53 books like The Western Star

I've been a lawyer for 30 years, 20 of them as an elected district attorney, and writing relieves stress for me. Real crime is messy and irrational; crime fiction restores order. But literary fiction is too slow—a novel must compel the reader to turn the page. Good thrillers tackle major issues, revealing themes that deepen our understanding of humanity. I've witnessed courage during grief and stress, but I'd never betray that trust by writing nonfiction accounts. I deliberately jumbled character traits and real events and combined them with my understanding of modern police techniques like geofencing and DNA.

I've been a lawyer for 30 years, 20 of them as an elected district attorney, and writing relieves stress for me. Real crime is messy and irrational; crime fiction restores order. But literary fiction is too slow—a novel must compel the reader to turn the page. Good thrillers tackle major issues, revealing themes that deepen our understanding of humanity. I've witnessed courage during grief and stress, but I'd never betray that trust by writing nonfiction accounts. I deliberately jumbled character traits and real events and combined them with my understanding of modern police techniques like geofencing and DNA.

I've been a lawyer for 30 years, 20 of them as an elected district attorney, and writing relieves stress for me. Real crime is messy and irrational; crime fiction restores order. But literary fiction is too slow—a novel must compel the reader to turn the page. Good thrillers tackle major issues, revealing themes that deepen our understanding of humanity. I've witnessed courage during grief and stress, but I'd never betray that trust by writing nonfiction accounts. I deliberately jumbled character traits and real events and combined them with my understanding of modern police techniques like geofencing and DNA.

I've been a lawyer for 30 years, 20 of them as an elected district attorney, and writing relieves stress for me. Real crime is messy and irrational; crime fiction restores order. But literary fiction is too slow—a novel must compel the reader to turn the page. Good thrillers tackle major issues, revealing themes that deepen our understanding of humanity. I've witnessed courage during grief and stress, but I'd never betray that trust by writing nonfiction accounts. I deliberately jumbled character traits and real events and combined them with my understanding of modern police techniques like geofencing and DNA.

My favorite mode of transport is being on the back of a good horse. I have enjoyed horse treks in Ecuador on the Inca Trail, in the backcountry of British Columbia, the High Sierras, and on the Wild West coast of Ireland, as well as numerous stays at guest’s ranches in the U.S. My equestrian articles have appeared in Equus, Horse Illustrated, and California Riding Magazine, to name a few. A back injury forced me to give up my mare and the riding world I loved. Writing The Cowgirl Jumped over the Moon was my way of letting go and moving forward in life.

There's something about broken people trying to do good that has always resonated with me. In basic training, a drill sergeant with debilitating PTSD told us what combat would be like through a storm of choking sobs and a haze of tears. He needed us to know. Even if it broke him. Working as an investigator in Denver and Washington, I watched people with complicated pasts and uncertain futures fight tooth and nail (sometimes literally) to put human traffickers behind bars. Literature has always been a bridle for that wildness I saw in the world. A tool for taking the ghashing, stomping, unruliness of the human experience and making it rideable, relatable, survivable.

When I retired from the service, I wanted to be done with big decisions and just focus on family. I’d had enough war-zone drama. I’m drawn to stories where the veteran finds he/she just can’t do that. My protagonist in my debut, Stable deals with this. He’s overcome so much…the loss of his son, the loss of an aircrew, and years of depression. Now that he’s “back,” he just wants to lead a normal life. I wanted to show you can pull the veteran from the battlefield, but it’s hard to quell his or her desire to continue to serve—and the inherent conflict of service before self or family remains.

My novels range from coming-of-age to suspense. I was an award-winning crime and investigative reporter for the Columbus Dispatch for 11 years. That background helps me with the investigative aspects of my books. I enjoy exploring the moral dilemmas often presented in real life. My characters all have morals, but I like putting them in compromising situations. It’s easy to sit back and judge others, but how far would you go to keep your own son out of jail? Would the love of your son get in the way of your morals? It’s never black or white. Most of life is spent dancing in and out of the vast gray area in the middle. 

As a young woman I became fascinated by what contributes to our uniqueness as human beings. I was intrigued by historical influences, the development of personality, and how we frequently travel life’s lanes through a labyrinth of conflicting thoughts and emotions. Feminism, spirituality, psychology; I was absorbed by all three. Eventually I studied psychology. My working life was spent in a variety of roles, mainly supporting adults or young people to manage the challenges thrown at them by circumstance. Regarding my writing, I have always penned something i.e., poetry, songs, holiday journals. I progressed to short stories for adults, which were self-published under a pseudonym. ‘Thistle’ is my first novel.

As a little girl I dreamed of becoming a sports reporter. I loved to write and spent most of my free time playing or watching sports. I earned an academic-athletic scholarship to Davidson College to play volleyball and went on to receive my master’s in journalism from the University of Southern California. After landing a job as media personality with the Houston Texans, I thought my career would skyrocket to national television. But I quickly learned that the world of sports journalism is anything but predictable. As I balanced motherhood and a career in sports reporting, I realized the most fascinating stories were the ones being created inside my own head.