Here are 87 books that Black Water Sister fans have personally recommended if you like
Black Water Sister.
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I am an aficionado of the fresh start. I make it a point to celebrate all the New Years—that way, I can re-up my resolutions every few weeks! Paradoxically, I’m not great at sudden change. I like stability and working systematically. I reconcile these two sides of myself by observing other people’s transformations and caterpillar-to-butterfly stories on a regular basis. Whether it’s Beyonce going country or a Nigerian god turning to crime, I’m on the ride, picking up pointers. If you are looking to make a change, I hope this list is a fun place to start gathering ideas!
Imagine waking up to discover you’ve become the City of New York. And meeting the avatar of São Paulo walking around trying to be a mentor. As a New Yorker, I’m all for it, and I was hooked right from the start of this urban fantasy. Aliens are trying to eat the cities of Earth, but the cities fight back by choosing champions from among their populations.
New York, being New York, has six—one for the City as a whole and one for each borough because we do things right here. I got such a kick out of every borough’s particular personality and approach to being part of the whole, when just the other day, these were all ordinary people pursuing their own aims. Sudden, magical, consequential reinvention. Love it.
'A glorious fantasy, set in that most imaginary of cities, New York' Neil Gaiman on THE CITY WE BECAME
'The most celebrated science fiction and fantasy writer of her generation. . .Jemisin seems able to do just about everything' NEW YORK TIMES
'Jemisin is now a pillar of speculative fiction, breathtakingly imaginative and narratively bold' ENTERTAINMENT WEEKLY
Five New Yorkers must band together to defend their city in the first book of a stunning new series by Hugo award-winning and New York Times bestselling author N. K. Jemisin.
Every city has a soul. Some are as ancient as myths, and…
I’ve been a part of the LGBTQ+ community my whole life and have always been passionate about advocating for the people who identify as such. Furthermore, I have always had a fascination with emotional stories and the combination of a lack of many LGBTQ+ books with an abundance of romance and emotional thrillers out there makes it a ripe topic for stories. As a lesbian myself, it is very hard to write stories that don’t have those kinds of couples, so I tend to stick to that genre and I’m absolutely addicted to lesbian books.
By inserting the book into a time when the very essence of the story is dangerous, the people are made to be in a situation where I was turning one page after the next to find out what would happen to them.
Each question that arose in my mind made me urgently attempt to find answers and the smile that came to my face at each happy moment felt amazing. The emotions that echoed through the book found their way into me and made me feel as if I was along for the ride as well right beside the characters.
"That book. It was about two women, and they fell in love with each other." And then Lily asked the question that had taken root in her, that was even now unfurling its leaves and demanding to be shown the sun: "Have you ever heard of such a thing?"
Seventeen-year-old Lily Hu can't remember exactly when the question took root, but the answer was in full bloom the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club.
America in 1954 is not a safe place for two girls to fall…
I’ve always loved things like dragons and dinosaurs, even as a child. And as a Malaysian-born Chinese-Australian, I consumed both Western and Eastern media. I read traditional fantasy books such as The Hobbit and Game of Thrones while simultaneously learning about Chinese folklore and eating zongzi for Dragon Boat Festivals. So, while I’ve always had an interest in dragons, I specifically love the lore, magic, and mythology surrounding East Asian dragons. East Asian dragons are different from the typical fire-breathing dragons we see in Western stories. Unlike in Western media, Eastern dragons are not monsters, and it can be hard to find books that portray them in that light.
This might be cheating a little, as the ‘dragon’ in this book is actually a giant robot-like mecha that is piloted by human soldiers, but I couldn’t leave this list without a mention of Iron Widow.
This is a fierce feminist fantasy re-imagining of China’s only female sovereign, Wu Zetian, and it absolutely pulls no punches. A furiously paced story of vengeance and redemption, this book was a thrill from start to finish.
Pacific Rim meets The Handmaid's Tale in this blend of Chinese history and mecha science fiction for YA readers.
The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn't matter that the girls often die from the mental strain.
When 18-year-old Zetian offers herself up as a concubine-pilot, it's to assassinate the ace male pilot responsible for her sister's death. But she gets her vengeance in a way nobody expected—she kills him through…
I'm a poet and fiction writer who enjoys popular feminist retellings of Greco-Roman mythology. But I want to draw attention to the rich and powerful myths beyond that canon, myths used by contemporary writers to make sense of our world, our brief mortal lives, and what lies beyond. Scholar Karen Armstrong writes in A Short History of Myth, "Myth is about the unknown; it is about that for which we initially have no words. Myth therefore looks into the heart of a great silence." My poetry bookA Terrible Thingreinterprets goddess myths and Siren does the same with myths of hybrid women, half-fish and half-bird and more.
