Here are 68 books that It Only Comes Out at Night & Other Stories fans have personally recommended if you like
It Only Comes Out at Night & Other Stories.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
As a child I read and experienced history books as adventures. Adventure drew me to Alaska after a hitch in the Navy. I wanted to write an accurate historical novel about Juneau and the Treadwell Mine and began my research. I knew the Alaska Historical Library was the perfect place to begin. When I discovered the extensive photo collections, I flashed back to my admiration of the historical novels that impressed me. I borrowed technique and structure from all and incorporated imagery in my manuscript. My main goal was to successfully immerse the reader in a good novel about 1915 in Alaska Territory.
Being a romantic I loved Time and Again (as well as the movie) for the story’s construction. I appreciate verisimilitude in historical novels and Finney has done his homework. Having briefly visited New York City twice, I do not know it personally.
Finney makes it breathe in 1882 with fascinating detail that never bores, and by using photographs. I thought the novel was perfect, and it stuck in my head as much for production/construction values as well as the story. When I first researched Treadwellat the Alaska Historical Library in Juneau I came across dozens of photographs, and the form for the novel coalesced in my head.
In retrospect I realize the novels I loved taught me about the architecture of story as well as entertaining me.
Si Morley is bored with his job as a commercial illustrator and his social life doesn't seem to be going anywhere. So, when he is approached by an affable ex-football star and told that he is just what the government is looking for to take part in a top-secret programme, he doesn't hesitate for too long. And so one day Si steps out of his twentieth-century, New York apartment and finds himself back in January 1882. There are no cars, no planes, no computers, no television and the word 'nuclear' appears in no dictionaries. For Si, it's very like Eden,…
When I was about twelve years old I noticed a tattered old paperback in a box at a flea market. Titled Third From the Sun and Other Stories,it featured a colorfully bizarre illustration on the cover along with the author’s name: Richard Matheson. I bought the book—nearly fifty years later I still have it—and so began my journey into the works of one of America’s greatest fantasists. Decades later, I had the honor of working with the man himself, which ultimately led to the creation of my anthology,He Is Legend. Richard is gone now, but his timeless works live on.
Charles Beaumont was close friends with Richard Matheson, and they worked together on such projects as the Roger Corman Edgar Allan Poe films and Rod Serling’s original Twilight Zone. Beaumont’s stories are as rich and varied as Matheson’s, with delightfully witty language and fantastic plot twists. If you love classic Matheson short stories like “Nightmare at 20,000 Feet” and “Death Ship,” you’re bound to love Beaumont.
That Charles Beaumont would make a name for himself crafting scripts for The Twilight Zone is only natural: for his was an imagination so limitless it must have emerged from some other dimension. So take one uneasy step and fall headlong into his world: a world where lions stalk the plains, classics cars rove the streets, and spacecraft hover just overhead. Here roam musicians, magicians, vampires, monsters, toreros, extraterrestrials, androids, and perhaps even the Devil himself. Perchance to Dream contains a selection of Beaumont's finest stories, including five stories that he later adapted for Twilight Zone episodes.
When I was about twelve years old I noticed a tattered old paperback in a box at a flea market. Titled Third From the Sun and Other Stories,it featured a colorfully bizarre illustration on the cover along with the author’s name: Richard Matheson. I bought the book—nearly fifty years later I still have it—and so began my journey into the works of one of America’s greatest fantasists. Decades later, I had the honor of working with the man himself, which ultimately led to the creation of my anthology,He Is Legend. Richard is gone now, but his timeless works live on.
The Ritual of Illusion is a brilliant short novel by Richard Christian Matheson (Richard Matheson’s son). Written entirely in dialogue from the points of view of numerous different witnesses, it tells the story of Hollywood star Sephanie Vamore’s strange rise and bizarre fall. This is Sunset Boulevard Matheson-style…another generation of Matheson, that is.
A sinister love letter to the movies, acclaimed author Richard Christian Matheson’s The Ritual of Illusion is a novella of modern fear about where stars truly come from. Oscar-winning film siren, Sephanie Vamore, meteors to iconic fame … but like cinema itself, nothing is as it appears. The fifty witnesses to her mythic ascent and bizarre fate are film royalty … many based on Hollywood glitterati; directors, stars, agents, studio heads, screenwriters, lovers, producers.
Widescreen with lies and revelation, Vamore’s story is told Rashomon-style with dialogue alone—each hypnotic character adding poignant or lurid details to the shocking truth of what…
When I was about twelve years old I noticed a tattered old paperback in a box at a flea market. Titled Third From the Sun and Other Stories,it featured a colorfully bizarre illustration on the cover along with the author’s name: Richard Matheson. I bought the book—nearly fifty years later I still have it—and so began my journey into the works of one of America’s greatest fantasists. Decades later, I had the honor of working with the man himself, which ultimately led to the creation of my anthology,He Is Legend. Richard is gone now, but his timeless works live on.
