Here are 85 books that The Book of Lost Friends fans have personally recommended if you like
The Book of Lost Friends.
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I was the ten-year-old child who devoured David Copperfield (and then every other Dickens book), the teenager who began a lifelong love of Russian literature after discovering Dostoevsky’s Crime and Punishment. To this day, my greatest reading pleasure is to lose (and find) myself in the rich, expansive world of a nineteenth-century novel. In my contemporary rom-com, Blame It on the Brontës, my heroine is torn between her literary ideal of love and the reality of losing the love of her life. To paraphrase Keats, she tries to reconcile “the truth of imagination” with “the holiness of the heart’s affections.” As a romance writer, it is my quest, too.
Charlotte Brontë’s Jane Eyre follows the format of a romance novel: a governess falls in love with her employer, they overcome impediments, and they live happily ever after. Add a madwoman in the attic, Thornfield Hall in flames, and Mr. Rochester’s voice calling to Jane across the winds, and you have an unforgettable romance novel.
I admire Jane immensely. Her journey from being a suffering student at Lowood School to an independent woman is as relevant as ever. Through every experience, she asserts her autonomy but never wavers in her moral compass.
In Brontë’s world, love involves every fiber of one’s being, not just emotions or desire. Mr. Rochester is a complex, conflicted man who proves himself worthy of Jane’s love. For me, they have set the standard of the romantic heroine and hero.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
I have lived in Gettysburg, PA, all of my life, so I’m drawn to historical fiction, especially the Civil War era. The 1860s is the perfect setting for the enemies-to-lovers trope, and I am lucky enough to be surrounded by history all of the time. In doing lots of research, I have found that enemies fell in love more often than you might think during the Civil War. I hope you enjoy this list of books that got me interested in reading and continue to keep my attention to this day.
This is a beloved book for many, but I love it so much because both of the characters are so unlikeable—yet you fall in love with them. I also love the conflict and the dueling, strong personalities of Scarlet and Rhett.
The plot is full of emotion and passion, and yet there are no sex scenes, which is another reason why I like it so much.
Ever since my younger years, I’ve spent many hours dwelling within the realms of my imagination, daydreaming myself into whirlwind romances from slow-burn to forbidden and everything in between. Why? The best answer I can give right now is my love of love, my innate understanding that the invisible string that pulls two people so fiercely together at the right time and place ultimately are the connections and relationships that propel us into up-leveling ourselves, evolving into our next best versions. So when I read, watch, or write romance, it’s beyond the physical–it’s emotional, mental, and truly spiritual.
I return to this book time and again because of the captivating connection Elizabeth and Darcy share. It’s not just the tension on the surface, but it’s what goes on emotionally and psychologically with them that has me enchanted.
Austen does a fantastic job of portraying how love will sneak up on you when you’re not even looking for it, how it will push you to face the parts of yourself you’ve been avoiding for too long and to stand boldly in your authentic character while holding compassion for another’s perspective.
Every time I read this book, I feel I know the characters at a more intimate level as new fractals of their personalities and behaviors shine through.
Jane Austen's best-loved novel is an unforgettable story about the inaccuracy of first impressions, the power of reason, and above all the strange dynamics of human relationships and emotions.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is illustrated by Hugh Thomson and features an afterword by author and critic, Henry Hitchings.
A tour de force of wit and sparkling dialogue, Pride and…
Four years old and homeless, William Walters boarded one of the last American Orphan Trains in 1930 and embarked on an astonishing quest through nine decades of U.S. and world history.
For 75 years, the Orphan Trains had transported 250,000 children from the streets and orphanages of the East Coast into homes in the emerging West, sometimes providing loving new families, other times delivering kids into nightmares. Taken by a cruel New Mexico couple, William faced a terrible trial, but his strength and resilience carried him forward into unforgettable adventures.
Whether escaping his abusers, jumping freights as a preteen during…
WINNER, DA VINCI EYE AWARD FOR COVER DESIGN, ERIC HOFFER BOOK AWARDS
HONORABLE MENTION, ERIC HOFFER BOOK AWARDS, E-BOOK NONFICTION
FINALIST, NEXT GENERATION INDIE BOOK AWARDS, E-BOOK NONFICTION
FINALIST, NEXT GENERATION INDIE BOOK AWARDS, MEMOIRS (Overcoming Adversity)
HONORABLE MENTION, READERS' FAVORITE BOOK AWARDS, GENERAL NONFICTION
From 1854 to the early 1930s, the American Orphan Trains transported 250,000 children from the streets and orphanages of the East Coast into homes in the emerging West. Unfortunately, families waiting for the trains weren’t always dreams come true—many times they were nightmares.
I have been writing for almost all of my adult life. In my previous role as a school administrator, I published more than a dozen articles for professional journals. Then, a few articles began appearing in popular magazines, both followed by speaking engagements across the country. When I retired from public school service, I took the leap to the novel. Fools and Children and Ticket to Oregon are the result.
