Here are 94 books that The Women of the Copper Country fans have personally recommended if you like
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I love historical fiction, and with dual timelines, I often find myself identifying with a contemporary character who is trying to solve some mystery from the past. I wrote an article titled Five Questions to Ask Before Writing a Dual Timeline Novel, in which I addressed structure, how to relate the timelines to each other, and how to keep the reader engaged when going back and forth between time periods. I also wrote a blog post about how fitting the pieces together for this kind of work can be a bit like solving a jigsaw puzzle. Each of the novels I’ve recommended is an example of a satisfying final picture.
This is one of my favorite books of all time! Kadish adeptly intertwines the story of Ester in 1660s London with that of two modern academics, the soon-to-retire Helen and the grad student Aaron. As they research a treasure trove of papers they have received, they slowly learn of Ester’s astonishing story.
Academic success is not all that is at stake in the lives of Helen and Aaron, and we carefully follow their trials, too. Kadish wrote an article for the Paris Review in 2018 called “Writing the Lives of Forgotten Women,” which I often think of when creating my own characters.
WINNER OF A NATIONAL JEWISH BOOK AWARD A USA TODAY BESTSELLER "A gifted writer, astonishingly adept at nuance, narration, and the politics of passion."-Toni Morrison Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history. As the novel opens, Helen has been summoned by a former student to view a…
I’ve devoured historical fiction ever since that first Johnny Tremain paperback, but I started writing historical fiction after a Master’s in International Economics helped me to better understand world events. What gives those historical events relevance today are the stories we tell about the negotiation of power. I am all for revisiting the power dynamic to win better quality of life for those most marginalized. I’ve been digging into labor history for my latest work in progress and it is fascinating and inspiring. I may write about 19th-century Scottish peasants and Chicago printers, but I also want today’s marginalized populations to see their struggles similarly celebrated.
This is a historical mystery, but so much more than a whodunit. It’s fourth in the series, but can be read alone if you don’t mind spoiling the earlier books a bit. It’s a stand-out to me because it’s about raising one’s voice against inhumanity, even when it seems commonplace, or necessary.
Maisie is an intuitive detective and as such, has to fight against conventional police interference, client skepticism, and male smugness. But what she’s fighting for is the right outcome for everyone concerned, including the victim of the crime. This novel focuses on an artist ex-soldier of WWI who was using his voice to criticize the powers within government. I just love how Maisie deliberately wields her compassion in order to see the full picture of a case.
London, 1931. Nick Bassington-Hope, veteran of the Great War and controversial artist, is suddenly found dead. His death from a fall, the night before a much-anticipated exhibition of his work, is recorded as 'accidental'. But his sister is not convinced.
Despite overwhelming evidence to the contrary, Georgina Bassington-Hope believes her brother was murdered, and she turns to Maisie Dobbs for help. Maisie's investigation takes her from the desolate beaches of Kent to the dark underbelly of London's art world. Still fragile after her war-related breakdown, Maisie's immersion in her work could lead her to lose more than she bargained for,…
As a teenager, I began to question the myths my parents told about our family, but when saying so caused trouble, I confided my stories to paper instead. That’s how I became a writer. My first love has always been fiction, but I broke into print writing history—about quirky subjects in which I find deep meaning, like the potato’s revolutionary influence on the Western world, or how the invasion and occupation of Belgium in 1914 foretold Nazi Europe. My fascination with subversion shapes my novels too—my quiet, lonely protagonists would never storm the barricades yet appear radical because of how they live, a circumstance I know well.
I have a soft spot for characters who find strength by dint of superhuman effort, and the way this fifteen-year-old takes charge after the 1906 earthquake—haltingly, uncertainly, as is only plausible—makes me wish I’d met her.
Her path is steeper than the San Francisco hills, yet her refusal to ask for pity wins me over. I also admire how Edgarian uses her protagonist’s coming of age to represent San Francisco’s, a parallel delivered with a light touch.
But above all, the novel explores the fraught relation between women and power; and how Vera walks that tightrope makes compelling fiction.
New York Times bestselling author Carol Edgarian delivers “an all-encompassing and enthralling” (Oprah Daily) novel featuring an unforgettable heroine coming of age in the aftermath of catastrophe, and her quest for love and reinvention.
Meet Vera Johnson, fifteen-year-old illegitimate daughter of Rose, notorious proprietor of San Francisco’s most legendary bordello. Vera has grown up straddling two worlds—the madam’s alluring sphere, replete with tickets to the opera, surly henchmen, and scant morality, and the quiet domestic life of the family paid to raise her.
On the morning of the great quake, Vera’s worlds collide. As the city burns and looters vie…
I’ve devoured historical fiction ever since that first Johnny Tremain paperback, but I started writing historical fiction after a Master’s in International Economics helped me to better understand world events. What gives those historical events relevance today are the stories we tell about the negotiation of power. I am all for revisiting the power dynamic to win better quality of life for those most marginalized. I’ve been digging into labor history for my latest work in progress and it is fascinating and inspiring. I may write about 19th-century Scottish peasants and Chicago printers, but I also want today’s marginalized populations to see their struggles similarly celebrated.
