Here are 100 books that Our Wives Under the Sea fans have personally recommended if you like
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I’ve always admired epistolary novels—stories told in the form of diaries, letters, or other mass media. They seem so real and so much more believable than plain narratives. When dealing with fantastic subjects, like paranormal phenomena, any technique that can draw the weird back into the real world helps me become more invested as a reader. It’s a quality I’ve also tried to capture as a horror writer. Moreover, the epistolary format pairs well with unreliable narrators, often filtering stories so as to make them more ambiguous and disturbing. From the many epistolary works I’ve read over the years, here are my picks for the most compelling—and creepy.
Older than the rest and still one of the best, Dracula was my introduction to the epistolary format. My eleven-year-old self was pleasantly surprised when the diaries and letters never gave way to straight narration. Reading the book gave me the chance to see how much detail was left out of the various movie adaptations.
After a slow start with Harker’s travelogue, the book unleashed some gruesome and haunting imagery. I thought Renfield’s scenes were especially chilling. I can’t wait to check out the complete, uncut version of the novel, released in Sweden as Powers of Darkness, to see what other creepiness Stoker originally planned for his readers.
21
authors picked
Dracula
as one of their favorite books, and they share
why you should read it.
This book is for kids age
17.
What is this book about?
'The very best story of diablerie which I have read for many years' Arthur Conan Doyle
A masterpiece of the horror genre, Dracula also probes identity, sanity and the dark corners of Victorian sexuality and desire. It begins when Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, and makes horrifying discoveries in his client's castle. Soon afterwards, disturbing incidents unfold in England - an unmanned ship is wrecked; strange puncture marks appear on a young woman's neck; a lunatic asylum inmate raves about the imminent arrival of his 'Master' - and a determined group of adversaries…
In my high school creative writing class, my teacher once said that good writing was a bit like looking at a star. If you look directly at it, it gets a little fuzzy and hard to see. But if you look just off to the side, the star becomes vivid and clear. That, to me, is exactly the power of spooky stories for young readers. We all deal with monsters, to varying degrees, throughout our lives. Even kids. But if we look at it just off to the side, through the angle of a fun, spooky story, those monsters suddenly become much more comprehensible. More faceable. More beatable.
It’s been said by smarter people than me how writing horror for kids isn’t about scaring them, it’s about showing them how brave they are.
A Monster Calls is the perfect illustration of that. The scariness and the spookiness are a stand-in for the real-life horrors that this kid is facing. Kids deal with a lot, and this book is the perfect example of how to survive when the worst happens.
The artwork too—wow! I wish I could get some of this artwork to hang on my walls. Absolutely gorgeous book.
The bestselling novel and major film about love, loss and hope from the twice Carnegie Medal-winning Patrick Ness.
Conor has the same dream every night, ever since his mother first fell ill, ever since she started the treatments that don't quite seem to be working. But tonight is different. Tonight, when he wakes, there's a visitor at his window. It's ancient, elemental, a force of nature. And it wants the most dangerous thing of all from Conor. It wants the truth. Patrick Ness takes the final idea of the late, award-winning writer Siobhan Dowd and weaves an extraordinary and heartbreaking…
Writing science fiction was the natural result of a lifetime of reading it for pleasure and studying whenever I could as part of my English Lit course at University. When I started writing, it was really important to me as a woman (especially a gay woman) to write female characters that weren’t just strong and likable; I wanted them to be interesting, unpalatable, and tough. Above all, not easy to dismiss. All of the women in the books I’ve listed fulfill at least some of these categories, which is the core of why these novels hold such a special place in my heart.
This book is best read over the course of one rainy weekend if you’re feeling in a rut. I got into a bath with this book, and by the time I came out, it was nearly finished, and the water was stone cold.
Two deadly women for the price of one! And they’re in love! This is more of a novella than a novel, and it consists of a series of letters written between two agents on either side of a complicated looping and multi-threaded war.
I love epistolary novels, and I love interesting framing devices; as a writer, it made me immediately want to try my hand at something similar. The prose is rich and lovely, and for such a short book, it contains a wealth of imagination and invention.
WINNER OF The Hugo and Nebula Awards for Best Novella, the Reddit Stabby Award for Best Novella AND The British Science Fiction Association Award for Best Novella
SHORTLISTED FOR 2020 Theodore Sturgeon Memorial Award The Ray Bradbury Prize Kitschies Red Tentacle Award Kitschies Inky Tentacle Brave New Words Award
'A fireworks display from two very talented storytellers' Madeline Miller, author of Circe
Co-written by two award-winning writers, This Is How You Lose the Time War is an epic love story spanning time and space.
Among the ashes of a dying world, an agent of the Commandant finds a letter. It…
I’ve been a fan of horror stories since I was a child. It was never about the shock or the gore, but the sense of dread and unease such stories could build, and how they challenged society’s norms in a variety of ways. The driving force in a lot of horror is often the threat—or even the result—of some sort of loss, and that’s what I tend to explore in my own work. Whether it’s the loss of life, of love or loved ones, the loss of sanity, of reality, horror allows us to discover and/or face our fears while providing a means by which to manage them.
