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In 2006, I told a friend I wanted to write a book about grieving the death of a friend. Despite the fact that I’d never written a book before, she gave me her enthusiastic approval. Six months later she was dead. She inspired me to turn that book idea into a series of little books: the Friend Grief series. Just as I was finishing the last one, I began work on a full-length book that took me back to my work in the early days of AIDS. When COVID began, I returned to writing about friend grief. And I lost over a dozen friends while I wrote the book.
Since long before COVID, Ruth Coker Burks has lived a life of service to people who were abandoned by their families after being diagnosed with AIDS.
In the dark days of that epidemic, she cared for them, advocated for them, even buried them in her own family plot in Arkansas. She persevered despite relentless bigotry and hatred that included cross-burnings on her front lawn. Nothing stopped her.
Coker Burks earned the nickname ‘cemetery angel’ by proving that everyone can make a difference in the lives of others. I’m honored that we have become friends, because she inspires me every day.
"A renegade Florence Nightingale cares for the ill in a remarkable tale of compassion and combating prejudice" The Guardian
'Breath-taking courage and compassion [...]a beautiful book' The Sunday Times
'An extraordinary tale' Evening Standard
'If I have one message with this book it's that we all have to care for one another. Today, not just in 1986. Life is about caring for each other, and I learned more about life from the dying than I ever learned from the living. It's in an elephant ride, it's in those wildflowers dancing on their way to the shared grave of two men…
In 2006, I told a friend I wanted to write a book about grieving the death of a friend. Despite the fact that I’d never written a book before, she gave me her enthusiastic approval. Six months later she was dead. She inspired me to turn that book idea into a series of little books: the Friend Grief series. Just as I was finishing the last one, I began work on a full-length book that took me back to my work in the early days of AIDS. When COVID began, I returned to writing about friend grief. And I lost over a dozen friends while I wrote the book.
Written during COVID, but not about the pandemic, BFF is for those of us who are less-than-perfect friends.
Her lifelong struggles to define and live up to her impossible ideals of friendship are instantly relatable. She’ll annoy you and maybe make you mad, but you’ll cheer her on for her desire to do the right thing. Her challenges are ours, too.
In fact, reading how she coped with the loss of her best friend was a comfort to me. Because I read it at a time when I was devastated by a similar loss.
From the author of Group, a New York Times bestseller and Reese's Book Club Pick, comes a moving, heartwarming, and powerful memoir about Christie Tate's lifelong struggle to sustain female friendship, and the friend who helps her find the human connection she seeks.
After more than a decade of dead-end dates and dysfunctional relationships, Christie Tate has reclaimed her voice and settled down. Her days of agonizing in group therapy over guys who won't commit are over, the grueling emotional work required to attach to another person tucked neatly into the past.
In 2006, I told a friend I wanted to write a book about grieving the death of a friend. Despite the fact that I’d never written a book before, she gave me her enthusiastic approval. Six months later she was dead. She inspired me to turn that book idea into a series of little books: the Friend Grief series. Just as I was finishing the last one, I began work on a full-length book that took me back to my work in the early days of AIDS. When COVID began, I returned to writing about friend grief. And I lost over a dozen friends while I wrote the book.
College friends gathering after the suicide of one of their friends. If it sounds like the ‘80s film The Big Chill, you would be right…and wrong.
At first, I wasn’t sure I liked any of the characters. But Rowley digs deep into the lives of a group of far-flung friends in ways that surprised me. Layers are peeled back throughout the book, proving that the characters, like our friends, really are complicated and annoying and precious.
New York Times Bestseller A TODAY Show #ReadWithJenna Book Club Pick
A Big Chill for our times, celebrating decades-long friendships and promises—especially to ourselves—by the bestselling and beloved author of The Guncle.
It’s been a minute—or five years—since Jordan Vargas last saw his college friends, and twenty-eight years since their graduation when their adult lives officially began. Now Jordan, Jordy, Naomi, Craig, and Marielle find themselves at the brink of a new decade, with all the responsibilities of adulthood, yet no closer to having their lives figured out. Though not for a lack of trying. Over the years they’ve reunited…
In 2006, I told a friend I wanted to write a book about grieving the death of a friend. Despite the fact that I’d never written a book before, she gave me her enthusiastic approval. Six months later she was dead. She inspired me to turn that book idea into a series of little books: the Friend Grief series. Just as I was finishing the last one, I began work on a full-length book that took me back to my work in the early days of AIDS. When COVID began, I returned to writing about friend grief. And I lost over a dozen friends while I wrote the book.
