Here are 100 books that A People's Future of the United States fans have personally recommended if you like
A People's Future of the United States.
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I have a weird imagination and care deeply about being kind in all areas of life. I think people, in general, need to be kinder to one another and to the earth. I find humanity to be too anthropocentric and dismissive of the intelligence of other creatures. The incredible complexity and interconnectedness of nature fascinate me, and I constantly look for connections between two seemingly disparate systems. Writing my book allowed me to put insects at the focal point of planetary control. It was an incredibly fun story to write.
I loved the nuanced solutions Robinson proposes in this book to fix the biggest problems of today. Although the book wasn’t my favorite in terms of plot, I appreciated Robinson’s work in detailing realistic solutions that meaningfully address climate change. It provoked me to really scrutinize what we are and are not doing to tackle rising global temperatures.
“The best science-fiction nonfiction novel I’ve ever read.” —Jonathan Lethem
"If I could get policymakers, and citizens, everywhere to read just one book this year, it would be Kim Stanley Robinson’s The Ministry for the Future." —Ezra Klein (Vox)
The Ministry for the Future is a masterpiece of the imagination, using fictional eyewitness accounts to tell the story of how climate change will affect us all. Its setting is not a desolate, postapocalyptic world, but a future that is almost upon us. Chosen by Barack Obama as one of his favorite…
I used to love dystopian books, but recently, I’ve become increasingly interested in hopeful narratives. I’ve been a climate activist in a couple of movements, and I care deeply about the world, but with all the challenges and negativity we are facing, it’s easy to fall into despair. That’s why I think stories that show cooperation, community, respect for nature and each other, working for a better world, and making it happen are so important. We need those stories to get inspired to act instead of thinking that we’re all doomed anyway. They are also healing—a refuge for a tormented mind.
This is such a beautiful, gentle and cozy book that I couldn’t put it down. In this story, people were left with no choice but to completely rebuild their society, and they did something wonderful.
This book is like a breath of fresh air, like a quiet, healing journey that doesn’t rely on action—it’s an exploration, a celebration of nature, and society, and connection. It touched me in a profound way. It made me go outside to check if it was raining and stand with my bare feet in the grass, enjoying the coldness and softness of the sensation.
It's been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend.
One day, the life of a tea monk is upended by the arrival of a robot, there to honour the old promise of checking in. The robot cannot go back until the question of 'what do people need?' is answered.
But the answer to that question depends on who you ask, and how. They're going to need to ask it a lot.
I am passionate about looking for new ways to see our future. As a futurist and trend researcher for over 30 years, I am drawn to books, ideas, and people that lead us away from narrow black-and-white thinking. With the help of these mavericks, outliers, and new systemic thinking, we can shift from a naive, optimistic, or miserable pessimistic mindset to what I call a “possibilistic” outlook on society and business. We all need purpose, and mine is to show that more things are possible than we think; sometimes, we just need to look in unusual places and into unusual minds and books to find new solutions for a better future.
I loved this book because it takes us beyond the “me me me” way of thinking about society to a more “we and me” based approach.
Community and consideration are often underrated and misunderstood in our society. It takes us back to looking at systems of accounting that count what matters.
Big ideas that just might save the world. the Guardian
A serious book on an important subject. Without imagination, where are we? Sir Quentin Blake
What if we took play seriously? What if we considered imagination vital to our health? What if we followed nature's lead? What if school nurtured young imaginations?
What if things turned out okay?
Rob Hopkins asks the most important question that society has somehow forgotten - What If? Hopkins explores what we must do to revive and replenish our collective imagination. If we can rekindle that precious creative spark, whole societies and cultures can change…
From dancing on a crane in a meteor shower, to earning a history degree at the top program in my country; bathing under a waterfall to cradling the dying as a physician—I’ve always straddled the line between adventure and hunger for the truth beyond. Some books are the same way: they pull you in with fun and plot, and colors, and they leave you with bigger thoughts and questions about the Universe at large. All genres have this capacity for surprise and depth, but space opera’s best—here’s a list of reads with that special metaphysical power.
