Here are 100 books that Wolf at the Door fans have personally recommended if you like
Wolf at the Door.
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My name is Annemarie and I’ve been reading stories almost as soon as I was taught how to read. I’ve also been writing them. My fascination with the supernatural came about, I guess because an active imagination for a small child comes almost naturally from a fear of the dark. The dark held many terrors for me, and in a perverse contrariness, this prompted an interest in supernatural beings. As far as I’m concerned, it’s all real, and the more we know about them, the better. Or at least, that’s what I deduce from my never flagging interest, and I guess that’s why there’s always an element of the supernatural/paranormal in all my stories.
I picked this book up from a second-hand street bookshop. It was the wisteria that did it. Something about those climbing vines made me fall right into the world of Lestat and Louis, and I’ve never fallen out again. Also, I love love, and there’s nothing more intriguing than three unrelated people/beings managing to stay together for sixty-five years.
Of course, there was murder and mayhem, but the love endured, and my secret romantic heart ate that shit up.
From #1 New York Times bestselling author Anne Rice, this sensuously written spellbinding classic remains 'the most successful vampire story since Bram Stoker's Dracula' (The Times)
In a darkened room a young man sits telling the macabre and eerie story of his life - the story of a vampire, gifted with eternal life, cursed with an exquisite craving for human blood.
When Interview with the Vampire was published the Washington Post said it was a 'thrilling, strikingly original work of the imagination . . . sometimes horrible, sometimes beautiful, always unforgettable'. Now, more than forty years since its release, Anne…
As an author of experimental and genre-bending books, I evangelize people not only to read more books but to read books outside of their comfort zone. And while it doesn’t take much work to get adult readers to consider Young Adult titles, getting them to read Middle-Grade books has been a much greater challenge, which is a shame because middle school has a lot to offer. Some of the best and most life-changing books exist within the Middle-Grade category. My own Middle-Grade books were written with readers of many age ranges in mind.
It’s quite possibly the scariest book ever written. Much scarier than most adult horror books. Adult horror books rely on cheap shock value to elicit cheaper scares. It provides the same (or greater) level of unease without resorting to the gratuitous.
I cannot fathom how this book managed to pull that off. But I can say that this book has more to offer adults than it can give to children. An adult can see the subtext of a story where a child disappears because a stranger offers them candy and toys, as well as the implication that such strangers may not be entirely human.
And I can’t tell you what makes it so great without spoiling the whole story. I was so engrossed in this story that it practically kidnapped me. I can’t recommend it enough.
"Sometimes funny, always creepy, genuinely moving, this marvellous spine-chiller will appeal to readers from nine to ninety." - "Books for Keeps". "I was looking forward to "Coraline", and I wasn't disappointed. In fact, I was enthralled. This is a marvellously strange and scary book." - Philip Pullman, "Guardian". "If any writer can get the guys to read about the girls, it should be Neil Gaiman. His new novel "Coraline" is a dreamlike adventure. For all its gripping nightmare imagery, this is actually a conventional fairy story with a moral." - "Daily Telegraph". Stephen King once called Neil Gaiman 'a treasure-house…
All of us bear the scars of emotional wounds, as complex psychology beats at the heart of all relationships. I’ve personally survived the betrayal of a parent, the loss of a child, emotional abuse, and life with an addict who could look me in the eye and lie. These themes resound in my stories. Literature is a safe place to explore and heal our own traumas through the dramatic interactions of our characters. My witch killer is not just “crazy” he’s unraveling a complex psychological past. In standing with our heroes as they meet and conquer evil, in its many guises, we find our way to healing our own trauma.
I can’t talk Mythic Fiction without a shout-out to the man who penned the phrase. It’s beyond Urban Fantasy—mythic archetypes, mystery, magic, and toe-curling mayhem. When Celtic fiddler, Lizzie Mahone, gets stranded on a lonely country road at midnight, she has no idea how her life will change. Widdershins is a dark dip into the faerie realm that brings us face-to-face with freakish Bogans—nasty-pants faeries with sewer-mouths—faerie courts in shopping malls, and gripping psychological terror when Jilly Coppercorn gets trapped in a sinister world with her childhood abuser. Politics is rampant. At its core is the conflict between the settler fae and the Indigenous animal people. Behind it lurks love and hope.
In Widdershins, fantasy author Charles de Lint has delivered one of his most accessible and moving works of his career.
Jilly Coppercorn and Geordie Riddell. Since they were introduced in the first Newford story, "Timeskip," back in 1989, their friends and readers alike have been waiting for them to realize what everybody else already knows: that they belong together. But they've been more clueless about how they feel for each other than the characters in When Harry Met Sally. Now in Widdershins, a stand-alone novel of fairy courts set in shopping malls and the Bohemian street scene of Newford's Crowsea…
All of us bear the scars of emotional wounds, as complex psychology beats at the heart of all relationships. I’ve personally survived the betrayal of a parent, the loss of a child, emotional abuse, and life with an addict who could look me in the eye and lie. These themes resound in my stories. Literature is a safe place to explore and heal our own traumas through the dramatic interactions of our characters. My witch killer is not just “crazy” he’s unraveling a complex psychological past. In standing with our heroes as they meet and conquer evil, in its many guises, we find our way to healing our own trauma.
