Here are 100 books that Repetition and Philosophical Crumbs fans have personally recommended if you like
Repetition and Philosophical Crumbs.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
Throughout my life, I’ve moved around quite a bit, and in the process, members of my family and I have encountered many wildly strange people and things. The universe itself is a wild place when you delve into the more exotic aspects: black holes, quantum physics, and measurable differences in subjective realities. It’s hard to say what the real boundaries are, and so I look for stories that stretch my ability to conceive what could be–and that help me find wonder in all the darkness and strangeness around me.
This book by Franz Kafka may well be the OG book in the pursuit of weirdness in long-form fiction. Telling the harsh and anxious story of Joseph K’s unexplained arrest, Kafka brilliantly creates a universal allegory for the way we often feel like we must defend ourselves against a world that feels impossible to understand.
"Someone must have been telling lies about Josef K., he knew he had done nothing wrong but, one morning, he was arrested." From its gripping first sentence onward, this novel exemplifies the term ""Kafkaesque." Its darkly humorous narrative recounts a bank clerk's entrapment — based on an undisclosed charge — in a maze of nonsensical rules and bureaucratic roadblocks. Written in 1914 and published posthumously in 1925, Kafka's engrossing parable about the human condition plunges an isolated individual into an impersonal, illogical system. Josef K.'s ordeals raise provocative, ever-relevant issues related to the role of government and the nature of…
I have been fascinated by the Gulag since reading the works of Aleksandr Solzhenitsyn in high school and then living for several months in Magadan, Russia, one of the “capitals” of the Gulag. The Gulag combined utopian dreams and stark violence; it was shrouded in many layers of secrecy; and it served, ultimately, as a microcosm of the Soviet Union. It is one of the great tragedies of the twentieth century, and its legacies are alive and well in Vladimir Putin’s Russia today. It can be an emotionally draining topic at times, but it also illustrates, through thousands of individual stories, humankind’s capacity for resiliency, goodness, love, and hope.
The book that shocked the world! The classic account of the Gulag! I deeply admire Aleksandr Solzhenitsyn, who survived several years of imprisonment and then interviewed hundreds of former inmates while lobbying the Soviet government to abandon its use of repression. The interviews and his own experiences form the basis of this three-volume book of over 1,500 pages (don’t worry—there’s an abridged edition!) that chronicles nearly every aspect of Stalin’s forced labor camps.
I love how Solzhenitsyn infuses his writing with righteous indignation—punctuated by dark humor—at what he and millions of others endured. I find him particularly effective at entering the prisoner’s mind to explore a range of morally fraught decisions that must constantly be made in the oppressive labor camps. Not to be missed!
Volume 1 of the gripping epic masterpiece, Solzhenitsyn's chilling report of his arrest and interrogation, which exposed to the world the vast bureaucracy of secret police that haunted Soviet society. Features a new foreword by Anne Applebaum.
“The greatest and most powerful single indictment of a political regime ever leveled in modern times.” —George F. Kennan
“It is impossible to name a book that had a greater effect on the political and moral consciousness of the late twentieth century.” —David Remnick, The New Yorker
“Solzhenitsyn’s masterpiece. . . . The Gulag Archipelago…
I was 14 years old when my dad was imprisoned by the communist police of ex-Yugoslavia. My dad spent his childhood working as a shepherd in a small Macedonian village with 11 inhabitants. Later, he became a poet, and he belonged to the last group of political prisoners in the former Yugoslavia. When my dad was sent to prison, my family and I dealt with great trauma.
Why should I read a book written by two neurologists from the end of the 19th century? It is very simple. I love this book because it is the first description and extended explanation of female traumas.
The book answers very important questions. What is trauma? What is an ego? Does normality exist? What is pain? What is shame? What is desire? What is childhood? And the most important question of all, which this book answers, is: Can words heal?
The cornerstone of psychoanalysis,and legacy of the landmark Freud/Breuer collaboration,featuring the classic case of Anna O. and the evolution of the cathartic method, in the definitive Strachey translation. Re-packaged for the contemporary audience with what promises to be an unconventional foreword by Irvin Yalom, the novelist and psychiatrist who imagined Breuer in When Nietzsche Wept .
I was 14 years old when my dad was imprisoned by the communist police of ex-Yugoslavia. My dad spent his childhood working as a shepherd in a small Macedonian village with 11 inhabitants. Later, he became a poet, and he belonged to the last group of political prisoners in the former Yugoslavia. When my dad was sent to prison, my family and I dealt with great trauma.
