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I was 14 years old when my dad was imprisoned by the communist police of ex-Yugoslavia. My dad spent his childhood working as a shepherd in a small Macedonian village with 11 inhabitants. Later, he became a poet, and he belonged to the last group of political prisoners in the former Yugoslavia. When my dad was sent to prison, my family and I dealt with great trauma.
Yes, I know. Anyone like me who has taken on to teach Kafka in the university classroom knows that Kafka is not an easy read. However, here is my approach. I accept Kafka as a meditative humorist who can heal trauma.
The listeners laughed unbridled when Kafka read excerpts of his novel at Max Brod’s book club in Prague. If I search for cheap sentimentalism and resentment, I can go elsewhere. I always come back to this book for the heroic quality of humor, which is the best weapon against trauma.
"Someone must have been telling lies about Josef K., he knew he had done nothing wrong but, one morning, he was arrested." From its gripping first sentence onward, this novel exemplifies the term ""Kafkaesque." Its darkly humorous narrative recounts a bank clerk's entrapment — based on an undisclosed charge — in a maze of nonsensical rules and bureaucratic roadblocks. Written in 1914 and published posthumously in 1925, Kafka's engrossing parable about the human condition plunges an isolated individual into an impersonal, illogical system. Josef K.'s ordeals raise provocative, ever-relevant issues related to the role of government and the nature of…
I was 14 years old when my dad was imprisoned by the communist police of ex-Yugoslavia. My dad spent his childhood working as a shepherd in a small Macedonian village with 11 inhabitants. Later, he became a poet, and he belonged to the last group of political prisoners in the former Yugoslavia. When my dad was sent to prison, my family and I dealt with great trauma.
I consider this one of the most important books about the 20th century. A document of the suffering of millions of people, with a clear message that people are capable of the most horrible evils, was conducted with the most precise bureaucratic consistency.
In the sense in which Hannah Arendt described evil as already a banal evil. However, this book has a clear catharsis regarding the trauma. The duty of humans is to preserve, nurture, and value the existence of every human, animal, plant, stone, and mineral, with the Earth as our home and the skies as our potential.
Volume 1 of the gripping epic masterpiece, Solzhenitsyn's chilling report of his arrest and interrogation, which exposed to the world the vast bureaucracy of secret police that haunted Soviet society. Features a new foreword by Anne Applebaum.
“The greatest and most powerful single indictment of a political regime ever leveled in modern times.” —George F. Kennan
“It is impossible to name a book that had a greater effect on the political and moral consciousness of the late twentieth century.” —David Remnick, The New Yorker
“Solzhenitsyn’s masterpiece. . . . The Gulag Archipelago…
I was 14 years old when my dad was imprisoned by the communist police of ex-Yugoslavia. My dad spent his childhood working as a shepherd in a small Macedonian village with 11 inhabitants. Later, he became a poet, and he belonged to the last group of political prisoners in the former Yugoslavia. When my dad was sent to prison, my family and I dealt with great trauma.
How do we master trauma? Some books say that I should repeat what I already did, and other books say that I should choose something new. But this small book explains that both decisions are bad.
This book has taught me that neither repetition nor choosing the new heals. I should choose the recollection over the repetition. I already have all the knowledge I need to overcome it, which is already within me.
'The love of repetition is in truth the only happy love'
So says Constantine Constantius on the first page of Kierkegaard's Repetition. Life itself, according to Kierkegaard's pseudonymous narrator, is a repetition, and in the course of this witty, playful work Constantius explores the nature of love and happiness, the passing of time and the importance of moving forward (and backward). The ironically entitled Philosophical Crumbs pursues the investigation of faith and love and their tense relationship with reason.
Written only a year apart, these two works complement each other and give the reader a unique insight into the breadth…
I was 14 years old when my dad was imprisoned by the communist police of ex-Yugoslavia. My dad spent his childhood working as a shepherd in a small Macedonian village with 11 inhabitants. Later, he became a poet, and he belonged to the last group of political prisoners in the former Yugoslavia. When my dad was sent to prison, my family and I dealt with great trauma.
