Here are 100 books that Therese Raquin fans have personally recommended if you like
Therese Raquin.
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I am both a writer and a teacher of writing at the university. I have always wanted to be a writer, even though one of my aunts lied to me when I was five that writers would be poor and would die of tuberculosis. I like listening to stories of ordinary people and can learn so much from them. I studied English literature and psychology in my undergraduate studies. I hold a PhD in applied linguistics. I enjoy reading about the subject of philosophy and am fascinated by the theories revolving around ethics. Naturally, I challenge my characters with moral dilemmas so I can write about their struggles.
We have all heard of this book. We all know something about the plot either by watching the film or hearing something about it at school. If you haven’t yet read the book, you must put it on your reading list. We can only give Mary Shelley’s work full justice by reading it from beginning to end; not until then will you be able to feel Victor’s internal struggles. In his attempt to achieve immortality, he created a monster.
I never get tired of reading chapter five where Shelley describes Victor’s utter disappointment upon watching his creation coming to life. I love the choice of language. The thoughts that went through his mind and his guilty feelings mixed with pride and excitement present an unsolvable moral dilemma. Should he destroy his own creation?
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
I am both a writer and a teacher of writing at the university. I have always wanted to be a writer, even though one of my aunts lied to me when I was five that writers would be poor and would die of tuberculosis. I like listening to stories of ordinary people and can learn so much from them. I studied English literature and psychology in my undergraduate studies. I hold a PhD in applied linguistics. I enjoy reading about the subject of philosophy and am fascinated by the theories revolving around ethics. Naturally, I challenge my characters with moral dilemmas so I can write about their struggles.
I love All the Names so much that I read it twice in a gap of ten years. I love it for two main reasons: how ordinary people can be immortalized by powerful writing and what decisions good people make in a moral dilemma. In his Nobel Prize award ceremony speech in Stockholm in 1998, Saramago said that his writings were to transform ordinary people into literary figures in order that he would not forget them.
He did exactly that in this book. An unknown woman was immortalized by the main protagonist, who was portrayed as an unloved, lonely clerk working at the Registry of Births, Marriages, and Deaths in Lisbon. As I was reading his story, I wondered what turned this unassuming, timid worker into a forger. Given the opportunity, would a good person turn into a tyrant?
José Saramago's mesmerizing, classic narrative about the loneliness of individual lives and the universal need for human connection.
Senhor José is a low-grade clerk in the city's Central Registry, where the living and the dead share the same shelf space. A middle-aged bachelor, he has no interest in anything beyond the certificates of birth, marriage, divorce, and death that are his daily routine. But one day, when he comes across the records of an anonymous young woman, something happens to him. Obsessed, Senhor José sets off to follow the thread that may lead…
I am both a writer and a teacher of writing at the university. I have always wanted to be a writer, even though one of my aunts lied to me when I was five that writers would be poor and would die of tuberculosis. I like listening to stories of ordinary people and can learn so much from them. I studied English literature and psychology in my undergraduate studies. I hold a PhD in applied linguistics. I enjoy reading about the subject of philosophy and am fascinated by the theories revolving around ethics. Naturally, I challenge my characters with moral dilemmas so I can write about their struggles.
First published in German in 1939, I find this book still relevant to our time. One lesson I have learned is to examine my feelings toward those who are less fortunate. Other than feeling a sense of pity, how else should I react? The book makes me think about whether our pity as an outsider really helps or whether this feeling only serves as a defense mechanism that helps relieve our guilty feelings over living a life of abundance and security.
Hofmiller, the main protagonist of the book experiences such a moral dilemma: should he do more for a young woman who is less fortunate? The juxtaposition of his actions and those of the young woman’s father works exceedingly well.
Wes Anderson on Stefan Zweig: "I had never heard of Zweig...when I just more or less by chance bought a copy of Beware of Pity. I loved this first book. I also read the The Post-Office Girl. The Grand Budapest Hotel has elements that were sort of stolen from both these books. Two characters in our story are vaguely meant to represent Zweig himself — our “Author” character, played by Tom Wilkinson, and the theoretically fictionalised version of himself, played by Jude Law. But, in fact, M. Gustave, the main character who is played by Ralph Fiennes, is modelled significantly…
I am both a writer and a teacher of writing at the university. I have always wanted to be a writer, even though one of my aunts lied to me when I was five that writers would be poor and would die of tuberculosis. I like listening to stories of ordinary people and can learn so much from them. I studied English literature and psychology in my undergraduate studies. I hold a PhD in applied linguistics. I enjoy reading about the subject of philosophy and am fascinated by the theories revolving around ethics. Naturally, I challenge my characters with moral dilemmas so I can write about their struggles.