I read this book twice, cover-to-cover and back-to-back. First, to find out what happens to our feisty Métis hero, Joan of Arcand, and then again to savor Dimaline’s lyrical writing. When Mere (her grandmother) is murdered by a wolfish shape-shifting creature—a rogarou—we find ourselves trapped in a mythic Métis world. “A dog, a man, a wolf. He was clothed, he was naked in his fur, he wore moccasins to jig.” Carrying a ground-up salt bone for protection, Joan ventures into the Empire of Wildto slay the rogarou who killed Mere and reclaim her husband. Like her hero, Dimaline is brave and fearless, pouring history, politics, and religion into her cauldron, then stirring with a branch of magic realism and psychological terror. Dimaline is my hero.
A NO. 1 INTERNATIONAL BESTSELLER One of the most anticipated books of the summer for Time, Harper's Bazaar, Bustle and Publishers Weekly
'Deftly written, gripping and informative. Empire of Wild is a rip-roaring read!' Margaret Atwood
'Empire of Wild is doing everything I love in a contemporary novel and more. It is tough, funny, beautiful, honest and propulsive' Tommy Orange, author of There There
'Dimaline turns an old story into something newly haunting and resonant' New York Times
'An utterly compelling blend of propulsive narrative, starkly beautiful writing and passionate, near dysfunctional love' Daily Mail
In 2010, Sandra A. Miller began hunting for a chest of gold coins buried in New York City soil. In her late forties at the time, she was mired in the process of helping her ailing mother to die, her teenage children to fly, and her writing career to survive the beating it had taken in the Great Recession and beyond. Soon enough, Sandra realized she was not just hunting for a treasure chest full of gold, but rather a different kind of riches. She had lost herself and needed to find a spiritual path that would lead her back home.
The comparative mythologist, Joseph Campbell is probably best known for A Hero with a Thousand Faces, but it’s another book—Pathways to Bliss—that I turn to like a travel guide to my own spiritual journey. In prompting readers to explore archetypes to help them create their personal mythology, Campbell believes that life should be a journey to finding our bliss. This is a book about personal growth for people who want to self-discovery in a larger—mythical—context.
Joseph Campbell famously defined myth as “other people's religion.” But he also said that one of the basic functions of myth is to help each individual through the journey of life, providing a sort of travel guide or map to reach fulfillment — or, as he called it, bliss. For Campbell, many of the world's most powerful myths support the individual's heroic path toward bliss.
In Pathways to Bliss, Campbell examines this personal, psychological side of myth. Like his classic best-selling books Myths to Live By and The Power of Myth, Pathways to Bliss draws from Campbell's popular lectures and…
In 1995 I performed with the Women’s Circus (Australia) at the 4th International Conference and Forum on the Status of Women in Beijing. Our show was called Leaping the Wire and presented thirteen women’s stories from Amnesty International through physical narrative. My story was about a Brazilian woman who had been shot and killed for identifying the police who had rounded up her son and a group of his friends. The Brazilian women expressed their gratitude that I had told their story when they could not. I believe women’s stories are important to be told, to be shared, and I made a commitment to make our stories accessible, first through theatre, and now through my novels.
This non-fiction book helped to reshape my reading of historical and mythological women and to understand representation and the voice of the ‘other’. Hall explores the power and (ab)use of language and how feminine myths and symbols are important to be unveiled and celebrated. Her Jungian perspective introduced me to archetypes, especially in mythology, and remains an inspiration to both my theatre work and my writing.
I am a scholar of global politics, and I am drawn to psychoanalysis because it studies the unseen in politics, or rather, those things that are often in plain sight but remain unacknowledged. For example, why is it that, especially in this information economy, we are well aware of the inequality and environmental destruction that our current capitalist system is based on, but we still continue to invest in it (through shopping, taking out loans, using credit cards, etc.)? Psychoanalysis says that it's because we are unconsciously seduced by capitalism—we love shopping despite knowing about the socioeconomic and environmental dangers of doing it. I’m fascinated by that process of disavowal.
This is one of the first books that “blew my mind” when I was a young university student: it remains the one I constantly return to because it seeks to understand the psychoanalytic foundations of racism under French colonialism.
Fanon was only 27 when his book was first published in 1952, but his reflections provide a stunningly passionate and layered view on how anti-Black racism (de)forms the subjectivity of both white and Black people, locking them into constructions of whiteness/blackness that require constant questioning.
