Fans pick 100 books like Enslaved by Ducks

I’ve been in love with animals my whole life. I loved them so much in fact, that I wished to become one, whether it was a sea otter, wild horse, or a dolphin. Today, I’m fortunate enough to not only write about animals, but I also advocate for their protection as an ambassador for Wild Tomorrow and Defenders of Wildlife. As co-founder of the Children’s Book Creators for Conservation, I help other children’s book writers and illustrators connect with conservation stories in the field. I hope you’re as inspired by these books as I am!

Who indeed? I ask myself that question often. Metaphysical issues aside, I guess you could say I’m a jack-of-many-trades in the writing department. I’ve been known to author stage plays (The Potman Spoke Sooth), write and direct feature films (Night Visitors, The Road to Flin Flon), compile and edit baseball anthologies (The Cubs Reader, A Blue Jays Companion), and do a bunch of contract writing and editing for a variety of publishers. And oh, yes: I wrote a middle-grade novel, Raising Rufus, about a boy who discovers his inner hero while raising...well, a very unusual pet.

I got my start in paranormal investigation when it was a popular fad around 2000 and joined a ghost-hunting group. I became obsessed with the history behind hauntings and why ghost stories and legends persist over time. This love of the ghostly combined with my love of books and literature led me down the path of writing. I enjoy sharing strange and spooky history because it puts people in touch with their state's history in a fun and interesting way. So many people think history is boring facts and dates, but share a ghost story or a true crime mystery, and you have people’s attention. When that story happened close to home? Even better!

Fresh out of journalism school I stumbled on a strike at a machine shop in Pilsen, a neighborhood once home to Chicago’s most famous labor struggles, by then becoming a hip gentrified enclave. Drinking steaming atole with Polish, Mexican, and Puerto Rican workers in a frigid Chicago winter, I was captivated by the solidarity and determination to fight for their jobs and rights, in what appeared to be a losing battle. After covering labor struggles by Puerto Rican teachers, Mexican miners, Colombian bottlers, Chicago warehouse workers, and many others, my enthusiasm for such stories is constantly reignited -- by the workers fighting against all odds and the writers telling their stories, including those featured here.

I think about the positive identity development of Native youth all the time and not just because I am an educator and author. I love my Ojibwe language and culture, but I want to turn Native fiction on its head. We have so many stories about trauma and tragedy with characters who lament the culture that they were always denied. I want to show how vibrant and alive our culture still is. I want gripping stories where none of the Native characters are drug addicts, rapists, abused, or abusing others. I want to demonstrate the magnificence of our elders, the humor of our people, and the power of forgiveness and reconciliation.

I’ve devoured historical fiction ever since that first Johnny Tremain paperback, but I started writing historical fiction after a Master’s in International Economics helped me to better understand world events. What gives those historical events relevance today are the stories we tell about the negotiation of power. I am all for revisiting the power dynamic to win better quality of life for those most marginalized. I’ve been digging into labor history for my latest work in progress and it is fascinating and inspiring. I may write about 19th-century Scottish peasants and Chicago printers, but I also want today’s marginalized populations to see their struggles similarly celebrated.

I got my start in paranormal investigation when it was a popular fad around 2000 and joined a ghost-hunting group. I became obsessed with the history behind hauntings and why ghost stories and legends persist over time. This love of the ghostly combined with my love of books and literature led me down the path of writing. I enjoy sharing strange and spooky history because it puts people in touch with their state's history in a fun and interesting way. So many people think history is boring facts and dates, but share a ghost story or a true crime mystery, and you have people’s attention. When that story happened close to home? Even better!

Masuda Hajimu (family name Masuda) is a historian at the National University of Singapore. He specializes in the modern history of East Asia, the history of American foreign relations, and the social and global history of the Cold War, with particular attention toward ordinary people and their violence, as well as the recurrent rise of grassroots conservatism in the modern world. His most recent publications include: The Early Cold War: Studies of Cold War America in the 21st Century in A Companion to U.S. Foreign Relations; “The Social Experience of War and Occupation” in The Cambridge History of Japan (coming in 2022), among others. He has served as a residential fellow at the Woodrow Wilson International Center for Scholars (2017-18); Visiting Fellow at the University of Cambridge (2020); and Visiting Scholar at Waseda University (2020).

I grew up in New York City on the corner of 16th Street and 7th Avenue in an apartment on the 11th floor. I loved the city’s pace, diversity, and freedom. So, I decided to study New York Jews, to learn about them from not just from census records and institutional reports but also from interviews. After publishing my first book, I followed New York Jews as they moved to other cities, especially Miami and Los Angeles. Recently, I’ve been intrigued by what is often called street photography and the ways photographs let you see all sorts of details that potentially tell a story. 

Like many, I am a sucker for a Happy Ever After. I want to drift upon the clouds of peaceful surrender. But let's face it, we hurdle back to reality and face plant. And because of that, I write romance with the heartache of truth. I gravitate toward contemporary romance because of the tough topics characters face as they find love. I’ve written seven romance novels and one YA. I run three writing groups and work for Munchkin Lane developing/designing Early Childhood Readers. I have a master’s degree in creative writing with an emphasis in Young Adult and a bachelor's in creative writing.