Here are 100 books that Cwen fans have personally recommended if you like
Cwen.
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I write science fiction mostly. I’ve recently turned my attention to history. The shared interest is in the changing ground of human interaction. In a way, we are all aliens to each other (which is one of the chief fascinations with fiction to begin with, the psychologies involved). After 30-plus years as a writer, I am more and more drawn to work that reveals the differences and the similarities. Unique contexts throws all this into stark relief.
An elegant mystery set in a near-to-partly-cloudy future. In the wake of some sort of apocalypse, communities have rebuilt.
In the Coast Road region, a sustainable civilization based on careful attention to quotas and mutual regard would seem an idyll of peaceful coexistence.
And yet. Enid is an investigator, called upon at times of uncomfortable questions.
She and her partner are called to look into a suspicious death. The buried realities encountered reveal a less-than-ideal picture of communities coping with things that do not fit with their presumptions.
A quiet mystery built atop a fascinating portrait of What Comes Next. I was drawn to the characters, the situation, but most especially the questions hovering just outside the confines of the story.
A mysterious murder in a dystopian future leads a novice investigator to question what she’s learned about the foundation of her population-controlled society
Decades after economic and environmental collapse destroys much of civilization in the United States, the Coast Road region isn’t just surviving but thriving by some accounts, building something new on the ruins of what came before. A culture of population control has developed in which people, organized into households, must earn the children they bear by proving they can take care of them and are awarded symbolic banners to demonstrate…
I’m drawn to stories of women whose journeys shed light on human nature. These women are often found in cautionary tales within dystopian and historical fiction. Their stories not only remind us of the past but also hint at possibilities—different versions of the future. To capture this truth, I wrote a novel that delicately blends the past with the near future.
I’ll read anything with motherhood as an overarching theme.
Set in a near-future America, this novel explores the lives of women dealing with the consequences of legislation restricting reproductive rights. Multiple narrative threads and alternating perspectives offer a complex and interconnected look at the lives of its characters.
SHORTLISTED FOR THE INAUGURAL ORWELL PRIZE FOR POLITICAL FICTION
'Intense, beautifully crafted . . . Her talent is electric. Get ready for a shock' Guardian
FIVE WOMEN. ONE QUESTION: What is a woman for?
In this ferociously imaginative novel, abortion is once again illegal in America, in-vitro fertilization is banned, and the Personhood Amendment grants rights of life, liberty, and property to every embryo. In a small Oregon fishing town, five very different women navigate these new barriers.
Ro, a single high-school teacher, is trying to have a baby on her own, while also writing a biography of Eivor, a…
I’m a science fiction writer who loves my chosen genre for the promises it makes for the worlds that we can have—and the warnings that it offers for the worlds that might be ours if we don’t take care. I’ve picked books for people who like their thinking to be challenged, and who also long for the world to be a much better place. These are the kinds of books I love to read—and the kinds of books I try to write.
Earth has suffered devastating environmental collapse and is now a world of jungles and monsters. The last remnants of humanity are split between those clinging to the surface, and those who have removed themselves to the upper atmosphere. We follow Pearl, living in an isolated forest region, suddenly taken to the stars. A vivid and luscious reimagining of Jean Rhys’ Wide Sargasso Sea.
"A richly imagined eco-gothic tale." - The Guardian
"Exquisitely realised." - The Times
After the ravages of the Green Winter, Earth is a place of deep jungles and monstrous animals. The last of the human race is divided into surface dwellers and the people who live in the Upper Settlement, a ring perched at the edge of the Earth s atmosphere.
Bearing witness to this divided planet is Pearl, a young techie with a thread of shuvani blood, who lives in the isolated forests of Gobari, navigating her mad mother and the strange blue light in the sky. But Pearl…
I’m a science fiction writer who loves my chosen genre for the promises it makes for the worlds that we can have—and the warnings that it offers for the worlds that might be ours if we don’t take care. I’ve picked books for people who like their thinking to be challenged, and who also long for the world to be a much better place. These are the kinds of books I love to read—and the kinds of books I try to write.
