89 books like Ninth House

From a young age, I've been engrossed by the complexities of identity, a theme I explore as an Australian speculative fiction writer. My own identity comes with its quirks—I hold a Bachelor of Music in Composition, spent a decade in admin roles, and the better part of another decade teaching English to adult migrants, refugees, and asylum seekers. This eclectic background enriches my narratives, which blend supernatural elements with grounded realism and diverse representation. Whether it's exploring loneliness or delving into the lives of victims of bullying, my unique lens makes me well-suited to recommend books that tackle intricate themes of identity.

I love a book where the good guys are pure-hearted and the bad guys are evil, but there's something so fascinating about a story where the lines of good and evil blur and bend. I firmly believe that everyone is the hero in their own story… and everyone is the villain in at least one other person’s story. My Tales of Thamorr duology features multiple heists and hijinks, and every member of our crew has plans to betray their fellows. My goal in writing stories where no one is the ‘good guy’ is to create a reading experience where you want to root for everyone and no one at the same time.

I’ve read crime fiction since I was a kid, starting with Nancy Drew and the mystery magazines—Alfred Hitchcock, Mike Shayne, and Ellery Queen. While in elementary school, I wrote mystery short stories, which my sister illustrated, and we sold them on the street corner for 25 cents apiece. In the nineties, I devoured novels by Patricia Highsmith, Ruth Rendell, and P.D. James. The 2000s introduced another generation of favorite authors, including Belinda Bauer, Chris Whitaker, and Tana French. I love too many to name! My current passion is for novels that I can really sink my teeth into, with complex characters hiding dark secrets.

My name is Alister Dray Penborn. I am a lifelong mystery lover, all the way back to my favorite childhood cartoon, Scooby-Doo, and my favorite anime, Detective Conan, or Case Closed as it was called in the US at the time of airing. It's a passion that grew over the years as I was exposed to even more great mysteries. One of the most appealing aspects is the investigation process, where a character sees the inconsistencies of crime scenes, analyzes and makes sense of events, and collects and relies on the slightest clues to act as puzzle pieces to the full picture.

I have always been fascinated by stories that use darkness in plot and character growth. As a former funeral director, I find stories with death—whether it’s the power of death, the death of a loved one, or something similar—to be really poignant. I always write books that embrace the darkness, and I love to see how characters come out on the other side. I hope you enjoy these books as much as I do!

I’ve always been a big fan of sci-fi and fantasy, especially anything involving superheroes or D&D-style adventure. For the longest time, I had to find queer representation through subtle glances and creative readings of characters. I loved these stories for the sci-fi and fantasy elements, but it was frustrating that every love story that came up was straight. It didn’t feel possible for queer love to be a part of a plot, and even when there was a queer character it had a “very special episode” vibe to it. Finally, queer characters are becoming part of the story, and it doesn’t have to be a “big deal.”

I am an avid fantasy reader and writer. I have been writing for many years and love to craft detailed worlds and complex characters that surprise and delight readers. Stories are about challenges, overcoming the barriers that are put in front of us, and growing in the process. Characters do not have to be good or bad; they can be both, a mixture, just like real people. I strive to create characters that make people stop and think, make them question their assumptions, or relate to them in ways that they had not expected. Fantasy is about bringing real emotions to readers through an imaginary setting, and I love it.

I’m not sure where my love of thrillers in dark settings originated. I’ve always loved mysteries – starting out with Nancy Drew as a kid and then graduating to more mature material as I got older – and a setting that feels like a character in itself is fascinating to me. My love of the dark, moody element has developed as I’ve gotten older – I spent my twenties reading a lot of chick lit and upbeat fiction, but something has shifted in the last decade or so that caused me to embrace the darkness a bit more. 

I love a book where the good guys are pure-hearted and the bad guys are evil, but there's something so fascinating about a story where the lines of good and evil blur and bend. I firmly believe that everyone is the hero in their own story… and everyone is the villain in at least one other person’s story. My Tales of Thamorr duology features multiple heists and hijinks, and every member of our crew has plans to betray their fellows. My goal in writing stories where no one is the ‘good guy’ is to create a reading experience where you want to root for everyone and no one at the same time.

I love a book where the good guys are pure-hearted and the bad guys are evil, but there's something so fascinating about a story where the lines of good and evil blur and bend. I firmly believe that everyone is the hero in their own story… and everyone is the villain in at least one other person’s story. My Tales of Thamorr duology features multiple heists and hijinks, and every member of our crew has plans to betray their fellows. My goal in writing stories where no one is the ‘good guy’ is to create a reading experience where you want to root for everyone and no one at the same time.