheric creepiness to replicate the recipe for What You Never Knew. Who doesn’t like a mystery set on a lake, in a cottage located on a private forested island where secrets have been hidden for decades? Especially those associated with June’s father, who left the family (never to be heard from) when she was 12. Now 30 years later, June Bennett returns to Avril Island and the more secrets she unearths, the more her life is in danger. Just as enticing as the genre mix, the narration is delivered by June andher deceased sister, May, who recently died in a car accident. The setting, atmosphere, and pacing will keep the pages turning!
Told in alternating points of view between the living and the dead, Jessica Hamilton's debut novel will be perfect for fans of The Lovely Bones.
Idyllic Avril lsland, owned by the Bennett family, where their hundred-year-old cottage sat nestled in acres of forest. Forty-year-old June Bennett believed that the island had been sold after the summer of her father's disappearance when she was only twelve years old. It's months after the shocking death of her older sister May in a fatal car accident, that June finds out that the cottage was never sold. Avril Island is still owned by the…
I'm a poet and fiction writer who enjoys popular feminist retellings of Greco-Roman mythology. But I want to draw attention to the rich and powerful myths beyond that canon, myths used by contemporary writers to make sense of our world, our brief mortal lives, and what lies beyond. Scholar Karen Armstrong writes in A Short History of Myth, "Myth is about the unknown; it is about that for which we initially have no words. Myth therefore looks into the heart of a great silence." My poetry bookA Terrible Thingreinterprets goddess myths and Siren does the same with myths of hybrid women, half-fish and half-bird and more.
I adored Cho’sBlack Water Sisterfor the wit, verve, and humour with which its protagonist, Jess, newly returned to Penang from the USA, faces down being possessed by the spirit of her dead grandma, a former medium. Jess, despite her Harvard degree, hasn’t found a job and is unable to tell her conservative family about her Singapore-based girlfriend. How Jess manages to negotiate the contradictory demands of pushy aunties, powerful businessmen, and a furious goddess known as the Black Water Sister, whose temple is threatened by property developers, makes an immersive and absorbing tale.
'A sharp and bittersweet story of past and future, ghosts and gods and family, that kept me turning pages into the dark hours of the night' - Naomi Novik, author of Uprooted
This mischievous Malaysian-set novel is an adventure featuring family, ghosts and local gods - from Hugo Award winning novelist Zen Cho.
Her grandmother may be dead, but she's not done with life . . . yet.
As Jessamyn packs for Malaysia, it's not a good time to start hearing a bossy voice in her head. Broke, jobless and just graduated, she's abandoning America to return 'home'. But she…
I believe with all of my heart that each one of us was created with two achingly powerful inner drives: 1) the longing for new worlds and 2) the desperate urge to do something meaningful. I simply could never believe that human beings are all simply cosmic accidents produced by some sort of cosmic casino. I believe God created people and gave us each an instinct to seek our true home. The books I write—all 22 of them—are tales of flawed individuals, thrown into unexpected, life-changing events, and given the chance to journey through many astoundingly lush worlds, all in an effort to do the seemingly impossible.
Imagine a contemporary fantasy, driven by sword-wielding, swashbuckling, mystically empowered, ghostbusting teenagers. Yup. That is the cool twist in Jonathan Stroud’s Lockwood & Co. Series.
He’s best known for the Bartimaeus Trilogy, and takes all of his fantasy worldbuilding craft to design a modern world where ghosts are not only real but common and quite deadly to us living folk. You will fall in love with Lockwood and Lucy, sense the tension between them, and yet be relieved to discover that their connection isn’t the predictable stuff of typical teen romance.
The remarkable ghosts are similar to fantasy races. Rather than elves, gnomes, warlocks, etc., you have screamers, wailers, howling maids, and a whole host of specific ghost types that I dare not spoil. If you like fantasy with a touch of creepy, you’ll love Lockwood & Co.
A sinister Problem has occurred in London: all nature of ghosts, haunts, spirits, and specters are appearing throughout the city, and they aren't exactly friendly. Only young people have the psychic abilities required to see-and eradicate-these supernatural foes. Many different Psychic Detection Agencies have cropped up to handle the dangerous work, and they are in fierce competition for business.
In The Screaming Staircase, the plucky and talented Lucy Carlyle teams up with Anthony Lockwood, the charismatic leader of Lockwood & Co, a small agency that runs independent of any adult supervision. After an assignment…
