Here are 100 books that The Life and Opinions of Tristram Shandy, Gentleman fans have personally recommended if you like
The Life and Opinions of Tristram Shandy, Gentleman.
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I’ve been a sci-fi/fantasy fan ever since my dad introduced me to the original Star Trek (in reruns) and The Lord of the Rings in my youth. I’ve always loved thinking about possibilities—large and small—so my work tends to think big when I write. I also write poetry, which allows me to talk about more than just the everyday or at least to find the excitement within the mundane in life. These works talk about those same “possibilities”—for better or worse, and in reading, I walk in awareness of what could be.
Cormac McCarthy does the impossible in this book—he writes an emotionally satisfying, literary-minded travelogue of horrors. It shatters the reader but then lifts them up with its beautifully wrought prose.
Be patient: the novel gets brutally dark before the light.
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if…
I am a bit of a contradiction in that I am a Christian pastor but also a horror aficionado. I love all things sci-fi and horror. My fascination with these genres stems from childhood, when I stumbled upon Star Wars, the old Addams Family cartoons, and even Scooby Doo. As I matured, my love of reading grew, and I soon consumed literature like a Dyson, especially sci-fi and horror. I often joke about how the odd combo of my two biggest writing influences, Stephen King (I’ve read his entire bibliography) and C.S. Lewis, perfectly sums up my character, and I think that’s what makes me perfect for this recommendation.
The most iconic and somehow most misrepresented vampire story of all time. I read this book because it was iconic and for no other reason. It was not long before I began to see this book's Christian themes and messages. Though the book may not be explicitly Christian, the influences and messages are most apparent in Mina Harker.
I loved how the character of Mina becomes a prototype of what people would eventually call “The Final Girl”, not because of her physical strength or survival instincts, but because of her unwavering faith in God. I knew this was essentially a story of good and evil, but I was wonderfully surprised by this being a story of faith vs flesh and corruption vs holiness.
28
authors picked
Dracula
as one of their favorite books, and they share
why you should read it.
This book is for kids age
17.
What is this book about?
'The very best story of diablerie which I have read for many years' Arthur Conan Doyle
A masterpiece of the horror genre, Dracula also probes identity, sanity and the dark corners of Victorian sexuality and desire. It begins when Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, and makes horrifying discoveries in his client's castle. Soon afterwards, disturbing incidents unfold in England - an unmanned ship is wrecked; strange puncture marks appear on a young woman's neck; a lunatic asylum inmate raves about the imminent arrival of his 'Master' - and a determined group of adversaries…
I’ve always been fascinated by the convergence of the serious and the absurd. Raised on the experimental humor of the 90s, I was delighted to find that weird humor and an absurd sensibility were not limited to experimental novelists of the 20th century. In the literature of the Enlightenment, I found proof that taking a joke to its limit can also produce experimental insight, deep feeling, and intellectual discovery. I discovered a time when early novelists moved seamlessly between satirical mimicry and serious first-person narrative; when esoteric philosophy and scientific abstraction blended in with the weirdness of formalist experimentation. I discovered that the Enlightenment was anything but dull.
I love how this book elevates lying into an art form. Following the convention of the era, Defoe published the work as if it were written by its main character, Robinson Crusoe. Crusoe stands out from its peers for the subtlety of its mimicry. I envy how natural and easy Defoe makes writing look.
The book reveals the novel’s roots in other genres, such as satire, journalism, religious writing, and personal narrative. Defoe excelled at all of these, and I find the strange convergence mesmerizing. It’s possible to see the outlines of these earlier traditions even as something like a modern novel comes into view.
With apologies to Oprah and James Frey, this book helps me remember that the best writers have always been a bit loose with the truth.
'Robinson Crusoe has a universal appeal, a story that goes right to the core of existence' Simon Armitage
Daniel Defoe's Robinson Crusoe, regarded by many to be first novel in English, is also the original tale of a castaway struggling to survive on a remote desert island.
