Here are 100 books that Pathways to Bliss fans have personally recommended if you like
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I have been thinking about spiritual things since I was around 9 years old, and as soon as I was old enough, I was off learning experientially in the world. This has allowed for deep learning and understanding of a wide range of subjects, particularly spirituality and ultimate reality. I teach philosophy, religious studies, and politics in my day job, and so, now on the cusp of 46 years, I can truly say I love spiritual and philosophical thought. I also think it’s hard to write books about these topics and I love how allegory and fable can be so accessible.
I think I learned the most about allegory and symbolism from this book. I also loved the protagonist's exciting and perilous journey, which inspired me to learn about spirituality and the unknown.
I loved the fact that this book is accessible to anyone, no matter what they believe, and I liked how you could take your own messages from its pages. I enjoyed the beautiful scenes the author creates, which on their own can influence faith.
A global phenomenon, The Alchemist has been read and loved by over 62 million readers, topping bestseller lists in 74 countries worldwide. Now this magical fable is beautifully repackaged in an edition that lovers of Paulo Coelho will want to treasure forever.
Every few decades a book is published that changes the lives of its readers forever. This is such a book - a beautiful parable about learning to listen to your heart, read the omens strewn along life's path and, above all, follow your dreams.
Santiago, a young shepherd living in the hills of Andalucia, feels that there is…
I was brought up spiritually, believing our souls are here for a limited time and for a specific purpose before being reincarnated. But my “knowing” about spirituality was tested when my best friend found her 12-year-old son hanging. As I tried to make sense of this heartbreaking tragedy, I began journaling. Not long after, I began to hear her son’s voice. He explained that my writing was a jumping-off point for a novel. I listened and Winter of the Wolf was born. Researching and writing this novel helped me realign with my beliefs and grow in new and profound ways and it will do the same for readers.
As you open this book, prepare to go on a sacred, experiential journey unlike anything you’ve ever imagined. It’s truly that powerful and life changing. Rasha began a profound conversation with the universal presence, “Oneness” – the Divinity we all share. These teachings empower the reader to take a quantum leap into their own inner depths to harmonize with the powerful energy around us so that our wildest dreams can be realized. If you’re someone who often wonders what life is all about and what our purpose here is, take this journey with Rasha.
Every now and then a book comes along that is so powerful that words cannot describe the experience people start having when they read it. These rare, life-changing books always seem to show up at the perfect moment in time, exactly when we all need it the most. Oneness is such a book--one that will change your life.
In February 1998, Rasha began a profound dialogue with the universal Presence, "Oneness"--the Divinity we all share. Word for word, she transcribed the principles for a new understanding of the mystery we call "life." These teachings empower us to take a quantum…
For my first 18 years, I slept in the same room (opposite my parents) in the same house (116 Monticello Avenue) in the same city (Piedmont) in the same state (CA) in the same country (USA), but soon after leaving for college in Evanston, IL, I pined for elsewhere and ended up peripatetic. That peripateticness plagued me, as a woman/wife/mother. While growing our family, my French husband and I moved: Israel to France to California to New York to Israel to New York to Israel. Finally, in my early fifties, I understood home is more about who you are than where you live.
In 102 brief numbered chapters, Dani Shapiro goes on a journey to examine her belief system.
Raised as an only child in a religious Jewish house, she fled to find herself. Decades later—after losing her father, being left alone to deal with her mother, and facing her infant son’s life-threatening illness—she wrestled with existential questions.
Like a spiritual investigator, she searched for answers, jumping from one house of faith and experience to another, from her childhood synagogue to her meditation teacher. In my early 50s, I, too, woke up and wondered if my inherited religion served me.
For my half-century birthday, my husband and I checked into a French Benedictine Monastery in Abu Gosh near Jerusalem, where a nun asked our religious affiliation. Born Jewish, I said, but questioning.
“Devotion’s biggest triumph is its voice: funny and unpretentious, concrete and earthy—appealing to skeptics and believers alike. This is a gripping, beautiful story.” — Jennifer Egan, author of The Keep
“I was immensely moved by this elegant book.” — Elizabeth Gilbert, author of Eat, Pray, Love
Dani Shapiro, the acclaimed author of the novel Black and White and the bestselling memoir Slow Motion, is back with Devotion: a searching and timeless new memoir that examines the fundamental questions that wake women in the middle of the night, and grapples with the ways faith, prayer, and devotion affect everyday life. Devotion…
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
I saved many lives as a doctor working in the hospital, the ER, and the ICU. But the people whose lives I couldn’t save fascinated me the most. Many of them found a place of peace, healing, and profound knowledge before they died. This made me question what I learned in medical training. I loved science but knew there was something beyond what we could see and measure. I wasn’t religious, but I could sense some kind of ultimate and eternal love just beyond our grasp, creating and maintaining everything. I adore books that capture this sense of radical love and show us who we really are—so we can discover it today.
