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As a child I read and experienced history books as adventures. Adventure drew me to Alaska after a hitch in the Navy. I wanted to write an accurate historical novel about Juneau and the Treadwell Mine and began my research. I knew the Alaska Historical Library was the perfect place to begin. When I discovered the extensive photo collections, I flashed back to my admiration of the historical novels that impressed me. I borrowed technique and structure from all and incorporated imagery in my manuscript. My main goal was to successfully immerse the reader in a good novel about 1915 in Alaska Territory.
Being a romantic I loved Time and Again (as well as the movie) for the story’s construction. I appreciate verisimilitude in historical novels and Finney has done his homework. Having briefly visited New York City twice, I do not know it personally.
Finney makes it breathe in 1882 with fascinating detail that never bores, and by using photographs. I thought the novel was perfect, and it stuck in my head as much for production/construction values as well as the story. When I first researched Treadwellat the Alaska Historical Library in Juneau I came across dozens of photographs, and the form for the novel coalesced in my head.
In retrospect I realize the novels I loved taught me about the architecture of story as well as entertaining me.
Si Morley is bored with his job as a commercial illustrator and his social life doesn't seem to be going anywhere. So, when he is approached by an affable ex-football star and told that he is just what the government is looking for to take part in a top-secret programme, he doesn't hesitate for too long. And so one day Si steps out of his twentieth-century, New York apartment and finds himself back in January 1882. There are no cars, no planes, no computers, no television and the word 'nuclear' appears in no dictionaries. For Si, it's very like Eden,…
When I was about twelve years old I noticed a tattered old paperback in a box at a flea market. Titled Third From the Sun and Other Stories,it featured a colorfully bizarre illustration on the cover along with the author’s name: Richard Matheson. I bought the book—nearly fifty years later I still have it—and so began my journey into the works of one of America’s greatest fantasists. Decades later, I had the honor of working with the man himself, which ultimately led to the creation of my anthology,He Is Legend. Richard is gone now, but his timeless works live on.
Charles Beaumont was close friends with Richard Matheson, and they worked together on such projects as the Roger Corman Edgar Allan Poe films and Rod Serling’s original Twilight Zone. Beaumont’s stories are as rich and varied as Matheson’s, with delightfully witty language and fantastic plot twists. If you love classic Matheson short stories like “Nightmare at 20,000 Feet” and “Death Ship,” you’re bound to love Beaumont.
That Charles Beaumont would make a name for himself crafting scripts for The Twilight Zone is only natural: for his was an imagination so limitless it must have emerged from some other dimension. So take one uneasy step and fall headlong into his world: a world where lions stalk the plains, classics cars rove the streets, and spacecraft hover just overhead. Here roam musicians, magicians, vampires, monsters, toreros, extraterrestrials, androids, and perhaps even the Devil himself. Perchance to Dream contains a selection of Beaumont's finest stories, including five stories that he later adapted for Twilight Zone episodes.
When I was about twelve years old I noticed a tattered old paperback in a box at a flea market. Titled Third From the Sun and Other Stories,it featured a colorfully bizarre illustration on the cover along with the author’s name: Richard Matheson. I bought the book—nearly fifty years later I still have it—and so began my journey into the works of one of America’s greatest fantasists. Decades later, I had the honor of working with the man himself, which ultimately led to the creation of my anthology,He Is Legend. Richard is gone now, but his timeless works live on.
The Ritual of Illusion is a brilliant short novel by Richard Christian Matheson (Richard Matheson’s son). Written entirely in dialogue from the points of view of numerous different witnesses, it tells the story of Hollywood star Sephanie Vamore’s strange rise and bizarre fall. This is Sunset Boulevard Matheson-style…another generation of Matheson, that is.
A sinister love letter to the movies, acclaimed author Richard Christian Matheson’s The Ritual of Illusion is a novella of modern fear about where stars truly come from. Oscar-winning film siren, Sephanie Vamore, meteors to iconic fame … but like cinema itself, nothing is as it appears. The fifty witnesses to her mythic ascent and bizarre fate are film royalty … many based on Hollywood glitterati; directors, stars, agents, studio heads, screenwriters, lovers, producers.
Widescreen with lies and revelation, Vamore’s story is told Rashomon-style with dialogue alone—each hypnotic character adding poignant or lurid details to the shocking truth of what…
A fast-paced literary thriller with a strong sci-fi element and loaded with existential questions. Beyond the entertainment value, this book takes a hard look at the perilous world of publishing, which is on a crash course to meet the nascent, no-holds-barred world of AI. Could these worlds co-exist, or will they destroy each other? And more importantly, how will humans tolerate their own creations, the robots, on this planet?
In this, his latest speculative fiction novel, Shane Joseph, returns to the “what if” questions facing humanity that he raised in After the Flood, a book that won him the…
With Chatbots and Large Language Models changing the world of writing and publishing dramatically, what happens when we introduce a sentient robot capable of feelings into the mix?