Pre-revolution America is not usually my era for historical fiction but when I tell you that this novel grabs you with visceral detail, I mean it. Smells, textures, glares—everything is so vividly told! The resistance in this novel is really simple survival, as the whole New England village seems to have it in for our heroine Ruth. But she stubbornly holds out, trying to forge a path forward for herself. We get treated to some local politics, some ship lore, run-ins with Indigenous Nations (some good, some bad) and local brigands, and always anchored in Ruth’s evolving notions of right and wrong. The ending was also delicious. Think Last of the Mohicansmeets Cold Mountain, but with a surprise for our heroine.
Out Front the Following Sea is a historical epic of one woman’s survival in a time when the wilderness is still wild, heresy is publicly punishable, and being independent is worse than scorned—it is a death sentence. At the onset of King William’s War between French and English settlers in 1689 New England, Ruth Miner is accused of witchcraft for the murder of her parents and must flee the brutality of her town. She stows away on the ship of the only other person who knows her innocence: an audacious sailor—Owen—bound to her by years of attraction, friendship, and shared…
I got my start in paranormal investigation when it was a popular fad around 2000 and joined a ghost-hunting group. I became obsessed with the history behind hauntings and why ghost stories and legends persist over time. This love of the ghostly combined with my love of books and literature led me down the path of writing. I enjoy sharing strange and spooky history because it puts people in touch with their state's history in a fun and interesting way. So many people think history is boring facts and dates, but share a ghost story or a true crime mystery, and you have people’s attention. When that story happened close to home? Even better!
If you love the strange and unusual in Michigan, this book is a wonderful addition to your book self for all ages. Linda Godfrey delivers a lively and fun collection of ghosts, UFOs, monsters, and other oddities. Plus, many fellow Michiganders lent their own experiences and spooky encounters with the paranormal to the book making it much more personal than just a list of paranormal locations.
Is it weird that the Wolverine State may never have had any wolverines in it? We think so, and that suits us fine. The weirder the better, we say, and Michigan falls perfectly into that category. Oh, sure, big-time heroes like Charles Lindbergh and Madonna hail from here, and so does President Gerald Ford, but do they compare to superhero Captain Jackson, who strolls around town in a purple cape doing good deeds? Well, yes, maybe they do, but the captain, in our opinion, is more representative of our fine state. Because, let's face it, Michigan has a great big…
It is a truth almost universally accepted that historically women had no way to support themselves except marriage…but it’s not true! I’m all-in on Happily-Ever-After, of course, but I absolutely love it when a heroine is smart, sensible, and able to support herself on her own. When she falls for someone, it’s got to be for real because she’s not afraid to take charge of her own life and make her own way, despite whatever obstacles are thrown at her.
This is a real battle of wills, between Dr. Viveca Lancaster, newly licensed physician, and Nate Grayson, manager of a newly-founded Michigan town in desperate need of a doctor. He hires her, sight unseen, and when she shows up, he tries to fire her, because he doesn’t want a female doctor, but Viveca is not having that. She’s going to prove herself, as one of the first Black women doctors in 1870s America, and Nate falls for her as a brilliant doctor as much as he does for her as a woman. It’s impossible to go wrong with a Beverly Jenkins book, but this one is extra delicious.
It's 1876 and Dr. Viveca Lancaster is frustrated by the limits placed upon female physicians of color. When she is offered the chance to set up a practice in the small all Black community of Grayson Grove, Michigan she leaves her California home and heads east. The very determined Viveca is one of the few nineteenth century Black women to graduate from the prestigious Woman's Medical College of Pennsylvania, so she knows all about fighting for her rights. But she may need more than determination to face down the distractingly handsome Nate Grayson, the Grove's bull-headed mayor.
I'm a journalist and a historian who writes about how American evangelicals are complicated. I was trying to explain Left Behind in graduate school and I talked and talked about the theology in the book—all about the doctrines of the rapture, the antichrist, and the millennium. Then my professor said, “But it’s fiction, right? Why is it fiction? What are people doing when they read a novel instead, of say, a theological treatise?” I had no idea. But it seemed like a good question. That was the spark of Reading Evangelicals. But first, I had to read everything I could find about how readers read and what happens when they do.
The most common kind of book club in America is a Bible study. And while lots and lots of people have opinions about how you should read the Bible, or who is doing it wrong, no one delves into how real readers read the sacred text like James Bielo.
An ethnographer who is interested in American religion, Bielo is a careful and kind observer, who does everything he can to understand what people are doing when they read the Bible together. He takes you with him and you’ll see the world differently because he did.
