100 books like Devil at My Heels

When I was six years old, my Dutch relatives visited. Stories swirled about their bravery in getting secrets from the Germans and sharing the intel with the Allies, about their privation during the hunger winter, and their work hiding their Jewish countrymen. I studied abroad in 1977-1978 and took the opportunity to visit my Dutch relatives. They told me more stories of their resistance work, their escapades, and, most importantly, their “why” during my time with them. Such stories don’t leave you–ever. They percolated in my head for years until a voice came to me, Rika’s voice, and I began to write. Sixty Blades of Grass is the result.

I'm a huge self-proclaimed history dork. I love reading real stories of how God uses the ones that no one would expect in extraordinary ways. I love hearing how God turns horrible situations around. Even in my own manuscripts, from a historical fiction perspective, I love to immerse it in such truth that you think, “That couldn’t really happen... Could it?” I have an ongoing phrase in ministry and life that you need to take “The poo you walk through and let God turn it into fertilizer.” These book recommendations definitely do that. Bad things do happen. They don’t come from God but through Him we can overcome them.

I'm a huge self-proclaimed history dork. I love reading real stories of how God uses the ones that no one would expect in extraordinary ways. I love hearing how God turns horrible situations around. Even in my own manuscripts, from a historical fiction perspective, I love to immerse it in such truth that you think, “That couldn’t really happen... Could it?” I have an ongoing phrase in ministry and life that you need to take “The poo you walk through and let God turn it into fertilizer.” These book recommendations definitely do that. Bad things do happen. They don’t come from God but through Him we can overcome them.

I'm a huge self-proclaimed history dork. I love reading real stories of how God uses the ones that no one would expect in extraordinary ways. I love hearing how God turns horrible situations around. Even in my own manuscripts, from a historical fiction perspective, I love to immerse it in such truth that you think, “That couldn’t really happen... Could it?” I have an ongoing phrase in ministry and life that you need to take “The poo you walk through and let God turn it into fertilizer.” These book recommendations definitely do that. Bad things do happen. They don’t come from God but through Him we can overcome them.

I grew up watching the best horror movies of the 80s. My parents put me to bed watching Nightmare on Elm Street and this harbored my passion for a truly scary bedtime story. Zombies became my focus when I was trying to decide what road to take with my own writing. There’s something familiar about them, since they were once humans, but also terrifying. They don’t need to eat or sleep, they never stop, and they’ll just keep coming no matter how much you fight them off. I spent my twenties devouring every zombie book and movie I could and now I'm privileged to be a part of this classic horror genre.

I was born in the world’s most isolated capital city – Perth, Western Australia. Ever since my family packed up and drove across the vast Nullarbor Plain to relocate to South Australia, I’ve been fascinated by our eerie, wide-open spaces. There’s no doubt that family folklore fed into this. My Finnish mother arrived as a ten-year-old, recalling that when she first felt the heat, she thought: “This is hell.” My father and his family arrived from the Netherlands. I love my country, but this continent presents dangers in its arid isolation – all captivating to a storyteller.

Like most people, I started to think about the end of the world during the COVID-19 pandemic. Instead of learning how to bake sourdough bread, I read stories and made art about the apocalypse. The true and catastrophic experiences of people throughout history interested me so much that the project turned into a book. My background in printmaking and illustration has formed my approach to visualizing narrative scenes using crisp black and white linocut prints. My current position as a studio art professor has given me practice in providing information concisely. I try to entertain as much as inform. 

No matter the genre, I have always loved surprises in a story. I want characters to do the unexpected and plots to take me to, “Oh, I didn’t see that one coming.” Because that’s how life is, how my own life has been. Due to connections we didn’t understand and secrets people around us have kept (or we didn’t bother to uncover) the unexpected always jumps out in front of us. I also like characters who are either discovering or re-focusing their power in ways that are beneficial to themselves and others. Again, this has been my life’s story and I want my characters to search for that same balance.

I worked as an industrial electrician for over two decades. At one point during a meeting to discuss an upcoming project, a question was posed about the delivery time of a specific piece of equipment. When the answer was given that it would be about a year away, it got me thinking: what if a specialized piece of equipment—critical to the grid and with an equally long lead time—was destroyed, how would the grid survive? More importantly; how would we survive? That single statement was the spark that ignited the fire in me to learn all about the grid, and to write Dark State.   

When I was eleven, I picked up a book about a girl and a boy who get lost on a backpacking trip in the Sierra Nevada. It’s the first book I can remember reading over and over and over again. I wanted to be in that tent and in that forest figuring out how to survive. Since then, I’ve been hooked on books about people facing grueling physical challenges, surviving in the wilderness, and finding out what they’re made of. They’re urgent and compelling and the stakes are high, and I’ll never stop loving the thrill of reading about people being pushed to their physical and mental limits.