Here are 65 books that Beautiful Revolutionary fans have personally recommended if you like
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I taught English and creative writing for 37 years in San Francisco, California. In 2018, Ron Cabral and I published And Then They Were Gone, which tells the story of the People’s Temple teenagers we taught. Many of them never returned after the Jonestown massacre and died there. We hope this story about our young students—their hopes, their poetry, their efforts to help make a better world—will bring some light to the dark story of Jonestown.
Raven is the best, most comprehensive, and most thoroughly researched book on Jim Jones, Jonestown, and Peoples Temple. Reiterman is a fine investigative journalist who was part of a group to visit Jonestown, Guyana in November of 1978. The visitors included, among others, eight members of the press; Congressman Leo Ryan and his aide Jackie Speier; and thirteen representatives of the “Concerned Relatives,” their own name for the group. Every member of the group had defected from the Temple in San Francisco. Only some of these visitors—Reiterman and a few of the other journalists, Ryan and Speier, and a small number of the group of relatives—were finally and reluctantly admitted in by Jones, on the stern advice of Jones’s lawyers. The Concerned Relatives were there to see if—as they strongly suspected—those in Jonestown were being held against their will. The journalists wanted to find the truth about life in the…
The basis for the upcoming HBO miniseries and the "definitive account of the Jonestown massacre" (Rolling Stone) -- now available for the first time in paperback.
Tim Reiterman’s Raven provides the seminal history of the Rev. Jim Jones, the Peoples Temple, and the murderous ordeal at Jonestown in 1978.
This PEN Award–winning work explores the ideals-gone-wrong, the intrigue, and the grim realities behind the Peoples Temple and its implosion in the jungle of South America. Reiterman’s reportage clarifies enduring misperceptions of the character and motives of Jim Jones, the reasons why people followed him, and the important truth that many…
I taught English and creative writing for 37 years in San Francisco, California. In 2018, Ron Cabral and I published And Then They Were Gone, which tells the story of the People’s Temple teenagers we taught. Many of them never returned after the Jonestown massacre and died there. We hope this story about our young students—their hopes, their poetry, their efforts to help make a better world—will bring some light to the dark story of Jonestown.
Layton escaped, at great risk, to try to prevent the tragedy of Jonestown. Her book is the best book yet to read to see Jonestown and Jim Jones through the eyes of a survivor. Layton entered Jonestown (as did most of Ron’s and my students) later than early settlers, when the situation was getting more and more dire as Jones was deteriorating.
Twenty-four at the time, Layton accompanied her mother, who believed Jones could cure her cancer. As Charles Krause says in the foreword, “Debbie quickly realized that she and the others had been deliberately deceived: Jonestown was essentially a concentration camp in the jungle.” Layton had been in the church since she was a teen. Jones had immediately recognized her intelligence and energy, and eventually made her one of his inner circle. When she left, he declared her a traitor. The book is fascinating and well written.
In this haunting and riveting firsthand account, a survivor of Jim Jones's Peoples Temple opens up the shadowy world of cults and shows how anyone can fall under their spell.
"A suspenseful tale of escape that reads like a satisfying thriller.... The most important personal testimony to emerge from the Jonestown tragedy." —Chicago Tribune
A high-level member of Jim Jones's Peoples Temple for seven years, Deborah Layton escaped his infamous commune in the Guyanese jungle, leaving behind her mother, her older brother, and many friends. She returned to the United States with warnings of impending disaster, but her pleas for…
I taught English and creative writing for 37 years in San Francisco, California. In 2018, Ron Cabral and I published And Then They Were Gone, which tells the story of the People’s Temple teenagers we taught. Many of them never returned after the Jonestown massacre and died there. We hope this story about our young students—their hopes, their poetry, their efforts to help make a better world—will bring some light to the dark story of Jonestown.
Julia Scheeres is the New York Times best-selling author of Jesus Land, a memoir about being sent, along with her adoptive brother, to a Christian reform camp in the Dominican Republic Their parents, conservative Christians sent them there when Julia and her brother were teenagers. The camp, Scheeres says, had “some uncanny parallels” with Jonestown.
She begins the story with the story of Tommy Bogue’s “adventure.” Tommy “gripped the slick railing, bracing himself against the waves,” as Jonestown’s small boat headed across the Atlantic and up the coast to the Kaituma River, on his journey to the settlement. Tommy, like Layton, was soon disillusioned. Tommy was a brother of Marilee, Ron’s and my student, who like her mother, was a Jones loyalist. Tommy refused to follow the many strict rules in Jonestown, and broke them to go outside of its borders to follow his curiosity about the jungle and the…
“A gripping account of how decent people can be taken in by a charismatic and crazed tyrant” (The New York Times Book Review).