Evangelical Bible study groups are the most prolific type of small group in American society, with more than 30 million Protestants gathering every week for this distinct purpose, meeting in homes, churches, coffee shops, restaurants, and other public and private venues across the country. What happens in these groups? How do they help shape the contours of American Evangelical life? While more public forms of political activism have captured popular and scholarly imaginations, it is in group Bible study that Evangelicals reflect on the details of their faith. Here they become self-conscious religious subjects, sharing the intimate details of life,…
As a journalist, author and screenwriter, my work has always pondered loss and grief. I think this has something to do with the fact that of my mother’s religion; she was a convert to Hinduism and started conversations about the inevitability of death and how the soul and the body aren’t the same when us children were at a very young age. It probably also has something to do with the constant presence of death within my family and communities as a Black and queer person in a violently anti-Black and queerantagonistic world. I currently volunteer at a hospice, and provide community-building programming to death workers from diverse communities.
This list could be full of Toni Morrison novels and be no worse for it.
I’d argue that the late writer is the finest we’ve ever had on the topics of grief, loss, and ancestry—especially from the Black American perspective. One of my favorite examples is Song of Solomon, a mesmerizing journey through what it takes to craft an identity in the midst of racism and the ruptures it creates in our lives.
Morrison's singular prose is pure magic as it weaves a tale of the enduring power of love. A literary masterpiece.
'Song of Solomon...profoundly changed my life' Marlon James
Macon 'Milkman' Dead was born shortly after a neighbourhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly.
In 1930s America Macon learns about the tyranny of white society from his friend Guitar, though he is more concerned with escaping the familial tyranny of his own father. So while Guitar joins a terrorist group Macon goes home to the South, lured by tales of buried family treasure. But his odyssey back home and a deadly confrontation…
I am a lifelong fan of cozy mysteries, starting with Nancy Drew. Although I have written primarily about women of the 19th-century American West, I always longed to write mysteries. The Irene in Chicago Culinary Mysteries is my fourth series but the first outrageous one. The books combine my love of all things culinary (I’ve even written cookbooks) and my love of Chicago, my hometown. What makes them outrageous? Irene’s diva-like deceptions and Henny’s snarky commentary.
Social media expert Maddy Montgomery, left standing at the altar, is #StartingOver in small-town Michigan after inheriting her great-aunt’s bakery and a 200-pound English Mastiff named Baby. Her plan to sell the bakery and go back to her sophisticated life is spoiled by a restriction in the will requiring her to spend a year in New Bison. Maddy doesn’t bake, and her Louboutins aren’t made for walking giant dogs, but the locals are friendly, and Lake Michigan is beautiful. Maddy feels ready to take on the challenge—until New Bison’s mayor is fatally stabbed, and her fingerprints are on the knife. When there’s another murder, she even begins to suspect the one person she has trusted. Maddy’s snarky dialog and clever use of hashtags, along with the irresistible Baby, make this a stand-out.
“Snappy dialogue, a well-drawn supporting cast and an irresistible canine companion all add delicious flavor. Gulp this book down or savor it, but consuming it will guarantee a sustained sugar high.”– The New York Times Book Review
In a brand-new culinary cozy series with a fresh edge and a delightful small-town setting, the acclaimed author introduces Maddy Montgomery, a social media expert who’s #StartingOver in small town Michigan after inheriting her great-aunt’s bakery…and a 200-pound English Mastiff named Baby.
A CrimeReads Most Anticipated Book Of 2022
When Maddy Montgomery’s groom is a no-show to their livestream wedding, it’s a disaster…
My author friend, Mary, brought her great, great, great + grandfather’s journal to our writers' group and shared excerpts from the pages written in the 1800s. When her grandfather was window shopping in downtown London, he peered into the bookstore window. He yearned to own the books on display, but he couldn’t afford them on a minister’s income. Only the rich could purchase books. The journal excerpts brought the 1800s to life. I decided then to begin recording my life experiences to make our lives today real for the generations of tomorrow. I share my enthusiasm for telling life stories by presenting workshops on how to write life stories.
When my friend recommended Bootstrapper, I wanted to read it because the author’s life paralleled the struggles my daughter experienced with the mean divorce from her husband. Divorce can bring you to your knees or build your strength and character. Divorce developed strength in my daughter and in Mardi. Mardi found a way to save her farm, deal with her young sons and begin a new chapter in her life filled with love and meaning. I recommend this feel-good story to inspire hope when one is completely lost.
Poignant, irreverent, and hilarious: a memoir about survival and self-discovery, by an indomitable woman who never loses sight of what matters most.
It’s the summer of 2005, and Mardi Jo Link’s dream of living the simple life has unraveled into debt, heartbreak, and perpetually ragged cuticles. She and her husband of nineteen years have just called it quits, leaving her with serious cash-flow problems and a looming divorce. More broke than ever, Link makes a seemingly impossible resolution: to hang on to her century-old farmhouse in northern Michigan and continue to raise her three boys on well water and wood…
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