I came to this one after watching and loving the television version and found the book even more fulfilling (although very different). It focuses on what happens when millions of people suddenly disappear from the world’s population and it looks not only at how people deal with this massive loss but also how they deal with the mystery of it, the not knowing why. People don’t only lose loved ones in this book but also their own sense of how the world should work, leaving them with a lot to deal with. I loved the characters, the tight focus on one community (and mostly one family within that community), and I loved how Perrotta made such a wild possibility seem entirely plausible.
With heart, intelligence and a rare ability to illuminate the struggles inherent in ordinary lives, Tom Perrotta's The Leftovers—now adapted into an HBO series—is a startling, thought-provoking novel about love, connection and loss.
What if—whoosh, right now, with no explanation—a number of us simply vanished? Would some of us collapse? Would others of us go on, one foot in front of the other, as we did before the world turned upside down?
That's what the bewildered citizens of Mapleton, who lost many of their neighbors, friends and lovers in the event known as the Sudden Departure, have to figure out.…
I’ve been a fan of horror stories since I was a child. It was never about the shock or the gore, but the sense of dread and unease such stories could build, and how they challenged society’s norms in a variety of ways. The driving force in a lot of horror is often the threat—or even the result—of some sort of loss, and that’s what I tend to explore in my own work. Whether it’s the loss of life, of love or loved ones, the loss of sanity, of reality, horror allows us to discover and/or face our fears while providing a means by which to manage them.
This is one of the best collections I’ve ever read, and I’ve read it a few times now. These are emotionally intimate stories, bleak but beautiful. Dines really knows how to write convincing, troubled characters, people you will care about and suffer with as they struggle with the losses life forces upon them, and while each of the stories stands alone, there are connections between many of them which serves to build on your relationship with these characters. This is a debut collection, but every story has clearly been written by someone who has mastered their craft. Dines knows exactly what he’s doing, and what he’s doing is making you care, making you feel, and making you realise you are not alone. I love this book.
The past is never far behind. If we do not leave it, if we insist on carrying it with us to the end...that end is a monster.
This stunning debut collection of dark, literary fiction drowns the reader in its themes of grief, regret, love, and hope.
A family is torn apart by tragedy and misadventure, their future creaking under the weight of judgment. Old men play at being ghosts while a young boy sees real ones wherever he turns. A wandering immortal desperately seeks an end to his pain.
Intimate, unflinching, and poignant, these eleven tales of the broken…
I’ve been a fan of horror stories since I was a child. It was never about the shock or the gore, but the sense of dread and unease such stories could build, and how they challenged society’s norms in a variety of ways. The driving force in a lot of horror is often the threat—or even the result—of some sort of loss, and that’s what I tend to explore in my own work. Whether it’s the loss of life, of love or loved ones, the loss of sanity, of reality, horror allows us to discover and/or face our fears while providing a means by which to manage them.
There’s so much to love about this book. Every story here is brilliant, and while sadness is the thread running through all of them, I’d say they also deal with issues of loss or the pain of losing, and the things we do to cope. I’ve loved Mauro’s writing from day one, and this collection gathers her best into a powerful volume that does indeed sing. It filled and then broke my heart. The book is worth buying for the award-winning story "Looking for Laika" alone, but there really isn’t a single story here that isn’t a masterclass in writing, and not a single one that doesn’t move the reader to feel the sadness and feel it deeply. I can’t wait for whatever Laura Mauro does next.
British Fantasy Award-winning author, and Shirley Jackson Award finalist Laura Mauro, a leading voice in contemporary dark fiction, delivers a remarkable debut collection of startling short fiction. Human and humane tales of beauty, strangeness, and transformation told in prose as precise and sparing as a surgeon’s knife. A major new talent!
Featuring "Looking for Laika," winner of the British Fantasy Award, and "Sun Dogs," a finalist for the Shirley Jackson Award.
I’m a queer, nonbinary writer who has always loved reading and writing speculative fiction, whether it be dystopian novels, sci-fi, fantasy, and beyond. I think speculative fiction is such an effective and creative way to hold a mirror up to our society, explore traumatic and heavy themes, and ultimately, show us what it means to be a person, no matter how strange or unfamiliar the world is. Like many millennials, I grew up reading that awful transphobic woman’s magical series but soon realized how limiting that series was, and how there were so many better, smarter, more inclusive books out there, especially those that center queer and trans characters and know how to break my heart ten times over.
This book is utterly un-put-downable. I read it one, feverish sitting. It’s about a boy, Owen, who is literally born with a bird in his chest. She talks to him, and she’s quite funny and sometimes snarky. Owen is known as a Terror, and his mother does everything she can to try to protect him from the Army of Acronyms, aka doctors, nurses, social workers, and anyone who wants to study him and expose him.
Although this speculative premise plays a prominent role in the book, the heart of the book for me is this tender, queer, coming-of-age story about a boy trying to accept himself and let others accept and love him, too. It’s beautiful, smart, and aches in all the right places.
