Here are 100 books that The Gulag Archipelago Volume 1 fans have personally recommended if you like
The Gulag Archipelago Volume 1.
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I was 14 years old when my dad was imprisoned by the communist police of ex-Yugoslavia. My dad spent his childhood working as a shepherd in a small Macedonian village with 11 inhabitants. Later, he became a poet, and he belonged to the last group of political prisoners in the former Yugoslavia. When my dad was sent to prison, my family and I dealt with great trauma.
Yes, I know. Anyone like me who has taken on to teach Kafka in the university classroom knows that Kafka is not an easy read. However, here is my approach. I accept Kafka as a meditative humorist who can heal trauma.
The listeners laughed unbridled when Kafka read excerpts of his novel at Max Brod’s book club in Prague. If I search for cheap sentimentalism and resentment, I can go elsewhere. I always come back to this book for the heroic quality of humor, which is the best weapon against trauma.
"Someone must have been telling lies about Josef K., he knew he had done nothing wrong but, one morning, he was arrested." From its gripping first sentence onward, this novel exemplifies the term ""Kafkaesque." Its darkly humorous narrative recounts a bank clerk's entrapment — based on an undisclosed charge — in a maze of nonsensical rules and bureaucratic roadblocks. Written in 1914 and published posthumously in 1925, Kafka's engrossing parable about the human condition plunges an isolated individual into an impersonal, illogical system. Josef K.'s ordeals raise provocative, ever-relevant issues related to the role of government and the nature of…
I was 14 years old when my dad was imprisoned by the communist police of ex-Yugoslavia. My dad spent his childhood working as a shepherd in a small Macedonian village with 11 inhabitants. Later, he became a poet, and he belonged to the last group of political prisoners in the former Yugoslavia. When my dad was sent to prison, my family and I dealt with great trauma.
How do we master trauma? Some books say that I should repeat what I already did, and other books say that I should choose something new. But this small book explains that both decisions are bad.
This book has taught me that neither repetition nor choosing the new heals. I should choose the recollection over the repetition. I already have all the knowledge I need to overcome it, which is already within me.
'The love of repetition is in truth the only happy love'
So says Constantine Constantius on the first page of Kierkegaard's Repetition. Life itself, according to Kierkegaard's pseudonymous narrator, is a repetition, and in the course of this witty, playful work Constantius explores the nature of love and happiness, the passing of time and the importance of moving forward (and backward). The ironically entitled Philosophical Crumbs pursues the investigation of faith and love and their tense relationship with reason.
Written only a year apart, these two works complement each other and give the reader a unique insight into the breadth…
I was 14 years old when my dad was imprisoned by the communist police of ex-Yugoslavia. My dad spent his childhood working as a shepherd in a small Macedonian village with 11 inhabitants. Later, he became a poet, and he belonged to the last group of political prisoners in the former Yugoslavia. When my dad was sent to prison, my family and I dealt with great trauma.
Why should I read a book written by two neurologists from the end of the 19th century? It is very simple. I love this book because it is the first description and extended explanation of female traumas.
The book answers very important questions. What is trauma? What is an ego? Does normality exist? What is pain? What is shame? What is desire? What is childhood? And the most important question of all, which this book answers, is: Can words heal?
The cornerstone of psychoanalysis,and legacy of the landmark Freud/Breuer collaboration,featuring the classic case of Anna O. and the evolution of the cathartic method, in the definitive Strachey translation. Re-packaged for the contemporary audience with what promises to be an unconventional foreword by Irvin Yalom, the novelist and psychiatrist who imagined Breuer in When Nietzsche Wept .
I was 14 years old when my dad was imprisoned by the communist police of ex-Yugoslavia. My dad spent his childhood working as a shepherd in a small Macedonian village with 11 inhabitants. Later, he became a poet, and he belonged to the last group of political prisoners in the former Yugoslavia. When my dad was sent to prison, my family and I dealt with great trauma.
During the short walk that entered literary history, Sigmund Freud met Rainer Maria Rilke, a poet who experienced the terror of mortality and felt eerily that everything human is ultimately worthless. Not really, Freud answered.
The mortality of nature and humans–the end of the beloved human face–gives them their ultimate meaning. It is because we know that everything that exists will be gone one day, which is why we cherish them. I read about it for the first time in this book. It is written with a very mild and careful hand, describing all things worthy of living.