As a writer of feminist myths, Kartika Nair’s exquisite poetic retelling of the Mahabharatafrom the women’s perspective felt like it was written for me. The title is from the African writer Chinua Achebe’s words, "Until the lions have their own historians, the history of the hunt will always glorify the hunter." Using formal poetry, free verse, and prose, Nair has created a palimpsest of the great Indian epic of kingship and warring dynasties which is several times the length of The Iliad and The Odyssey combined. Here the mothers, wives, sisters, and lovers of the protagonists tell their stories, providing a counterpoint to the much-quoted verse from the epic: "All that is found here can be found elsewhere, but what is not here can be found nowhere."
The title of this book comes from the African proverb - "until the lions have their own historians, the history of the hunt will always glorify the hunter". In this poetic reimagining, Nair writes, for the first time, the history of the women in the Mahabharata, the longest poem ever written and one of the two major Sanskrit epics of ancient India.
I love stories grounded in realism - but which also explore that there may be more to life than meets the eye; reasons beyond reason, for the way we dream, love, and think, and which come from unexpected sources. I love books whose characters really 'live', and stay with me, long after I've finished reading. I aspire to create such characters. In my novels, I seek to explore important themes from perspectives that often pitch rationality against what it cannot explain, or dismiss. The fiction I most love does this – whether it exploits mythology, suggests life beyond life, or uses magical realism to add ‘other’ dimensions to the ordinary. "There are more things… Horatio…"
The Mermaid of Black Conch takes a mythological creature and gives her extraordinary life, as a very real, young woman, called Aycayia.
She is caught – hooked like a prize fish - by greedy anglers, and hauled from the sea, bringing with her an already fascinating and tragic history of injustice and misunderstanding. But, she is also an object of love.
Not all fishermen are commercial opportunists… Not all men are eager to exploit beautiful and unusual women, and so begins an extraordinary rescue, and a life-affirming relationship, with many unpredictable, literally magical, and truly remarkable twists.
This enchanting book, written with breath-taking originality, is likely to spell-bind you – permanently. You’ll never again think of mermaids in the same way.
Near the island of Black Conch, a fisherman sings to himself while waiting for a catch. But David attracts a sea-dweller that he never expected - Aycayia, an innocent young woman cursed by jealous wives to live as a mermaid.
When American tourists capture Aycayia, David rescues her and vows to win her trust. Slowly, painfully, she transforms into a woman again. Yet…
I am a contemporary romance writer, mom, queer, dog-lover, and coffee enthusiast. I have a deep love of the genre, particularly sparkly and swoony, sapphic romcoms, with a borderline obsession with happily-ever-afters. Knowing I will always have a happy ending while smiling through pages gives me the comforting hug I sometimes need. My goal is to spread queer joy in my writing and provide a safe, celebratory, and affirming space for my readers to escape reality.
I’ve heard people say this book is “magical,” and that description is spot on.
I cannot get over how cute this book was! A sprinkle of magic, found family, finding yourself, and amazing descriptions of the city. This book gave me so many sparkly feels. I begged for the two characters to get together and rooted for the MC from page one. The plot was phenomenally creative, genuinely like nothing I had ever read within contemporary romance.
I finished this book faster than any other book of the year.
For cynical twenty-three-year-old August, moving to New York City is supposed to prove her right: that things like magic and cinematic love stories don't exist, and the only smart way to go through life is alone. She can't imagine how waiting tables at a 24-hour pancake diner and moving in with too many weird roommates could possibly change that. And there's certainly no chance of her subway commute being anything more than a daily trudge through boredom and electrical failures.
But then, there's this gorgeous girl on the train.
Jane. Dazzling, charming, mysterious, impossible Jane. Jane with her rough edges…
Mixing the magical with everyday life is part of my Louisiana culture. Our history is a rich gumbo of legends from Indigenous peoples, Africa, the Caribbean, Spain, and France. So, as a child, hearing stories of the supernatural didn’t seem abnormal at all. I was ten years old when I became hooked on supernatural suspense. I voraciously read Agatha Christie's mysteries and spooky comic books. The comic book sleuths were sometimes as scary as the villains they chased. And I loved every page. What fun I had during summer school breaks! If you’re like me and love mysteries with paranormal twists, dive in. You won’t be disappointed in this list.
