Here are 98 books that The Immoralist fans have personally recommended if you like
The Immoralist.
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I am both a writer and a teacher of writing at the university. I have always wanted to be a writer, even though one of my aunts lied to me when I was five that writers would be poor and would die of tuberculosis. I like listening to stories of ordinary people and can learn so much from them. I studied English literature and psychology in my undergraduate studies. I hold a PhD in applied linguistics. I enjoy reading about the subject of philosophy and am fascinated by the theories revolving around ethics. Naturally, I challenge my characters with moral dilemmas so I can write about their struggles.
We have all heard of this book. We all know something about the plot either by watching the film or hearing something about it at school. If you haven’t yet read the book, you must put it on your reading list. We can only give Mary Shelley’s work full justice by reading it from beginning to end; not until then will you be able to feel Victor’s internal struggles. In his attempt to achieve immortality, he created a monster.
I never get tired of reading chapter five where Shelley describes Victor’s utter disappointment upon watching his creation coming to life. I love the choice of language. The thoughts that went through his mind and his guilty feelings mixed with pride and excitement present an unsolvable moral dilemma. Should he destroy his own creation?
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
I am both a writer and a teacher of writing at the university. I have always wanted to be a writer, even though one of my aunts lied to me when I was five that writers would be poor and would die of tuberculosis. I like listening to stories of ordinary people and can learn so much from them. I studied English literature and psychology in my undergraduate studies. I hold a PhD in applied linguistics. I enjoy reading about the subject of philosophy and am fascinated by the theories revolving around ethics. Naturally, I challenge my characters with moral dilemmas so I can write about their struggles.
I love All the Names so much that I read it twice in a gap of ten years. I love it for two main reasons: how ordinary people can be immortalized by powerful writing and what decisions good people make in a moral dilemma. In his Nobel Prize award ceremony speech in Stockholm in 1998, Saramago said that his writings were to transform ordinary people into literary figures in order that he would not forget them.
He did exactly that in this book. An unknown woman was immortalized by the main protagonist, who was portrayed as an unloved, lonely clerk working at the Registry of Births, Marriages, and Deaths in Lisbon. As I was reading his story, I wondered what turned this unassuming, timid worker into a forger. Given the opportunity, would a good person turn into a tyrant?
José Saramago's mesmerizing, classic narrative about the loneliness of individual lives and the universal need for human connection.
Senhor José is a low-grade clerk in the city's Central Registry, where the living and the dead share the same shelf space. A middle-aged bachelor, he has no interest in anything beyond the certificates of birth, marriage, divorce, and death that are his daily routine. But one day, when he comes across the records of an anonymous young woman, something happens to him. Obsessed, Senhor José sets off to follow the thread that may lead…
I am both a writer and a teacher of writing at the university. I have always wanted to be a writer, even though one of my aunts lied to me when I was five that writers would be poor and would die of tuberculosis. I like listening to stories of ordinary people and can learn so much from them. I studied English literature and psychology in my undergraduate studies. I hold a PhD in applied linguistics. I enjoy reading about the subject of philosophy and am fascinated by the theories revolving around ethics. Naturally, I challenge my characters with moral dilemmas so I can write about their struggles.
First published in German in 1939, I find this book still relevant to our time. One lesson I have learned is to examine my feelings toward those who are less fortunate. Other than feeling a sense of pity, how else should I react? The book makes me think about whether our pity as an outsider really helps or whether this feeling only serves as a defense mechanism that helps relieve our guilty feelings over living a life of abundance and security.
Hofmiller, the main protagonist of the book experiences such a moral dilemma: should he do more for a young woman who is less fortunate? The juxtaposition of his actions and those of the young woman’s father works exceedingly well.
Wes Anderson on Stefan Zweig: "I had never heard of Zweig...when I just more or less by chance bought a copy of Beware of Pity. I loved this first book. I also read the The Post-Office Girl. The Grand Budapest Hotel has elements that were sort of stolen from both these books. Two characters in our story are vaguely meant to represent Zweig himself — our “Author” character, played by Tom Wilkinson, and the theoretically fictionalised version of himself, played by Jude Law. But, in fact, M. Gustave, the main character who is played by Ralph Fiennes, is modelled significantly…
I am both a writer and a teacher of writing at the university. I have always wanted to be a writer, even though one of my aunts lied to me when I was five that writers would be poor and would die of tuberculosis. I like listening to stories of ordinary people and can learn so much from them. I studied English literature and psychology in my undergraduate studies. I hold a PhD in applied linguistics. I enjoy reading about the subject of philosophy and am fascinated by the theories revolving around ethics. Naturally, I challenge my characters with moral dilemmas so I can write about their struggles.
