100 books like Caravans

This prequel to the Sharpe series covers the eponymous hero’s adventures in India at the siege of Seringapatam before the Peninsular War. For me, Cornwell’s books are a perfect mix of history and breathless action. This one even features a cameo from Wellington. If only they’d let me read this in history at school, I might have stayed awake more often. Cornwell pays great attention to historical detail, and if he messes with it, he does it deliberately. There are sumptuous palaces, epic battle scenes, rockets exploding, and people getting eaten by tigers. There’s also the deliciously nasty Sergeant Obadiah Hakeswill. What’s not to love? 

Shōgun is a historical novel set in 17th-century feudal Japan that is based on the life of an English sailor named Will  Adams who is shipwrecked there.

He became a samurai and a confidant of a warlord based on Ieyasu Tokugawa. It is a meticulously researched and richly detailed novel that combines historical events with fictional characters and storylines, dealing with themes of honor and loyalty in a world of samurai and daimyos.

It also explores relationships between Japanese and European traders, highlighting the clash of Western and Eastern values. At over 560,000 words long, it is a spellbinding narrative that offers an encyclopedic exploration of Japanese history, culture, customs, and traditions of Japan. It started a Japan craze in the United States when it was first published.

Flashman does a thing I love, which is to tell the story of another book's least notable character.

Harry Flashman comes from Thomas Hughes's 1850 novel Tom Brown's School Days (the entire basis for the Harry Potter novels), where he's a sub-Draco Malfo figure, a useless bully.

Flashman tells the story of his later years as the Victorian Empire's most cowardly soldier, rattling around British colonies, stumbling through their various atrocities and debacles. I wish the book were even harsher on the Brits, but it's a deeply fun counter-text and a lovely bit of escapism nonetheless.

This is loosely based on the 1915 sinking of the SMS Königsberg, in the Rufiji delta of East Africa. I love this not only for the fast-paced plotting, but for the characters, who are far less wooden and predictable than in some of Smith’s later work. The amoral and irascible Flynn O’ Flynn is impossible not to love, as is the utterly gormless hero, Sebastian Oldsmith—brave, loyal and handsome, if not actually the full quid. I like the sheer unpredictability of this one. Smith was not constrained by the formula he followed later in his career. It is by turns thrilling, funny, and shocking. I imagine his publishers eventually persuaded him not to write any more like this. He died with more than a hundred million pounds in the bank, so perhaps they were right. But for me, this outlier remains an absolute gem.

Busse offers the new perspective of an insider—an erstwhile gun executive. I’ve always held that the gun industry has gotten far too little attention historically, and that commercial forces substantially helped to create and then maintain the American gun mystique and culture long after the “frontier” closed. Busse’s work shows just how explicitly the gun industry today, since 9/11 and the Iraq and Afghanistan wars, relies on “manufactured fear” to push products. The book teems with examples of fear marketing, including endorsements from social media celebrities that created a new breed of “couch commandos,” steeped in the “glorification of violence, the utter rejection of political correctness, and the freewheeling masculinity and objectification of women.” And in Busse’s view it’s not just that gun marketing has changed, but that the gun industry has transformed American culture itself, radicalizing it and shifting it toward authoritarianism.

We’ve seen and felt this malevolence of… show more.

I liked Samuel Helfont’s book for the solidity of his research on the instrumentalization of Islam by the Saddam Hussein regime.

I personally feel that the 1980s is a key period in understanding how some of the problems that emerged during the late Cold War are still relevant today. This is certainly true for the Middle East, a region that is prone to conflicts and where the United States has been involved militarily over the past forty years.

Beyond that, I enjoyed Helfont’s writing which is strikingly dynamic.

I found this book to be full of insights into Russian thinking and culture. I never met Hingley, but would have loved to—his work has had a real influence on my own approach to studying and thinking about Russia. I find him a fluent writer who can take complex and controversial subjects and make them accessible. This is such a rich book. Hingley tries to explain problems of perspective in thinking about a different culture, before moving on to address a wide range of themes from Russian literature to history, geography, and politics. Times and attitudes change, but I find that it helps to frame some persistent questions about Russian life, and this book is such a good way to understand how things do—and don’t—happen in Russia. 

I love how Road Trip hooks you right away with its concept: a road for sale? What kind of road? How much? And what could be on that road? You might not be ready for it. I can assure you there is ample action on this highway, however, that could give new meaning to "road rage." Like all of Keener’s work, this book is original and well-written. You could even say it’s ass-kicking.

Troll told me that he read this book in preparation for his own deployment to Afghanistan. Winston Churchill said about campaigns in Afghanistan, “Financially it is ruinous. Morally it is wicked. Militarily it is an open question, and politically it is a blunder.”

It doesn’t feel like much has changed. 

This is the story of a young woman who witnessed the worst in the War in Afghanistan, was confronted by demons of post-traumatic stress, and fought for her life to become stronger than ever. Her storytelling is raw and real and she will gift you with that little bit of extra grit and determination we sometimes need to ignore the voices of negativity.