I was instantly pulled into this first book in the Rivers of London series because of the main character. I found Constable Peter Grant to be delightfully awkward. His very much unwanted ability to see and speak to lingering spirits results in his assignment to a secret police unit that investigates crimes involving magic.
He’s stunned to meet gods, goddesses, and more fantastic beings who exist in a hidden world alongside mortals. I loved meeting all of the engaging characters, normal and supernatural. I was totally engaged in the believable world created by the author, where the ordinary ticks beside the extraordinary. Even better, the humorous situations Peter stumbles into as he chases down whodunit made me laugh out loud.
Book 1 in the Rivers of London series, from Sunday Times Number One bestselling author Ben Aaronovitch.
My name is Peter Grant, and I used to be a probationary constable in that mighty army for justice known to all right-thinking people as the Metropolitan Police Service, and to everyone else as the Filth.
My story really begins when I tried to take a witness statement from a man who was already dead...
Probationary Constable Peter Grant dreams of being a detective in London's Metropolitan Police. After taking a statement from an eyewitness who happens to be a ghost, Peter comes…
As an Asian author myself, nothing makes me happier than when authors and stories gleefully break the mold of the perfect model minority sidekick character that Asian characters have been boxed into in English media/literature for years. No more Mathy model minorities or sexually submissive mail-order brides. It’s time for Asian women to break those bamboo ceilings and become messy, angry, fully realized characters ready to tear down the sky to achieve their goals.
This pick made me fall in love with a Mulan-style gender swap all over again. From the moment Zhu steals the fate of greatness promised to her dead brother and takes his place, prepared to use any amount of trickery and the occasionally necessary murder to claim the mandate of heaven for herself, I was ride or die.
I loved the way Zhu molded herself into the perfect person to inhabit whatever role the situation required of her. She was prepared to trick monks, generals, lords, and even the gods themselves into granting her greatness.
I’ve been writing and publishing novels across speculative genres for almost two decades now. In my most recent book, The City Inside, the city of Delhi was perhaps the second most important character, and it was quite a struggle attempting to capture its challenges and delights, its people across its many divides, and the experience of living in this constantly turbulent megapolis. So I’ve spent the last few years thinking a lot about reimagining real megacities, capturing their essences without exotifying or demonising them, and about where the borders of speculation and reality lie in a world where it’s already difficult to trust any single point of view or even source of data.
Bangalore, or Bengaluru, is a city I’m very familiar with in real life, and Lavanya Lakshminarayan’s Analog/Virtual, to be published in the West next year by Rebellion as The Ten-Percent Thief, does a splendid job of moving it to the future, using an intricately interconnected mosaic structure to take a wide-ranging look across the social and technological divides that present-day India will carry into the future, giving her readers bleakness, clarity, wonder, humour, and hope as she tells the multifaceted story of a revolution. Analog/Virtual was published in India the same year as Chosen Spirits (the Indian edition of The City Inside), and it was personally fascinating to me to see how similarly and differently we approached present-day social and political concerns in our future-real cities. Definitely a book (along with SB Divya’s Machinehood) that would have deeply influenced mine if I’d read it before writing.
I grew up in a secular Jewish household where Yiddish culture, history, and politics were a part of daily life. As a result, when I began reading (and eventually writing) science fiction and fantasy, I would take note if I found a novel or short story collection that reflected any of the many flavors of Judaism and Jewish culture. While it is not all I read or write about (I make my living as a tech journalist and I have very eclectic tastes in literature), I find that my curiosity is particularly piqued when confronted with a new book that covers both those genres.
It’s hard to describe Lavie Tidhar’s Central Station, except to say that it is a fascinating study of various humans and non-humans residing—some permanently, some temporarily—in a hot, dusty spaceport/city that has sprung up between Tel Aviv and Jaffa sometime in our future. They confront questions and answers about family, memory, reality, and what is human—and occasionally come up with answers. A wonderfully written, almost hypnotic book.
Appeals to fans of classic and contemporary science fiction and mainstream fiction
Contains international and multicultural themes
Israeli-born author has also lived in Vanuatu, Laos, South Africa, Israel, and the UK