I love this book because it blows my mind open to the difference between who I thought I was and who I really am. It’s a clear, concise, and hilarious roadmap to freedom from your self. Yes, I mean your self, not “yourself.”
Michael shows clearly and simply that, no, you are not that voice in your head that never stops telling you who you are and what to do. You are really the clean, clear awareness that lies behind your mind.
After I read this book, I knew what Buddha, Jesus, and all the saints and sages of the ages were trying to teach: that you can gain total freedom in life by letting go of your self.
Who are you? When you start to explore this question, you find out how elusive it really is. Are you a physical body? A collection of experiences and memories? A partner to relationships? Each time you consider aspects of yourself, you realize that there is much more to you than any of these can define. In this book, spiritual teacher Michael Singer explores the question of who we are and arrives at the conclusion that our identity is to be found in our consciousness, the fact of our ability to observe ourselves and the world around us. By tapping into…
In 1995 I performed with the Women’s Circus (Australia) at the 4th International Conference and Forum on the Status of Women in Beijing. Our show was called Leaping the Wire and presented thirteen women’s stories from Amnesty International through physical narrative. My story was about a Brazilian woman who had been shot and killed for identifying the police who had rounded up her son and a group of his friends. The Brazilian women expressed their gratitude that I had told their story when they could not. I believe women’s stories are important to be told, to be shared, and I made a commitment to make our stories accessible, first through theatre, and now through my novels.
This non-fiction book helped to reshape my reading of historical and mythological women and to understand representation and the voice of the ‘other’. Hall explores the power and (ab)use of language and how feminine myths and symbols are important to be unveiled and celebrated. Her Jungian perspective introduced me to archetypes, especially in mythology, and remains an inspiration to both my theatre work and my writing.
A certain idea kept cropping up in my reading, triggered perhaps by Richard Dawkins's conception in The Selfish Gene, of the “meme.” It seemed that the meme had a life of its own. Then I came across Richerson’s and Boyd’s Not by Genes Alone, and they laid it out: culturesevolve. And they evolve independently of the genes—free of genetic constraints in an idea or thought to contribute to its own survival. That is up to the multitude of people who happen to come across it. I now have a new book readying for publication:How Cognition, Language, Myth, and Culture Came Together To Make Us What We Are.
Campbell, to me, is the dean of writers on myth. I met him once, through a professor at Hollins University who, at her graduation, had awardedAnna, my wife-to-be, the first three volumes of The Hero of a Thousand Faces, as a prize in English Literature (the fourth, Creative Mythology, was yet to be published).
After we met, I learned that Campbell had edited the Penguin Portable Jung – and it is that book that set me on a course of study and writing on myth and literature that I have pursued ever since.
As a final note, Campbell also co-authored A Skeleton Key to Finnegans Wake, a book that many years later led me into James Joyce’s masterwork, Finnegans Wake – to me, the apotheosis of mythic literature.
The author of such acclaimed books as Hero With a Thousand Faces and The Power of Myth discusses the primitive roots of mythology, examining them in light of the most recent discoveries in archaeology, anthropology, and psychology
All of us bear the scars of emotional wounds, as complex psychology beats at the heart of all relationships. I’ve personally survived the betrayal of a parent, the loss of a child, emotional abuse, and life with an addict who could look me in the eye and lie. These themes resound in my stories. Literature is a safe place to explore and heal our own traumas through the dramatic interactions of our characters. My witch killer is not just “crazy” he’s unraveling a complex psychological past. In standing with our heroes as they meet and conquer evil, in its many guises, we find our way to healing our own trauma.
Once upon a time in the deep woods, a kind woman invited twelve family members and friends to Thanksgiving dinner. But not burning the turkey became the least of her worries. Wolf at the Dooris a kick-ass nightmare, a ghoulish debut novella that will keep you sitting rigid in bed with your eyes and ears wide, long after its done. You may never walk in the woods again. How will our hero save her dinner guests from becoming the main course for two brutally vicious werewolves who just happen to be the neighbors? How well do you know the couple next door?