I love the fact that the book makes my mind busy. If the tragic hero of the story, Michel chose duty over freedom, he wouldn’t be a very bad person, would he? He remained faithful to his wife until her death. When it was not necessary to perform his duty anymore, he freed himself from worldly ties and indulged in his own pleasures.
I love this book because it has so many layers. I love Michel because he dares to show his badness. One scene describes Michel’s beard being shaved off as though he wants to reveal what lies underneath. He compares himself to a Palimpset that contains the most ancient writing on its first layer. He is probably old Adam who feels compelled to act upon his original desire.
“The humanist has four leading characteristics—curiosity, a free mind, belief in good taste, and a belief in the human race—and all four are present in Gide. . . . The humanist of our age.” —E. M. Forster
A Penguin Classic
In The Immoralist, André Gide presents the confessional account of a man seeking the truth of his own nature. The story’s protagonist, Michel, knows nothing about love when he marries the gentle Marceline out of duty to his father. On the couple’s honeymoon to Tunisia, Michel becomes very ill, and during his recovery he meets a young Arab boy whose…
I like to say I'm a born-again pedestrian. After a childhood in car-friendly Southern California, I moved first to the San Francisco Bay Area and then to Montreal. There I discovered the pleasures of living in walkable cities, and over the years I've explored them in a series of books about people, nature, and urban spaces in which the problems of spread-out, concrete-heavy cities take a front-row seat. The impact of the way we've built our cities over the last 100 years is becoming apparent, as carbon dioxide rises, driving climate changes. We must change the way we live, and the books I suggest give some insights about what to do and what not to do.
Sometimes it's helpful, even encouraging, to discover that problems we face today were faced by people in the past. Emile Zola wrote a series of novels about Paris in the mid-19th century at a time when the City of Light was being rebuilt along pretty extraordinary lines. At the same time that poor people were being tossed out of their substandard housing, some people were making fortunes speculating in real estate. The Kill focuses on the personal dramas of people on both sides of the equation, with quite a lot of sex thrown in to spice things up.
'It was the time when the rush for spoils filled a corner of the forest with the yelping of hounds, the cracking of whips, the flaring of torches. The appetites let loose were satisfied at last, shamelessly, amid the sound of crumbling neighbourhoods and fortunes made in six months. The city had become an orgy of gold and women.'
The Kill (La Curee) is the second volume in Zola's great cycle of twenty novels, Les Rougon-Macquart, and the first to establish Paris - the capital of modernity - as the centre of Zola's narrative world. Conceived as a representation of…
I am a privileged individual of our Western society, with access to a good education, living away from hunger and despair. Am I wealthy? Far from it. I am amid that middle class where working hours are well understood and spare time is fully enjoyed. I have been a consultant to businesses of all sizes and I have learned closely how the wheels turn, how in order to produce anything, always someone and something is crushed and squeezed. Profit on one side and destruction and poverty on the other one. Throughout time, I have met people from various countries and understood the value of a multicultural world, which I defend.
I was very young when I first read this book. Many years later I took it back from the shelf and went through its pages with older eyes.
The reality portrayed by Émile Zola in the 19th Century is quite brutal. The coal miners back then – with their struggle for life, excess work, permanent fatigue, lack of knowledge and understanding, contrasted by the careful calculations and comfort of their masters – mirror miners and other workers today.
Greed on one side, poverty on the other regarded as normal. The very few with enough wit to overthrow the injustice were silenced, as it happens today at the productive facilities of the capital.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
I have always loved books that weave food into the narrative. From essays to novels, I'm interested in the way food informs relationships and memories in stories. When Nancy Garfinkel and I created The Recipe Club, we shared a lot of our own food-related memories and passions. After the novel was published, we formed Recipe Clubs with devoted readers across the country. We traveled all over, hearing real-life stories related to food and friendship, love, and family. Recipes almost always carry stories with them, and the telling of these stories becomes a conduit for expressing our most authentic selves. I think this is why our book has had such great appeal.
Stories from the Kitchen is a celebration of food in fiction, an anthology of short stories combined with tidbits from novels. The authors are well known, ranging from Charles Dickens’ “Love and Oysters,” about oysters upending the life of a man and his dependable routines, to Isaak Dineson’s “Babette’s Feast,” in which a lavish dinner served by a French cook transforms the hearts and souls of the most austere members of an isolated Danish community. Another story of particular interest: M.F.K. Fisher’s heartbreaking “A Kitchen Allegory.” As in Fisher’s gastronomical non-fiction writing, in which food is her greatest metaphor, this slice of fiction uses food as a source of empathy for a woman who has to reckon with no longer being needed. Reading this entire collection underscores how my own book—though unprecedented in its number of recipes tucked within a novel— stands on a long tradition of food as…
Stories from the Kitchen is a one-of-a-kind anthology of classic tales showcasing the culinary arts from across the centuries and around the world.