Novelist, cultural commentator, memoirist, and historian Eva Hoffman examines our ever-changing perception of time in this inspired addition to the BIG IDEAS/small books series
Time has always been the great given, the element that establishes the governing facts of human fate that cannot be circumvented, deconstructed, or wished away. But these days we are tampering with time in ways that affect how we live, the textures of our experience, and our very sense of what it is to be human. What is the nature of time in our time? Why is it that even as we live longer than ever…
Lynne Viola is a University Professor of Russian history at the University of Toronto. Educated at Barnard and Princeton, she has carried out research in Russian and Ukrainian archives for over 30 years. Among her books, are two dealing with Stalinist repression: Stalinist Perpetrators on Trial: Scenes from the Great Terror in Soviet Ukraine and The Unknown Gulag: The Lost World of Stalin’s Special Settlements. Both are based on work in previously classified archives, including the archives of the political police.
This is the classic account of the Great Terror and the Gulag. Solzhenitsyn roots Stalinist repression firmly in the Russian Revolution, blaming Marxist ideology for the camps. The literary value of this work is incontestable.
The official, one-volume edition, authorized by Solzhenitsyn
“BEST NONFICTION BOOK OF THE 20TH CENTURY” —Time
The Nobel Prize winner’s towering masterpiece of world literature, the searing record of four decades of terror and oppression, in one abridged volume (authorized by the author). Features a new foreword by Anne Applebaum.
“It is impossible to name a book that had a greater effect on the political and moral consciousness of the late twentieth century.” —David Remnick, The New Yorker
Drawing on his own experiences before, during and after his eleven years of incarceration and exile, on evidence provided by more than 200…
Roger Reese has studied, researched, and or taught Soviet history since 1984. He has been on the faculty of Texas A&M University since 1990. He has published five books and numerous articles and book chapters on the military history of Russia and the Soviet Union. He was awarded the Norman B. Tomlinson, Jr. book prize for his most recent book, The Imperial Russian Army in Peace, War, and Revolution, 1856-1917.
I love this book because it “names names.” It is a tragic recounting of the sending of petty criminals combined with a mostly random rounding up of innocent “undesirables” off the street by the police in the USSR in 1934 who are then shipped to exile in Siberia where they were expected to work for the good of the Soviet state. In a matter of months thousands of them died from maltreatment, exposure, and starvation. The book traces the chain of events from inspiration by head of the Gulag Berman and chief of the secret police Iagoda all the way down the chain of command of the Party and police officials to the man responsible for stranding the people on a river island in Siberia. The book gives a glimpse into the nature of the repressive organs and mentality of the Soviet state in a way that humanizes the experience…
During the spring of 1933, Stalin's police rounded up nearly one hundred thousand people as part of the Soviet regime's "cleansing" of Moscow and Leningrad and deported them to Siberia. Many of the victims were sent to labor camps, but ten thousand of them were dumped in a remote wasteland and left to fend for themselves. Cannibal Island reveals the shocking, grisly truth about their fate. These people were abandoned on the island of Nazino without food or shelter. Left there to starve and to die, they eventually began to eat each other. Nicolas Werth, a French historian of the…
I have chosen this area of literature because I enjoy expanding my horizons. I love to find out about stories from different cultures and different times that will open my eyes to things I would never have thought about before. The depth of the writing is important to convey the emotions felt by the characters. This is what inspires me in my writing and my book that I have chosen to highlight here is also a story of historical fiction, influenced by my experience of living in Slovakia and finding out from residents about how incredibly different life had been in their country.
Shalamov was a political prisoner in the Soviet Union and was sent to the gulags in northeastern Siberia. This book is life-changing in that he nonchalantly tells stories of extreme discomfort and how the men would kill each other without a second thought if they didn't like what the other was doing. Narrating tales over many years of desperation, Kolyma Tales puts the reader in the shoes of someone who knows they can't escape but can't lose the survival instinct, either. This is easily one of the best books I've ever read.
It is estimated that some three million people died in the Soviet forced-labour camps of Kolyma, in the northeastern area of Siberia. Shalamov himself spent seventeen years there, and in these stories he vividly captures the lives of ordinary people caught up in terrible circumstances, whose hopes and plans extended to further than a few hours This new enlarged edition combines two collections previously published in the United States as Kolyma Tales and Graphite.
