100 books like Central Station

Okay, so this one is urban fantasy, not strictly historical fantasy, but what I loved so much about this book was its exploration of how the history of a place going back millennia continues to impact the present. The author, N.K. Jemison posits a mind-blowing proposal: a city can be not just a character but the main character of a story. AND a city can simultaneously be ancient and modern.

One of the many inventive aspects of this book is the idea of a city animated by female energy and power. My future travel experiences will be forever changed by the way Jemison changed my perspective on what it means for a city to be alive.

The story of two mystical creatures stuck in 1899 New York who have to make their own way in the world.  Despite their different natures, they become unlikely friends and have to work together to survive. 

While I enjoyed the perspective of both supernatural beings in this book, I found the golem especially engaging. Through her eyes, the reader gets an amazingly detailed view of turn-of-the-century New York as well as the intricacies of human behavior. 

The jinni faces different challenges—he’s lost a chunk of his memory—but he also has to adapt to life among people. Wrapped in a rich tapestry of historical details, the story walks us through their processes of acclimating to human society and facing the dangers of their pasts.

What if Jews settled in Alaska instead of Israel? There is a question I’d never asked, but I loved chewing on it. Alternative histories are great at exploring questions of cause and effect, the rippling power of people and places, and the very existence of fate.

They are not to everyone’s taste, so how about a murder mystery instead? Let’s call it that, and you won’t be put off by worries about excessive background and explanation. When exposition comes in the form of detective work, it is so much more palatable. And personal. Chabon feeds the reader ideas the way one might sneak a dog medicine–wrapped in something that goes down easy.

I was instantly pulled into this first book in the Rivers of London series because of the main character. I found Constable Peter Grant to be delightfully awkward. His very much unwanted ability to see and speak to lingering spirits results in his assignment to a secret police unit that investigates crimes involving magic.

He’s stunned to meet gods, goddesses, and more fantastic beings who exist in a hidden world alongside mortals. I loved meeting all of the engaging characters, normal and supernatural. I was totally engaged in the believable world created by the author, where the ordinary ticks beside the extraordinary. Even better, the humorous situations Peter stumbles into as he chases down whodunit made me laugh out loud.

Wandering Stars is a landmark anthology that should be the starting point for anyone interested in Jewish science fiction and fantasy. It contains a collection of incredible short stories; it’s nearly impossible to pick out the best. My own favorites include William Tenn’s “On Venus, Have We Got a Rabbi,” Avram Davidson’s “The Golem,” Harlan Ellison’s “I’m Looking for Kadak,” and Isaac Bashevitz Singer’s heartbreaking, “Jachid and Jechidah.”

I adored Cho’s Black Water Sister for the wit, verve, and humour with which its protagonist, Jess, newly returned to Penang from the USA, faces down being possessed by the spirit of her dead grandma, a former medium. Jess, despite her Harvard degree, hasn’t found a job and is unable to tell her conservative family about her Singapore-based girlfriend. How Jess manages to negotiate the contradictory demands of pushy aunties, powerful businessmen, and a furious goddess known as the Black Water Sister, whose temple is threatened by property developers, makes an immersive and absorbing tale.

Bangalore, or Bengaluru, is a city I’m very familiar with in real life, and Lavanya Lakshminarayan’s Analog/Virtual, to be published in the West next year by Rebellion as The Ten-Percent Thief, does a splendid job of moving it to the future, using an intricately interconnected mosaic structure to take a wide-ranging look across the social and technological divides that present-day India will carry into the future, giving her readers bleakness, clarity, wonder, humour, and hope as she tells the multifaceted story of a revolution. Analog/Virtual was published in India the same year as Chosen Spirits (the Indian edition of The City Inside), and it was personally fascinating to me to see how similarly and differently we approached present-day social and political concerns in our future-real cities. Definitely a book (along with SB Divya’s Machinehood) that would have deeply influenced mine if I’d read it before writing.

If Wandering Stars was the first short-story anthology to explore Jewish science fiction and fantasy, People of the Book is its descendant. This collection features a variety of stories by modern authors such as Jane Yolen, Theodora Goss, Neil Gaiman, and Michael Chabon, and is an excellent way to discover some of the talents that have emerged in the 21st century—and their approach to the Jewish religion, culture, and society.

There are a whole host of books about UX methods, but in our world of ever-advancing technology, there are few books that are really up to date with how to practice UX when the medium is no longer one-dimensional or even a physical product.

As AR and VR experiences are becoming more and more normal, I’ve appreciated being able to read a book that really captures the most recent evolution of UX methods towards a new virtual world of possibilities. 

If you’ve ever wondered how on Earth Mark Zuckerberg ended up betting his Facebook empire on the unproven technology of Virtual Reality (VR), this is the recent history book for you. 

Blake Harris starts with Palmer Luckey, a homeschooled teenager who shrugged off the received wisdom of all of his elders, and just went ahead and built the first commercially viable VR headset. (That’s an amazing story in itself.) And then he got Mark Zuckerberg so excited about this new experience that, yes, Zuckerberg ended up buying Luckey’s company – and eventually forcing him out.

The History of the Future is about technology, business, the consequences of acting on visionary thinking, and, above all, about how technology is ultimately created and developed by human beings.