Here are 100 books that Words Upon the Word fans have personally recommended if you like
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I'm a journalist and a historian who writes about how American evangelicals are complicated. I was trying to explain Left Behind in graduate school and I talked and talked about the theology in the book—all about the doctrines of the rapture, the antichrist, and the millennium. Then my professor said, “But it’s fiction, right? Why is it fiction? What are people doing when they read a novel instead, of say, a theological treatise?” I had no idea. But it seemed like a good question. That was the spark of Reading Evangelicals. But first, I had to read everything I could find about how readers read and what happens when they do.
Denning is a master. He mixes literary analysis, historical sleuthing, and some smart ideological excavation to see how dime novels—treated like trash by most scholars—were used by working men and women in 19th century America. They were creating a culture and their reading did all the things that culture does: helped them make sense of the world, gave them a place to pay with ideas, and invent myths and narratives for orientation. All while middle-class scolds told them they were reading “wrong.”
If you’ve ever loved a book that wasn’t good for you, or wanted to seriously think about something that wasn’t “serious,” this book is for you.
Mechanic Accents is a widely acclaimed study of American popular fiction and working-class culture. Combining Marxist literary theory with American labor history, Michael Denning explores what happened when, in the nineteenth century, working people began to read cheap novels and the ""fiction question"" became a class question. In a new afterword, Denning locates his study within the context of current debates on class and cultural studies.
I was living one of the darkest periods of my life when a friend took me to a Louise Bourgeois show. I wandered among her pieces feeling numb. Then I entered a large room filled with Passage Dangereux from 1997. A most depressing art piece that put me into contact with the restrictions in a family, the limitations we set for each other, and the unhappiness everywhere. When I left the room, I felt a lift in my spirits. I’m a writer to try to put more precise words to what goes on inside ourselves when we are alone and when we fall in love and enter into a relationship with another person.
A man I was working with recommended this book to me, when he heard about my novel, while it was in the making. I got hold of this book and already after the first chapter I understood why. Janice Radway investigates how Harlequin novels have such a large audience. In essence it is because romance novels always end well, as opposed to life, that keeps being complicated. It taught me that I’m a very romantic person. This was something I had never regarded as a positive trait so of course I failed to see just how important romance was and is to me. By identifying with millions of women who read these romance novels, I gained a respect that I still feel is lacking in our culture: A respect for our emotions and the big role they play in our sense of satisfaction with life.
Originally published in 1984, Reading the Romance challenges popular (and often demeaning) myths about why romantic fiction, one of publishing's most lucrative categories, captivates millions of women readers. Among those who have disparaged romance reading are feminists, literary critics, and theorists of mass culture. They claim that romances enforce the woman reader's dependence on men and acceptance of the repressive ideology purveyed by popular culture. Radway questions such claims, arguing that critical attention ""must shift from the text itself, taken in isolation, to the complex social event of reading."" She examines that event, from the complicated business of publishing and…
I'm a journalist and a historian who writes about how American evangelicals are complicated. I was trying to explain Left Behind in graduate school and I talked and talked about the theology in the book—all about the doctrines of the rapture, the antichrist, and the millennium. Then my professor said, “But it’s fiction, right? Why is it fiction? What are people doing when they read a novel instead, of say, a theological treatise?” I had no idea. But it seemed like a good question. That was the spark of Reading Evangelicals. But first, I had to read everything I could find about how readers read and what happens when they do.
Wolfgang Iser isn’t for the faint of heart. You don’t read him as much as wrestle. But in this work, the German theorist teaches you to watch for the ghost of the reader who haunts fiction, the one who isn’t quite there, but always right next to you, implied by the text as the intended audience, the ideal reader (who isn’t quite you).
He’s German and this is literary theory, so put away your phone, but if you can wrestle with Iser it will change forever how you read anything.
Like no other art form, the novel confronts its readers with circumstances arising from their own environment of social and historical norms and stimulates them to assess and criticize their surroundings. By analyzing major works of English fiction ranging from Bunyan, Fielding, Scott, and Thackeray to Joyce and Beckett, renowned critic Wolfgang Iser here provides a framework for a theory of such literary effects and aesthetic responses. Iser's focus is on the theme of discovery, whereby the reader is given the chance to recognize the deficiencies of his own existence and the suggested solutions to counterbalance them. The content and…
I'm a journalist and a historian who writes about how American evangelicals are complicated. I was trying to explain Left Behind in graduate school and I talked and talked about the theology in the book—all about the doctrines of the rapture, the antichrist, and the millennium. Then my professor said, “But it’s fiction, right? Why is it fiction? What are people doing when they read a novel instead, of say, a theological treatise?” I had no idea. But it seemed like a good question. That was the spark of Reading Evangelicals. But first, I had to read everything I could find about how readers read and what happens when they do.