In 1954, a past or named Jim Jones opened a church in Indianapolis called Peoples Temple Full Gospel Church. He was a charismatic preacher with idealistic beliefs, and he quickly filled his pews with an audience eager to hear his sermons on social justice. As Jones’s behavior became erratic and his message more ominous, his followers leaned on each other to recapture the sense of equality that had drawn them to his church. But even as the…
My early memories of San Francisco in the late 1970s are anything but glamorous. We lived in a crummy apartment down the street from the People’s Temple, and my preschool, in the always gray Sunset, served carob, not chocolate. Despite decamping for the greener pastures and white sands of Carmel-By-The-Sea, I was forever hooked by the gritty magic of San Francisco. I eventually returned to the city’s foggy Richmond District, where now I ruminate on past adventures, plot new ones, and write about the place I love. I'm the author of Moon Napa Sonoma, Moon California, and Moon Northern California, and my work has appeared in 7x7, the San Francisco Chronicle, and Alaska Magazine.
The myths of San Francisco loom large in our cultural imagination, but as David Talbot writes in Season of the Witch, the truth is far more interesting, disturbing, grotesque, and beautiful than even the most cinematic retelling. Between 1967-1983, the city was the epicenter of several countercultures, and home to multiple serial killers, political assassinations, bombing attempts, kidnappings, drug and viral epidemics; all of which unfold in heart-stopping quick succession. You’ll watch situations shift from exuberant to deadly in a matter of years, months, or weeks. You’ll also see how small the city really is; familiar names popping up in seemingly unrelated places; events linked by surprising characters. Talbot’s one point of levity is the carnivalesque sideshow of Anton LaVey and his Church of Satan. That tells you something.
The critically acclaimed, San Francisco Chronicle bestseller—a gripping story of the strife and tragedy that led to San Francisco’s ultimate rebirth and triumph.
Salon founder David Talbot chronicles the cultural history of San Francisco and from the late 1960s to the early 1980s when figures such as Harvey Milk, Janis Joplin, Jim Jones, and Bill Walsh helped usher from backwater city to thriving metropolis.
My first book love was Agatha Christie’s And Then There Were None. The game between author and reader that centers a whodunit has always delighted me. The breadcrumb trail of clues, the misdirection, the inevitable I should have seen it! are my jam. Now an author of whodunits—I have one series published and a second on the way, along with several short stories – I read mysteries with greater scrutiny—in admiration and with a selfish desire to learn from other authors’ envious talents. Each of the books on my list excited me for their excellent storytelling. In the end, I found them just plain entertaining. I hope you do too!
A flat-out clinic on how to infuse humor in mystery! Author Catriona McPherson is hilarious, both in person and on the page.
I am continually amazed by her ability to create fully realized characters, like series star Lexy Campbell, who read so true on the page while being laugh-out-loud funny. Oh! And I also greatly admire the plotting of each terrific installment in this long-running Last Ditch Mystery series.
To me, the discovery of a top-notch series is a gift that keeps on giving. I hope this one keeps it up for a long time.
Despite efforts to create a safe environment to see out the pandemic, the residents of the Last Ditch Motel face more dangers than they imagined possible in this hilarious yet claustrophobic mystery.
March 2020 and Operation Cocker is a go! The owners of the Last Ditch Motel, with a little help from their friend Lexy Campbell, are preparing to support one another through the oncoming lockdown, offering the motel's spare rooms to a select few from the local area in need of sanctuary.
While the newbies are settling in, an ambiguous banner appears demanding one of them return home. But…
California’s San Joaquin Valley is so congenial to plants I thought it made me a gardener. When I got my first job in a retail nursery I quickly realized how little I knew. Twenty years in the nursery trade expanded the depth and breadth of my garden skills. I owe my horticultural education to knowledgeable colleagues, an unending stream of interesting questions from nursery customers, and especially to Ed Laivo who introduced me to an ArcticGlo nectarine that commanded my attention.
Because of obvious limitations—space in the garden, sun, availability, and one’s responsibility to be a conscientious steward during a probably unending California drought—it’s impossible to grow as many roses as one would like. It’s not impossible, however, to content oneself with two or three plants for cutting flowers, and, instead, moon over this comprehensive collection of gorgeous photographs, descriptions of form, petal counts, habits, parentage, and scents. Keep 2,000 roses on the bookshelf. This book is a treasure.
