Here are 100 books that Raw Thoughts fans have personally recommended if you like
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I’m a writer who just published a book I didn’t have any interest in writing. I didn’t like the subject matter, so I had no interest in doing the research to create credible characters and a cohesive plot.
Back when I was an atheist undergraduate college student, this book, among others, saved my life.
I’d walked away from everything religious and hence lacked all moral grounding. Although I was ambitious, I had no clue what I wanted to do with my life. Only what I didn’t want to do with my life.
My animosity against all things religious was huge, but the stoic philosophy of discipline and self-control kept me from throwing my life away.
Nearly two thousand years after it was written, Meditations remains profoundly relevant for anyone seeking to lead a meaningful life.
Few ancient works have been as influential as the Meditations of Marcus Aurelius, philosopher and emperor of Rome (A.D. 161–180). A series of spiritual exercises filled with wisdom, practical guidance, and profound understanding of human behavior, it remains one of the greatest works of spiritual and ethical reflection ever written. Marcus’s insights and advice—on everything from living in the world to coping with adversity and interacting with others—have made the Meditations required reading for statesmen and philosophers alike, while generations…
I am passionate about the Vietnam War because my male relatives served and came back changed by the experience. I spent ten years as the editor of The Patton Saber, writing articles about the experience of World War II soldiers, but when I came across an idea for a novel about past life memories, I decided to focus on memories of the Vietnam War. What I love about this list is that it reflects many facets of the war, including soldiers, nurses, veterans, and the family members touched by those affected by war.
O’Brien’s depiction of American soldiers in Vietnam was vivid and moving. It gave me a deeper understanding of the soldier’s experience. His artful use of the metaphor of what they carried revealed not only the items on hand but also the psychological baggage each soldier dealt with.
The stories were haunting and made me a full witness to the complexity of war and the many ways it is experienced. It is artfully written, moving, complex, touching and unforgettable.
The million-copy bestseller, which is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling.
'The Things They Carried' is, on its surface, a sequence of award-winning stories about the madness of the Vietnam War; at the same time it has the cumulative power and unity of a novel, with recurring characters and interwoven strands of plot and theme.
But while Vietnam is central to 'The Things They Carried', it is not simply a book about war. It is also a book about the human heart - about the terrible weight of those things we carry through…
I firmly live by the saying, “Where we are in life is a direct reflection of the choices we’ve made, or failed to make.” The theme of choice and consequence has not just been a way of living but the very trope in all my novels. The beauty in showing the process of making a choice, for my characters, in their stories, brings them to life. It forces the reader to step inside that decision tree, to analyze and predict the outcome despite the unknown. We are continuously propelled into the unknown and we make choices based on the notion of understanding what those choices will mean.
Ellen Hopkins is the master of novel-in-verse style writing and the true inspiration for my particular style.
She harnesses the human condition in ever-evolving characters while simultaneously displaying their choices and subsequent consequences. Her stories embody the true philosophical underpinnings that make readers question everything, and for good reason.
With a few of her novels being banned due to their content and free-thinking inspiration, her stories beg to be read and characters empathized. At the core, she is a poet, much like myself, and any poet who loves a good story can identify with her compelling stories and stylistic approach.
I do know things really began to spin out of control after my first sex dream.
It all started with a dream. Nothing exceptional, just a typical fantasy about a boy, the kind of dream that most teen girls experience. But Pattyn Von Stratten is not like most teen girls. Raised in a religious -- yet abusive -- family, a simple dream may not be exactly a sin, but it could be the first step toward hell and eternal damnation.
This dream is a first step for Pattyn. But is it to hell or to a better life? For the…
I firmly live by the saying, “Where we are in life is a direct reflection of the choices we’ve made, or failed to make.” The theme of choice and consequence has not just been a way of living but the very trope in all my novels. The beauty in showing the process of making a choice, for my characters, in their stories, brings them to life. It forces the reader to step inside that decision tree, to analyze and predict the outcome despite the unknown. We are continuously propelled into the unknown and we make choices based on the notion of understanding what those choices will mean.
This novel-in-verse tugs at the heart and soul of any individual who has suffered at the hands of abuse.
Written from the perspective of a teenage girl searching for her identity, she and her siblings come to know abuse in this relatable story.