Phil Kruger, inventor, and serial womanizer, believes he has the answer in his creation, Victoria, the first sentient robot in the world, imbued with beauty, knowledge, and strength and on a crash course to acquire human feelings through massive infusions of data. Arrayed against him are independent trade publisher Artemius (Art) Jones and his rebellious and sexually starved daughter, Paula, an editor herself, who is determined to take her father's failing press,…
When I was about twelve years old I noticed a tattered old paperback in a box at a flea market. Titled Third From the Sun and Other Stories,it featured a colorfully bizarre illustration on the cover along with the author’s name: Richard Matheson. I bought the book—nearly fifty years later I still have it—and so began my journey into the works of one of America’s greatest fantasists. Decades later, I had the honor of working with the man himself, which ultimately led to the creation of my anthology,He Is Legend. Richard is gone now, but his timeless works live on.
If someone asked me to name the greatest American horror story writer of the second half of the twentieth century, I would say “Richard Matheson” without hesitation. But if I were allowed two names, the other—equally without hesitation—would be Dennis Etchison, a writer who resembles Matheson in his economy of language, Southern California settings, and intense, twisty plots. His stories are as dark and disturbing as Matheson’s—and that’s really saying something.
In this second printing, Cycatrix Press is proud to bring the highly acclaimed collection Dennis Etchison's It Only Comes Out at Night, previously only available as a limited-edition hardcover (out of print) from Centipede Press to an affordable trade paperback with the addition of previously uncollected fiction, new illustrations, and unpublished appreciations by fellow authors.
More about It Only Comes Out at Night: Few writers of horror fiction are held in such high regard as Dennis Etchison. This career retrospective takes his best fiction, culled from nearly fifty years in the field.
Dennis Etchison (1943-2019) was an American writer and…
Steven Ramirez is a lifelong fan of the movies—especially gripping thrillers and nail-biting horror. An award-winning author, he wrote the supernatural suspense series, Sarah Greene Mysteries, and the horror-thriller series, Tell Me When I’m Dead. His latest novel is Faithless, a thriller. A former screenwriter, Steven lives in Los Angeles with his family. He enjoys Mike and Ikes with his Iced Caffè Americano, doesn’t sleep on planes, and wishes Europe were closer.
The way the author describes Sammy’s state of mind as he tells the story—accompanied often by wry, even side-splitting observations—drew me into this strange family, wanting more than anything to learn how they would extricate themselves from their collective morass. If you like ghost stories that are fresh and modern and feature plenty of humor, then I highly recommend From Away.
Sammy Kehoe, his sister, Charlotte, and her four-year-old daughter, Maggie, are all each other have left since the car accident that killed the rest of their family. When they visit their beloved old family home on remote Fox Island, Maine, Sammy and Charlotte each have relationship sparks with island locals. But the budding idyll is shattered when Sammy and Maggie’s unexplained abilities to “see things” are put to the test when dangerous ghosts from the past resurface. At first, this novel about an unusual and loving family draws readers in with warmth and intrigue―and then it builds with suspense that…
As a child, I received an electronic typewriter as a gift and immediately got to work on a story about a family living on an island. Even at ten, I recognized the power of islands, with their built-in problems of isolation and rich possibilities for metaphors. So it only made sense I’d one day publish a book set on one. If you’re like me and can’t resist books with island settings, you’ll love these book recommendations. Each island in this collection has its own personality that becomes a character of its own, and none of these books could exist in the same way without their unique settings.
This was my first delightful introduction to Susan Elizabeth Phillips's romantic comedies. I adore genre-benders, and this romance also has suspense and mystery.
I was curious by the unconventional set-up: a female ventriloquist who talks to her puppets has to live on a remote island off the coast of Maine in winter. There, she encounters an unlikable boy from her childhood—now a man who’s become a huge horror author and may or may not be a killer. The rugged island setting and its quirky cast of characters let Phillips have some fun with gothic tropes, a favorite of mine.
New York Times Bestselling Author Susan Elizabeth Phillips is back with a delightful novel filled with her sassy wit, dazzling charm, and a threat of danger-a modern Jane Eyre It's going to be a long, hot winter. He is a reclusive writer whose imagination creates chilling horror novels. She is a down-on-her-luck actress who's given up far too much. He knows a dozen ways to kill his characters with his bare hands. She knows a dozen ways to kill an audience with laughs. But she's not laughing now. Annie Hewitt has been forced to return to an isolated island off…
Foreign cultures have always intrigued me. I am a Midwesterner who lived for several years in Latin America, teaching English and later doing field work in anthropology. As a young woman, I lived through a violent coup d’état in Chile, and I drew on that experience when I later wrote about political upheaval in Guatemala. A Ph.D. in anthropology gave me the opportunity to spend time in Guatemala and Mexico, some of it in Mayan towns. My love of historical fiction stems from my desire to enter and understand other worlds, and I am grateful to authors who spin their magic to bring far-off places and times to life.