Richard Matheson’s “Button, Button” is a classic story of a couple given a box with a button on it that, if pressed, will yield them great riches…but will also kill someone unknown to them. Matheson’s most famous acolyte, Stephen King (who has said, “without Richard Matheson, I wouldn’t be around”), joins forces with master storyteller Richard Chizmar to create a short novel that is a fascinating variation and extension of Matheson’s tale.
'A resonant novella set in one of King's signature locales: the small town of Castle Rock, Maine' Washington Post
The small town of CASTLE ROCK, MAINE has witnessed some strange events and unusual visitors over the years, but there is one story that has never been told...until now.
There are three ways up to Castle View from the town of Castle Rock: Route 117, Pleasant Road, and the Suicide Stairs. Every day in the summer of 1974 twelve-year-old Gwendy Peterson has taken the stairs, which are held by strong (if time-rusted) iron bolts and zig-zag up the cliffside.
Carrie Gibson is a London-based writer who grew up in the US and spends as much time as she can in Latin America and the Caribbean. She started out as a journalist, working at UK newspapers, including the Guardian and the Observer, before diving into a PhD and historical research on European colonialism and its legacy in the Americas. She is the author of two books and continues to contribute to media outlets in the UK and US.
María Amparo Ruiz de Burton lived through one of the most tumultuous periods of history in California. She was born in Baja California to an elite family but moved to Mexican Alta California, as it was then known, during the Mexican-American War, marrying US army captain Henry Burton and becoming a US citizen. Ruiz de Burton watched California’s transformation under US rule, and this 1885 novel uses fiction to lay bare the very real problem of land dispossession of the Mexican Californians (known as Californios) and the arrival of ‘squatters’ from the eastern US who were claiming contested property. Ruiz de Burton is considered to be one of the earliest Mexican-American female authors to write in English, and this work illustrates how Alta California’s transition to statehood upended the lives of many people who had lived there under Spanish and Mexican rule.
The Squatter and the Don, originally published in San Francisco in 1885, is the first fictional narrative written and published in English from the perspective of the conquered Mexican population that, despite being granted the full rights of citizenship under the Treaty of Guadalupe-Hidalgo in 1848, was, by 1860, a subordinated and marginalized national minority.
I taught English and creative writing for 37 years in San Francisco, California. In 2018, Ron Cabral and I published And Then They Were Gone, which tells the story of the People’s Temple teenagers we taught. Many of them never returned after the Jonestown massacre and died there. We hope this story about our young students—their hopes, their poetry, their efforts to help make a better world—will bring some light to the dark story of Jonestown.
Woollett’s novel is based on much research on Peoples Temple and Jonestown. She came to the US from Australia for interviews with many survivors and others—including Ron Cabral and me because of our knowledge of the teenagers in the Temple. It’s a great read and adds much to the understanding of those who joined the Temple. Evelyn Lyndon (all the characters have fictional names except Jim Jones) is the “Beautiful Revolutionary” who, with her idealistic husband, joins the Temple and eventually becomes one of Jones’s mistresses. I recognize many of the book’s characters, sometimes two people rolled into one. Only in a novel could Woollett be in the minds of the characters she follows in this story, who are all believable and vividly drawn.
The thrilling new novel, inspired by the events at Jonestown in the 1970s.
It's the summer of 1968, and Evelyn Lynden is a woman at war with herself. Minister's daughter. Atheist. Independent woman. Frustrated wife. Bitch with a bleeding heart.
Following her conscientious-objector husband Lenny to the rural Eden of Evergreen Valley, California, Evelyn wants to be happy with their new life. Yet she finds herself disillusioned with Lenny's passive ways - and anxious for a saviour. Enter the Reverend Jim Jones, the dynamic leader of a new revolutionary church ...
Meticulously researched and masterfully written, Beautiful Revolutionary explores the…
I've always loved reading to myself and others. I've been an English teacher for years. I love sharing good books and have the reputation of being a good resource, especially for moms with children. I’m happy to share everything from memoirs and history books to classics and children’s picture books. Walking through a library or a bookstore is a favorite activity, so finding not only new books but excellent books about books is always a treat. I love to understand what makes a book work well as a story, thus books that delve into the richness of a story through personal narrative or literary criticism have been favorites to keep on my shelves.
Mitali Perkins is a winsome, thoughtful writer who easily draws the reader into her discussions of the timelessness of each classic book. This book is a blend of memoir, literary criticism, and moral formation. My favorite part of Steeped in Stories was her contagious love for each book. She reminded me why I loved them, and why I wanted my children to read them when they were younger. Not only does Mitali guide the reader through what makes these books classics in a good sense, she also helps us see them with discerning eyes so that instead of ditching old books for problematic parts, she helps us navigate them with young readers in mind.Steeped in Stories discusses The Hobbit, Heidi, Emily of Deep Valley, Little Women, and The Silver Chair.