If you are looking for a classic that tells a tale of adultery, murder, and revenge set in nineteenth-century Paris, you must read this book. I was completely absorbed with the story even though I was so busy moving across states at the time.
No one was a born murderer, and Laurent did not seem to be one. I was eager to not just finish reading the book but to study the psychology of the murderer. What made him turn cold-blooded and evil? His downfall was brought about by no one other than his own deadly sins—sloth and greed.
Perhaps his most famous work, Emile Zola's Therese Raquin is a dark and gripping story of lust, violence and guilt, set in the gloomy back streets of Paris. This Penguin Classics edition is translated with notes and an introduction by Robin Buss.
In the claustrophobic atmosphere of a dingy haberdasher's shop on the Passage du Pont-Neuf in Paris, Therese Raquin is trapped in a loveless marriage to her sickly cousin, Camille. The numbing tedium of her life is suddenly shattered when she embarks on a turbulent affair with her husband's earthy friend Laurent, but their animal passion for each other…
I’m an avid lifelong reader who became a librarian, my dream job that kept me close to books and everything about them. I’ve seen so many changes in women’s lives since then. My oldest known ancestor was a woman born in 1778. What was her life like compared to mine? What would she think of me? In my time travel novel, I try to answer those questions. I’m drawn to stories that deal with universal women’s themes – family, love, fulfilling work, inequality, domestic abuse, motherhood, sisterhood, daughterhood – the list seems endless, as are the many ways authors use time travel to explore them.
Carly is pregnant but her baby has a fatal heart defect. Her brother-in-law knows how to fix this: travel from 1970 to a future time where fetal surgery will save her child’s life. And the portals are all over the place! All you have to do is find one on his computer, go there and step off a roof or ledge. The scientific explanation for this is so believable I was half-convinced it’s real. Of course, it’s not that simple. What will a mother do to save her child? This brought back all the sleepless nights when my kids were sick or going through tough times. Mothers do what we have to do.
The Dream Daughter is a page-turning and unforgettable story of love and hope from bestselling author Diane Chamberlain.
When Caroline Sears receives the news that her unborn baby girl has a heart defect, she is devastated. It is 1970 and there seems to be little that can be done. But her brother-in-law, a physicist, tells her that perhaps there is. Hunter appeared in their lives just a few years before - and his appearance was as mysterious as his past. With no family, no friends, and a background shrouded in secrets, Hunter embraced the Sears family and never looked back.…
In writing character-driven space fantasy, heavily influenced by my training as an electromechanical engineer, I’ve realized a love for stories with a heavy emphasis on moral dilemmas and shifts in thinking. How does a character change direction after realizing much of what they always believed was a lie? When well-trained instincts pull them backward instead of propelling them forward? I love these stories, mirroring my own messy self-discovery journey through life. The settings and stakes are more fantastical, but that makes them more appealing. A way to confront my own trials without becoming burdened by them. If the characters can do it, so can I.
I adore the way Glynn Stewart writes about good people in bad situations, and this book remains one of my favorite examples. Captain Annette Bond is an upstanding woman with the unenviable assignment of doing whatever it takes to free Earth from its unexpected conquerors.
There’s no doubt she's the underdog in this fight. I admired her resilience as she fought against unreasonable odds to discover a way to regain Earth’s freedom while maintaining her crew’s morale and morals through the ever-darker options available to her.
By the end, even I wasn’t certain what path she’d take with the knowledge she’d uncovered, and I learned as much about myself as I did about her by the conclusion.
Earth is conquered. Sol is lost. One ship is tasked to free them. One Captain to save them all.
When an alien armada destroys the United Earth Space Force and takes control of the human homeworld, newly reinstated Captain Annette Bond must take her experimental hyperspace cruiser Tornado into exile as Terra's only interstellar privateer.
She has inferior technology, crude maps and no concept of her enemy, but the seedy underbelly of galactic society welcomes her so long as she has prizes to sell and money to spend.
But when your only allies are pirates and slavers, things are never…
I've been a lawyer for 30 years, 20 of them as an elected district attorney, and writing relieves stress for me. Real crime is messy and irrational; crime fiction restores order. But literary fiction is too slow—a novel must compel the reader to turn the page. Good thrillers tackle major issues, revealing themes that deepen our understanding of humanity. I've witnessed courage during grief and stress, but I'd never betray that trust by writing nonfiction accounts. I deliberately jumbled character traits and real events and combined them with my understanding of modern police techniques like geofencing and DNA.
James Lee Burke’s book presents the common trope of the cowboy detective out of time and place. The reader would assume the series-leading Texan would enjoy beautiful Montana; however, the setting is awash in corruption and evil.