I picked up this book because the back cover made it sound like this funny romp where a rock competition decides the fate of the Earth—and who doesn’t want that? But this isn’t just a more uplifting version of that one Rick and Morty episode about “Gettin’ Schwifty.” With vivid worlds and deeply flawed characters, Space Opera is like a psychedelic trip with that brilliant, probably-drunk friend whose gorgeous mind you could listen to for days. (Stop looking at me like that! I’m not in love with her syntax, you are!) Don’t get me wrong: there are so many behaviors in Space Opera that I recommend against as a sexual health physician—they’d increase your risk of disease and mental illness—and I’ve got moral positions that don’t jive with Valente’s vision, either. But there’s a scene where Valente touches on immigration and deportation that made me weep and left an indent…
FINALIST FOR HUGO AWARD FOR BEST NOVEL 2019 FINALIST FOR LOCUS AWARD FOR BEST SCIENCE FICTION NOVEL 2019
IN SPACE EVERYONE CAN HEAR YOU SING
A century ago, intelligent space-faring life was nearly destroyed during the Sentience Wars. To bring the shattered worlds together in the spirit of peace, unity and understanding, the Metagalactic Grand Prix was created. Part concert, part contest, all extravaganza, species far and wide gather to compete in feats of song, dance and/or whatever facsimile of these can be performed by various creatures who may or may not possess, in the traditional sense, feet, mouths, larynxes…
When I was a teenager, I thought we could create a perfect world—or if not quite perfect, at least much, much better than the one we are currently destroying. Actually, I still think it’s possible, just a lot harder and a lot more dangerous than I originally thought. I’ve been interested in all the efforts to imagine and create utopias, which sometimes produce hells instead of heavens, ever since. I have evolved (I think it’s progress) from being a high school Maoist to something more mature while watching China’s attempts to improve the lives of its citizens with respect and sympathy.
The Manuels give an exhaustive but very readable history of utopian thought from the Renaissance (Thomas More) to Marxism, with backward glances to ancient Judaic and Hellenic cultures. This book explains how and why utopias have been central to Western thought, showing how the utopias of one age seem dystopian in another age (or even their own), presented in wry prose that draws readers into the story.
This masterly study has a grand sweep. It ranges over centuries, with a long look backward over several millennia. Yet the history it unfolds is primarily the story of individuals: thinkers and dreamers who envisaged an ideal social order and described it persuasively, leaving a mark on their own and later times.
The roster of utopians includes men of all stripes in different countries and eras--figures as disparate as More and Fourier, the Marquis de Sade and Edward Bellamy, Rousseau and Marx. Fascinating character studies of the major figures are among the delights of the book.
As an avid explorer having thrice traveled around the world, living and working in over 40 countries, my inspirations as so originally science fiction have found grounding. I looked to level my imagination in the real world and filtered out the impossible from the unnecessary on a path to utopia. Sharing our ideas, exposing misgivings too, all contribute to a shared realization of human potential. This is much of the reason for who I am as a founder of business platforms I designed to achieve things that I envisage as helpful, necessary, and constructive contributions to our world. Those software endeavours underway in 2022, and a longtime coming still, are Horoscorpio and De Democracy.
For the vastly impossible feat of presenting a sequel to a thoroughly immersive narrative, this did impress. The lead out of the original gives the feeling of the impossible and so it was delivered. Brokering A.C. Clarke's range of brilliance plus getting into the popular references of my youth, in the cyberpunk, virtual reality, corporate elite defining drama, aren't we all familiar with dystopia by now? Where or when does the apocalypse become inevitable and what are you steering towards there or then? I was awe-inspired by this handling of ethical uses of hyper-tech which is one I left up to my reader's imagination by the end of my own series. Whether imagined VR can ever become a coded reality, or if it's only ever going to be imagination, this is the challenge of the Age of Aquarius.
Days after winning OASIS founder James Halliday's contest, Wade Watts makes a discovery that changes everything.
Hidden within Halliday's vaults, waiting for his heir to find it, lies a technological advancement that will once again change the world and make the OASIS a thousand times more wondrous - and addictive - than even Wade dreamed possible.
With it comes a new riddle, and a new quest: a last Easter egg from Halliday, hinting at a mysterious prize.
And an unexpected, impossibly powerful, and dangerous new rival awaits, one who'll kill millions to get what he wants.
I am passionate about writing books that put good into the world and highlight meaningful and inspiring themes, which, in turn, means I am also passionate about reading books that do the same. I love to write and read books that leave the reader feeling like there is still good in the world, even when it seems to be very dark around us. If people read my books or any on this list, I sincerely hope they feel encouraged and inspired and enjoy them as much as I do.
While I don’t always love mainstream classics, The Giver is a classic for a reason, and, in my opinion, it rightfully deserves its place on the shelf.
I love the emotional draw of this book and the invitation to think deeper about the meaning of life and the burden it can take on us. I love books that challenge us to think about the bigger concepts of life and all they entail: the good, the bad, and the ugly.
THE GIVER is soon to be a major motion picture starring Jeff Bridges, Katie Holmes and Taylor Swift.
Now available for the first time in the UK, THE GIVER QUARTET is the complete four-novel collection.
THE GIVER: It is the future. There is no war, no hunger, no pain. No one in the community wants for anything. Everything needed is provided. And at twelve years old, each member of the community has their profession carefully chosen for them by the Committee of Elders.
