Fans pick 100 books like Pedro and Me

Reseda, California plays an important part in my novels. I grew up there in a middle-class Jewish family, and we experienced the turmoil of the 1960s and 1970s. My parents got divorced, and my brother and I were raised by our working mom until she became paralyzed by a stroke. I found refuge in writing. I wrote The Remainders in 2016 during a tumultuous time when issues of family conflict, homelessness, and the growing cruelty of society came into focus. Still, I believe decency and compassion will prevail. The books I write and enjoy reading seek to find light in the darkest of circumstances.

I’ve worked as a tugboat hand in Singapore and Peace Corps Volunteer in Polynesia. I’ve served on the editorial staffs of five newspapers, from a small-town daily in New Mexico to The New York Times. I’m also the author of contemporary novels for young adults. Like the writers of these five great graphic novels, I choose themes that are important to me. Foremost are hope, healing, family, and friendship. These are themes I’d like my own children to embrace. Life can be hard, so as a writer I choose to send out that “ripple of hope” on the chance it may be heard or felt, and so make a difference.

I’ve worked as a tugboat hand in Singapore and Peace Corps Volunteer in Polynesia. I’ve served on the editorial staffs of five newspapers, from a small-town daily in New Mexico to The New York Times. I’m also the author of contemporary novels for young adults. Like the writers of these five great graphic novels, I choose themes that are important to me. Foremost are hope, healing, family, and friendship. These are themes I’d like my own children to embrace. Life can be hard, so as a writer I choose to send out that “ripple of hope” on the chance it may be heard or felt, and so make a difference.

I’ve been fascinated with the topic of immigration since childhood. My father is an immigrant, and my mother grew up overseas. My first job after college was working for a youth program for immigrant and refugee kids in Chicago. Now, I am a professor who teaches and writes about migration law. I find stories about how moving across borders shapes people’s lives to be endlessly interesting, bringing up themes of belonging, home, memory, trauma, and identity. I also think that the topic of global migration is intimately linked to questions of justice and equality and requires us all to reckon with the ways in which the colonial past shapes the present. 

I am a care aide (aka personal support worker) who has happily worked at an extended care facility for more than twenty years, and as such, I have been a compassionate listener to many a family member suffering from the tsunami of feelings involved when coping with aging parents or spouses, so I thought I would be well-positioned and emotionally prepared to cope when it was my turn to face my own mother's deterioration. How wrong I was! Thank goodness for the generous souls who write memoirs. Each of the books that I have chosen was an education and an affirmation to me as I tried to maintain my equilibrium while supporting my mother and my mother-in-law through their final years.

Creative expression has been one of my most cherished values since childhood. I've always had a creative hobby of some kind since I was a kid. Not sure how that happened – my parents were tolerant of my interests at best. I made my day job career in the arts, fostering the creativity of community members and supporting the work of artists. Art (in the general sense of all forms of creative expression) is, to me, a defining characteristic of humanity, it makes life worth living, and the way it’s devalued under Capitalism both saddens and inspires me as a creator myself. I’m a writer of speculative fiction and I write about creative people.

Like Neil Gaiman, I came to Norse mythology via the Stan Lee/Jack Kirby Marvel comics route. And when I explored the material further I was struck by the darkness and unsanitised oddity of many of the stories. They clearly reflected the Vikings’ view of the world as a cold, hostile, sometimes absurd place that must be met with a strong arm and a hearty laugh if one is to survive not only physically but mentally. There’s something refreshingly honest about such an approach, and when I came to write the third novel in my Pantheon series, The Age of Odin, which recast the myths as a modern military-SF thriller, I leaned heavily into the aspects I found the most appealing as well as the most dramatic, not least the snowy apocalypse that is Ragnarök, while injecting some appropriately ribald humour too.

Coming-of-age stories have always appealed to me because of their focus on an internal struggle. They’re usually juxtaposed with a changing landscape or moving to a new place. In broad strokes, coming-of-age stories focus on personal identity and our place in our day-to-day world. As someone who’s born in the US but grew up on the Mexican side but currently lives in California, the questions of what aspects of me are American and which are Mexican have been ongoing. With that in mind, these five books speak to me in a profound way, and I'm happy they exist as comics. 

I’m an American-born cartoonist who’s been living and working in Montreal since 2015. My mother is from Quebec, and when I immigrated here I was looking to reconnect with my cultural roots. Reading graphic novels from here was a huge part of how I got to know my adopted community. I might be a bit biased, but I have to say Quebec has one of the world’s most vibrant comic arts scenes; a blend of American comic books mixed with Franco-Belgian bande dessinée. With more and more graphic novels from Quebec getting translated into English you’re sure to find something you’ll dig, whether you’re looking for slice-of-life or science fiction.

When I was starting out as an illustrator, I stumbled into two art director jobs, first at the innovative New York Herald Tribune and then at The New York Times. Working with great journalists gave me the startling idea that a comic strip could have no better subject matter than real life. This led me to create my popular comic strip “Stan Mack’s Real Life Funnies,” which ran in The Village Voice and reported on the rowdy New York city of the '70s and ‘80s. Back then, I was alone in combining real-life stories with comics; today many artist-writers use the comic strip format to tell complex and multilayered true stories of the human experience.