The hero navigates this moral morass, revealing the harsh consequences of selfishness for humanity.
America's finest crime writer sends hero Billy Bob Holland deep into Montana - paradise to some, to others a savage wilderness...
'Still the greatest, bar none' LITERARY REVIEW
'Powerful stuff and confirms Burke's place in the forefront of contemporary American crime fiction' SUNDAY TELEGRAPH
'BITTERROOT is beautifully written and still stands head and shoulders above most other crime fiction' OBSERVER
When Billy Bob Holland visits his old friend Doc Voss, he finds himself caught up in a horrific tragedy. Doc's daughter has been brutally attacked by bikers, and the ringleader, Lamar Ellison, walks free when the DNA samples 'get lost'.…
I'm a psychoanalyst and a writer. I'm fascinated with the thoughts, feelings, dreams, and fantasies that make up our inner worlds, and I love how the beauty of language can reach beyond what ordinary experience seems to suggest. My novels take place in the minds of their protagonists; I look through their eyes and follow the ideas, memories, and hopes that guide their lives. I enjoy their idiosyncrasies, allow them to be weird, vulnerable, and volatile, and I think of them as lovable and in times of adversity as brave as any human being can be.
This is a book like no other! With its first sentences it gripped me, and I couldn't put it down till the very end. The same happened to everybody I recommended it to.
Formally it is part of a trilogy. Its style is dry and almost merely reporting, and yet it is emotionally involving in a powerful way.
Is what we are told meant to be real? Or is it only the product of a traumatized mind trying to cope with war, poverty, pain, abuse, and the endless yearning for what is lost? Are the twins, the protagonists of this trilogy, really two separate fictional characters or rather one with a dissociated mind?
Twin brothers, left with their evil grandmother at a time when war has blurred all distinctions between good and evil, learn to steal and kill in the name of survival and create their own loveless morality
I started out as an economics major in college but soon realized that the discipline was based on totally unrealistic assumptions, so I switched to philosophy and literature. I started reading Marx, Freud, and Nietzsche with some of my roommates and then chose UC San Diego for graduate work because of its focus on what became known as “theory”—which was taught there by luminaries including Jameson, Lyotard, and Marin.
I have been researching the psycho-dynamics of markets and capitalism ever since, and have become convinced that rescuing markets from capital is the only way to save the planet from environmental catastrophe.
Lasch’s critique of widespread culture-induced narcissism was recommended to me when it first came out by my mother, of all people. It hasn't held up well, but despite its one-sidedness, it still helped me understand the impact of capitalism on the Western psyche.
Although it covers some of the same ground as Richard Sennett’s earlier Fall of Public Man, I really benefited from the way it couched its critique in psychoanalytic terms, drawing on the work of respected analysts Heinz Kohut and Otto Kernberg.
When The Culture of Narcissism was first published in 1979, Christopher Lasch was hailed as a "biblical prophet" (Time). Lasch's identification of narcissism as not only an individual ailment but also a burgeoning social epidemic was ground-breaking. His diagnosis of American culture is even more relevant today, predicting the limitless expansion of the anxious and grasping narcissistic self into every part of American life.
I am a great African-American writer because I have not spent eons in jail (taught writing classes there), never been shot by the police (yet), and I have a number of interesting books for sale ranging from Urban, Erotic, Science-Fiction, Fiction and Pan-African Occult. My books have been used in writing classes in colleges, universities, and prisons. I was one of the panelists for Professor Justin Gifford's presentation at the Modern Language Association Conference at the Hilton, LA Live. Also, I participated in a California State University, Dominguez Hills (CSUDH) event, celebrating the 50th Anniversary of the “Watts Rebellion”. I have agreed to let this university archive my works.
I think that we should all make an effort to understand people who are not from our cultural stew; people who seem different, but wind up being like us; once we get to know them.
Patrick Oster is not a sociologist, a psychologist, or an ugly American. He could be Joe Blow from down the block who decides to go to Mexico, to get to know the Mexican people. He does not make an effort to know all the people, he simply makes friends with those who are friendly, and leaves the others alone; just the way he would do in America.
I feel that this book is a wonderful example of what can come from an honest exploration and a warm writing style.
The Mexicans is a multifaceted portrait of the complex, increasingly turbulent neighbor to our south. It is the story of a country in crisis -- poverty, class tensions, political corruption -- as told through stories of individuals. From Augustín, an honest cop, we learn that many in the Mexican police force use torture as their number-one-crime-solving technique; from Julio Scherer Garcia, a leading newspaper editor, we learn how kidnapping and intimidating phone calls stifle a free press; we hear from a homosexual teacher wary of bigotry in a land of machismo; and many others. Moving from Mexico City discos to…