The sole survivor of a shipwreck, Robinson Crusoe is washed up on a desert island. In his journal he chronicles his daily battle to stay alive, as he conquers isolation, fashions shelter and clothes, enlists the help of a native islander who he names 'Friday', and fights off cannibals and mutineers. Written in…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
When I was little, I would draw for hours, captivated by the female experience. Art, film, and literature focused on women’s lives have always felt the most compelling to me. Whether it’s gazing at a woman painted centuries ago, watching a film about a woman navigating her time, or reading a book that delves into her inner world, I’m drawn to their stories. Their complexities and imperfections are often what I love most. This lifelong fascination has shaped my career. Whether illustrating fashion, designing book covers, or authoring my own books, the emotions and experiences of female characters inspire me, fuel my creativity, and remind me of the power and importance of their stories.
Dolores Haze is an oft-misrepresented character. I dislike the way Lolita is usually portrayed in a coquettish manner. I find Lolita to be one of the most tragic heroines in classic literature. This child is a manipulated and abused victim of a perverted narrator. Her mother is deeply complicated, too.
I love the complexity of all the characters and how their story arc evolves as the power dynamic shifts. It’s entertaining but also brings up disgust and concern for the heroine. I find myself rooting for her and hating the slimy narrator while at the same time appreciating Nabakov’s ability to build such fleshed-out characters and give us such a window into their minds.
'Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of my tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.'
Humbert Humbert is a middle-aged, frustrated college professor. In love with his landlady's twelve-year-old daughter Lolita, he'll do anything to possess her. Unable and unwilling to stop himself, he is prepared to commit any crime to get what he wants.
Is he in love or insane? A silver-tongued poet or a pervert? A tortured soul or a monster? Or is he all…
I was a wild card in the industry heavy town where I was born and raised, destined to burn out my days early in a factory or steel mill. But I worked my way through college, survived several close calls in Vietnam and bull headed my way into a series of jobs that pushed me toward Hollywood assignments as a writer, producer and director.
I liked this hundred-year-old novel because it explores some darker doubts and concerns I have always had about “the hidden heart of mankind unrestrained.” What’s more, the theme of Heart Of Darkness is reflected in the movie Apocalypse Now, with stark modern-day observations on the wounds the violence of war can inflict on the hearts and minds of humans.
Although Polish by birth, Joseph Conrad (1857–1924) is regarded as one of the greatest writers in English, and Heart of Darkness, first published in 1902, is considered by many his "most famous, finest, and most enigmatic story." — Encyclopaedia Britannica. The tale concerns the journey of the narrator (Marlow) up the Congo River on behalf of a Belgian trading company. Far upriver, he encounters the mysterious Kurtz, an ivory trader who exercises an almost godlike sway over the inhabitants of the region. Both repelled and fascinated by the man, Marlow is brought face to face with the corruption and despair…
Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.
This book taught me that great satire spares no one. It’s not about one group in society or one ideology—it skewers all of them equally, one after another until we see the flaws in human nature that underlie all of them. You could say it’s a very pessimistic book, but I didn’t read it that way.
Seeing your shortcomings, individual or social, is the first step to overcoming them.
'Thus, gentle Reader, I have given thee a faithful History of my Travels for Sixteen Years, and above Seven Months; wherein I have not been so studious of Ornament as of Truth.'
In these words Gulliver represents himself as a reliable reporter of the fantastic adventures he has just set down; but how far can we rely on a narrator whose identity is elusive and whoses inventiveness is self-evident? Gulliver's Travels purports to be a travel book, and describes Gulliver's encounters with the inhabitants of four extraordinary places: Lilliput, Brobdingnag, Laputa, and the country of the Houyhnhnms. A consummately skilful…
Who was the man who would become Caesar's lieutenant, Brutus' rival, Cleopatra's lover, and Octavian's enemy?
When his stepfather is executed for his involvement in the Catilinarian conspiracy, Mark Antony and his family are disgraced. His adolescence is marked by scandal and mischief, his love affairs are fleeting, and yet,…
I’m passionate about this because I write romantasy too, and so do many other wonderful authors. Sarah J. Maas is a legend in the Romantasy genre, and she’s prolific, so there’s a lot to read with her various series. But, if you’ve finished with her books and are looking for more, there are plenty of authors out there doing amazing, spine-tingling, dare I say loin-tingling work, and we should celebrate them. Besides, no matter how prolific Ms. Maas is, readers will always finish books faster than even she can write them.
What? You didn’t know there was a book? There is! Now, the movie is, in my humble opinion, the most perfect movie ever made, but the book came first.
