Here are 100 books that All the White Spaces fans have personally recommended if you like
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From an early age, I have been fascinated with anything supernatural and occult. My Aunt would read my palm, and then, as a teenager, I would visit clairvoyants to see what the future held for me. As I grew older, I found I had an ability, a gift of seership, and after reading many books, embarked on my pagan journey, from which I have never looked back, and am now studying Druidry,which is very much nature-based. I hope you love the books on this list as much as I do!
I read this book at the tender age of ten and instantly became ever so slightly obsessed with vampires; I love how the atmosphere builds slowly, sucking me to the point that I am genuinely afraid that the wolves might attack.
The description of the locations and the journal and letter writing are wonderful story breakers, and what a uniquely wonderful story it is. For me, it is a timeless masterpiece.
23
authors picked
Dracula
as one of their favorite books, and they share
why you should read it.
This book is for kids age
17.
What is this book about?
'The very best story of diablerie which I have read for many years' Arthur Conan Doyle
A masterpiece of the horror genre, Dracula also probes identity, sanity and the dark corners of Victorian sexuality and desire. It begins when Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, and makes horrifying discoveries in his client's castle. Soon afterwards, disturbing incidents unfold in England - an unmanned ship is wrecked; strange puncture marks appear on a young woman's neck; a lunatic asylum inmate raves about the imminent arrival of his 'Master' - and a determined group of adversaries…
I’ve always lived by the coast and have a healthy respect for the sea and a mortal fear of everything within it. It’s truly terrifying to me that around 80% of the ocean is unexplored – what is down there? This fear partly inspired me to write Those We Drown, my YA horror debut set aboard a cruise ship and featuring a splash of oceanic horror.
The ship in this book (a submarine, in this case) features in unsettling flashbacks.
Miri’s wife, Leah, is a marine biologist, and on a routine trip to the bottom of the ocean, a malfunction on the sub means she and the crew remain down there much longer than anticipated. When she returns, she’s not the same. Armfield’s writing is stunning, perfectly encapsulating the strangeness of life at the bottom of the ocean.
This is an eerie but incredibly moving book about relationships and grief.
Named as book to look out for in 2022 by Guardian, i-D, Autostraddle, Bustle, Good Housekeeping, Stylist and DAZED.
Miri thinks she has got her wife back, when Leah finally returns after a deep sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home.
To have the woman she loves back should mean a return…
I’ve always lived by the coast and have a healthy respect for the sea and a mortal fear of everything within it. It’s truly terrifying to me that around 80% of the ocean is unexplored – what is down there? This fear partly inspired me to write Those We Drown, my YA horror debut set aboard a cruise ship and featuring a splash of oceanic horror.
Claire is days away from losing her job on a salvage ship when she receives a distress call from long-missing space-liner, The Aurora – likened to the Titanic in space. Having nothing to lose, she convinces the crew to investigate, reasoning that they will make a fortune from the wreckage. Once they board the ship, things take a swiftly sinister turn.
This book is so much fun and incredibly cinematic. Space horror deserves to be a much more popular genre. If you like the movie Event Horizon, you will love this book.
Claire Kovalik is days away from being unemployed - made obsolete - when her beacon repair crew picks up a strange distress signal. With nothing to lose and no desire to return to Earth, Claire and her team decide to investigate.
What they find is shocking: the Aurora, a famous luxury spaceliner that vanished on its maiden tour of the solar system more than twenty years ago. A salvage claim like this could set Claire and her crew up for life. But a quick search of the ship reveals something isn't right.
Whispers in the dark. Flickers of movement. Messages…
I’ve always lived by the coast and have a healthy respect for the sea and a mortal fear of everything within it. It’s truly terrifying to me that around 80% of the ocean is unexplored – what is down there? This fear partly inspired me to write Those We Drown, my YA horror debut set aboard a cruise ship and featuring a splash of oceanic horror.
Caz is on a cruise with her new partner, Pete, but when she wakes after her first night on board, she finds, to her horror, she is completely alone on the ship. Believe me, when I say that what happens next is utterly unhinged, like Squid Game crossed with The Woman in Cabin 10.
While some of the plot twists can be frustratingly unbelievable at times, this book features some incredibly tense set pieces and a reveal in the ship’s ballroom that is utterly chilling. Once you’ve suspended your disbelief, you’ll absolutely race through this one. It’s an ideal holiday read – and as for that last chapter...
A luxury cruise liner, abandoned with no crew, steaming into the mid-Atlantic. And you are the only passenger left on board.
