Here are 64 books that Nevernight fans have personally recommended if you like
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From a young age, I've been engrossed by the complexities of identity, a theme I explore as an Australian speculative fiction writer. My own identity comes with its quirks—I hold a Bachelor of Music in Composition, spent a decade in admin roles, and the better part of another decade teaching English to adult migrants, refugees, and asylum seekers. This eclectic background enriches my narratives, which blend supernatural elements with grounded realism and diverse representation. Whether it's exploring loneliness or delving into the lives of victims of bullying, my unique lens makes me well-suited to recommend books that tackle intricate themes of identity.
Sabriel by Australian author Garth Nix is a YA dark fantasy that captivated me with its visceral descriptions of Charter magic and the brutal realism of life in the Old Kingdom—where the dead do walk.
The protagonist, Sabriel, is raised in a mundane, magic-less world beyond the Wall but is thrust into a realm teeming with dark magic as she searches for her missing father. This journey forces her to grapple with her identity as she navigates the expectations of others who see her only as her father's successor while she remains steadfast in her determination to find and rescue him.
This struggle for self-definition amidst external pressures is a theme that resonates deeply, making Sabriel a must-read for those who appreciate immersive worlds.
A stunning anniversary gift edition of the second in the bestselling Old Kingdom fantasy series.
Sabriel has spent most of her young life far away from the magical realm of the Old Kingdom, and the Dead that roam it. But then a creature from across the Wall arrives at her all-girls boarding school with a message from her father, the Abhorsen - the magical protector of the realm whose task it is to bind and send back to Death those that won't stay Dead. Sabriel's father has been trapped in Death by a dangerous Free Magic creature.
I've been reading fantasy for 42 years and writing it for 40, and because I was raised by badass women, I've always enjoyed tales of clever, kickass, indomitable heroines. I've written a bunch of them (a dozen books in an urban fantasy series about a sorcerer named Marla Mason; four books in the Axiom space opera series about ship captain Callie Machedo and her love interest, time refugee xenobiologist Elena Oh; contemporary fantasy/romance Heirs of Grace, about an art student who discovers a magical inheritance, and more). I'm also a longtime book reviewer, editor at SF/fantasy trade magazine Locus, and frequent award juror (Bradbury Prize, Philip K. Dick Award, and more), so... I think about SF/fantasy books a lot.
Gideon the Ninth lit up the sky of the science fiction/fantasy world when it was published, launching the Locked Tomb series (which is ongoing, and great; third volume Nona the Ninth is especially lovely).
It's been described as "lesbian necromancers in space" but it's more "lesbian necromancer and swordsperson on various weird planets in the far future with a god-emperor who uses death magic to fight planet-sized spectral monsters...." for a start.
The whole series is enigmatic, complex, and laced through with humor, action, and yearning, but the first book is notable for the power of Gideon's voice.
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
Ever since I was little, I’ve been fascinated with various historical societies, but particularly that of medieval Europe. The ebb and flow of political strife as well as the gradual creeping advancement of technology in an era too-often deemed “the Dark Ages” sparked a passion in me that led me to pursue a degree in history. Prior to my studies, I had the opportunity to travel to Norway, where my love for the medieval era was ignited as my family toured the dipping green fjords and walked the burial mounds of kings long past. I aim now to tell their stories.
Aside from the gripping descriptions of the medieval setting, what sets the Assassin’s Apprentice apart is the humanity of its characters. I always like to advocate for the realness of characters, even in plot-driven stories.
As a reader, I need to be able to connect with the humanity of the characters I encounter. This novel’s protagonist is a flawed and relatable hero whose struggles and triumphs feel truly real. Likewise, the supporting cast, from nobles to servants, are complex characters. This pleases me as a reader and inspires me as an author.
Voyager Classics - timeless masterworks of science fiction and fantasy.
A beautiful clothbound edition of Assassin's Apprentice, the first book in the critically acclaimed Farseer Trilogy.
In a faraway land where members of the royal family are named for the virtues they embody, one young boy will become a walking enigma.
Born on the wrong side of the sheets, Fitz, son of Chivalry Farseer, is a royal bastard cast out into the world, friendless and lonely. Only his magical link with animals - the old art known as the Wit - gives him solace and companionship. But the Wit, if…
As a fantasy writer, I love to play with possibilities and invent new words for our experiences. I find that humorous fantasy is especially powerful in this regard because it pairs possibilities with absurdity, coming at reality sideways or backwards, putting everyday life into a new and more interesting light. Humor has the unique ability to transcend genres, from thrillers to cozy mysteries. It helps you process difficult emotions, or lift your spirits when the world feels a little too dark. These are some of my favorites within this category, and they all happen to be the first books in a series (you’re welcome). I hope you enjoy them as much as I do!
