Here are 100 books that Eve fans have personally recommended if you like
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I write science fiction mostly. I’ve recently turned my attention to history. The shared interest is in the changing ground of human interaction. In a way, we are all aliens to each other (which is one of the chief fascinations with fiction to begin with, the psychologies involved). After 30-plus years as a writer, I am more and more drawn to work that reveals the differences and the similarities. Unique contexts throws all this into stark relief.
An elegant mystery set in a near-to-partly-cloudy future. In the wake of some sort of apocalypse, communities have rebuilt.
In the Coast Road region, a sustainable civilization based on careful attention to quotas and mutual regard would seem an idyll of peaceful coexistence.
And yet. Enid is an investigator, called upon at times of uncomfortable questions.
She and her partner are called to look into a suspicious death. The buried realities encountered reveal a less-than-ideal picture of communities coping with things that do not fit with their presumptions.
A quiet mystery built atop a fascinating portrait of What Comes Next. I was drawn to the characters, the situation, but most especially the questions hovering just outside the confines of the story.
A mysterious murder in a dystopian future leads a novice investigator to question what she’s learned about the foundation of her population-controlled society
Decades after economic and environmental collapse destroys much of civilization in the United States, the Coast Road region isn’t just surviving but thriving by some accounts, building something new on the ruins of what came before. A culture of population control has developed in which people, organized into households, must earn the children they bear by proving they can take care of them and are awarded symbolic banners to demonstrate…
I’m drawn to stories of women whose journeys shed light on human nature. These women are often found in cautionary tales within dystopian and historical fiction. Their stories not only remind us of the past but also hint at possibilities—different versions of the future. To capture this truth, I wrote a novel that delicately blends the past with the near future.
I’ll read anything with motherhood as an overarching theme.
Set in a near-future America, this novel explores the lives of women dealing with the consequences of legislation restricting reproductive rights. Multiple narrative threads and alternating perspectives offer a complex and interconnected look at the lives of its characters.
SHORTLISTED FOR THE INAUGURAL ORWELL PRIZE FOR POLITICAL FICTION
'Intense, beautifully crafted . . . Her talent is electric. Get ready for a shock' Guardian
FIVE WOMEN. ONE QUESTION: What is a woman for?
In this ferociously imaginative novel, abortion is once again illegal in America, in-vitro fertilization is banned, and the Personhood Amendment grants rights of life, liberty, and property to every embryo. In a small Oregon fishing town, five very different women navigate these new barriers.
Ro, a single high-school teacher, is trying to have a baby on her own, while also writing a biography of Eivor, a…
I’m a science fiction writer who loves my chosen genre for the promises it makes for the worlds that we can have—and the warnings that it offers for the worlds that might be ours if we don’t take care. I’ve picked books for people who like their thinking to be challenged, and who also long for the world to be a much better place. These are the kinds of books I love to read—and the kinds of books I try to write.
Earth has suffered devastating environmental collapse and is now a world of jungles and monsters. The last remnants of humanity are split between those clinging to the surface, and those who have removed themselves to the upper atmosphere. We follow Pearl, living in an isolated forest region, suddenly taken to the stars. A vivid and luscious reimagining of Jean Rhys’ Wide Sargasso Sea.
"A richly imagined eco-gothic tale." - The Guardian
"Exquisitely realised." - The Times
After the ravages of the Green Winter, Earth is a place of deep jungles and monstrous animals. The last of the human race is divided into surface dwellers and the people who live in the Upper Settlement, a ring perched at the edge of the Earth s atmosphere.
Bearing witness to this divided planet is Pearl, a young techie with a thread of shuvani blood, who lives in the isolated forests of Gobari, navigating her mad mother and the strange blue light in the sky. But Pearl…
I’m a science fiction writer who loves my chosen genre for the promises it makes for the worlds that we can have—and the warnings that it offers for the worlds that might be ours if we don’t take care. I’ve picked books for people who like their thinking to be challenged, and who also long for the world to be a much better place. These are the kinds of books I love to read—and the kinds of books I try to write.
Imagine an island off the coast of Britain, where a miracle has happened. A community run entirely by women—businesses, education, government. But now disaster has struck—the founder, Eva Levi, has disappeared, and forces are gathering that want to dismantle her life’s work. But someone else is watching, someone who has been there longer than anyone can remember, and Cwen will not let any harm come to the people of her islands… A subtle and intelligent novel, inclusive and wise.