One of the many wistful and beautiful photos in this book caught my eye in an exhibit at the New York Historical Society in 2021.
Her photography, and the attendant essays, evoke not only the isolation of quarantine, but the ways we rediscovered the desire for human connection. What could be easier than meeting a friend, careful to stay 6’ apart? Or sadder?
In April 2020, when New York was in lockdown and the epicentre of the pandemic, Renate Aller created the project side walk. She hosted friends and neighbors on her sidewalk or visited them in their street, her camera in self timer mode, recording these masked encounters at a safe 6 feet distance. With voices muted by masks we learn to communicate with our eyes and body language, finding our bearings in a new emotional landscape. These sidewalk visits created a deep sense of community where community had been forced apart. This project is in the spirit of Rainer Maria Rilke:…
Horror spoke to me early. In fifth grade a teacher submitted my story which landed in an anthology of Maine authors alongside Stephen King. King being a local made writing real. Whether movies or books I could not consume enough of the horror genre. My local bookstore had me (a customer) curate their horror section given my knowledge and depth of reading in the field. Anthologies excited me most with so many authors packed into one volume. I detoured into producing/writing in Hollywood for years in the non-horror field. But now I author books in the genre that means the most to me. I also edit the Little Coffee Shop of Horrors Anthology series.
Like the title suggests, this anthology is for those on the outside. It is a weird blend of strange works from well-known authors in the industry. I tend to like anthologies such as this because it creates work somewhat out of the norm for the writers. The standout story here is from Tanith Lee. I do not recommend it purely for the story as I do not consider it the best of this bunch. What did strike me was the prose. From her first words the reader knows they are in the hands of a master. It is simply impossible to stop reading once one starts because of the incredible descriptions and tone of the story. It is technically an excerpt from one of her novels but it does wow with the beauty of the words on the page. If someone believes horror cannot be literary they have not read…
Some of today's leading masters of speculative fiction, dark fantasy, and horror contribute a collection of original tales of the macabre in an anthology that features works by Neil Gaiman, Poppy Z. Brite, Yvonne Navarro, Tanith Lee, John Shirley, Brian Hodge, and Kathe Koja, among others. Original.
As a journalist and author and a young father, I’ve come to seek more vigorously things that make me smile, things I can cherish and appreciate. My most recent book is dedicated to “the troubled, in trouble, and once troubled.” In promoting the book, I’ve often said I still feel fairly troubled—which is true. Demons never die, we just live to learn with them. So while reading the below books I’ve discovered hallowed moments which fill a person to the brim. After each of these reads I felt that I could surmount most anything.
When I first moved overseas, I hadn’t thought about leaving my friends behind, or what role they played in my life. We had largely spent our lives apart, ever-connected if remote, and that seemed to fit us just fine. Then something akin to culture shock took hold and I needed them more than ever. They were there, in their Zoom boxes, and on telephone calls. I was reminded to check in with them often—to keep the good thing we had going.
In this "entertaining mix of social science, memoir, and humor, as if a Daniel Goleman book were filtered through the lens of Will Ferrell" (The New York Times Book Review) a middle-aged man embarks on an entertaining and relatable quest to reprioritize his ties with his buddies and forge new friendships, all while balancing work, marriage, and kids.
At the age of forty, having settled into his busy career and active family life, Billy Baker discovers that he's lost something crucial along the way: his friends. Other priorities always seemed to come first, until all his close friendships became distant…
I have bad days. At times there have been a lot of bad days. I’m alone, caring for someone, working, scooping the cat box, and mopping the floors. Sometimes it can all feel a little sad and hopeless, like I am alone in the world. Stories are where I go when I’m happy. When I want adventure, mystery, or romance. But they are mostly where I go when I want to feel like I’m not the only one who feels this way sometimes. I can see that it’s not just me. I’m not alone.
Eleanor is completely relatable to me on my worst days. She’s neurotic and judgmental and favors predictability.
Reading this made me feel a little less bad about myself when all I do is lie on the couch and read and eat cookies for dinner. It also helped me to see that sometimes all you need is one person to love you for everything to change.
"Beautifully written and incredibly funny, Eleanor Oliphant Is Completely Fine is about the importance of friendship and human connection. I fell in love with Eleanor, an eccentric and regimented loner whose life beautifully unfolds after a chance encounter with a stranger; I think you will fall in love, too!" -Reese Witherspoon
No one's ever told Eleanor that life should be better than fine.