All my writing starts with the question, How did we get here? As the granddaughter of a grocer and the daughter of a food editor, I grew up wondering about the quest for new and better foods—especially when other people began saying “new” and “better” were contradictions. Which is better, native or imported? Heirloom or hybrid? Our roses today are patented, and our food supplies are dominated by multi-national seed companies, but not very long ago, the new sciences of evolution and genetics promised an end to scarcity and monotony. If we explore the sources of our gardens, we can understand our world. That‘s what I tried to do in The Garden of Invention, and that’s why I recommend these books.
This fascinating book answers questions you never thought to ask. What would Southern California be without citrus groves or palm trees? Why does the Australian eucalyptus cover so much of this western state, and who were the elite conservatives who saw their own survival in the battle to save the redwoods? Find out here!
At the intersection of plants and politics, Trees in Paradise is an examination of ecological mythmaking and conquest. The first Americans who looked out over California saw arid grasslands and chaparral, and over the course of generations, they remade those landscapes according to the aesthetic values and economic interests of settlers, urban planners, and boosters. In the San Fernando Valley, entrepreneurs amassed fortunes from vast citrus groves; in the Bay Area, gum trees planted to beautify neighborhoods fed wildfires; and across the state, the palm came to stand for the ease and luxury of the rapidly expanding suburbs. Meanwhile, thousands…
As a second-generation immigrant, I knew very little of my family’s migration story. My grandparents never really learned English despite living in the US sixty or more years. In my twenties when the country was undergoing turmoil about immigration reform once again, I began looking at the immigrants all around me (and in literature) and identifying what we had in common—how our lives intertwined and were mutually dependent on one another. In 2007 I traveled 8,500 miles around the perimeter of the US by bicycle on a research trip to collect stories from immigrants and those whose lives they impacted. I wrote two books based on that experience.
I read The Brick People when it was first published in 1988.
At the time, I was already familiar with Morales’ work, but this historical novel about the Simons Brick Factory in Southern California and the Mexican migrants who the Simons brother depended upon for their success seized my imagination.
The author blends folklore, history, myth, and magical realism into a novel that relates the story of Mexican migrants and their complicity with or rebellion against the Simons brothers and the mores of the early 20th Century Los Angeles region.
Morales shows how history from the ground up is manifested in people’s lives. His characters work and play hard as they seek to build community and pursue dreams of social mobility even when customs and laws prohibit them.
This engrosing historical novel traces the growth of California from the nineteenth to the twentieth centuries by following in the development of the Simons Brick Factory. With an attention to historical reality blended with myth and legend, the prolific Morales recounts the epic struggle of a people to forge their destiny, along with Califonia's.
Like my narrator Maggie, I was a child, then a teen wandering the woods and dreaming of a life. I’ve always hated those books/TV shows/films where women, especially young women, are helpless and reliant on a man to get them out of trouble. I gravitate toward stories where females figure out their own paths, not always to a happy ending. I’m still a wanderer today, mostly solo, from New York City to the vast Highlands of Scotland, and while the world can seem scary, I’m confident and free on my own.
This is an incredibly intricate book, braiding many strands together to tell the story of people who “might be going to have lived a long, long time from now in Northern California.” One thread tying it all together is Stone Telling, a young girl caught between her mother’s rich tribal life and the militaristic city life of the man who is her father. She tells him, “I am a woman, and make my own choices,” but learns that is not the case in the land of the Condors. Her story illuminates two of the many ways to be human. (I’m re-reading this now.)
An "ethnographic" novel that portrays life in California's Napa Valley as it might be a very long time from now, imagined not as a high tech future but as a time of people once again living close to the land.
Carrie Gibson is a London-based writer who grew up in the US and spends as much time as she can in Latin America and the Caribbean. She started out as a journalist, working at UK newspapers, including the Guardian and the Observer, before diving into a PhD and historical research on European colonialism and its legacy in the Americas. She is the author of two books and continues to contribute to media outlets in the UK and US.
María Amparo Ruiz de Burton lived through one of the most tumultuous periods of history in California. She was born in Baja California to an elite family but moved to Mexican Alta California, as it was then known, during the Mexican-American War, marrying US army captain Henry Burton and becoming a US citizen. Ruiz de Burton watched California’s transformation under US rule, and this 1885 novel uses fiction to lay bare the very real problem of land dispossession of the Mexican Californians (known as Californios) and the arrival of ‘squatters’ from the eastern US who were claiming contested property. Ruiz de Burton is considered to be one of the earliest Mexican-American female authors to write in English, and this work illustrates how Alta California’s transition to statehood upended the lives of many people who had lived there under Spanish and Mexican rule.
The Squatter and the Don, originally published in San Francisco in 1885, is the first fictional narrative written and published in English from the perspective of the conquered Mexican population that, despite being granted the full rights of citizenship under the Treaty of Guadalupe-Hidalgo in 1848, was, by 1860, a subordinated and marginalized national minority.