Longlisted for The Center for Fiction 2022 First Novel Prize
"A modern coming-of-age full of love, desperation, heartache, and magic" (Andrew Sean Greer, Pulitzer Prize-winning author) about "the ways in which family, grief, love, queerness, and vulnerability all intersect" (Kristen Arnett, New York Times bestselling author). Perfect for fans of The Perks of Being a Wallflower and The Thirty Names of Night.
Though Owen Tanner has never met anyone else who has a chatty bird in their chest, medical forums would call him a Terror. From the moment Gail emerged between Owen's ribs, his mother knew that she had to…
I’m a queer, nonbinary writer who has always loved reading and writing speculative fiction, whether it be dystopian novels, sci-fi, fantasy, and beyond. I think speculative fiction is such an effective and creative way to hold a mirror up to our society, explore traumatic and heavy themes, and ultimately, show us what it means to be a person, no matter how strange or unfamiliar the world is. Like many millennials, I grew up reading that awful transphobic woman’s magical series but soon realized how limiting that series was, and how there were so many better, smarter, more inclusive books out there, especially those that center queer and trans characters and know how to break my heart ten times over.
Written with intelligence, wit, and searing social commentary, this book follows Jo, a 28-year-old woman living in a world in which witches are not only real but are feared, put on trial, and killed—she has until the age of 30 to marry a man or else she’ll have to register with the Bureau of Witchcraft and be closely monitored.
On top of that, Jo’s mother disappeared 14 years ago, and we meet her as she is just beginning to accept the idea that her mother might be dead. However, that all changes when she gets an opportunity to honor her mom’s one last request. What ensues is a powerful exploration of grief, autonomy, freedom, desire, community, and so much more. At once heartbreaking and hopeful, Giddings will have you savoring every word.
'For fans of Margaret Atwood' Elle 'Thoughtful...wry, magical' Guardian 'brimming with wonder' Raven Leilani, author of Luster
Josephine Thomas has heard every conceivable theory about her mother's disappearance. That she was kidnapped. Murdered. That she took on a new identity to start a new family. That she was a witch. This is the most worrying charge because in a world where witches are real, peculiar behaviour raises suspicions and a woman-especially a Black woman - can find herself on trial for witchcraft.
But fourteen years have passed since her mother's disappearance, and now Jo is finally ready to let go…
I’m a queer, nonbinary writer who has always loved reading and writing speculative fiction, whether it be dystopian novels, sci-fi, fantasy, and beyond. I think speculative fiction is such an effective and creative way to hold a mirror up to our society, explore traumatic and heavy themes, and ultimately, show us what it means to be a person, no matter how strange or unfamiliar the world is. Like many millennials, I grew up reading that awful transphobic woman’s magical series but soon realized how limiting that series was, and how there were so many better, smarter, more inclusive books out there, especially those that center queer and trans characters and know how to break my heart ten times over.
Full disclosure, I blurbed this knockout of a novel, and I would do it one hundred times over. It takes place in a near-future dystopia ravaged by climate change. However, a billionaire TERF has started a new climate relief program called Inside, which promises a safe and hopeful future for its members (but we all know that’s far from the real story).
Following an unforgettable cast of diverse characters, including some who get accepted to Inside, this book is at once suspenseful, haunting, and revelatory. It’s about queer community, survival, chosen family, paternalism, the harms of white feminism, parenting, freedom vs. control, and hope, always, always hope. It’s highly propulsive, and you’ll probably read it in one sitting just like I did.
The year is 2050. Ava and her girlfriend live in what's left of Brooklyn, and though they love each other, it's hard to find happiness while the effects of climate change rapidly eclipse their world. Soon, it won't be safe outside at all. The only people guaranteed survival are the ones whose applications are accepted to The Inside Project, a series of weather-safe, city-sized structures around the world.
Jacqueline Millender is a reclusive billionaire/women’s rights advocate, and thanks to a generous donation, she’s just become the director of the Inside being built on the bones of Manhattan. Her ideas are…
I’ve always lived by the coast and have a healthy respect for the sea and a mortal fear of everything within it. It’s truly terrifying to me that around 80% of the ocean is unexplored – what is down there? This fear partly inspired me to write Those We Drown, my YA horror debut set aboard a cruise ship and featuring a splash of oceanic horror.
Claire is days away from losing her job on a salvage ship when she receives a distress call from long-missing space-liner, The Aurora – likened to the Titanic in space. Having nothing to lose, she convinces the crew to investigate, reasoning that they will make a fortune from the wreckage. Once they board the ship, things take a swiftly sinister turn.
This book is so much fun and incredibly cinematic. Space horror deserves to be a much more popular genre. If you like the movie Event Horizon, you will love this book.
Claire Kovalik is days away from being unemployed - made obsolete - when her beacon repair crew picks up a strange distress signal. With nothing to lose and no desire to return to Earth, Claire and her team decide to investigate.
What they find is shocking: the Aurora, a famous luxury spaceliner that vanished on its maiden tour of the solar system more than twenty years ago. A salvage claim like this could set Claire and her crew up for life. But a quick search of the ship reveals something isn't right.
Whispers in the dark. Flickers of movement. Messages…