I’ve spent the past few years writing about the 1940 Katyń Massacre of 22,000 Polish prisoners of war by Stalin’s NKVD and the decades-long cover-up of their crime. My research has taken me far and wide across the recent history of eastern Europe but until the Russian invasion of Ukraine in February 2022 I was convinced the events I was studying belonged firmly in the past. Now, more than ever, we need to make an effort to understand the ways in which history informs the present. I most admire writers who combine a forensic attention to detail with a deep compassion for the individuals at the heart of every story.
A magisterial account of the brutal system of labour camps to which hundreds of thousands of people were consigned as criminals by the Soviet state. Alexander Solzhenitsyn and Varlam Shalamov offer us vivid first-hand accounts of the experience of being a prisoner in the gulag, but what Applebaum has achieved is to tell the history of an entire system without ever losing sight of the individuals who were its victims.
PULITZER PRIZE WINNER • This magisterial and acclaimed history offers the first fully documented portrait of the Gulag, from its origins in the Russian Revolution, through its expansion under Stalin, to its collapse in the era of glasnost.
“A tragic testimony to how evil ideologically inspired dictatorships can be.” –The New York Times
The Gulag—a vast array of Soviet concentration camps that held millions of political and criminal prisoners—was a system of repression and punishment that terrorized the entire society, embodying the worst tendencies of Soviet communism. Applebaum intimately re-creates what life was like in the camps and links them…
When I had to choose another elective subject at school, my grandmother advised me: "Take Russian. We will have to deal with the Russians – for better or for worse.” So I chose Russian as my third foreign language and my grandmother was right – first it came good: perestroika and glasnost, then it came bad: Putinism. So I studied Russian and history, did my doctorate and habilitation in Russian-Soviet history, and today I am a professor of contemporary history and culture of Eastern Europe and head of the Research Centre for East European Studies at the University of Bremen.
This book took me into the abysses of Soviet society, but in a very different way than the books on terror: Dobson does an incomparable job of describing what it meant for Soviet people to take in millions of Gulag returnees after 1953, and to do so in a society that was far from leaving the ravages of war behind, that itself had barely any housing and enough to eat, that on the one hand was severely traumatized by Stalin's terror, but on the other hand was in large part unwilling to accept the Gulag returnees as innocent victims. They were perceived as troublemakers and competitors for the few resources, their language as vulgar and outrageous, their culture as an attack on Stalinist "culturedness." Anyone who wants to understand what Stalinism did not only to the victims, but to society as a whole, must read this book. But be aware:…
Between Stalin's death in 1953 and 1960, the government of the Soviet Union released hundreds of thousands of prisoners from the Gulag as part of a wide-ranging effort to reverse the worst excesses and abuses of the previous two decades and revive the spirit of the revolution. This exodus included not only victims of past purges but also those sentenced for criminal offenses.
In Khrushchev's Cold Summer, Miriam Dobson explores the impact of these returnees on communities and, more broadly, Soviet attempts to come to terms with the traumatic legacies of Stalin's terror. Confusion and disorientation undermined the regime's efforts…
I am a scholar of international human rights and comparative genocide studies. My father was a refugee from the Holocaust. So I was always interested in genocide, but I did not want to be another Holocaust scholar. Instead, I introduced one of the first university courses in Canada on comparative genocide studies. From a very young age, I was also very interested in social justice: I was seven when Emmett Till was murdered in the US. So when I became a professor, I decided to specialize in international human rights. I read a lot of “world literature” fiction that helps me to empathize with people in places I’ve never been.
I studied under the distinguished sociologist, Immanuel Wallerstein. One day in class he said, if you read only one book, it should be this one. So I read it.
Koestler was a Hungarian Jew who joined the German Communist Party. He became disillusioned with communism, in part because of the Stalin trials of the 1930s, in which many of Stalin’s own former allies were tortured and executed.
The protagonist of the novel is Rubashov, a dedicated Communist who is accused of treason, tortured, and eventually executed despite confessing to his supposed crimes. The novel is a great way to learn not only about the Stalinist Soviet Union, but about any society that brain-washes its victims.
The newly discovered lost text of Arthur Koestler’s modern masterpiece, Darkness at Noon—the haunting portrait of a revolutionary, imprisoned and tortured under totalitarian rule—is now restored and in a completely new translation.
Editor Michael Scammell and translator Philip Boehm bring us a brilliant novel, a remarkable discovery, and a new translation of an international classic.
In print continually since 1940, Darkness at Noon has been translated into over 30 languages and is both a stirring novel and a classic anti-fascist text. What makes its popularity and tenacity even more remarkable is that all existing versions of Darkness at Noon are…
