60 books like Bitterroot

I've been a lawyer for 30 years, 20 of them as an elected district attorney, and writing relieves stress for me. Real crime is messy and irrational; crime fiction restores order. But literary fiction is too slow—a novel must compel the reader to turn the page. Good thrillers tackle major issues, revealing themes that deepen our understanding of humanity. I've witnessed courage during grief and stress, but I'd never betray that trust by writing nonfiction accounts. I deliberately jumbled character traits and real events and combined them with my understanding of modern police techniques like geofencing and DNA.

I've been a lawyer for 30 years, 20 of them as an elected district attorney, and writing relieves stress for me. Real crime is messy and irrational; crime fiction restores order. But literary fiction is too slow—a novel must compel the reader to turn the page. Good thrillers tackle major issues, revealing themes that deepen our understanding of humanity. I've witnessed courage during grief and stress, but I'd never betray that trust by writing nonfiction accounts. I deliberately jumbled character traits and real events and combined them with my understanding of modern police techniques like geofencing and DNA.

I've been a lawyer for 30 years, 20 of them as an elected district attorney, and writing relieves stress for me. Real crime is messy and irrational; crime fiction restores order. But literary fiction is too slow—a novel must compel the reader to turn the page. Good thrillers tackle major issues, revealing themes that deepen our understanding of humanity. I've witnessed courage during grief and stress, but I'd never betray that trust by writing nonfiction accounts. I deliberately jumbled character traits and real events and combined them with my understanding of modern police techniques like geofencing and DNA.

I've been a lawyer for 30 years, 20 of them as an elected district attorney, and writing relieves stress for me. Real crime is messy and irrational; crime fiction restores order. But literary fiction is too slow—a novel must compel the reader to turn the page. Good thrillers tackle major issues, revealing themes that deepen our understanding of humanity. I've witnessed courage during grief and stress, but I'd never betray that trust by writing nonfiction accounts. I deliberately jumbled character traits and real events and combined them with my understanding of modern police techniques like geofencing and DNA.

I have always followed writer Christopher Isherwood’s words: “I am a camera with its shutter open, quite passive, recording, not thinking.” I am most comfortable as an observer, a documentarian, someone who gathers details, tries to make sense of them, lays them down in a presentable order, noticing colors, light, sounds, people’s behavior. Trying to make sense of life. I come from a divorced family, my father was murdered, and my first wife died of breast cancer. Still, there was plenty of laughter. I’m interested in and trying to figure out why we’re here.

In sixth grade, my teacher tried to teach the class how to read line charts – and something fell into place for me. Ever since then, I’ve tried to sort data into forms that we can use to make sense of it. As a researcher at Microsoft, I consulted with teams across the organization – from sales to legal; and from Excel to XBox – to help them understand their data. At Honeycomb, I design tools for software operations teams to diagnose their complex systems. These books each gave me an “ah-hah” moment that made me think differently about the craft of creating visualization. They now sit on my shelf in easy reach – I hope you find them fascinating too.

I’m a horror and speculative fiction author who reads everything but who is tired of strict genre definitions and loves introducing people to work they might not have considered—especially the spooky stuff, and especially when I’m asked about horror recommendations for non-horror lovers. I think dark fiction gives us a way to process painful emotions in a safe space; it offers catharsis for being alive in a difficult world; it can definitely be a lot of fun while also giving you a way to empathize with people outside your own direct experience. I’ve tried to hit on all of that in this list!  

I’ve been fascinated with true crime since a serial killer operated in my hometown when I was a kid. I’m now an expert on criminal psychology, which I teach at DeSales University. I’ve appeared in more than 200 crime documentaries and was an executive producer on Murder House Flip (my idea) and A&E’s Confession of a Serial Killer: BTK. I’ve published more than 72 books, and over the past 12 years, I’ve penned a blog on the dark side of the human psyche for Psychology Today. Currently, I’m writing a fiction series based on a female forensic psychologist who runs a PI agency and consults on unique death investigations. 

I have published seven books, all set in the West, including an anthology, West of 98: Living and Writing the New American West, that features writers from every state west of the Mississippi. For four years now, I have been doing a podcast called Breakfast in Montana, where my partner Aaron Parrett and I discuss Montana books. I also published a book in 2016 called 56 Counties, where I traveled to every county in Montana and interviewed people about what it means to live in this state. So I have a good feel for the people of this region and for the books they love. 

I am a world traveler, who has been blessed to live in many different countries, studying human interactions and culture. People matter. I’m fascinated to see how people react and relate to each other. As a proficient people watcher, it makes sense that when I read or write a book, characters are most important to me. They make or break the story with their quirks and hurts and hang-ups. It always gives me great pleasure to see my own characters grow as the story develops. I enjoy putting them into situations that may not be comfortable for them and then seeing what God does to bring them through.