I’m cheating a little here, but I made the rules and there’s a little clause in the rules I made that says I can break them as long as I announce that I am breaking them. Herewith, I announce.
This isn’t a book about readers. It’s a book about watchers—specifically the Dutch audience for the soap opera Dallas. But this book is so good and so wild, it changed forever the way I think about “reception,” including reading. I recommend this book all the time and if you want to understand the freedom and creativity of readers, you have to read it.
Dallas, one of the great internationally-screened soap operas, offers us first and foremost entertainment. But what is it about Dallas that makes that entertainment so successful, and how exactly is its entertainment constructed?
Growing up in a post-industrial city that bore the scars of urban renewal, I developed an early fascination with historic preservation. I began my studies as an architecture major; by my second year, I switched to American history because my passion lay in studying and understanding existing buildings and landscapes. Preserved is the product of inspiration that hit me when I spotted a beautifully preserved funeral home. Most of the neighborhood’s nineteenth-century refined residential fabric had been erased, but the grand Italianate mansion served as a reminder of what the area was like at the start of the twentieth century. At that moment, I realized that this was a story worth telling.
This was a bittersweet read for me. I grew up in Lynn, Massachusetts, a post-industrial city that was a shadow of the bustling place it was when my parents were growing up there in the 1940s and 50s. Young’s recounting of his return to the city of his childhood, Flint, Michigan, speaks to all of us who long not just for the places that we think we know but for those places that had already ceased to exist before we were born.
At the same time, Young’s poetic exploration of place, tinged with nostalgia, teaches us that even the cities and towns hardest hit by the unforgiving forces of globalization and corporate capitalism and haunted by ghosts of past prosperity can be fertile with new possibilities and new stories.
After living in San Francisco for fifteen years, journalist Gordon Young found himself yearning for his Rust Belt hometown: Flint, Michigan, the birthplace of General Motors and the "star" of the Michael Moore documentary Roger & Me. Hoping to rediscover and help a place that had once boasted one of the world's highest per capita income levels but had become one of the country's most impoverished and dangerous cities, he returned to Flint with the intention of buying a house. What he found was a place of stark contrasts and dramatic stories, where an exotic dancer could afford a lavish…
I got my start in paranormal investigation when it was a popular fad around 2000 and joined a ghost-hunting group. I became obsessed with the history behind hauntings and why ghost stories and legends persist over time. This love of the ghostly combined with my love of books and literature led me down the path of writing. I enjoy sharing strange and spooky history because it puts people in touch with their state's history in a fun and interesting way. So many people think history is boring facts and dates, but share a ghost story or a true crime mystery, and you have people’s attention. When that story happened close to home? Even better!
A haunted capital building, spooky cemeteries, the infamous Legend of Seven Gables Road, true crime, and more are all featured in this excellent book on ghosts and haunted places around our state capital and surrounding cities and towns. Carpenter has a very entertaining style of writing that makes this book hard to put down.
A tour guide for Demented Mitten Tours shares chilling supernatural tales from the history of Michigan’s capital.
Hastily dubbed the new capital in 1847, Lansing overcame derision and setbacks to become a booming metropolis. Yet its rich history hides chilling legends…
Bertie Clippinger plays tricks on the unwary at the Capitol Building, where the teen accidentally fell to his death when a game went horribly wrong. One of Lansing's founding families keeps a spectral vigil over its homestead, the Turner Dodge House. Malevolent spirits stalk the derelict Michigan School for the Blind. A witch's vengeful curse follows those who trespass…
I’m a nerd by temperament (raised by a psychologist and a librarian, what else could I be?) and by profession (decades working as a U.S. diplomat and an academic administrator honed my people-watching faculties to a fine edge). So, of course, I’ve always been drawn to my opposite: that cynical loner whose pursuit of justice requires hard fists and a bent moral compass. Private eye mysteries are my perfect place. In them, I can exercise my passion for intellectual puzzles and my love for thrilling action. I enjoy the combination of social commentary and sheer entertainment I find when I dive into reading (or writing) a private eye mystery.
Ex-cop August Snow scrabbles through the rubble of his beloved Detroit to solve a twisted murder case no one wants him to pursue. Snow is everything I like in my PIs: witty, empathetic, combat-ready, and damaged by life’s cruel blows. The action is extremely gritty, the social commentary dark and biting. The flavorful descriptions of Snow’s Mexicantown neighborhood and its contrast with the snooty suburbs tugged at my Midwestern heart.
From the wealthy suburbs to the remains of Detroit’s bankrupt factory districts, August Snow is a fast-paced tale of murder, greed, sex, economic cyber-terrorism, race and urban decay.