All Charlotte Deerborn wanted was a nice Thanksgiving dinner with family and friends. Too bad for her no one else wanted to be there. By the time the turkey is carved, old grievances, bad behavior and crass remarks have transformed her dinner party into a disaster. And then a werewolf shows up to do some carving of its own.
Wolf at the Door, winner of the 2022 Global Book Award gold medal for horror, is a fast-paced, absurdist take on modern creature horror, levering humor and action to highlight how one family comes to grips with what really matters in…
I discovered my love for story early, growing up on TV and movies. I spent a good chunk of my teen years sitting in the dark watching everything that came out, especially foreign films. It’s safe to say that I learned the basics of storytelling by watching all the greats, from Hitchcock to David Lean to Kubrick. It’s no wonder I became a screenwriter rather than a novelist. But when I realized that story is story, regardless of the story form (book, movie, or TV commercial) a whole other world opened to me and my talent for story blossomed. Over the years, I grew this talent and passion and launched a career in Hollywood.
It defines the basic structure of every myth and is a foundational work in the myth genre. I have always turned to this book for reminders on how a “journey story” should work on the page, and it never fails to inform.
The book is a distillation of the work of legendary mythologist Joseph Campbell and his theory of the monomyth, or the single story underlying all human mythology. Vogler’s book is accessible and practical and another essential for every writer's toolbox.
Originally an influential memo Vogler wrote for Walt Disney Animation executives regarding The Lion King, The Writer’s Journey details a twelve-stage, myth-inspired method that has galvanized Hollywood’s treatment of cinematic storytelling. A format that once seldom deviated beyond a traditional three-act blueprint, Vogler’s comprehensive theory of story structure and character development has met with universal acclaim, and is detailed herein using examples from myths, fairy tales, and classic movies. This book has changed the face of screenwriting worldwide over the last 25 years, and continues to do so.
Although I write in many genres, fantasy was my first love in reading. I fell in love with the possibilities of a boundless world. And as the years went on, I realized that fantasy could be more than just dragons and sorcery. Fantasy was this big umbrella that housed all the impossible dreams. So, I gravitated toward the genre. I also have an affinity for fun things. I don’t like to be sad, so I prefer movies, music, games, and books that revolve around fun and humor.
Although this isn’t the first book in the series, I find it the most fun. I have a deep love for the myth series because it was the first series of books I ever read. They are a very traditional fantasy story about a wizard, his dragon, and a demon he pals around with. But, it is a tongue-in-cheek comedy rather than a serious epic tale.
The series reads fine out of order and you could start anywhere, but this one is my favorite.
Skeeve is feeling rather restless and suddenly remembers the treasure map he bought on his last adventure. Knowing Aahz's lust for money, he shows him the map. Quicker than a Deveel at the Bazaar of Deva can take your possessions, they were off to find the Golden Cow! There were a few problems, aren't there always. Tanda decides that she is in on the hunt; for a share, of course. Since Aahz is not too up on vortexes, just dimensions, they have to visit a shifter at the Bazaar for directions - he/she/it gets a five-percent cut of the treasure…
The constellation we know as Taurus goes all the way back to cave paintings of aurochs at Lascaux. This book traces the story of the bull in the sky, a journey through the history of what has become known as the sacred bull.
I like history. I also like myth. And I revere the imagination, the liberal use of which can lead to what many call “fantasy.” Though the portions change, almost all the fiction I’ve written—from The Chess Garden to John the Baptizer to my latest, The Unknown Woman of the Seine—is the product of this recipe. Some moment from the past captures my attention, digs its hooks in, invites research, which begets questions, which beget answers that only the imagination can provide, informed both by experience and by the oldest illustrations of why we are the way we are. Dice these up, let simmer until you’re not sure which is which, and serve.
Another story we discuss in my mental health and literature class, and easily found in any collection of Dostoevsky, The Dream of the Ridiculous Man recounts one desperate and momentous night in the life of the titular depressive and proto-absurdist. His experience revolves around a faith-restoring dream in which (spoiler alert) the narrator shoots himself, is buried alive, pulled from the grave by a black angel, then flown through outer space to an alternate sun with an alternate earth where the local population is enjoying a shamelessly Edinic existence—that is, until the narrator contaminates them with his ego, causing them all to fall from grace, the description of which provides Dostoevsky the opportunity to recap the whole of human history in roughly three pages. Accurately no less. It’s a bravura performance.