Meet Eleanor Oliphant: She struggles with appropriate social skills and tends to say exactly what she's thinking. Nothing is missing in her carefully timetabled life of…
I’ve been an archivist at Canada’s national archives for more than twenty years. I love my job. Archives are, by their very nature, a collection of miscellany that weren’t created to be preserved or remembered. They are the scraps of paper and hurriedly sent emails produced while the world is out making history. As a result, they offer unselfconscious glimpses into the past. Archives are poorly understood, which means that the folks who decide to devote their professional lives to them are often a little quirky and a bit odd. This makes books featuring archivists celebrations of the off-kilter, the overlooked, and the frankly strange.
Written by Nobel Prize winning, libertarian communist (don’t worry about it, it’s a thing) author Jose Saramago, All the Names is a weird and joyful exploration of the grind of bureaucracy and the power of information to control lives. Unlike Bear, this is not an easy read. Saramago’s signature style features long, convoluted sentences, which confuse and disorient – much like plunging into complex archival research. The story focuses on Senhor José, a poorly socialised records clerk, trudging through his days in a faceless, nonsensical records centre. One day he connects with a particular file and the realisation that the pieces of paper he manages represent whole beautiful lives sends him on a journey that requires breathtaking bravery and the formation of new, if eccentric, friendships. A life-affirming read.
José Saramago's mesmerizing, classic narrative about the loneliness of individual lives and the universal need for human connection.
Senhor José is a low-grade clerk in the city's Central Registry, where the living and the dead share the same shelf space. A middle-aged bachelor, he has no interest in anything beyond the certificates of birth, marriage, divorce, and death that are his daily routine. But one day, when he comes across the records of an anonymous young woman, something happens to him. Obsessed, Senhor José sets off to follow the thread that may lead…
I'm a long-time role-player/gamemaster and reader of SFF, and I've read, created, and played (and written!) a lot of stories.Good stories come from good characters. We all know that. But part of what makes characters good is that they're believable, and to me their believability is inextricable from the worlds they come from. A world-build—setting, weather, technology, magic, science, cultures, and languages—should BE as much of a character as the protagonist(s). While I admit a fond nostalgia for ye olde semi-Euro-medieval setting, I lovea world-build that challenges or surprises me, and I love the characters and stories that come out of those worlds. I hope you do too.
Shapeshifting lizard people. Oh. You want me to say something else?
How about... a world like no other, peopled by all manner of beings (but no humans, which is honestly a delight). The setting is so fantastic, but also so meticulously designed—every settlement and civilization feels organic, fully realized, and unlike anything else. But what about the story—?
Moon doesn't know where he's from, but he knows he's the only shapeshifter he's ever met, and the only person with wings...and worse, he thinkshe's part of the terrible Fell, a species that seems to be invasive and hostile and looks a lot like him.
Then he meets another Raksura, and learns how wrong he's been about everything, including himself.
Nominated for the 2018 Hugo Award for Best Series. "Wells...merrily ignores genre conventions as she spins an exciting adventure around an alien hero who anyone can identify with."-Publishers Weekly, Starred Review
Moon has spent his life hiding what he is - a shape-shifter able to transform himself into a winged creature of flight.
An orphan with only vague memories of his own kind, Moon tries to fit in among the tribes of his river valley, with mixed success. Just as Moon is once again cast out by his adopted tribe, he discovers a shape-shifter like himself . . . someone…
Growing up in Ireland with a lot of Pink Floyd records, an active imagination, and no TV, I was almost destined to have a seemingly endless number of questions about the universe, our existence, and the purpose of it all. Finding that much could be learned from the tip of a pen (including that blue flavor is the best one) I began to read and make shapes and draw words of my own. Then, questioning the reasons I had questions, and seeking what could not be found, I found the answer to a single one—that there is far more to this world than we can ever see, and we indeed, are not alone.
His physicality transformed, Gregor awakes no longer a man, but instead, a giant grotesque creature.
As I read this masterpiece, I too understood how it is, to appear not how I desire. To sound different, to look different, to appear different than the paragon of myself I have created in my mind. And to strive to be more than this body I inhabit can give. But is this not the condition of us all?
A truly brilliant Kafka, this book created a world that is my own, yet unreal, and my reality yet a waking dream.
“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.”
With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century…
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