During the short walk that entered literary history, Sigmund Freud met Rainer Maria Rilke, a poet who experienced the terror of mortality and felt eerily that everything human is ultimately worthless. Not really, Freud answered.
The mortality of nature and humans–the end of the beloved human face–gives them their ultimate meaning. It is because we know that everything that exists will be gone one day, which is why we cherish them. I read about it for the first time in this book. It is written with a very mild and careful hand, describing all things worthy of living.
Novelist, cultural commentator, memoirist, and historian Eva Hoffman examines our ever-changing perception of time in this inspired addition to the BIG IDEAS/small books series
Time has always been the great given, the element that establishes the governing facts of human fate that cannot be circumvented, deconstructed, or wished away. But these days we are tampering with time in ways that affect how we live, the textures of our experience, and our very sense of what it is to be human. What is the nature of time in our time? Why is it that even as we live longer than ever…
I’m passionate about these books and authors because I’m also a disabled author whose debut young adult novel is coming out this year. We formed the 2024 Debuts group in mid-2022, so we’ve been there for each other through many ups and downs along our individual and collective journeys to publication. Our disabilities add another layer of complexity to that, and we’ve found comfort and solidarity in each other. Many of them are friends, and I couldn’t be prouder to share their incredible books with you. As we approach Disability Pride Month, I hope you consider adding a book written by a disabled author to your TBR!
There is so much to love about this book. It’s a sapphic time-loop romance, which should be enough to hook you, but it’s also fundamentally about disability.
Chatham is another close friend, and we each had a moment over the other’s book cover when they were first revealed–because they both prominently feature disability aids. It’s making invisible illnesses visible, which is so important to me.
In this debut YA speculative romance perfect for fans of Rachael Lippincott, two queer, disabled, Jewish teens find themselves stuck in a time loop--and falling love.
Phoebe Mendel's day is never ending--literally.
On August 6th, she woke up to find herself stuck in a time loop. And for nearly a month of August 6ths since, Phoebe has relived the same day: pancakes with Mom in the morning, Scrabble with Dad in the afternoon, and constant research into how to reach tomorrow and make it to her appointment with a doctor who may actually take her IBS seriously. Everything is exactly,…
I started my career teaching high school. I attended amazing professional development institutes, where scholars showed me how the stories I’d learned and then taught to my own students were so oversimplified that they had become factually incorrect. I was hooked. I kept wondering what else I’d gotten wrong. I earned a Ph.D. in modern US History with specialties in women’s and gender history and war and society, and now I’m an Associate Professor of History at Iowa State University and the Coordinator of ISU’s Social Studies Education Program. I focus on historical complexity and human motivations because they are the key to understanding change.
Generally speaking, I hate anything that hints at theory. But this slim volume, which investigates the relationship between states of war and how we understand time, is grounded solidly in reality and does not require mental gymnastics to understand.
Using the examples of World War II, the Cold War, and the Global War on Terror, Dudziak made me rethink how we define when it’s “wartime” vs. when it’s “peacetime” and why that matters. Her argument is about how war has not been a time out of time or aberration, so treating war as a period when different rules apply has real consequences.
The book pushed me to rethink how and when I silo ideas, time, and events and how dangerous silo’ing can be.
When is wartime? On the surface, it is a period of time in which a society is at war. But we now live in what President Obama has called "an age without surrender ceremonies," when it is no longer easy to distinguish between wartime and peacetime. In this inventive meditation on war, time, and the law, Mary Dudziak argues that wartime is not as discrete a time period as we like to think. Instead, America has been engaged in some form of ongoing overseas armed conflict for over a century. Meanwhile policy makers and the American public continue to view…
Like many people, I have experienced my share of suffering. I have also spent a lifetime exploring the suffering of others through great works of literature and art. My attraction to Japanese literature–imbued with a Buddhist sensitivity to loss–reflects my taste for the melancholy beauty of works of art that transmute suffering into aesthetic form. The qualities I find in Japanese literature are in wonderfully long supply in writings from around the world. My list of favorite books is a small testament to that aesthetic work which has the potential to heal us.
For anyone who has been shattered by a terrible loss and could not imagine a road to recovery, this intimate, poetic, and philosophically astute exploration of bereavement, of the mental ravages brought on by the loss of a child, will be a bracing and transformative reading experience.
This short and brilliant book has forever changed how I understand what it means to grieve and to master one’s suffering—it makes you feel less alone.