'Fantastic - a wonderful book' Lily Cole 'Magical, rich and magnificent' Maxine Peake 'A wild ride! She sees Graves' White Goddess and raises 50 with female magic and transformations' Margaret Atwood 'A rare book, bold and powerful' Xiaolu Guo 'Wild, original...a beautiful work' Neel Mukherjee
SHORTLISTED FOR THE ORWELL PRIZE FOR POLITICAL FICTION 2022 NOMINATED FOR THE OTHERWISE AWARD 2022
A storm, a disappearance, a band of women and a remote island where anything is possible.
On an unnamed archipelago off the east coast of Britain, Eva Levi has made it her life's work to build a community truly run…
I'm the author of Penelope’s Purple Passions. I've been in love with writing poetry since I was a little girl. I would go under the bunk bed at night with my flashlight and write all these poems about love, not that I knew anything about love, but what I did know was how writing poetry made me feel. I believe love is truly the most valuable gift we can give to another soul in our lifetime. I want my poetry to empower people and be that beacon of light in people’s lives. Poetry is the avenue where I can spread love and hope globally to anyone who picks up my books.
I recommend this book because it places emphasis on women knowing their self-worth. This book also speaks about loving deeply and not having that love given back in return. I could identify with being in relationships that have made me feel unloved and unworthy. I could also identify with having that eye-opening moment when you come to the realization that you are this beautiful, gifted, wonderful human being worthy of having a person in your life who recognizes and truly appreciates you for all that you embody. The takeaway from this book I gained is to never love anyone more than you love yourself.
#1 New York Times bestseller Milk and Honey is a collection of poetry and prose about survival. About the experience of violence, abuse, love, loss, and femininity.
The book is divided into four chapters, and each chapter serves a different purpose. Deals with a different pain. Heals a different heartache. Milk and Honey takes readers through a journey of the most bitter moments in life and finds sweetness in them because there is sweetness everywhere if you are just willing to look.
I’m drawn to stories of women whose journeys shed light on human nature. These women are often found in cautionary tales within dystopian and historical fiction. Their stories not only remind us of the past but also hint at possibilities—different versions of the future. To capture this truth, I wrote a novel that delicately blends the past with the near future.
I read this novel when I was hungry for books with strong female characters.
The main character, the unnamed midwife, didn’t disappoint. Her journey emphasizes the importance of choice and agency when it comes to reproductive decisions. She works to empower women to make choices about their own bodies and reproductive futures, even in a world where such choices are limited.
A Publishers Weekly Best Book of 2016 and Philip K. Dick Award Winner
When she fell asleep, the world was doomed. When she awoke, it was dead.
In the wake of a fever that decimated the earth's population-killing women and children and making childbirth deadly for the mother and infant-the midwife must pick her way through the bones of the world she once knew to find her place in this dangerous new one. Gone are the pillars of civilization. All that remains is power-and the strong who possess it.
A few women like her survived, though they are scarce. Even…
Tyler Schwanke is a writer and a filmmaker. He holds an MFA from Hamline University, and his short stories have been widely published in online journals and literary magazines, including Chaotic Merge, Havik, and Fiction Southeast. He is also a graduate of the New York Film Academy and Minnesota State University Moorhead, where he was awarded a Minnesota Film and TV Grant. Several of his award-winning short films have played at festivals across the country. Tyler lives in the Minneapolis with his wife and their dog. Breaking In is his debut novel.
If you love books that tie themselves to movie genre tropes, you’ll not only love my novel, but also this one by Riley Sager, his first novel that launched a huge career and made him a household name.
Set around Quincy, a young woman who survives a horrible massacre in which all her friends are killed, she becomes what’s known in horror movies as Final Girl meaning she’s the only one who made it out alive. Linked to 2 other Final Girls by the media, Quincy leads a pretty normal life until someone starts killing Final Girls.
A fun read that’s inspired countless knockoffs that would make a killer movie.
'If you liked GONE GIRL you'll like this' STEPHEN KING
FIRST THERE WERE THREE
The media calls them the Final Girls - Quincy, Sam, Lisa - the infamous group that no one wants to be part of. The sole survivors of three separate killing sprees, they are linked by their shared trauma.
