Here are 100 books that Body Work fans have personally recommended if you like
Body Work.
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I’ve always been somewhat of an idiot optimist coming up with new and frivolous ideas. Yet, despite trying to inject my last three books with humour representative of myself, I feel a certain sense of seriousness in them. The fantasy genre has helped me shirk that feeling, allowing me to write uninhibited by regular boundaries. Without becoming captivated by George R.R. Martin and Terry Pratchett, I’d probably still be stuck trying to carve out a place in literary fiction—how serious. Fantasy works better for me—I like to make things up, and I like light-hearted books.
The Colour of Magic is the first entry in Terry Pratchett’s Discworld series and it’s a classic—it being a children’s book should not put you off.
In fact, if you’re new to fantasy, enjoying the light-hearted nature of Pratchett’s work and his appeal to the child’s mind only makes the book more fantastic. I don’t believe I’ve found another fantasy novel that matches the imagination found in The Colour of Magic.
It’s this imagination of Pratchett’s—and his unrelenting self-awareness—that inspired my latest book.
On a world supported on the back of a giant turtle (sex unknown), a gleeful, explosive, wickedly eccentric expedition sets out. There's an avaricious buy inept wizard, a naive tourist whose luggage moves on hundreds of dear little legs, dragons who only exist if you believe in them, and of course The Edge of the planet...
I was born in 1957, the year the Space Race started when the USSR launched its first satellite and grew up with astronauts and cosmonauts on the TV. Yuri Gagarin and Gordon Cooper were familiar names to me as a child but I only really started to take notice as the Apollo programme ramped up. Science fiction influenced me at an very early age with books like Kemlo and Tom Swift and, having pestered my English teacher with my embryonic works decided at seventeen to write my own novel. Some years later and just short of sixty I finally wrote Sirkkusaga and now have seven published works out there - as well as two anthologies.
I read these as a young teenager and loved them, they’re star-spanning, rip-roaring tales of civilisations pitted against each other across the universe. Triplanetary is the first book of the Lensman series but we have to wait until book two; First Lensman, for the arrival of the titular characters.
The good guys (Hooray! Including Earth, of course) have an advantage in that certain of them have been selected by the Arisians to wear a device called the Lens - which allows them to harness their mental powers against the Boskonians (the bad guys - boo!), who are assisted by the evil Eddorians.
It’s all good fun, and I admit to the stories having influenced me slightly.
Triplanetary is a space opera by E. E. Smith. This is the original version first serialized in Amazing Stories magazine in 1934. Smith later reworked the story into the first of two Lensman prequels which was then published in 1948. Triplanetary covers an eons-long eugenics project of the super-intelligences of the Arisians an alien race breeding two genetic lines to become the ultimate weapon in their cosmic war with the Eddore.
I’ve been reading science fiction and fantasy since I was a kid, and I love when the two genres meet. I’m also fascinated by the power of stories and language, which has led me to work as an intern at a literary agency and later as an editor at a website that reviewed and gave feedback on unpublished manuscripts. I love finding ways to imbue stories with the kind of magic that can transport us to new worlds.
I remember being twelve, lying in bed and reading this into the wee hours of the night, dimly aware of the train whistle from the other side of town.
The magic of the story – the wonder of the aliens and their world – transported me and wrapped me up and made me want to go rescue alien princesses and liberate oppressed alien peoples. Nothing about this book makes sense scientifically (what else do you expect from the author of Tarzan?), but somehow it still made me want to go to be an astronaut and explore new worlds.
Don’t write it off because of the terrible movie adaptation or the schlocky book covers. Embrace the camp and feel the magic!
Rediscover the adventure-pulp classic that gave the world its first great interplanetary romance-now featuring an introduction by Junot Diaz
In the spring of 1866, John Carter, a former Confederate captain prospecting for gold in the Arizona hills, slips into a cave and is overcome by mysterious vapors. He awakes to find himself naked, alone, and forty-eight million miles from Earth-a castaway on the dying planet Mars. Taken prisoner by the Tharks, a fierce nomadic tribe of six-limbed, olive-green giants, he wins respect as a cunning and able warrior, who by grace of Mars's weak gravity possesses the agility of a…
I was born in 1957, the year the Space Race started when the USSR launched its first satellite and grew up with astronauts and cosmonauts on the TV. Yuri Gagarin and Gordon Cooper were familiar names to me as a child but I only really started to take notice as the Apollo programme ramped up. Science fiction influenced me at an very early age with books like Kemlo and Tom Swift and, having pestered my English teacher with my embryonic works decided at seventeen to write my own novel. Some years later and just short of sixty I finally wrote Sirkkusaga and now have seven published works out there - as well as two anthologies.
A three novel serial with tones of Victorian adventure and steampunk fantasy that sets three disparate characters against a mysterious cabal with influence in the government of an unnamed European country (possibly an analogue of Victorian England) – with the sinister glass of which the books are made able to record and play back real-life events (quite often sexual or violent) to be experienced (quite literally) by the reader.