A coming-of-age story trapped in the grasp of an abusive and alcoholic father whose selfish tendencies are haunting, this story and its tropes of love and acceptance will stick with you well after the last page.
Anke’s father is abusive to her brother and sister. But not to her. Because, to him, she is like furniture— not even worthy of the worst kind of attention. Then Anke makes the school volleyball team. She loves feeling her muscles after workouts, an ache that reminds her she is real. Even more, Anke loves the confidence that she gets from the sport. And as she learns to call for the ball on the court, she finds a voice she never knew she had. For the first time, Anke is making herself seen and heard, working toward the day she…
I'm very interested in neuroscience, and it turns out that when you are in a state of wonder, you activate parts of the brain that correlate with creativity, gratitude, hope, and connection with oneself and others. In a way, wonder is an antidote to the doom-and-gloom ideologies that surround us. I'm very drawn to art and ideas that help me connect with my sense of wonder and remind me that I'm connected with a vast and mysterious universe!
I feel so happy when I look through this creative meditation on finding beauty in the mundane of life. Kalman uses art and words to wind her way through charming, hilarious, and heartbreaking vignettes. She muses on the mysteries of the world and our endless search for meaning, while her whimsical images bring levity to the human condition.
“Sublime . . . Kalman’s elegantly witty and at times melancholy narrative runs arm in arm with her unmistakable paintings on a serendipitous romp through the history of the world.” —Vanity Fair
“Wildly original . . . there’s nothing else even remotely like it . . . This hilarious, wise, and deeply moving volume [is] the ultimate picture book for grown-ups.” —O Magazine
Maira Kalman paints her highly personal worldview in this inimitable combination of image and text
An irresistible invitation to experience life through a beloved artist's psyche, The Principles of Uncertainty is a compilation of Maira Kalman's New…
I’ve had the fortunate opportunity to write over 30 books and over 1000 articles. Not even my late beloved mother would have wanted to slog through all of them! Now, thanks to Teachers College Press, I have published my overview book. In addition to collecting the “essays” on Mind that I consider most important, I have also added autobiographical material and “legends,” which provide context for the wide spectrum of themes and pieces. The chance to reflect on a life of research has stimulated me to identify the works that had the greatest influence on my thinking and writing about the range and depth of human cognition.
From early childhood, I was deeply involved with classical music. But I was never able to explain its power and appeal to others—nor, indeed, to myself. Despite chatter to the contrary, I was convinced that music was not simply about “emotions.” From Langer, I learned that the arts are more effectively described as capturing the forms and the juxtapositions of diverse feelings.
Langer also modeled how to integrate philosophical and psychological ways of thinking. That amalgam stimulated me to become a founding member of Project Zero (PZ) at Harvard University, the research organization with which I have been associated since 1967. PZ has been built on ideas about “the human use of symbols and symbol systems,” as detailed by Langer as well as her contemporary (and PZ founder), Nelson Goodman.
Modern theories of meaning usually culminate in a critique of science. This book presents a study of human intelligence beginning with a semantic theory and leading into a critique of music.
By implication it sets up a theory of all the arts; the transference of its basic concepts to other arts than music is not developed, but it is sketched, mainly in the chapter on artistic import. Thoughtful readers of the original edition discovered these far-reaching ideas quickly enough as the career of the book shows: it is as applicable to literature, art and music as to the field of…
For me, games have always been a way of playing mathematics. Every game has a hidden piece of mathematics behind it, and if you can understand that mathematics, I’ve found that it gives you a real edge in playing the game. I travel a lot for my work as a mathematician, and I love to ask about the games they play when I visit a new country. Games tell me a lot about the culture and people I am visiting. My book is my way of sharing my passion for games and mathematics with my readers.
This science fiction novel always appealed to me because of its conceit that a society’s games are a reflection of its culture, ethos, and philosophy. Azad, the game at the heart of the book, is used by the Empire to determine the political, social, and economic structure of the whole planet. The prize for winning is to become emperor and to implement your strategy in real life.
I love the description of the game. It’s played on three huge boards that are more like landscapes than regular playing boards. Perhaps one might regard all the games that we have created and played on this planet collectively as Earth’s version of Azad.