I think this is one of the most beautifully written pieces of writing from across the ages. Its story of a young man and his younger brother fits exactly into my own tastes for a priceless rendering of how youths respond not only to their environment but also to their dreams/goals.
Its odd story twists—kids wanting west but getting east—are a multi-layered set of tales. I loved it for both story and writing.
I’ve loved jazz ever since I learned to play the clarinet as a child. My two great loves in life have been music and books, so it made sense to combine the two things and write novels with a link to jazz. These books are some of my favourites with a jazz theme. I promise that even if you’re not a jazz fan, these are all excellent novels, to be enjoyed with or without music playing in the background!
A young Louis Armstrong as an amateur detective – if that concept doesn’t draw you in, I’m not sure what will!
The year is 1919 and there’s a terrifying serial killer on the loose in New Orleans. This is the first installment in Celestin’s City Blues Quartet. I love all four books but The Axeman is probably my favourite because of the New Orleans vibe. You get jazz, mafia, Pinkerton detectives, crooked cops, and a taste of the macabre.
"Ray Celestin skillfully depicts the desperate revels of that idiosyncratic city and its bizarre legends in his first novel, THE AXEMAN." - The New York Times Sunday Book Review (Marilyn Stasio, Crime Columnist)
The Axeman stalks the streets of New Orleans...
In a town filled with gangsters, voodoo, and jazz trumpets sounding from the dance halls, a sense of intoxicating mystery often beckons from the back alleys. But when a serial killer roams the sultry nights, even the corrupt cops can't see the clues. That is, until a letter from the Axeman himself is published in the newspaper, proclaiming that…
Lilian Terry’s background is quite out-of-the-ordinary. Born in Egypt in 1930 to Maltese and Italian parents, she undertook academic studies in Cairo and Florence. Terry studied classical piano until age 17, developing an interest in jazz in her early teens. She participated in a variety of ways with jazz in Europe, beginning in the 1950s. As a singer, she was an active performer and recording artist. At the same time, she produced radio and television shows for Italy’s RAI network, and this activity led to some of her encounters with major figures of American jazz. Seven of these interactions (most of which spanned decades) are the subject of Dizzy, Duke, Brother Ray, and Friends.
Donald Marquis takes you firmly by the hand and leads you into that Wonderland that was New Orleans from 1877, when Bolden was born; then through the brief but extraordinary rise of Bolden’s personality and the powerful sound of his trumpet echoing through the streets of New Orleans. The author brings out Buddy’s tragic descent into mental illness, his entrance into the Insane Asylum of Louisiana, and his untimely death in 1930 at the young age of thirty-three. The book is a very sober tale of life in those times, it is rooted in the political and artistic history of jazz music and a very touching homage to a ghost. Today there are people wondering if Buddy Bolden really did exist?
The beginnings of jazz and the story of Charles ""Buddy"" Bolden (1877- 1931) are inextricably intertwined. Just after the turn of the century, New Orleanians could often hear Bolden's powerful horn from the city's parks and through dance hall windows. Despite his lack of formal training, his unique style- both musical and personal- made him the first ""king"" of New Orleans jazz and the inspiration for such later jazz greats as King Oliver, Kid Ory, and Louis Armstrong.
For years the legend of Buddy Bolden was overshadowed by myths about his music, his reckless lifestyle, and his mental instability. In…
From an early age, I have made a life out of listening to, telling, teaching, and writing about war stories. I am intrigued by their widespread personal and public importance. My changing associations with these stories and their tellers have paralleled evolving stages in my life—son, soldier, father, and college professor. Each stage has spawned different questions and insights about the tales and their narrators. At various moments in my own life, these war stories have also given rise to fantasized adventure, catharsis, emotional highs and lows, insights about human nature tested within the crucible of war, and intriguing relationships with the storytellers—their lives and minds.
Awarded the Pulitzer Prize for Fiction, this collection of short stories draws upon Butler’s fluency in the Vietnamese language, his experiences as an Army intelligence specialist living in Saigon during the war, and later his extensive contacts with Vietnamese communities in and near New Orleans, Louisiana. These stories are Vietnamese aftermath tales of émigrés adjusting to post-war life in America and yearning to retain their individual and cultural identities—a quest Butler described “as a pursuit of self” in our 2005 interview. For me, this book illuminates the culture, history, and communities that I, and most American soldiers, never attempted to know when we were in Vietnam and tended to ignore once Vietnamese resettled in the U.S. This book reaffirms for me that despite our many differences, we are all linked by the joys, sorrows, and hopes of our universal human condition.
Robert Olen Butler's lyrical and poignant collection of stories about the aftermath of the Vietnam War and its impact on the Vietnamese was acclaimed by critics across the nation and won the Pulitzer Prize in 1993. A contemporary classic by one of America's most important living writers, this edition of A Good Scent from a Strange Mountain includes two subsequently published stories that brilliantly complete the collection's narrative journey, returning to the jungles of Vietnam.