This is a darkly beautiful novel, set in the period after the American Revolution, a time of great hardship for many Americans. Hannah Trevor has lost her husband and three children, and she cobbles out an independent if marginal life for herself as a midwife in rural Maine. She finds love with a married man, and when he is falsely accused of rape and murder, Hannah sets out to uncover the truth. I was drawn in by Lawrence’s striking prose and by Hannah, who is strong, resourceful, and in many ways, a loner.
Hanna Trevor, a midwife in 1780s Maine, is drawn into the investigation into the rape and murder of a young woman when an honorable man--her former lover and the father of her child, is accused of the crime. Reprint.
I’ve always been a fan of horror because a good scare makes the adrenaline flow. Personally, I don’t think ghosts and demons are real, and they don’t scare me. But humans…humans can be downright evil. This is why I gravitate toward serial killer and slasher fiction when I’m looking for a scare. Sometimes I just want to test my endurance for the dark side of human nature. Unfortunately, it is all too easy to write a really depraved book without taking the time to make the reader care about the characters, which is why these novels are my favorite works of darkness. These are great, disturbing books with genuine pathos.
Ketchum’s classic survival horror novel about cannibals attacking a cabin of vacationers is pure 80s slasher goodness. It was perhaps the darkest book of its kind for a long time and pulls no punches with the intensity of its chase scenes. Ketchum’s economical writing style makes it a very easy read, one where you will root for the good guys, and be left emotionally drained by the end.
September. A beautiful New York editor retreats to a lonely cabin on a hill in the quiet Maine beach town of Dead River―off season―awaiting her sister and friends. Nearby, a savage human family with a taste for flesh lurks in the darkening woods, watching, waiting for the moon to rise and night to fall…
And before too many hours pass, five civilized, sophisticated people and one tired old country sheriff will learn just how primitive we all are beneath the surface…and that there are no limits at all to the will to survive.
As a born and bred Mainer, there are dozens of great books I could recommend set in the Pine Tree State. But the five I’ve curated capture, for me, the diversity of the Maine culture, from the long-gone loggers who made their living from the woods to the often-overlooked Indigenous communities to the mill towns struggling to survive. When a non-Mainer thinks of our state, what usually comes to mind are quaint coastal villages, lighthouses, lobster… And while those things are part of what makes Maine the place it is, there exists, both on and off the page, plenty of other experiences and histories to discover here.
Even though Jewett wrote the stories in this book in the late 1800s, there is a timeless feeling to her prose that reverberates today.
I love Jewett’s attention to and reverence for the natural beauty that surrounds the fictional town of Dunnet Landing. Her descriptions of the Maine coastline—a blend of craggy rocks, forest, meadows, and sea—are visceral, sensory, and alluring. Jewett also nicely captures the hardworking, humorous, quietly resilient spirit of the year-round residents of Dunnet Landing, with a particularly keen and kind eye toward her female characters.
Her care for the everyday rituals of life, the small moments that make up an existence, are lovingly rendered and evocative. There’s a reason this is a Maine classic.
A rich collection of classic American literature potraying the beauty of a 19th-century New England town.
A female writer comes one summer to Dunnet Landing, a Maine seacoast town, where she follows the lonely inhabitants of once-prosperous coastal communities. Here, lives are molded by the long Maine winters, rock-filled fields and strong resourceful women.
Throughout Sarah Orne Jewett’s novel and stories, these quiet tales of a simpler American life capture the inspirational in the everyday: the importance of honest friendships, the value of family, and the gift of community.
“Their counterparts are in every village in the world, thank heaven,…
As someone who loves my work, I’ve noticed that in fiction when a woman is successful at her career, often that career mainly functions as a source of guilt or stress. Fictional working women spend a lot of time second guessing their choices, and, hey, it is hard to balance work and family. Women are torn in multiple directions. But I also believe it’s okay to love your job. It’s okay to find joy in it and to not beat yourself up. I find deep satisfaction in writing, and I enjoy reading about characters who know the rush of doing a job well.
Oh, this book is perfect from the first page. It captures motherhood wonderfully and specifically—in this case, mothering two teenage boys—and it just as successfully captures the Maine coast and the complicated, sometimes fragile ecosystem of a marriage.
Jill is a documentary filmmaker who’s temporarily a single parent to her boys while her husband, a fisherman, recovers in a hospital from a boating accident. There’s nothing flashy about the story—it’s a smart, lovely, often funny look at one woman’s life. It’s a deeply contented life, by the way, which means the stakes are very high when the foundation of it starts to look shaky.
This beautiful portrait of a family in a fishing village in Maine is "a fresh look at marriage, motherhood, and the wondrous inner lives of teenagers. A truly beautiful and unforgettable love story of a family on the brink” (Lily King, author of Writers & Lovers). A must-read from the critically acclaimed author of Elsey Comes Home.
“I loved Landslide. You are right there with them in a fishing village in Maine, feeling the wind, the sea, the danger. Smart, honest, and funny, this is a story you won't forget.” —Judy Blume, best-selling author of In the Unlikely Event