I read the book ages ago and fell in love with it. More in-depth than the movie and a little different in places, it is worth the read, and if you want to follow up with a small, equally as fun read, try The Silent Gondoliers, also by Goldman.
William Goldman’s beloved story of Buttercup, Westley, and their fellow adventurers.
This tale of true love, high adventure, pirates, princesses, giants, miracles, fencing, and a frightening assortment of wild beasts was unforgettably depicted in the 1987 film directed by Rob Reiner and starring Fred Savage, Robin Wright, and others. But, rich in character and satire, the novel boasts even more layers of ingenious storytelling. Set in 1941 and framed cleverly as an “abridged” retelling of a centuries-old tale set in the fabled country of Florin, home to “Beasts of all natures and descriptions. Pain. Death. Brave men. Coward men. Strongest…
PoppyHarp has at its heart the mystery of a forgotten children’s TV show from the 70s, so I wanted to share books that explore a similar idea–the fiction in fiction–be it an invented book, movie, or TV show that drives the narrative in some way. These five books all feature the enigmatic quality of something lost or some kind of age-old mystery waiting to be unraveled by its protagonists. They are also five books that I absolutely adore.
This is a love-it or hate-it novel. Either you find it tiresome, or you give yourself over whole-heartedly to its unique madness. It has at its heart a film, The Navidson Record, a documentary about a photojournalist who moves his family into a pretty house and discovers that the house is bigger on the inside than the outside, and getting bigger.
As he and his friends try to explore the limits of the house, it rearranges itself around them. The film is described in the text by an old man, complete with a mountain of scholarly footnotes by a tattoo artist. But this book is also powered by a genuinely unsettling, often terrifying descent into hell. It’s a deranged funhouse of a novel that you will probably never forget.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations,…
I have always been drawn to the weird, fantastic, supernatural, and unexplained. Whether it’s film or TV (The Twilight Zone, the X-files, Ingmar Bergman) or gothic and speculative literature, I become mesmerized by the mysteries involved. I have written 10 books (poetry and fiction). Of the fiction, most is either speculative, as in magical realism, or somewhat gothic in nature. My newest novel, due out in 2025, is pure gothic and takes place in a haunted abbey inhabited by ghosts and the devil himself. And yet, behind it all is an exploration of human faith and frailty and a search for answers about our beliefs.
I love being taken to places I’ve never been before and being exposed to leaps in imagination. Marquez, the most famous of the school of magical realism, takes the reader on a journey through time and history in an unforgettable tale. The style of writing captures me in this book and has also influenced me. If you read no other book, read this one.
One Hundred Years of Solitude tells the story of the rise and fall, birth and death of the mythical town of Macondo through the history of the Buendía family. Inventive, amusing, magnetic, sad, and alive with unforgettable men and women -- brimming with truth, compassion, and a lyrical magic that strikes the soul -- this novel is a masterpiece in the art of fiction.
Meet Lev Gleason, a real-life comics superhero! Gleason was a titan among Golden Age comics publishers who fought back against the censorship campaigns and paranoia of the Red Scare. After dropping out of Harvard to fight in World War I in France, Gleason moved to New York City and eventually…
I fell in love with speculative fiction in high school (1967) when I found LOTR collecting dust on a library shelf in San Marcos, Texas. I majored in philosophy in college, which required a high degree of speculative imagination. Some might call my philosophizing bullshit, but seriously, it’s the only academic field that takes zombies seriously. I taught visual and multimedia design at Austin Community College, helping students commit their imaginations to realized projects. Love in the Ruins inspired me to write three speculative novels and dozens of published short stories.
The only reason I don’t list Love in the Ruins as my favorite novel is because the shadow of this book looms large over every speculative novel I read.
Both books are extraordinarily funny, but Love in the Ruins has become more of a comfy read, while I still find Gravity’s Rainbow complex and challenging. It’s a cross between slapstick and mind f*ck. I would issue a trigger alert for readers who find occasional perverse sex and violence uncomfortable, but I personally believe reading uncomfortable books can make us grow into better readers and better writers.
Hailed by many as the major experimental nov el of the post-war period, Gravity''s Rainbow is a bizarre co mic masterpiece in which linguistic virtuosity creates a who le other world. '