Each chapter of the books are seen from the point of view of one of the main characters; Miss Celeste Temple – a stereotypical Victorian adventuress and heir to a fortune who finds herself drawn to both Cardinal Chang – neither a cardinal nor Oriental, he is a dichotomy, capable of extreme violence but with a decent side and a love of poetry; and to the Contessa – ostensibly evil, she is a beautiful, cunning and deadly woman who seems to…
Here begins an extraordinary alliance—and a brutal and tender, shocking, and electrifying adventure to end all adventures.
It starts with a simple note. Roger Bascombe regretfully wishes to inform Celeste Temple that their engagement is forthwith terminated. Determined to find out why, Miss Temple takes the first step in a journey that will propel her into a dizzyingly seductive, utterly shocking world beyond her imagining—and set her on a collision course with a killer and a spy—in a bodice-ripping, action-packed roller-coaster ride of suspense, betrayal, and richly fevered dreams.
When I came out of the closet in college, I lost friends and family who wouldn’t love me for who I was. As time went on, however, new family started appearing in surprising places: people that wanted to journey with me and stick by my side even though we weren’t related by blood or birth. New, chosen family found me. Reading stories about others searching for–and finding–family in the midst of the wackiness of life has always been a comfort. I hope that you find yourself immersed in the abundance of love that family (by blood or by choice) can bring.
Travel back in time to the Boxer Rebellion in the early 1900s. This graphic novel follows Little Bao as he gathers a brotherhood (and later is joined by a sisterhood) called the Society of Righteous and Harmonious Fists. People from many different backgrounds gather together to support each other to fight for the freedom of their homeland, China. I love the way that the clean illustrations in this graphic novel make the story explode in my mind as I follow this band of ragtag revolutionaries coming together as a family on a mission!
Bonus: There’s a companion graphic novel, Saints, that tells a parallel story from a very different perspective!
From American Born Chinese author Gene Luen Yang: an innovative look at China's Boxer Rebellion told from two points of view, in two companion volumes. China, 1898. Bands of foreign missionaries and soldiers roam the countryside, bullying and robbing Chinese peasants. Little Bao has had enough. Harnessing the powers of ancient Chinese gods, he recruits an army of Boxers - commoners trained in kung fu who fight to free China from "foreign devils." But nothing is simple. Little Bao is fighting for the glory of China, but at what cost? So many are dying, including thousands of Chinese citizens who…
My name is Kelly Fernández (she/her) and I’ve been making comics since 2014. I’vealways been fascinated by stories about ghosts, monsters, and witches because I grewup in a family that believes in them. While writing my graphic novel Manu,Iresearchedand spoke to Latinx friends and colleagues about their personal experiences withbrujería (the Spanish word for witchcraft) to try and learn more about it across differentcultures. I love comics because, like oral storytelling, it’s just another way for people toshare their stories with each other!
I’m a huge fan of Emily Carroll’s comic art, which is creepy, emotional, and perfectly echoes the tone of McCoola’s story. In this book, teenager Masha runs away from home to live with the terrifying, child-eating witch Baba Yaga. Luckily, Masha is able to impress the Baba Yaga with her wit and knowledge of Russian folklore. But when Masha’s little sister gets captured by the witch, Masha has to finally face the family troubles she’s been avoiding.
Russian folklore icon Baba Yaga mentors a lonely teen in a wry graphic novel that balances gleefully between the modern and the timeless.
Most children think twice before braving a haunted wood filled with terrifying beasties to match wits with a witch, but not Masha. Her beloved grandma taught her many things: that stories are useful, that magic is fickle, that nothing is too difficult or too dirty to clean. The fearsome witch of folklore needs an assistant, and Masha needs an adventure. She may be clever enough to enter Baba Yaga’s house-on-chicken-legs, but within its walls, deceit is the…
When I was five, my family moved from Morocco to France. We were Jewish in a very homogeneously Catholic world. My French upbringing didn’t include much exposure to other cultures and I often felt uncomfortably different. I would have liked to know more about various lifestyles, cultures, and traditions than those I observed around me. I now love to learn about other cultures through personal accounts, stories, and memoirs. I feel engaged and interested in a way I never experienced with textbooks. Reading about people who live a different life from our own can be an eye-opening experience.
Cici’s family is settling in Seattle. They come from Taiwan and want their daughter to study hard in the US in order to have a better life than theirs. But Cici is missing her beloved grandmother and worries about not fitting in at school. Deciding to sign up for a cooking contest will not only give her the chance to do what she likes doing the most, but will also make her meet a new friend. Or is it a rival?
I always love stories centered around the themes of trying to fit in and trying to please parents. Cici is a brave young girl with a quietly strong personality and I was rooting for her during mouth-watering cooking rounds.