Jonas has never thought there was anything wrong with his world. But from the moment he is…
I, Ira Nayman, have been writing stories set in the multiverse for almost twenty years, first with the Alternate Reality News Service set of books, then with my Transdimensional Authority/Multiverse novels and, most recently, with multiverse triptychs (the spark for The Dance). One of the things that I recently realized about my writing is that a lot of it focuses on the factors that shape our lives and make us the people we are. My ongoing fascination with the multiverse is because it is a great vehicle for exploring this idea by showing us how our lives could have turned out if circumstances or our choices had been different.
Do you think this multiverse business is something new from MCU Labs? H.G. Wells wrote about parallel universes in this book back in 1923.
Humble Mr. Barnstaple and some 1920 one-percenters pass through a dimensional rift into an alternate world called “Utopia.” Appropriately, there’s no disease or poverty, no war, and everybody’s into exploration and scientific progress. But there are also some worrying things (e.g. “eugenics-light”). Aldous Huxley’s anti-utopia Brave New World (1932) is partly a rebuttal of this book.
This book is more of a slow burn than the high impacts of wonder/terror in The Time Machine and The War of the Worlds. However, the resolution of the story is ingenious, and Well’s vision of humanity’s destiny is still relevant after 101 years.
HarperCollins is proud to present its incredible range of best-loved, essential classics.
Welcome to Utopia.
When Mr. Barnstaple, an Earthling, is accidentally transported to Utopia with a group of others, he begins an adventure that will change how he views the world forever.
Utopia has no government. Utopia has no religion. People are governed only by their own conscience and desires, and Barnstaple is drawn into what he sees as a perfect society. But when a disease brought by the Earthlings threatens the existence of the Utopians, Barnstaple must make a choice: take over Utopia, or betray his own people…
I’ve been writing stories and poems with erotic themes since I first entered the spoken word scene in 1980s San Francisco. As a young queer boy, raised in the highly eroticized Catholic Church, I was actually comfortable talking about and writing about sex and eros as I’d been stigmatized by it, and it got me fascinated with what the big deal was and why writers were afraid to approach it or why they did so in a corny/predictable/idealized and/or often dishonest and clumsy way. Soon I was teaching erotic writing and have been integrating it into my writing in honest, fresh, and enlivening ways—and helping others do so—ever since.
The Wild Boys is at once dystopian and utopian, featuring a band of boys who’ve gone rogue and have perfected strange and poetically beautiful sex rites which allow them to ritually and meditatively conjure or reproduce more wild boy offspring. At once science fiction and fantastical in its imaginative scope, it is also, like all Burroughs’s work, a profound exploration of social control, the excesses and assumptions inherent in state and religious terror, and the sexual and erotic oppression and misunderstanding that is the real enemy of freedom. Fearless and experimental, Burroughs inspires me to be bold, blunt, and not afraid to disturb or offend in exploring the poetic and erotic relationships between all manner of ideas.
In this funny, nightmarish masterpiece of imaginative excess, grotesque characters engage in acts of violent one-upmanship, boundless riches mangle a corner of Africa into a Bacchanalian utopia, and technology, flesh and violence fuse with and undo each other. A fragmentary, freewheeling novel, it sees wild boys engage in vigorous, ritualistic sex and drug taking, as well as pranksterish guerrilla warfare and open combat with a confused and outmatched army. The Wild Boys shows why Burroughs is a writer unlike any other, able to make captivating the explicit and horrific.
I’m a writer of epic fantasy and paranormal romance, and my obsession is writing about the fashion, food, language, and social politics of the worlds I create. World building is vital if you intend to create a lived-in backdrop for your story, but intricate, elaborate world building will only take you so far. You (the author) must have a cast of characters equally well developed. I’ve tried to take lessons away from every book I’ve read and every author I’ve interviewed and worked to balance characters to fall in love with against places that feel absolutely alive. Their joy/terror/love/hate/experience becomes the readers. It’s that combination that makes a book unforgettable.
Barker is known best as a master of body horror, and this book certainly has some grotesque images. But it’s also a gorgeous meditation on memory, identity, love, and the use and misuse of great power.
Along with a vivid travelogue of the five realms that make up Imagica, Barker explores the use of the body itself as a canvas; malleable, changeable, and as fascinating as the view from the window of your train. That said, the view is often stunning, always inventive, and immersive enough that I feel I’ve walked the streets of Yzordderrex myself.
The story of three people on an epic journey through five Dominions to the border of the greatest mystery of all - the First Dominion. On the other side, if they dare to venture, lies the Holy City of the Unbeheld, where their highest hopes or deepest fears will be realized.