'Astonishing' IAN RANKIN 'The premise is excellent... [a] mile-a-minute, bite-your-nails-to-the-quick ride of a novel, but I will tell you to trust this writer because I guarantee you'll enjoy where he takes you. Extra kudos for the final twist, which brought me great pleasure' OBSERVER 'Oh my goodness, what a rollercoaster of a read!' PRIMA
Caz Ripley, a cafe owner from a small, ordinary town, boards the RMS Atlantica with her boyfriend Pete and a thousand fellow passengers destined for…
Chris Philbrook spent almost two decades figuring out he didn’t want to use his business degree for business, and his psychology degree for mental health. Instead, he started writing books about zombies, several of which went on to hit bestseller status, and life has been far better as a result. He has authored over 25 books now, spanning multiple genres.
Autumn is a two-stage apocalypse story that spills out the horror of the world ending from a mysterious infection, followed up by a second, species-crushing wave of terror as the dead return to life to finish the job the infection began. Autumn is dark, and brutal, and is an older book in the genre, but a refreshing take on the trope of zombies. It’s filled with beautiful imagery and characters with depth and runs into a six-book series.
In less than twenty-four hours a vicious and virulent viral epidemic destroys virtually all of the population. Billions are killed, within minutes. There are no symptoms and no warnings; within moments of infection each victim suffers a violent and agonising death. At the end of ten minutes, only a handful of survivors remain. By the end of the first day those survivors wish they were dead. By the end of the first week, as the dead get up and walk, they know they are in hell. AUTUMN, the classic free underground novel finally bursts into the mainstream. It is cold,…
I’ve always loved science fiction. My father was an Asimov junkie, and our house was packed with science fiction novels and stories from Azimov to Heinlein to Wyndham and Wilhelm. I began writing science fiction in high school, yet only recently published my first 4 novels (one of which won a Bookfest award). I hold a bachelor’s degree in computer science (bioinformatics), and I stay on top of science to inform my writing. It’s through this background that I select novels, seeking out new tropes and ideas in technological advancement. Each of these novels I mention exceeded my expectations and then some. Pick one up today—you won’t be disappointed!
Emma Watson firmly places herself in the mind of the protagonist Renata Ghali. Through this semi-reliable narrator, we learn that in this perfect planned society, a lot is happening beneath the still surface. This novel unfolds slowly, layering the pieces on scene by scene until something startling (which I don’t want to ruin for you) happens to the main character. Often in sci-fi, you see the character make some monumental decision, and then they win, and everything’s happy. This book doesn’t do that. Instead, it looks at the very real-feeling impact of said “monumental decision” on those who made it. And despite all of the character depth, Emma Watson manages to deliver a juicy, thick alien world that will leave you salivating for more!
From Emma Newman, the award-nominated author of Between Two Thorns, comes a novel of how one secret withheld to protect humanity's future might be its undoing...
Renata Ghali believed in Lee Suh-Mi's vision of a world far beyond Earth, calling to humanity. A planet promising to reveal the truth about our place in the cosmos, untainted by overpopulation, pollution, and war. Ren believed in that vision enough to give up everything to follow Suh-Mi into the unknown.
More than twenty-two years have passed since Ren and the rest of the faithful braved the starry abyss and established a colony at…
As a survivor of child sexual abuse, I endured many years with my voice stolen. Growing up, books offered a sanctuary from a world of cruelty and violence. Yet I never saw myself in fiction—not only as a young person battling to survive, but as a vulnerable teen questioning their sexuality. Now, I’m determined to support fellow survivors. 100% of the proceeds of my books are donated to charities supporting sexual abuse survivors, particularly victims of child trafficking. Living with CPTSD means I have a particular interest in trauma narratives, and an intense desire to do justice to abuse survivors in fiction. No one should feel alone or unseen.
Purists might raise their brows at seeing this series included, but I would argue this manga is so deeply queer-coded it could not be omitted. Following a horrific epidemic, vampires rise from the shadows to enslave the remains of humanity. Reckless and stubborn, Yuichiro has made a home with his fellow orphans, led by sensitive and intelligent Mikaela. When their daring escape from the vampires ends in disaster, Yuichiro's dream of ridding the world of vampires is kept alive at a devastating price. The dynamic between Yu and Mika is perfectly balanced, infused with yearning almosts and bittersweet if-onlys. At the heart of the series, you’ll find a fierce determination to protect one’s chosen family, and an unapologetic commitment to sacrifice everything – even humanity – for the sake of love.
