90 books like Cities by Contract

In this book we learn that our actions are shaped by that of others or by our expectation of what others will do.

If, for example, a white neighbor leaves the neighborhood upon seeing a minority family move in, other white neighbors are likely to follow suit if they expect more white neighbors to move out and more minorities to move in. If a critical mass of white neighbors adopts this behavior, the result is a segregated neighborhood.

Applied this idea to the study of mass atrocities, we understand mass participation in mass atrocities as not a result of moral failure, but a social phenomenon driven by imitating nature and belonging need of the humankind. This understanding humanizes the mass perpetrators of an atrocity and opens space for reconciliation.

In 2004, sociologists Elizabeth Armstrong and Laura Hamilton set up camp in a dorm at Indiana University with the aim of writing an ethnography of the girls on the floor. They tracked the girls for five years, documenting their education, social lives, and post-college outcomes. As the product of a flagship state university myself, this book floored me. Armstrong and Hamilton document a process whereby administrators attract wealthy full-tuition students by subsidizing Greek life and creating legitimate-sounding but low-value majors. Far from being an equalizer, the rich leave university employed and debt-free, while the poor leave with staggering debt and few job prospects. For those of us in higher ed, this book articulates the discomfort many of us have felt in recent decades as universities have become increasingly consumer-oriented.

Much of what we do in the social sciences requires articulating what it is that people want. What do people find beautiful, valuable, and correct? A cultural anthropologist, Shweder details the remarkable differences in how humans make meaning of their lives, and the different conceptions of morality, modesty, and normality found in different cultures. The book's most provocative chapter, "What About Female Genital Mutilation?," can be read as a qualified defense of the practice, arguing that using state coercion to enforce our own Western conceptions of correctness can constitute a form of liberal imperialism. Regardless of whether you find Shweder's case for FGM persuasive, the argument that tolerance requires seriously engaging with beliefs that may be alien and distressing is particularly welcome in these divided times.

Given the above books, one might ask: Can free markets and unchecked self-interest ever work for the social good? Leeson offers an answer in the affirmative: Yes! For pirates! This delightful and readable book applies Adam Smith's metaphor of the invisible hand to pirate life at the turn of the 18th century, arguing that purely profit-seeking motives led pirates to adopt norms of cooperation, democratic governance, and (sometimes) racial equality. Recent events like the subprime mortgage crisis led many to argue that our government's failure to check risky profit-seeking behavior led to market collapse. This book provides an interesting complement to that claim, arguing that it was precisely the criminality of the pirate enterprise that drove democracy on the high seas.

This is a memoir about being a writer—and failing. With scholarly rigor and tenderhearted sympathy, Specktor excavates the lives of artists forgotten (Carol Eastman, Eleanor Perry), underappreciated (Thomas McGuane, Hal Ashby), and notorious (Warren Zevon, Michael Cimino), while always circling back to his own benighted Hollywood upbringing, complete with a lovely tribute to his mother, a failed screenwriter. This is an angry, sad, but always somehow joyful book about not hitting it big, and I've never read anything quite like it.

This is a personal favourite as it’s the Ellroy novel that carries the biggest emotional punch. Although it didn’t match the sales of its predecessor The Black Dahlia, The Big Nowhere is a more accomplished novel. The setting is LA, 1950. A murder plot is interweaved with the politics of the Red Scare, and a Hollywood milieu at the height of the film noir age. This is the novel that proved Ellroy was a literary writer, and not just a genre one.

What can you say about the book that kicked off a whole new genre?

Widely regarded as the first ‘cyberpunk’ novel, reading Virtual Light today is beyond eery. It takes place in the dystopian future year of 2006 (the book was written in 1994) and is set in San Francisco during a time when the middle class has disappeared and the only people left are either disgustingly rich or living on the street. And as I look around at what San Francisco, and many other cities have become, it makes me think that Gibson might be the Cassandra of the modern world. 

Great writing on cities is rarer than it should be. The late Mike Davis, using Los Angeles as his muse, showed me—and so many others—new ways of thinking about cities through his vividly and passionately argued prose. Weaving together strands of architecture, urban history, social justice, and ecology, Davis has inspired me like no other author to examine cities critically, from unexpected perspectives and with a fierce point of view. Underlying his outrage at the injustices of the unravelling metropolis is a mordant sense of humor—making him an unbeatable guide as we all ride shotgun through desperate times. 

I absolutely loved this book. One of the most beautiful stories I’ve ever read, it’s heartfelt and hilarious. After running his own bookshop in Seattle, Andrew Bloomfield moves to Hollywood to become a screenwriter and discovers a colony of feral cats living in his backyard. He was not a cat person. After witnessing one too many raccoon and coyote attacks and hungry, crying kittens, he and his two female housemates intervene and start caring for these wild yet vulnerable cats who transform his life. With his sharp wit and keen eye for detail, Bloomfield is a brilliant storyteller. I got completely caught up in the soap-opera dramas and death-defying moments of these cats, along with the heartaches and triumphs of rescuing them.

Elroy wrote many other books before he took on this epic noir crime novel (one in a quartet). He made his bones in writing, and it's evident in his skill level, story, and prose. Elroy excels in this novel (and the other three) in voice. And voice is the Big Kahuna in writing, it’s the everything in writing and Elroy has it in spades.

Another great addition to the above is the length (because you don’t want this book to ever end) and that it’s a historical novel that absolutely captures the time period and adds the historical nuance to all the characters.