Why should I read a book written by two neurologists from the end of the 19th century? It is very simple. I love this book because it is the first description and extended explanation of female traumas.
The book answers very important questions. What is trauma? What is an ego? Does normality exist? What is pain? What is shame? What is desire? What is childhood? And the most important question of all, which this book answers, is: Can words heal?
The cornerstone of psychoanalysis,and legacy of the landmark Freud/Breuer collaboration,featuring the classic case of Anna O. and the evolution of the cathartic method, in the definitive Strachey translation. Re-packaged for the contemporary audience with what promises to be an unconventional foreword by Irvin Yalom, the novelist and psychiatrist who imagined Breuer in When Nietzsche Wept .
Mario Livio is an astrophysicist and author of seven popular science books, including the bestsellers The Golden Ratio and Brilliant Blunders. He worked for 24 years (till 2015) with the Hubble Space Telescope, and published more than 500 scientific papers. He lectures regularly to the general public, and has appeared on television programs ranging from 60 Minutes to NOVA to The Daily Show.
An enthralling, fictional description of a young scientist (Einstein) and his dreams/thoughts about space, time, relativity, and the nature of reality. The book fictionalizes Einstein’s dreams in 1905, his “Annus Mirabilis” (“Miracle Year”), in which he wrote four fundamental papers, including one on his theory of Special Relativity. While this is a work of fiction, the physics concepts are beautifully explained.
It is ten minutes past six by the invisible clock on the wall. The young patents clerk sprawls in his chair, dreaming about time. He is Albert Einstein, and in his dreams he imagines new worlds, in which time can be circular, or flow backwards, or slow down at higher altitudes.
In 2014 I finally came to the realization that I had become the most negative person I knew. I couldn't stand being that whiney, unhappy person anymore. So even though I didn't know how I was going to do it, I made a no-turning-back decision to kill off Negative Past Mel and become Positive Future Mel. The first step in my how was a book that taught me how to create a morning routine. That book saved me and set me on a path of personal growth and development and helped me take my first steps forward to becoming a version of Future Mel I actually enjoy being!
The most important thing I learned from this book is that “winners take breaks!” I was the kind of person who kept pushing and pushing and pushing myself because I thought that was how I would get ahead. I never understood the scientifically proven benefits of taking breaks. There’s a lot of other great stuff in here, but even that small tidbit permanently changed how I work.
Timing is everything. But we don't know much about timing itself. Timing, it's often assumed, is an art; in When, Pink shows that timing is in fact a science.
Drawing on a rich trove of research from psychology, biology and economics, Pink reveals how best to live, work and succeed. How can we use the hidden patterns of the day to build the ideal schedule? Why do certain breaks dramatically improve student test scores? How can we turn a stumbling beginning into a fresh start? When should you have your first coffee of the day? Why is singing in time…
For many years, I’ve been creating visual nonfiction books for adults. These books are about climate change, indigenous sovereignty, and nuclear physics—not typical kids’ book fare. But because my books include artwork, everyone always asked me when I would write and illustrate a book for children. Once I had my own children, I was suddenly full of ideas. Children’s books are often underestimated. The best books of the genre are accessible enough to interest a young person, sophisticated enough to engage the adults reading them aloud, and multidimensional enough to reward countless re-readings. I believe books that meet this standard fit alongside civilization’s great works of literature.
I never tire of reading this brilliant book to my son. His imagination (and mine) goes to new places with each rereading. Each spread relocates the reader to another corner of the world, where we glimpse a snapshot of action: someone honks their car horn in a traffic jam in Mexico City, a volcano erupts in Papua-New Guinea, a woman drops a mysterious envelope on the sidewalk in Budapest.
For my son and I, the book has been as interactive as any game, offering endless possibilities for discussion and debate. Because each spread is a single moment, we can dream up our own interpretation of what might have led to this scene and what will unfold afterward. It’s wonderful to see wildly varied landscapes as we travel the planet.
Inspired by the question, "What are they doing right at this moment on the other side of the world?" this book focuses on natural and human events happening all over the world in the same second. Talking about the world and how it's so different in places but also so similar and shared, so incredible and surprising, the books takes us to New York, Chicago, Mexico, Portugal, Angola, Turkey, Greece, Italy, Hungry, Brazil, and South Africa, among others.