After a catastrophic epidemic kills every adult on earth, vampires arise from the shadows to enslave the remaining human population. Yuichiro escapes from captivity and joins the Japanese Imperial Demon Army. But before he's allowed to fight vampires, he has to complete his first, terrifying mission - make new friends with his fellow aspiring monster slayers!
Yuichiro and his friends are kept as vampire fodder in a creepy institution masquerading as an orphanage. One day, Yuichiro's dreams of fighting back are realized when the orphans stage a daring escape. But things go horribly wrong, and his dream is kept alive…
Growing up, I’m not embarrassed to admit the horror genre was too scary for me. I don’t remember when it was but at some point that changed and it’s become my favourite. It started with horror movies but as I became a writer, that love transferred to horror books. My favourite type of horror focuses more on the character than the scares. I don’t see why I should be worried about a character’s fate if they’re one-dimensional. I’d trade in great character development for clichéd scares in horror any day.
First of all, if you go into this book expecting a slasher story, you’ll be disappointed. While its characters are rooted in the horror genre, the story focuses more on thriller until its final act. However, the best thing about the book is its character development with its main character and the other Final Girls. While the plot collapses in on itself every so often, the character work keeps it afloat and provides the suspense to make the reader scared.
VOTED GOODREADS CHOICE AWARD BEST HORROR NOVEL OF 2021
A Good Morning America Buzz Pick
“The horror master…puts his unique spin on slasher movie tropes.”-USA Today
A can't-miss summer read, selected by The New York Times, Oprah Daily, Time, USA Today, The Philadelphia Inquirer,CNN, LitHub, BookRiot,Bustle, Popsugar and the New York Public Library
In horror movies, the final girls are the ones left standing when the credits roll. They made it through the worst night of their lives…but what happens after?
Like his bestselling novel The Southern Book Club’s Guide to Slaying Vampires, Grady…
I’m a novelist and game designer from Bangalore. I’ve been a lifelong reader of science fiction and fantasy. Growing up, I almost never encountered futures that included people like me—brown women, from a country that isn’t the UK/ US, and yet, who are in sync with the rapidly changing global village we belong to. Over the last decade, though, I've found increasing joy in more recent science fiction, in which the future belongs to everyone.The Ten Percent Thiefis an expression of my experiences living in dynamic urban India, and represents one of our many possible futures.
I picked this novel because, for lack of a better phrase, it’s too real. In an entirely believable and horrifying future lies Silicon Isle, an island made of trash. It’s where the world dumps all its electronic waste, for generations of poor, marginalized people to sort through, while pollutants make the tiny world they call home uninhabitable and hostile.
It also happens to be where a powerful biological weapon is hidden, unknowingly discovered by Mimi, one of the novel’s protagonists. It transforms her. Class disparities come to the fore, leading to revolution. This is classic cyberpunk, refreshingly set in a future outside the UK/ US, translated from the original Chinese by Ken Liu.
She's a 'waste girl', a scavenger picking through towering heaps of hazardous electronic detritus. Along with thousands of other migrant workers, she was lured to Silicon Isle, off the southern coast of China, by the promise of steady work and a better life.
But Silicon Isle is where the rotten fruits of capitalism and consumer culture come to their toxic end. The land is hopelessly polluted, the workers utterly at the mercy of those in power. And now a storm is gathering, as ruthless local…
I’ve always been curious about how stories shape how we see the world. As a child, I noticed there were countless conflicting stories explaining how things worked. But which stories were the real ones? Which were true? At university, I studied the stories we tell ourselves about how the world will end. And as we live in times that can feel quite apocalyptic, I’m particularly fascinated by the stories we tell ourselves about who we are and what the future holds. If society dissolved around us, what stories would we tell ourselves to keep going? Are we telling those stories now?
I read this book twice: once for the story and once to explore the post-apocalyptic landscape. The story is beautifully written, engaging, and tender.
But when I read it for the second time, I found many interesting ideas lurking in the background. I remember some of the scenes from this book so vividly that the locations feel like places I’ve been.
I love (!) discussing the ending and pondering the motives of all the characters on the periphery of the narrative.
NATIONAL BESTSELLER • WINNER OF THE PULITZER PRIZE • A searing, post-apocalyptic novel about a father and son's fight to survive, this "tale of survival and the miracle of goodness only adds to McCarthy's stature as a living master. It's gripping, frightening and, ultimately, beautiful" (San Francisco Chronicle).
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if…
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