I have written widely on themes related to race, slavery, 19th-century politics, the Civil War, and its aftermath. The Reconstruction era has sometimes been called America’s “Second Founding.” It is imperative for us to understand what its architects hoped to accomplish and to show that their enlightened vision encompassed the better nation that we are still striving to shape today. The great faultline of race still roils our country. Our forerunners of the Reconstruction era struggled to bridge that chasm a century and a half ago. What they fought for still matters.
This is a fitting companion to Ball’s earlier book Slaves in the Family, a meticulous account of his paternal ancestors’ slave-owning history and their biracial progeny.
In this book, Ball, a talented and engaging writer, dives deep into the buried story of a maternal forbearer in New Orleans, Constant Lecorgne, a working-class white creole. With novelistic flair, Ball takes us along with Lecorgne in his peregrinations through Louisiana’s violent and chaotic reactionary politics in the 1860s and 1870s. Ball faced a daunting challenge: to humanize Lecorgne without either sugarcoating his reprehensible behavior or forgiving him for it.
Few books I’ve read have so vividly captured the mentality of outspoken white supremacist “foot soldier.” I was often repelled by Lecorgne, but I wanted to keep reading. This is an essential book if we’re to begin to understand why ordinary white men were willing, even eager, to participate in the racist counter-revolution…
"A haunting tapestry of interwoven stories that inform us not just about our past but about the resentment-bred demons that are all too present in our society today . . . The interconnected strands of race and history give Ball’s entrancing stories a Faulknerian resonance." ―Walter Isaacson, The New York Times Book Review
A 2020 NPR staff pick | One of The New York Times' thirteen books to watch for in August | One of The Washington Post's ten books to read in August | A Literary Hub best book of the summer| One of Kirkus Reviews' sixteen best books…
I have been writing and illustrating books for fifteen years, and I am passionate about the art of making picture books. I love music and dance too. While making this list, I was amazed by how different visual artists that I admire—and who have very different styles—were able to capture movement, rhythm, and energy. I was also fascinated by how the different authors crafted their stories and yet all of them managed to celebrate Black culture and resilience.
I love Gregory Christie’s artwork. His naïf style illustrations may seem crude and simple at first glance, but I think they are incredibly rhythmic and powerful.
His images pair seamlessly with the book's lyrical text, which depicts the awful hardships that enslaved people in New Orleans endured and the joy they felt on Sundays when they were free to play music, dance, and spend time together in Congo Square.
Winner of a Caldecott Honor and a Coretta Scott King Illustrator Honor A Kirkus Reviews Best Book of 2016 A School Library Journal Best Book of 2016: Nonfiction Starred reviews from School Library Journal, Booklist, Kirkus Reviews, and The Horn Book Magazine A Junior Library Guild Selection
This poetic, nonfiction story about a little-known piece of African American history captures a human's capacity to find hope and joy in difficult circumstances and demonstrates how New Orleans' Congo Square was truly freedom's heart.
I am a mother, wife, sister, teacher, artist, officer, and writer. I retired from the USAF after serving active duty and as a reservist as a C-130 navigator, executive officer, and maintenance officer for over 20 years. Currently, I teach physical science in northern California. My main passions have always centered around story-telling, and I have been a lifelong dabbler in writing fiction. With my experiences in male-dominated fields like military aviation and my love of science, I feel particularly drawn to tales involving women striving to overcome obstacles in a male-dominated culture. I enjoy traveling, art, and, most of all, lounging on my sofa and reading.
Anne Rice is a wonderful poet disguised as a novelist who creates dreamy and eerie landscapes in this book. She paints backdrops of multiple settings and weaves those landscapes with the mood of her characters: modern and bustling San Francisco to mysterious and moody New Orleans.
The plot involves an analytical science girl who is suddenly immersed in a mysterious past that includes witches and other supernatural beings. It explores the roots of societal misogyny by recapping the history of the Mayfair clan and an unleashed demon spirit that haunts the family, all with a romance lurking in the subplot.
It is written like a dark fairy tale that weaves a contemporary world with supernatural elements. Don’t miss this!
SOON TO BE A MAJOR TV SHOW, FROM THE NETWORK BEHIND THE WALKING DEAD
'[W]hen I found Rice's work I absolutely loved how she took that genre and (...) made [it] feel so contemporary and relevant' Sarah Pinborough, bestselling author of Behind Her Eyes
'[Rice wrote] in the great tradition of the gothic' Ramsey Campbell, bestselling author of The Hungry Moon
On the veranda of a great New Orleans house, now faded, a mute and fragile woman sits rocking. And the witching hour begins...
Demonstrating once again her gift for spellbinding storytelling and the creation of legend, Anne Rice makes…