THEN THERE WERE TWO
But when Lisa dies in mysterious circumstances and Sam shows up unannounced on her doorstep, Quincy must admit that she doesn't really know anything about the other Final Girls. Can she trust them? Or...
I’ve chosen these books because they take me to times and places I can’t go (although I did serendipitously get to Kerala, and am hoping to go to the West Coast of America one day).Girl with Two Fingers takes you into the studio, hopefullyas if you could have been there yourself. I want readers to be able to share something of the experience I was so lucky to have. And to be able to see perhaps more questioningly when they look at art.
I read this play first aged sixteen, and connected strongly with it, because of the young motherless shipwrecked heroine.
I spent significant periods of time with my grandfathers when I was growing up, and I read Prospero more as a grandfather figure than a father one.
When Freud and I were in the studio for days and weeks and months together, I felt like Miranda on Prospero’s island. The same created world. The same isolation.
With Lucian as the Prospero figure, summoning a few other characters that came and went to his studio.
No one can go to a fictional island of course, but yet Shakespeare takes us there.
Performed variously as escapist fantasy, celebratory fiction, and political allegory, The Tempest is one of the plays in which Shakespeare's genius as a poetic dramatist found its fullest expression. Significantly, it was placed first when published in the First Folio of 1623, and is now generally seen as the playwright's most penetrating statement about his art.
Stephen Orgel's wide-ranging introduction examines changing attitudes to The Tempest, and reassesses the evidence behind the various readings. He focuses on key characters and their roles and relationships, as well as on the dramatic, historical, and political context, finding the play to be both…
I’m a novelist and game designer from Bangalore. I’ve been a lifelong reader of science fiction and fantasy. Growing up, I almost never encountered futures that included people like me—brown women, from a country that isn’t the UK/ US, and yet, who are in sync with the rapidly changing global village we belong to. Over the last decade, though, I've found increasing joy in more recent science fiction, in which the future belongs to everyone.The Ten Percent Thiefis an expression of my experiences living in dynamic urban India, and represents one of our many possible futures.
I picked this novel because, for lack of a better phrase, it’s too real. In an entirely believable and horrifying future lies Silicon Isle, an island made of trash. It’s where the world dumps all its electronic waste, for generations of poor, marginalized people to sort through, while pollutants make the tiny world they call home uninhabitable and hostile.
It also happens to be where a powerful biological weapon is hidden, unknowingly discovered by Mimi, one of the novel’s protagonists. It transforms her. Class disparities come to the fore, leading to revolution. This is classic cyberpunk, refreshingly set in a future outside the UK/ US, translated from the original Chinese by Ken Liu.
She's a 'waste girl', a scavenger picking through towering heaps of hazardous electronic detritus. Along with thousands of other migrant workers, she was lured to Silicon Isle, off the southern coast of China, by the promise of steady work and a better life.
But Silicon Isle is where the rotten fruits of capitalism and consumer culture come to their toxic end. The land is hopelessly polluted, the workers utterly at the mercy of those in power. And now a storm is gathering, as ruthless local…
Like most people, I started to think about the end of the world during the COVID-19 pandemic. Instead of learning how to bake sourdough bread, I read stories and made art about the apocalypse. The true and catastrophic experiences of people throughout history interested me so much that the project turned into a book. My background in printmaking and illustration has formed my approach to visualizing narrative scenes using crisp black and white linocut prints. My current position as a studio art professor has given me practice in providing information concisely. I try to entertain as much as inform.
A little levity may be required as we watch the world crumble around us. Anne Washburn’s play reads as a multi-generational game of telephone. Beginning shortly after the apocalypse, with television now obsolete, people gather round a campfire and begin retelling what they remember from random episodes ofThe Simpsons. In the second act, the retelling has evolved into an oral tradition far from the original. By the third act, we’re eighty years removed from the apocalypse, and the story has become its own bizarre and surreal performance. I readMr. Burnsand saw the play in person years ago, but I still think about it and laugh. It might also somehow be a fairly accurate depiction of our post-apocalyptic world.
It's the end of everything in contemporary America. A future without power. But what will survive?
Mr Burns asks how the stories we tell make us the people we are, explodes the boundaries between pop and high culture and, when society has crumbled, imagines the future for America's most famous family.
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