The Culture - a human/machine symbiotic society - has thrown up many great Game Players, and one of the greatest is Gurgeh. Jernau Morat Gurgeh. The Player of Games. Master of every board, computer and strategy. Bored with success, Gurgeh travels to the Empire of Azad, cruel and incredibly wealthy, to try their fabulous game...a game so complex, so like life itself, that the winner becomes emperor. Mocked, blackmailed, almost murdered, Gurgeh accepts the game, and with it the challenge of his life - and very possibly his death.Praise for Iain M. Banks:"Poetic, humorous, baffling, terrifying, sexy -- the books…
I’ve been fascinated by "sea stories" since I could read, maybe before. I was born in Liverpool, my dad was in the navy, my family ran an 18th-century inn named the Turk’s Head after a nautical knot, and I’ve directed or written more than twenty films, plays, and novels with the sea as their setting. But they’re not really about the sea. For me, the sea is a mirror to reflect the human condition, a theatre for all the human dramas I can imagine. More importantly, I’ve read over a hundred sea stories for research and pleasure, and those I’ve chosen for you are the five I liked best.
I loved this book because it isn’t just a great story; it demonstrates that the nautical genre, which is supposedly about rugged masculinity, heroism, male bonding, and man against the sea, can be about many other things too, even women!
There is nothing like a ship at sea for creating the ideal hothouse environment for a penetrating study of human nature, especially when you throw a woman into the mix. Clarissa Oakes is a stowaway on a 19th-century sailing ship, the only woman among 200 men, and the perfect catalyst for an explosion of male desire, jealousy, and rage.
It's probably the best book I’ve read in this genre for demonstrating just how much you can stretch the canvas to cover almost every aspect of the human condition.
With factions on board, and multiple enemies to contend with, only the most careful navigation will save them.
As he sails away from Port Jackson, Captain Jack Aubrey feels nothing but relief at leaving the penal colony and its inhabitants far behind. But, unknown to him, hidden among his crew is one Clarissa Oakes. With Britain at war on two fronts, with both America and France, Aubrey's orders are to make for the Sandwich Islands and intervene in the conflict there.
How much trouble can one woman cause?
'One moment you laugh out loud at comedy rooted in character, and…
Like my narrator Maggie, I was a child, then a teen wandering the woods and dreaming of a life. I’ve always hated those books/TV shows/films where women, especially young women, are helpless and reliant on a man to get them out of trouble. I gravitate toward stories where females figure out their own paths, not always to a happy ending. I’m still a wanderer today, mostly solo, from New York City to the vast Highlands of Scotland, and while the world can seem scary, I’m confident and free on my own.
This is an incredibly intricate book, braiding many strands together to tell the story of people who “might be going to have lived a long, long time from now in Northern California.” One thread tying it all together is Stone Telling, a young girl caught between her mother’s rich tribal life and the militaristic city life of the man who is her father. She tells him, “I am a woman, and make my own choices,” but learns that is not the case in the land of the Condors. Her story illuminates two of the many ways to be human. (I’m re-reading this now.)
An "ethnographic" novel that portrays life in California's Napa Valley as it might be a very long time from now, imagined not as a high tech future but as a time of people once again living close to the land.
In a sense, I have been working on the material for my book, Life, Death, and Other Inconvenient Truths, for my entire life. The 38 short chapters that comprise it span a range of topics: alphabetically, from ambition and anxiety, through love and mathematics, to war and youth. For whatever it is worth, I have had first-hand experience (in three languages, on three continents) learning, researching, teaching, enjoying, suffering, and fighting — in other words, living — all but one of them (the exception is one that technically cannot be lived through, but can still be pondered and written about). My five recommendations reflect this life-long interest in the human condition, which I am excited to share with you.
A better world is possible — just not through the kind of progress touted by liberal politicians. In this 1982 collection, Bookchin sketches such a new world, based on his concept of social ecology — a prescient integration of the people’s desires for a better life, for personal freedom, and for coexistence, mutual aid, and respect.
“The very notion of the domination of nature by man stems from the very real domination of human by human.” With this succinct formulation, Murray Bookchin launches his most ambitious work, The Ecology of Freedom. An engaging and extremely readable book of breathtaking scope, its inspired synthesis of ecology, anthropology and political theory traces our conflicting legacies of hierarchy and freedom from the first emergence of human culture to today’s globalized capitalism, constantly pointing the way to a sane, sustainable ecological future.
Murray Bookchin, cofounder of the Institute for Social Ecology, has been an active voice in the ecology and…