His arguments on the psychoanalytic and political underpinnings of racism remain as relevant today as they were in his time.
Few modern voices have had as profound an impact on the black identity and critical race theory as Frantz Fanon, and Black Skin, White Masks represents some of his most important work. Fanon’s masterwork is now available in a new translation that updates its language for a new generation of readers. A major influence on civil rights, anti-colonial, and black consciousness movements around the world, Black Skin, White Masks is the unsurpassed study of the black psyche in a white world. Hailed for its scientific analysis and poetic grace when it was first published in 1952, the book remains a…
When writing about women's lives, it's important to me to get below the surface and question the things that really have an impact on how we live and breathe, how we relate to others as friends or lovers, how we feel guilt, pain, joy, and ecstasy, how we relish triumph and mitigate disaster, how we grow old and hope and think and make our way from start to finish in a turbulent world. I try to tell the truth as a writer and make new discoveries along the way. I’ve published two novels and two collections of short stories, and I’m a reviewer and writer on literature, a teacher too.
A houseful of women, moving from their long-term home in New Zealand to a new location by the sea. What you get in this short tale is an accumulation of moments that add up to an intense mosaic of the life of women in a male-dominated family.
From the little girl Kezia to the pregnant wife Linda, from the sometimes benevolent grandmother to the handyman who chops off the head of a live duck to see it still running, this book enthralls in its detail, its poetic and emotional resonance, and the insights it gives into female consciousness in a world of constrictions.
Don’t look for ‘what happens next’; look instead for the diamond facets the story reveals in every sentence. When you get to the end, you may feel that this book is a jewel beyond price.
Radical, witty and inventive, Katherine Mansfield is one of the twentieth century's most accomplished short-story writers and this selection of stories showcases her dazzling skill.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. Prelude & Other Stories is edited and introduced by Professor Meg Jensen.
This selection of stories by Katherine Mansfield showcases her remarkable ability to delve into the human mind; in stories such as 'The Garden Party' she reveals the tension between innocence…
The first day of my career began with 1,000 people being laid off citing “post-merger efficiencies.” I was the young whippersnapper walking in as many more were walking out, boxes in hand. I saw, firsthand, the impact of uncertainty, lack of clear and transparent communications, and leadership, not just on performance, but also on the health and well-being of the colleagues around me. In that first job I became fascinated and obsessed with how work can be something we enjoy and find meaning in. Since then, I’ve devoted my career to making work more inspiring, engaging, and fulfilling. This became my passion and cause because I felt the very opposite.
As we learn in another classic, Primed to Perform by Doshi and McGregor, play is the most motivating activity there is.
I read this book for the first time during a dark period early in my career – where I did not feel inspired, engagement nor fulfilled. This book provided me with the framework to find meaningful activities – those where I was both skilled yet challenged to improve. Those activities where I would lose myself – where time would stand still.
Better yet, this book, framework, and philosophy have better helped me coach others to find play, engagement, and meaning in their activities at work and in life.
Part psychological study, part self-help book, Finding Flow is a prescriptive guide that helps us reclaim ownership of our lives. Based on a far-reaching study of thousands of individuals, Finding Flow contends that we often walk through our days unaware and out of touch with our emotional lives. Our inattention makes us constantly bounce between two extremes: during much of the day we live filled with the anxiety and pressures of our work and obligations, while during our leisure moments, we tend to live in passive boredom. The key, according to Csikszentmihalyi, is to challenge ourselves with tasks requiring a…
Documentary Comics are this genre of comics in which you can make a community visible, denounce a crime or expose yourself to the world. Being able to dialogue with the world while dialoguing with the reader is amazing. The elements you have to take into account the things you can hide in the silence of a drawing, compelling the reader to read again, to find the easter egg about that thing you really want to talk about. The ways of telling the truth in drawings. All those things are the things that I love about documentary comics.
This is not a best-seller graphic novel, you don’t see this book on every bookstore shelf. I discovered it because of Nina Mickwitz’s Documentary Comics. I ordered it from the library network that we had at my grad school. My degeneration is a Jewel of a book in many senses, it is a sincere book, a dialogue that goes through many channels: the images drawn, the text typed, and the way the book was made. The shifting in the line makes you think about the process and the author not just as a character but as a person experiencing the world from certain conditions and telling you about that experience.
How does one deal with a diagnosis of Parkinson's disease at the age of forty-three? My Degeneration, by former Anchorage Daily News staff cartoonist Peter Dunlap-Shohl, answers the question with humor and passion, recounting the author's attempt to come to grips with the "malicious whimsy" of this chronic, progressive, and disabling disease. This graphic novel tracks Dunlap-Shohl's journey through depression, the worsening symptoms of the disease, the juggling of medications and their side effects, the impact on relations with family and community, and the raft of mental and physical changes wrought by the malady.