'One of the most eloquent thinkers about our life in language' The Sunday Times
Time Lived, Without Its Flow is a beautiful, unflinching essay on the nature of grief from critically acclaimed poet Denise Riley. From the horrific experience of maternal grief Riley wrote her celebrated collection Say Something Back, a modern classic of British poetry. This essay is a companion piece to that work, looking at the way time stops when we lose someone suddenly from our lives.
The first half is formed of diary-like entries written by Riley after the news of her son's death, the entries building…
I took piano lessons as a kid, but my teacher was imperious and boring. In my mid-30s I started thinking about it again, and my partner bought me a state-of-the-art Yamaha keyboard as a Valentine’s Day present. I found a wonderful teacher, Rafael Cortés, who worked at a community music school a few blocks from my office. Every piece we worked on began with a conversation about the composer, the period in which she/he wrote the piece, and the other artists–painters, sculptors, poets–who were working then. I fell in love with both playing and learning about music, and more than 30 years later, I’m still taking weekly lessons with Rafael.
I was struck by the ease with which Hodges moves from her own experience learning the violin to the scientific underpinnings of her subject: from math, physics, and neurology to quantum mechanics, biology, and entanglement theory, always in search of a clue to how music informs our experience of time.
Complex topics are suddenly eased by an anecdote from her personal life and practice: a bow dropping during Paganini or the story of her mother buying her “a red dress, bright as D major.” There’s a quality of searching that runs through these essays, both for scientific meaning in music as well a deeper understanding of the dynamics of her own life.
NATIONAL BOOK AWARD LONGLIST NPR "BEST BOOKS OF THE YEAR" SELECTION NEW YORK TIMES EDITORS' CHOICE
A virtuosic debut from a gifted violinist searching for a new mode of artistic becoming
How does time shape consciousness and consciousness, time? Do we live in time, or does time live in us? And how does music, with its patterns of rhythm and harmony, inform our experience of time?
Uncommon Measure explores these questions from the perspective of a young Korean American who dedicated herself to perfecting her art until performance anxiety forced her to give up the dream of becoming a concert…
Mario Livio is an astrophysicist and author of seven popular science books, including the bestsellers The Golden Ratio and Brilliant Blunders. He worked for 24 years (till 2015) with the Hubble Space Telescope, and published more than 500 scientific papers. He lectures regularly to the general public, and has appeared on television programs ranging from 60 Minutes to NOVA to The Daily Show.
An enthralling, fictional description of a young scientist (Einstein) and his dreams/thoughts about space, time, relativity, and the nature of reality. The book fictionalizes Einstein’s dreams in 1905, his “Annus Mirabilis” (“Miracle Year”), in which he wrote four fundamental papers, including one on his theory of Special Relativity. While this is a work of fiction, the physics concepts are beautifully explained.
It is ten minutes past six by the invisible clock on the wall. The young patents clerk sprawls in his chair, dreaming about time. He is Albert Einstein, and in his dreams he imagines new worlds, in which time can be circular, or flow backwards, or slow down at higher altitudes.
Throughout my life, I have been fascinated by humanity’s place within deeper time. As a boy, I collected rocks and fossils, and at university studied geology. The long term has also been a theme running throughout my journalism career at New Scientist and the BBC, and it inspired my research during a recent fellowship at Massachusetts Institute of Technology in the US. I believe we need to embrace a deeper view of time if we are to navigate through this century’s grand challenges – and if we can, there’s hope, agency, and possibility to be discovered along the way.
Vincent is a social anthropologist who spent a number of years in Finland completing a truly fascinating piece of fieldwork: he studied the people involved in planning the spent nuclear waste depository at Onkala.
This is a huge undertaking and responsibility, requiring its architects to project their minds tens of thousands of years into the future. Through his fieldwork, Vincent drew out various broader lessons for how to think longer-term.
What’s striking about Onkala is that the people involved in the planning are simply normal Finnish people tasked with an extraordinary job. To me that shows that deep time can be accessible to everyone, and indeed this is a theme that Vincent explores himself: seeking out long-term time in everyday experience can be cathartic, he argues.
A guide to long-term thinking: how to envision the far future of Earth.
We live on a planet careening toward environmental collapse that will be largely brought about by our own actions. And yet we struggle to grasp the scale of the crisis, barely able to imagine the effects of climate change just ten years from now, let alone the multi-millennial timescales of Earth's past and future life span. In this book, Vincent Ialenti offers a guide for envisioning the planet's far future—to become, as he terms it, more skilled deep time reckoners. The challenge, he says, is to learn…