The stories we read as children shape us for the rest of our lives. But it is never too late to discover that transformative spark of hope that children's classics can ignite within us.
Award-winning children's author Mitali Perkins grew up steeped in stories—escaping into her books on the fire escape of a Flushing apartment building and, later, finding solace in them as she navigated between the cultures of her suburban California school and her Bengali heritage at home. Now Perkins invites us to explore the promise of seven timeless children's novels for adults living in uncertain times: stories that…
As a second-generation immigrant, I knew very little of my family’s migration story. My grandparents never really learned English despite living in the US sixty or more years. In my twenties when the country was undergoing turmoil about immigration reform once again, I began looking at the immigrants all around me (and in literature) and identifying what we had in common—how our lives intertwined and were mutually dependent on one another. In 2007 I traveled 8,500 miles around the perimeter of the US by bicycle on a research trip to collect stories from immigrants and those whose lives they impacted. I wrote two books based on that experience.
I read The Brick People when it was first published in 1988.
At the time, I was already familiar with Morales’ work, but this historical novel about the Simons Brick Factory in Southern California and the Mexican migrants who the Simons brother depended upon for their success seized my imagination.
The author blends folklore, history, myth, and magical realism into a novel that relates the story of Mexican migrants and their complicity with or rebellion against the Simons brothers and the mores of the early 20th Century Los Angeles region.
Morales shows how history from the ground up is manifested in people’s lives. His characters work and play hard as they seek to build community and pursue dreams of social mobility even when customs and laws prohibit them.
This engrosing historical novel traces the growth of California from the nineteenth to the twentieth centuries by following in the development of the Simons Brick Factory. With an attention to historical reality blended with myth and legend, the prolific Morales recounts the epic struggle of a people to forge their destiny, along with Califonia's.
My favorite books are funny/sad. In my own writing, I aspire for balance between satire and sympathy, going to dark places and shining a light of hilarity on them. I’m compelled by the psychological complexities of desire, particularly in female characters—flawed, average women, struggling for empowerment. For me, desire is inextricably bound with loss. I’m inspired by loss both superficial and profound, from misplaced keys to dying fathers. Many voices clamor in my head, vying for my attention. I’m interested in ambitious misfits, enraged neurotics, pagans, shamans, healers, dealers, grifters, and spiritual seekers who are forced to adapt, construct, reinvent and contort themselves as reality shifts around them.
Over Easy is the first part of Madge’s story, followed by The Customer is Always Wrong. They can be read separately as each stands on its own, but are best absorbed one after the other. These books are visually inventive and full of unforgettable characters who leap off the page and lodge in your imagination. The story follows Madge, an open-hearted artist who finds refuge and adventure in the wise-cracking, fast-talking, drug-taking world of the Imperial Café where she gets a job as a waitress after being denied financial aid to cover her last year in art school. Full of wit and pathos, Mimi Pond captures the perfect balance of hilarious and heartbreaking, all with fantastic drawings. She makes it look easy!
Over Easy is a brilliant portrayal of a familiar coming-of-age story. After being denied financial aid to cover her last year of art school, Margaret finds salvation from the straight-laced world of college and the earnestness of both hippies and punks in the wisecracking, fast-talking, drug-taking group she encounters at the Imperial Cafe, where she makes the transformation from Margaret to Madge. At first she mimics these new and exotic grown-up friends, trying on the guise of adulthood with some awkward but funny stumbles. Gradually she realizes that the adults she looks up to are a mess of contradictions, misplaced…
As a social scientist, I've always been interested in how the communities we live in shape our values, priorities, and behavior. I also care about how institutional change—from small things like a college offering a new major to big things like a town choosing to incorporate—can shape communities. Each of these books has changed my thinking about how we influence, and are influenced by, the communities we live in, for better or worse. I'm a professor in the departments of Political Science and Quantitative Theory and Methods at Emory University in Atlanta, and I hold a Ph.D. in the Social Sciences from Caltech.
Between 1954 and 1981, when this book was written, the number of cities in L.A. County nearly doubled from 45 to 81. Many of these new cities contracted with the county for their basic public services, and were consequently able to maintain low property tax rates. Homeowners "voted with their feet" by moving to these new cities, and previously middle-class places like Compton saw their tax bases plummet while their need for public services skyrocketed. As a native Angeleno, I found Miller's account of the fragmentation of Los Angeles fascinating and devastating. A gem of a chapter entitled "Is the Invisible Hand Biased?" presents a withering critique of the argument—standard in economic theory—that more choices make people better off.
The battle line in the urban conflict lies between the central city and the affluent suburb. The city, needing to broaden its tax base in order to provide increasingly necessary social services, has sought to annex the suburb. The latter, in order to hold down property taxes, has sought independence through incorporation.
Cities by Contract documents and dissects this process through case studies of communities located in Los Angeles County. The book traces the incorporation of "Lakewood Plan" cities, municipalities which contract with the county for the provision of basic—which is to say minimal—services.