An ALA Top 10 Graphic Novel of 2021 * A Junior Library Guild Gold Standard Selection * Fall 2020 Kids Indie Next List * Featured in Today Show's AAPI Heritage Month List * Amazon Best Books November Selection * Cybils Awards Finalist * An NBC AAPI Selection * Featured in Parents Magazine Book Nook October issue * A CBC Hot off the Press October Selection * WA State Book Awards Finalist * Texas Library Association Little Maverick Selection
For fans of American Born Chinese and Roller Girl, Measuring Up is a don't-miss graphic novel debut from Lily LaMotte and Ann…
For me, art is a journey of relentless questioning, exploring, and introspection. As an artist, author, and educator, I have relied on each book in this collection to further my creative journey. The titles that I've selected offer unique perspectives on the transformative power of art and have had the biggest effect on my students, my peers, and my own artistic growth. I believe that art is a language that is and should be for everyone, providing a conduit for individual expression, problem-solving, and innovation. Each of these titles has offered pivotal "aha" moments while igniting my passion, and I hope they allow you to unlock your creative potential.
This one may surprise you, but I assure you that Understanding Comics is an absolute gem!
McCloud has crafted an intellectual yet accessible guide that is not just a study of comics but a masterclass in communication and the art of storytelling. This book provides a rich fusion of insightful theory and practical advice, all conveyed through the very medium it discusses, making it a uniquely immersive experience.
McCloud’s engaging style and profound understanding of the mechanics of comics didn't just educate me; they enchanted me. His deep dives into the psychology behind why we connect with comics pair perfectly with his diegetic examples of framing, composition, and visual motivation. It’s a journey through the mechanics of comics that turns into a deeper exploration of visual expression and human perception.
Art is, in essence, a storytelling medium, making this book as invaluable for artists and writers as it is for…
The bestselling international classic on storytelling and visual communication "You must read this book." - Neil Gaiman Praised throughout the cartoon industry by such luminaries as Art Spiegelman, Matt Groening, and Will Eisner, Scott McCloud's Understanding Comics is a seminal examination of comics art: its rich history, surprising technical components, and major cultural significance. Explore the secret world between the panels, through the lines, and within the hidden symbols of a powerful but misunderstood art form.
Growing up, if I wasn’t good at something right away, I’d quit. I didn’t want to embarrass myself in front of others. Because of that, I never experienced how great it felt to overcome obstacles, to succeed at something hard—until I played football. Girls Who Persevere is an important topic to me because so often, girls are treated as if they’re inferior or incapable. It’s ingrained in them that they shouldn’t try certain things (like football!), and if they fail at first, it must mean they can’t do it. I think it’s important to see strong girls doing big things, even when they’re hard. These books show just that.
This is one of the first graphic novels I ever read, and I couldn’t stop laughing. The story is fun, and it’s the perfect example of a girl staying true to who she is while realizing that sometimes people change and friends grow apart as they grow up. I loved that I got to learn a new sport while enjoying this coming-of-age story.
The Newbery Honor Award Winner and New York Times bestseller Roller Girl is a heartwarming graphic novel about friendship and surviving junior high through the power of roller derby-perfect for fans of Raina Telgemeier's Smile!
For most of her twelve years, Astrid has done everything with her best friend Nicole. But after Astrid falls in love with roller derby and signs up for derby camp, Nicole decides to go to dance camp instead. And so begins the most difficult summer of Astrid's life as she struggles to keep up with the older girls at camp, hang on to the friend…
“You spend your first 18 years as a sponge and the rest of your life using those early years as material.” Martin Short said this to me when I collaborated with him on his memoir,I Must Say: My Life As a Humble Comedy Legend. My own writing bears this out. My nonfiction books The United States of Arugulaand Sunny Daysare not first-person books, but they examine two significant cultural movements that defined my formative years: the American food revolution led by the likes of Julia Child and Alice Waters and the children’s-TV revolution defined bySesame Streetand Mister Rogers’ Neighborhood. Much of my journalism finds me chasing down the cultural figures who captured and shaped my young imagination, e.g., Sly Stone, Johnny Cash, Charles Schulz.
My curveball choice. In the late 1970s, Stamaty drew a brilliant, phantasmagoric, visually dense comic strip for The Village Voice that captured the chaos, charm, and entropic scuzziness of Manhattan in that era. His protagonist, a bearded nerd named Malcolm Frazzle, travels on a very funny Joseph Campbell-like hero’s journey that involves a talking cow, the Zen of dishwashing, and overpacked subway cars. I’ve spent the last 40 years revisiting this compendium of Stamaty’s strips, whose every page is a loony, trippy world to fall into.
A collection of legendary absurdist comic strips about life in 1970s New York City, now available in print for the first time in over thirty years.
Every week, from 1978 to 1980, The Village Voice brought a new installment of Mark Alan Stamaty's uproarious, endlessly inventive strip MacDoodle St. Centering more or less on Malcolm Frazzle, a blocked poet struggling to complete his latest lyric for Dishwasher Monthly, Stamaty's creation encompassed a dizzying array of characters, stories, jokes, and digressions. One week might feature the ongoing battle between irate businessmen and bearded beatniks for control of a Greenwich Village coffee…
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