100 books like Hot Comb

I was a funny little anxious kid, and still remember the relief of coming across friends who opened up and told their darkest thoughts and silliest moments. This is what I seek out in books and try to show in my own stories. To say...Look! We’re all deeply weird! You are not alone! Comics and graphic novels have such a unique and immediate way of whispering into your heart and it amazes me that so many people haven’t yet discovered what a wonderful art form they are. 

I was a funny little anxious kid, and still remember the relief of coming across friends who opened up and told their darkest thoughts and silliest moments. This is what I seek out in books and try to show in my own stories. To say...Look! We’re all deeply weird! You are not alone! Comics and graphic novels have such a unique and immediate way of whispering into your heart and it amazes me that so many people haven’t yet discovered what a wonderful art form they are. 

When I was a kid in the 80s the superhero comics I was obsessed with were beginning to deal with the real world in a new way. And their creators were beginning to push and pull at the boundaries of the medium with a new spirit of play and provocation. I still love comics that seriously deal with real life – its complexities and its profound weirdness – and that push the medium in new directions and reckon with its history. I also want to be absorbed and moved and to identify intently with characters. It’s what I try to do in my own work, and what I look for in that of others.

I was a funny little anxious kid, and still remember the relief of coming across friends who opened up and told their darkest thoughts and silliest moments. This is what I seek out in books and try to show in my own stories. To say...Look! We’re all deeply weird! You are not alone! Comics and graphic novels have such a unique and immediate way of whispering into your heart and it amazes me that so many people haven’t yet discovered what a wonderful art form they are. 

I've been interested in pirates for as long as I can remember. Hearing about Blackbeard, Calico Jack, Henry Morgan, and Anne Bonney, among others, made my imagination run wild. Learning about who they really were as I grew up made me interested in why they were the way they were. I love stories about pirate crews, especially ones that explore the why of how they became pirates. I also love fantasy stories as you can plainly see (I even cheated to include a favourite of mine) and I wanted to combine the two in my first series.

I love writing about food, and it appears as a motif in nearly every comic I've ever drawn. Comics are an exceptional medium for discussing food – a talented artist can render a drawing into something that looks delicious, but they can tie it into a story that gives the dish meaning or connects to a particular character's inner life. With Meal I had the opportunity to tell a story about a kind of cuisine that delights me, but that most people know very little about – and I turned to my favorite comics about food for inspiration on how to translate that joy from the plate to the page.

I’m qualified to talk about Hermione Granger because she’s a bold rip-off of my own experience at boarding school. My family didn’t have a lot of money. However, I was always the smartest, most original, hardest-working kid at school. Then I got a fat scholarship to an exclusive and fabulously wealthy boarding school 3,000 miles from home. I arrived as a poor, immigrant, POC, gay, transfer student into the eleventh grade. I was the muggle-born kid plopped into a world of privilege and power with something to prove, just like Hermione. But because the author did such a good job of capturing my life, I won’t sue.

I’ve always enjoyed reading true stories and stories that feel like they could be true. I enjoy learning about other people’s lives and experiences. If a character’s life experiences have been very different than my own, it is eye-opening and informative. If we’ve had similar experiences it helps me feel less alone. When writing, I usually draw inspiration from my own life experiences. With AWOL, I wanted to share military family culture and help readers affected by PTSD feel less alone. 

As a teenager, I didn’t have the lack of inhibition or abundant self-confidence to excel in high school drama. Like Sadie in Bit Players, I finally wowed the directors at my senior year audition, only to learn the lead was promised in advance to someone else. I recovered and stayed involved in theater: cast, crew, and front-of-house jobs for a summer theater program; the box office for Cornell’s MFA program; and supporting my kids’ drama activities. Performing in a show is different from any other experience. If you’ve been in a show, you know this. If you haven’t, read on to enter the magical world of theatre.

My name is Kelly Fernández (she/her) and I’ve been making comics since 2014. I’ve always been fascinated by stories about ghosts, monsters, and witches because I grew up in a family that believes in them. While writing my graphic novel Manu, I researched and spoke to Latinx friends and colleagues about their personal experiences with brujería (the Spanish word for witchcraft) to try and learn more about it across different cultures. I love comics because, like oral storytelling, it’s just another way for people to share their stories with each other!