So, while you sit turning the pages of this book, things are happening everywhere. Somewhere, a wave is reaching the shore. Elsewhere,…
Like many people, I have experienced my share of suffering. I have also spent a lifetime exploring the suffering of others through great works of literature and art. My attraction to Japanese literature–imbued with a Buddhist sensitivity to loss–reflects my taste for the melancholy beauty of works of art that transmute suffering into aesthetic form. The qualities I find in Japanese literature are in wonderfully long supply in writings from around the world. My list of favorite books is a small testament to that aesthetic work which has the potential to heal us.
For anyone who has been shattered by a terrible loss and could not imagine a road to recovery, this intimate, poetic, and philosophically astute exploration of bereavement, of the mental ravages brought on by the loss of a child, will be a bracing and transformative reading experience.
This short and brilliant book has forever changed how I understand what it means to grieve and to master one’s suffering—it makes you feel less alone.
'One of the most eloquent thinkers about our life in language' The Sunday Times
Time Lived, Without Its Flow is a beautiful, unflinching essay on the nature of grief from critically acclaimed poet Denise Riley. From the horrific experience of maternal grief Riley wrote her celebrated collection Say Something Back, a modern classic of British poetry. This essay is a companion piece to that work, looking at the way time stops when we lose someone suddenly from our lives.
The first half is formed of diary-like entries written by Riley after the news of her son's death, the entries building…
Writer, broadcaster, speaker. I used to be stuck in fast forward, rushing through life instead of living it. I finally realised I needed to slow down when I started speed reading bedtime stories to my son: my version of Snow White had just three dwarves in it! I went on to slow down – and became, in the words of CBC Radio, “the world's leading evangelist for the Slow Movement.”
The first book I read to research the cult of speed. It's an exhaustive and chilling catalogue of our chronic impatience: how long we wait on hold before hanging up; how soon we start stabbing the Close Door button in an elevator. The book itself is a little breathless, and it confirmed my suspicion that everything was speeding up – with diminishing returns.
Time is the datum that rules our lives. The frenetic purpose - more than we want to admit - is to save time. Think of one of those conveniences that best conveys the most elemental feeling of power over the passing seconds: the microwave oven. In your "hurry sickness" you may find yourself punching 88 seconds instead of 90 because it is faster to tap the same digit twice. Do you stand at the microwave for that minute and a half? Or is that long enough to make a quick call or run in the next room to finish paying…
I took piano lessons as a kid, but my teacher was imperious and boring. In my mid-30s I started thinking about it again, and my partner bought me a state-of-the-art Yamaha keyboard as a Valentine’s Day present. I found a wonderful teacher, Rafael Cortés, who worked at a community music school a few blocks from my office. Every piece we worked on began with a conversation about the composer, the period in which she/he wrote the piece, and the other artists–painters, sculptors, poets–who were working then. I fell in love with both playing and learning about music, and more than 30 years later, I’m still taking weekly lessons with Rafael.
I was struck by the ease with which Hodges moves from her own experience learning the violin to the scientific underpinnings of her subject: from math, physics, and neurology to quantum mechanics, biology, and entanglement theory, always in search of a clue to how music informs our experience of time.
Complex topics are suddenly eased by an anecdote from her personal life and practice: a bow dropping during Paganini or the story of her mother buying her “a red dress, bright as D major.” There’s a quality of searching that runs through these essays, both for scientific meaning in music as well a deeper understanding of the dynamics of her own life.
NATIONAL BOOK AWARD LONGLIST NPR "BEST BOOKS OF THE YEAR" SELECTION NEW YORK TIMES EDITORS' CHOICE
A virtuosic debut from a gifted violinist searching for a new mode of artistic becoming
How does time shape consciousness and consciousness, time? Do we live in time, or does time live in us? And how does music, with its patterns of rhythm and harmony, inform our experience of time?
Uncommon Measure explores these questions from the perspective of a young Korean American who dedicated herself to perfecting her art until performance anxiety forced her to give up the dream of becoming a concert…
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