Here is a mouthwatering smorgasbord of stories with food in the starring role, by a range of masters of fiction—from Dickens and Chekhov to Isaac Bashevis Singer, from Shirley Jackson to Jim Crace and Amy Tan. These richly varied selections offer tastes as decadent as caviar and as humble as cherry pie. They dazzle with the sumptuous extravagance of Isak Dinesen’s “Babette’s Feast” and console with a prisoner’s tender final meal in Günter Grass’s The Flounder. Choice…
I grew up in an alcoholic home. To me, my father’s addiction felt like an attachment to an outside lover that threatened the stability of our family. I think this is what motivated me, as a Marriage and Family Therapist, to have a special heart to help couples salvage their marriages from the destructive, outside influence of infidelity, when they so desired. I read every book I could get my hands on about affair recovery, for my clinical knowledge as well as for clients to read. Each of the books I included in this list are among my favorites from my 33 years of experience helping couples.
A terrific, candid book for both partners in a marriage rocked by an affair. They walk the reader through each phase of his infidelity and its impact on their marriage: the rationalizations, trauma, the fall-out, divorce, and eventual restoration of their marriage. Terrific insights, especially for the unfaithful. While Dr. Jay ascribes the key to their recovery as his wife’s constant love, I believe he overlooked another important factor: his wife stopping her tendency to over-accommodate, learning to set boundaries, and treating herself with more self-respect. It’s in the book but not credited as a significant factor in him wanting her again and motivating him to take a hard look at himself. Especially helpful for unfaithful men who are executives and travel a lot for work.
Jay, a psychologist with a national consulting practice; Julie, an international model, and professional entertainer. It was a fairytale courtship beyond what either ever expected; a true love affair nothing could ever take away... so they thought.
In memoir prose, Surprised by Love attracts readers into an intimate, true encounter of the harsh realities of infidelity and divorce, why and how it occurs, and leads them transparently through a pathway of decisions to change and recreate the relationship they desire.
From Poe to Conan Doyle and Christie to the hard-boiled school of Hammett and Chandler and modern practitioners such as Louise Penny and Walter Mosely, I can gobble up mysteries like candy. Their appeal lies not only in compelling storylines but in their promise to restore order to our chaotic world, assure us that justice will triumph and evil geniuses will lose to intrepid paladins. As with wines, art, and sex, tastes vary. While reading various lists of great mysteries to jog my memory to make this list, I realized that few of my favorites were even listed, much less among the top ranks. Like a good detective, I’m determined that justice prevails.
Like so many, I’m addicted to this series. Often imitated, never surpassed, Simenon is perhaps the only mystery writer to be nominated for the Nobel Prize in Literature, and was considered by some contemporaries to be the greatest French novelist of his time. Don’t let that put you off. These are great mysteries with an indelible sense of time and place. If the Sherlock Holmes stories can transport me to Victorian London, I can as easily take an absorbing mid-20th century trip to the underside of Paris with Inspector Jules Maigret.
These police procedurals offer unforgettable characters and deep psychological insight. Maigret and the Bum is perhaps my favorite. The bum of the title is a vagrant who has been beaten nearly to death on the banks of the Seine. As Maigret investigates the crime, he finds that the victim was once a highly respected doctor, dedicated to helping the…
I’m a historian specialising in the French Revolution at the University of Glasgow. During my doctorate, my now wife and I stayed in Ménilmontant in the 20th arrondissement. There grew a knowledge and love of Paris that have never diminished. As part of my research, I explore the places and spaces where events unfolded, trying to understand how these sites have since changed and been overwritten with new meanings and historical memories: I have the worn-out boots to show for it. I’m currently writing a book on Paris in the Belle Époque, from the completion of the Eiffel Tower in 1889 to the outbreak of the First World War.
At first sight, the title evokes a certain Gallic hauteur, but it does not take long to see that this is simply a foretaste of the rich exploration of the myths of Paris – how the great city has been depicted, imagined, and perceived over time. This is the story of Paris as the capital of modernity, art, fashion, revolution, sex, pleasure, science, and crime. With writers, artists, poets, and visitors as witnesses, and lavishly illustrated, this is a colourful meander through the myths and illusions that have shaped the many images of Paris.
Whatever the actual realities beneath these multiple faces, asks Higonnet at one point, ‘who could, in our culturally unanchored world, imagine life without this city?’
In an original and evocative journey through modern Paris from the mid-eighteenth century to World War II, Patrice Higonnet offers a delightful cultural portrait of a multifaceted, continually changing city. He explores Paris as the capital of revolution, science, empire, literature, and art, describing such incarnations as Belle Epoque Paris, the Commune, the surrealists' city, and Paris as viewed through American eyes. He also evokes the more visceral Paris of alienation, crime, material excess, and sensual pleasure.
