Fans pick 100 books like Sharpe's Tiger

I was surprised by how much I loved this book about England in the 1500s. The story of Thomas Cromwell and Henry VIII has been told and retold, but even when I thought I knew what was coming (it is history, after all), I didn’t!

I laughed, cried, and found myself rooting for Cromwell. Yes, Cromwell! Such is the power of Hilary Mantle; there is no better historical fiction writer.

Shōgun is a historical novel set in 17th-century feudal Japan that is based on the life of an English sailor named Will  Adams who is shipwrecked there.

He became a samurai and a confidant of a warlord based on Ieyasu Tokugawa. It is a meticulously researched and richly detailed novel that combines historical events with fictional characters and storylines, dealing with themes of honor and loyalty in a world of samurai and daimyos.

It also explores relationships between Japanese and European traders, highlighting the clash of Western and Eastern values. At over 560,000 words long, it is a spellbinding narrative that offers an encyclopedic exploration of Japanese history, culture, customs, and traditions of Japan. It started a Japan craze in the United States when it was first published.

This is a novel that divides. It was a work that took Mailer many years to complete and the book that he (apparently) regarded as his masterpiece. It is certainly an incredible piece of work – the product of a powerful imagination in recreating an authentic feel for ancient Egypt with details ranging from cosmology via warfare to street scenes.

Some readers find the strong focus on the sensuality of the Egyptians a bit much. Mailer’s Egyptian world is very sexualised and who’s to say he’s wrong? If you’re not turned off by that kind of thing you’ll be rewarded with one of the most richly detailed and “real” feeling historical novels ever written.

Flashman does a thing I love, which is to tell the story of another book's least notable character.

Harry Flashman comes from Thomas Hughes's 1850 novel Tom Brown's School Days (the entire basis for the Harry Potter novels), where he's a sub-Draco Malfo figure, a useless bully.

Flashman tells the story of his later years as the Victorian Empire's most cowardly soldier, rattling around British colonies, stumbling through their various atrocities and debacles. I wish the book were even harsher on the Brits, but it's a deeply fun counter-text and a lovely bit of escapism nonetheless.

This was the first series of heroic historical fiction I ever read. Forester’s narratives had the power to pull me into the stories as if I was serving alongside Horatio Hornblower.

The series follows the exploits of seventeen-year-old Midshipman Hornblower in 1794 as he rises in rank and responsibilities to flag rank by 1815. During the course of the series, we watch Hornblower mature from an unsure, bookish teenager to become a self-confident and bold commander. Forester’s ability to meld true historical events and personages into his narratives captured me from the start and is a quality that I strive to accomplish in my own writing. I read these books decades ago and still keep them on my bookshelf for when I need inspiration or want to understand how Forester resolved certain authorly issues.

O’Brien performed some sort of alchemy in turning a previously dry and underpopulated section of the historical fiction genre into literary gold, at once gripping and supremely well-written. One follows the adventures of a Royal Navy Commander and his Irish doctor friend–a man with a secret life–through the war at sea in the Napoleonic era, and I found the balance between naval exploits–Jack Aubrey being a swashbuckler of renown–and period history made for fascinating counter-points.

Over and above that, I loved the way O’Brien built an ensemble cast and proceeded to draw the reader into their lives, making the death of any one of them a personal loss. I know that I benefitted from learning this writing trick and used it myself in my Empire series, and I know at least one other Roman author who did much the same. Wonderful stories that kept me coming back, and this is… show more.

The Broken Gun has one of the tightest plots of any of the many Western novels from the late, great Louis L’Amour. L’Amour’s Westerns are almost all set in the mid-1800s. His good guys are good, and his bad guys bad. His books are all fun, easy to read, full of action, and keep you turning the pages. Some readers think Louis L’Amour was a 2nd rate writer…but he knew what he was doing & literally millions of folks have loved his books. Many, like myself, have read all of his Westerns, some of them several times. When I go camping I always toss in a few of his paperbacks. When it’s too windy to fish, I kick back and re-read a Louis L’Amour Western. Always fun.

Elmore Leonard wrote a ton of books, and almost all of them were darn good. He’s most famous for his more modern books, Get Shorty, etc. His stories are raw, edgy, and exciting. Toward the very end of his career, he did crank out some novels that were, I thought, junk. But for the most part, his writing is terrific, easy to read, page-turning books. What many don’t know is that when he was young, he was writing Westerns. And wow, what fabulous Westerns, too! If you’re lucky enough to get a copy of this collection, you’ll both love it, and feel kind of bad when you get to the end. One of the very best Western writers of them all.

This is loosely based on the 1915 sinking of the SMS Königsberg, in the Rufiji delta of East Africa. I love this not only for the fast-paced plotting, but for the characters, who are far less wooden and predictable than in some of Smith’s later work. The amoral and irascible Flynn O’ Flynn is impossible not to love, as is the utterly gormless hero, Sebastian Oldsmith—brave, loyal and handsome, if not actually the full quid. I like the sheer unpredictability of this one. Smith was not constrained by the formula he followed later in his career. It is by turns thrilling, funny, and shocking. I imagine his publishers eventually persuaded him not to write any more like this. He died with more than a hundred million pounds in the bank, so perhaps they were right. But for me, this outlier remains an absolute gem.

The story is set in Afghanistan, just after the end of World War 2, and takes the reader on a journey that would be virtually impossible for a westerner today. I love its authenticity—Michener travelled the country extensively in the sixties—and the combination of brutality and humour make this a unique adventure. There’s also a handful of characters who could have come straight out of Game of Thrones. It’s not one of Michener’s usual house brick size novels—this is less intimidating, more like a roofing tile. I’ve read it many times over the years. For me it remains his best work. A great story combined with a breathtaking insight into the culture, history, and geography of a forbidding and fascinating country.