This is possibly the best known book on my list, yet it took me a long time to discover it.
This is a thriller-style adventure that follows Nathaniel, a young magician’s apprentice on a quest for revenge, who summons Bartimaeus, an all-powerful djinni. Nathaniel (unwittingly) and Bartimaeus (unwillingly) get caught up in a tangled plot of magic-fueled mayhem in which they have to work together to survive.
Bartimaeus’ sarcastic observations and side tangents add an element of humor that keep it from staying dark and somber, while also highlighting the underlying threads of slavery and social injustice in this fantasy world.
The first volume in the brilliant, bestselling Bartimaeus sequence.
When the 5,000-year-old djinni Bartimaeus is summoned by Nathaniel, a young magician's apprentice, he expects to have to do nothing more taxing than a little levitation or a few simple illusions. But Nathaniel is a precocious talent and has something rather more dangerous in mind: revenge. Against his will, Bartimaeus is packed off to steal the powerful Amulet of Samarkand from Simon Lovelace, a master magician of unrivalled ruthlessness and ambition. Before long, both djinni and apprentice are caught up in a terrifying flood of magical intrigue, murder and rebellion.
I have always been fascinated by stories that use darkness in plot and character growth. As a former funeral director, I find stories with death—whether it’s the power of death, the death of a loved one, or something similar—to be really poignant. I always write books that embrace the darkness, and I love to see how characters come out on the other side. I hope you enjoy these books as much as I do!
Naomi Novak could write anything, and I would read it, but I am a sucker for dark academia.
Well, this one takes the cake with a school that is actively trying to kill the students. While this book is pretty dark in parts, it was the instances of light that really kept me reading the entire series.
There were many times I wasn’t sure where it would lead, but I was never disappointed by what I discovered.
Enter a school of magic unlike any you have ever encountered.
There are no teachers, no holidays, friendships are purely strategic, and the odds of survival are never equal. Once you're inside, there are only two ways out: you graduate or you die.
El Higgins is uniquely prepared for the school's many dangers. She may be without allies, but she possesses a dark power strong enough to level mountains and wipe out untold millions - never mind easily destroy the countless monsters that prowl the school.
Except, she might accidentally kill all the other students, too. So El is trying…
I’ve always been a big fan of sci-fi and fantasy, especially anything involving superheroes or D&D-style adventure. For the longest time, I had to find queer representation through subtle glances and creative readings of characters. I loved these stories for the sci-fi and fantasy elements, but it was frustrating that every love story that came up was straight. It didn’t feel possible for queer love to be a part of a plot, and even when there was a queer character it had a “very special episode” vibe to it. Finally, queer characters are becoming part of the story, and it doesn’t have to be a “big deal.”
It took me months to pick up Carry On after it initially caught my eye on the bookshelf. It was everything I could have wanted.
It is a less problematic Harry Potter, if Harry and Draco ended up getting together. It shows a really authentic representation of unrequited queer love and recognizing one’s own queer identity. It is character-driven, but also full of fun magic adventure. I love a book that knows how to give you exactly what you want.
#1 New York Times best seller! Booklist Editors’ Choice 2015 - Youth! Named a "Best Book of 2015" by Time Magazine, School Library Journal, Barnes & Noble, NPR, PopSugar, The Millions, and The News & Observer!
Simon Snow is the worst Chosen One who's ever been chosen.
That's what his roommate, Baz, says. And Baz might be evil and a vampire and a complete git, but he's probably right.
Half the time, Simon can't even make his wand work, and the other half, he starts something on fire. His mentor's avoiding him, his girlfriend broke up with him, and there's…
I’m not sure where my love of thrillers in dark settings originated. I’ve always loved mysteries – starting out with Nancy Drew as a kid and then graduating to more mature material as I got older – and a setting that feels like a character in itself is fascinating to me. My love of the dark, moody element has developed as I’ve gotten older – I spent my twenties reading a lot of chick lit and upbeat fiction, but something has shifted in the last decade or so that caused me to embrace the darkness a bit more.
Ninth House is a bit of a departure from my normal choice of genre. This is a fantasy novel, but it takes place at Yale.
Focusing on the well-known “secret” societies that have been an institution at Yale for generations, Bardugo asks the question, what if there was more to these groups than just influence? What if they actually trafficked in black magic? Narrated by Galaxy (Alex) Stern, we see the school through the eyes of an outsider - Alex, a high school dropout, who was recruited by Yale because she has a very special gift.
The way Bardugo writes, you can feel the cold, gray winter of New Haven as though you are living it. No spoilers, but if you haven’t read this novel because it falls into the fantasy genre, read it immediately.
