The Life and Opinions of Tristram Shandy, Gentleman
Book description
Endlessly digressive, boundlessly imaginative and unmatched in its absurd and timeless wit, Laurence Sterne's The Life and Opinions of Tristram Shandy, Gentleman is edited with an introduction by Melvin New and Joan New, and includes a critical essay by Christopher Ricks in Penguin Classics.
Laurence Sterne's great masterpiece of bawdy…
Why read it?
5 authors picked The Life and Opinions of Tristram Shandy, Gentleman as one of their favorite books. Why do they recommend it?
I love the experimental and absurd sensibility of this novel. In an age known for its groundbreaking fiction, this work stands out for its playfulness and complexity. Like Swift, Sterne was a clergyman of the Church of England, and I love how intelligent and sophisticated he is about dirty jokes and silly scenarios.
I also appreciate Sterne’s commitment to pushing the envelope: Sterne inserts all sorts of oddities, from marble pages to graphical representations of the book’s winding narrative. The book obsesses over the minutiae and small details of everyday life even as it considers weighty issues and tragic events.…
From Shane's list on weird, outrageous, funny books of the Enlightenment.
I love this novel because the protagonist narrator seems to have a precise aim of telling us his life, but cannot manage to write an autobiography that respects a chronological order of the events and selects those that are usually considered more relevant.
He cannot avoid spending time and sentences about apparently unremarkable events and descriptions. Moreover, he adopts graphic devices that further lengthen the progression of his story. I think Tristram Shandy’s life review is one of the most significant in the literature.
The classical temporal sequence of the more meaningful facts that should follow one another from a…
From Elisa's list on timeless books about time.
The original metafiction narrator, postmodern before there was a modern to be post about, Tristram Shandy bumbles his way through his pseudo-biography, unreliable to family and readers alike. He doesn't even manage to get born by the end of the first volume. And yet his innumerable faults only make me like him more.
I can't help but admire the chutzpah of a man who interrupts the story to offer the reader the chance to buy their way into the dedication–and for the bargain sum of only fifty guineas!
From Zilla's list on books where the narrator won't stay out of the story.
This was the moment when literature leapt off the page and became a way of life.
Tristram Shandy is a hugely experimental comic novel that relentlessly teases the reader – in addition to tangled plot lines and hilarious episodes there are passages where words are missing so as to encourage readers to fill in the gaps, and even a blank half-page on which readers are invited to draw their own picture.
This level of interaction inspired ‘Shandymania’, a cultural craze that included literary works responding directly to Sterne’s novel, illustrations of favourite scenes, souvenir crockery and souvenir fans, ‘Shandean’ recipes,…
From Nick's list on inspiring creativity.
This book is brilliant. I have never finished reading it. Not because I disliked it, but because, by the time I'd reached the halfway mark, I'd fallen so in love with Sterne's plotless, digressive discourse that I had to quit reading and immediately begin writing Zebra Skin Shirt, a novel whose meandering nature owes a great debt to Sterne's 18th-century yarn. What's so special about Shandy? Here's a clue: it's so caught up in its own sub-sub-sub plots that our hero--the awkwardly-named Tristram Shandy--does not exit his mother's birth canal until the third volume.
From Gregory's list on that care not a whit about traditional plotting.
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