Tough, smart, and struggling to stay alive, August Snow is the embodiment of Detroit. The son of an African-American father and a Mexican-American mother, August grew up in the city’s Mexicantown and joined the police force only to be drummed out by a conspiracy of corrupt cops and politicians. But August fought back; he took on the city and got himself a $12…
As a writer of Psychological Horror who specializes in stories about serial killers, the first-person serial killer narrative stands out as a fascinating vehicle to explore the psyche of real human ‘monsters.’ Which is precisely what I did, using books from this list as subject material for my Master’s thesis. The research also informed Blood Related, my debut novel, a first-person serial killer narrative and the most controversial book I’ve written so far. Perhaps, gaining insight from fictional serial killers would be a failed enterprise if life didn’t imitate art, but the fact is that these types of narratives are mostly informed by their real-life counterparts. Be warned – read at your own discretion.
Zombie by Joyce Carol Oates is a disturbing look into the mind of a serial killer. Loosely based on serial killer Jeffrey Dahmer's notorious life and murders, Quentin P. is a young man struggling to come to terms with his disintegrating mental state as he succumbs to his urges and a psychopathic blood-lust. I recommend this book not because it is one of Oates's best books, but because it is one of her most interesting in the way it manages to capture such a realistic portrayal of the workings of a psychopathic mind. Unique, disturbing and thought-provoking, and well worth a read if you like SK novels.
Zombie is a classic novel of dark obsession from the extraordinary Joyce Carol Oates. A brilliant, unflinching journey into the mind of a serial killer, Zombie views the world through the eyes of Quentin P., newly paroled sex offender, as he chillingly evolves from rapist to mass murderer. Joyce Carol Oates—the prolific author of so many extraordinary bestsellers, including The Gravediggers Daughter, Blonde, and The Falls—demonstrates why she ranks among America’s most respected and accomplished literary artists with this provocative, breathtaking, and disturbing masterwork.
I got my start in paranormal investigation when it was a popular fad around 2000 and joined a ghost-hunting group. I became obsessed with the history behind hauntings and why ghost stories and legends persist over time. This love of the ghostly combined with my love of books and literature led me down the path of writing. I enjoy sharing strange and spooky history because it puts people in touch with their state's history in a fun and interesting way. So many people think history is boring facts and dates, but share a ghost story or a true crime mystery, and you have people’s attention. When that story happened close to home? Even better!
If you love the strange and unusual in Michigan, this book is a wonderful addition to your book self for all ages. Linda Godfrey delivers a lively and fun collection of ghosts, UFOs, monsters, and other oddities. Plus, many fellow Michiganders lent their own experiences and spooky encounters with the paranormal to the book making it much more personal than just a list of paranormal locations.
Is it weird that the Wolverine State may never have had any wolverines in it? We think so, and that suits us fine. The weirder the better, we say, and Michigan falls perfectly into that category. Oh, sure, big-time heroes like Charles Lindbergh and Madonna hail from here, and so does President Gerald Ford, but do they compare to superhero Captain Jackson, who strolls around town in a purple cape doing good deeds? Well, yes, maybe they do, but the captain, in our opinion, is more representative of our fine state. Because, let's face it, Michigan has a great big…
Few things bother me more than the negative stereotypes that portray Detroit as a deserted city in ruins - a crime-infested, neglected place where residents don’t care about their connections to the city’s history or its future. Detroit is a proud, living city. As a historical archaeologist at Wayne State University, I’ve been on the front lines of leading community-based archaeology projects in Detroit for the past decade. These projects involve advocacy for more inclusive historic preservation efforts, youth training initiatives, collaborative exhibits, and lots of interactions with the media and public. I view historical archaeology as a tool for serving local community interests, unearthing underrepresented histories, and addressing the legacies of social justice issues.
If one were to travel in a time machine back to the early 1700s, to the French colony of Detroit, they’d arrive at a village inhabited by mixed French-indigenous families, where women were power-brokers and family ties were the basis for structuring business relationships. The village would be totally unrecognizable to those of us who have been taught to envision French colonial Detroit as a male-dominated outpost, where European soldiers and fur traders operated in the service of the Crown. Historian Karen Marrero digs deep into the archives to assemble an account that completely reorients our understandings of the cultural landscape and gender dynamics of early Detroit.
Drawing on a vast array of sources – from colonial records and oral histories to songs and indigenous stories – Detroit’s Hidden Channels is a remarkably inclusive history thatunearths the enduring role French women and indigenous people played in the city’s development,…
French-Indigenous families were a central force in shaping Detroit's history. Detroit's Hidden Channels examines the role of these kinship networks in Detroit's development as a site of singular political and economic importance in the continental interior.
Situated where Anishinaabe, Wendat, Myaamia, and later French communities were established and where the system of waterways linking the Atlantic Ocean to the Gulf of Mexico narrowed, Detroit's location was its primary attribute. While the French state viewed Detroit as a decaying site of illegal activities, the influence of the French-Indigenous networks grew as members diverted imperial resources to bolster an alternative configuration of…