*The adult debut from the author of SHADOW AND BONE - now a Netflix Original series!*
The instant SUNDAY TIMES and NEW YORK TIMES bestseller that Stephen King calls 'Impossible to put down'.
Galaxy 'Alex' Stern is the most unlikely member of Yale's freshman class. A dropout and the sole survivor of a horrific, unsolved crime, Alex was hoping for a fresh start. But a free ride to one of the world's most prestigious universities was bound to come with a catch.
Alex has been tasked with monitoring the mysterious activities of Yale's secret societies - well-known haunts of the…
I was an avid reader as a child. Then I became a teenager and started hating it! Why? Because the teachers at school started pushing classical literature on me. I didn’t read for years until a friend introduced me to fantasy. I fell in love and haven’t looked back. I love commercial fantasy fiction that has lots of action, where the writer focuses less on elegant prose and more on plot and characters. I aim to write the kind of books that readers get addicted to, where they can disappear into another world and forget they are reading – the kind of books I love to read!
The main thing I loved was Leigh Bardugo’s writing. She has a way of being elegant yet succinct with her writing which makes it easier for me to get lost in the intricate world she creates. And what a world she creates!
I fell in love with all the characters in this book. They had deep flaws and the vulnerability made me love them so much – it made them so real. There’s a powerful female lead in Nina, a passionate, voluptuous grisha (type of witch) who loves food, making her immediately relatable. The plot had me hooked and I didn’t want the book to end.
*See the Grishaverse come to life on screen with Shadow and Bone, now a Netflix original series.*
Nominated for the CILIP Carnegie Medal 2017, this fantasy epic from the No. 1 NEW YORK TIMES bestselling author of the Grisha trilogy is gripping, sweeping and memorable - perfect for fans of George R. R. Martin, Laini Taylor and Kristin Cashore.
Criminal prodigy Kaz Brekker is offered a chance at a deadly heist that could make him rich beyond his wildest dreams - but he can't pull it off alone.
A convict with a thirst for revenge. A sharpshooter who can't walk…
On the surface, my childhood was characterized by 1980s unsupervised country freedom in rural Alberta. Deeper in, my history involved emotional abuse and neglect. I wanted nothing more than to be seen and loved for my true self. The library was a refuge, but the fiction section allowed me to find the community I so greatly desired. I was seen and loved by the characters I read. They showed me it was possible to be myself–loudly and audaciously–and still be accepted. I read and now write books that delve into themes of identity, autonomy, and acceptance because I still struggle with these themes today.
I believe you can choose to be kick-ass. Delilah “Lila” Bard eventually chooses to be kick-ass. Eventually, on the surface, this book is about Kell. But Lila has the true character arc. I love that Lila walks the edge: hero or anti-hero?
My own life has been defined by the choices I make. I wasn’t given a lot of opportunities. I didn’t have a lot of luck. I had to make my own luck. Lila makes her own ‘luck’. She turns surviving into an opportunity to thrive because of the choices she makes. She screws up several times, risking her life and others. Even at the end, I’m not sure if she’s a hero. She’s real and attempting to evolve out of a dim past into a bright future in her own unique way. I relate to that.
A stunning collector's edition of the acclaimed novel from the #1 New York Times bestselling author V.E. Schwab.
With an exclusive metallic ink cover, this edition will feature:
* End papers of London * Fan art * A glossary of Arnesian and Antari terms * An interview between author and editor * Original (never before seen!) tales from within the Shades of Magic world
Kell is one of the last Antari-magicians with a rare, coveted ability to travel between parallel Londons. There is Red London, where life and magic are revered, Grey London, without magic and ruled by mad King…
I get bored easily when I read a book where I can predict the plot. The two things that really set apart the original stories are world development and character complexity. You need a strong character, filled with their own eccentricities, flaws, and virtues. And you need an interesting, well-developed world in which your character can live. If you do these two things well, the story easily writes itself. If you can discover how the character thinks, acts and interacts in their world, how they seek to solve their problems and fix their flaws—that’s what makes a story worth telling…and for me, that’s the story I want to write.
This book draws you into its own, unique world right from the first page. You immediately meet the main character in unusual circumstances—not where you might expect a protagonist to be found. Yet the author does a wonderful job of slowly showing you past events that brought the character to this place, and you find yourself hoping she will find a happy ending. I love the way the author draws you into the story so that you feel like you are experiencing what the main character feels.
In the territory of Ixia the government maintains control through the Code of Behaviour, forbidding the practice of magic, but danger lurks in mysterious places...
Imprisoned for murder Yelena Zaltana's punishment is death, until she is reprieved - for a price.
As the Commander of Ixia's food taster she will risk assassination from poison daily, a position she would be a fool to refuse... In a world where magic equals death and freedom is for the lucky few, survival is all Yelena has and the battle for her life has just begun.
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