England, in the near future, walking blindly into totalitarianism, everything falling apart. Eve has grown up in a happy family, with loving parents, but not even they can protect her from the world collapsing around them. Eve sets out on a journey, alone, across the wild Yorkshire moors, in search of new ways of living. This is a powerful, beautiful graphic novel from Una.
A powerful novel of mothers and daughters, and how we imagine our future, from acclaimed author of BECOMING UNBECOMING
'A disturbing and necessary book for our times ... Una has held up a chilling mirror for us, and leaves us with a choice - what kind of world will we make for ourselves?' JACKY FLEMING
In the near future, in a world that seems just like our own, Eve grows up in a loving family that is increasingly threatened by a society which seems to be sleepwalking into totalitarianism. After a catastrophe that changes everything, Eve must set off on…
A genuine Aussie bookish girl, I’ve been an editor in the Australian publishing industry for 25 years, and I’ve been writing Australian novels for 15 of them. When I’m not reading or writing, I’m reviewing Australian books – can’t get enough of them! I’ve dedicated my heart and mind to exploring and seeking to understand the contradictions and quirks of the country I am privileged to call home, from its bright, boundless skies to the deepest sorrows of bigotry and injustice. Acknowledging the brilliance of those women writers who’ve come before me and shining a light ahead for all those to come is the most wonderful privilege of all.
Every Australian bookish girl knows Sybylla from My Brilliant Career. She is the original feisty heroine, the unashamed young feminist who rejects the isolation and low expectations of the bush and marriage at the turn of the twentieth century, wanting to strike out on her own as a writer. That her yearnings are so irrelevant to those around her and her ambitions unfulfilled act as a dare to all of us, and to me – to have that brilliant career, to tell your truths and have your independence, whether anyone else likes it or not. Equally as vivid, witty, and socially acute as Twain, if you read only one old and dusty novel about Australia, read this one.
First published in 1901, this Australian classic recounts the live of 16-year-old Sybylla Melvyn. Trapped on her parents' outback farm, she simultaneously loves bush life and hates the physical burdens it imposes. For Sybylla longs for a more refined, aesthetic lifestyle -- to read, to think, to sing -- but most of all to do great things.
Suddenly her life is transformed. Whisked away to live on her grandmother's gracious property, she falls under the eye of the rich and handsome Harry Beecham. And soon she finds herself choosing between everything a conventional life offers and her own plans for…
I had a friend that I knew since junior high. He was a straight-A student. He had both parents in the home. His future was bright. He spent the last minutes of his life hiding under a car after being shot several times during a drug deal gone wrong. He made poor decisions that cost him his life. I wanted to write about people who took the wrong path and found their way out.Growing up in a single-parent household, I turned to the streets and gangs. After incarceration I decided to not only turn my life around but to write fiction inspired by criminal activity that I had engaged in during my youth.
This was Eric’s first book, a novel celebration of Black sisterhood. Sister, Sister was the first bookI read that centered on a group of women and their relationships. Very different from what I was used to reading but it left an impression. The sisters are all dealing with crumbling relationships at various stages. As a reader you will devour and turn the pages quickly as you uncover the ways in which these women handle their love woes. Dickey came on the scene with a true page-turner. I appreciate his decision to give first-person narratives for each of the main characters so we can truly experience their emotional highs and lows.
Here is New York Times bestselling author Eric Jerome Dickey's debut novel, a celebration of Black sisterhood hailed by Essence as one of the “50 Most Impactful Black Books Of The Last 50 Years”.
Valerie, Inda, and Chiquita are three women looking for love in Los Angeles.
Valerie became the perfect wife to please her husband, Walter, whose football career has gone nowhere—along with their marriage. Then she meets Daniel. Valerie's divorced sister, Inda, has Raymond, who has a hot body, smooth moves—and another girlfriend on the side. Now Inda's scheming to get even. After telling her last boyfriend to…
I have specialised in writing about radicals and non-conformists who seem to me to be the most interesting people in the world. I like books about people doing challenging things and making a difference. I love travelling to obscure archives in other countries and finding the riches of personal papers in dusty old rooms curated by eccentric archivists who greet me like an old friend.
This provocative book covers 250 years of European history. I find something to argue with on pretty much every page but I have to admire Offen’s ambition in this sweeping narrative extending across the nations of Europe from Finland to Greece, from Portugal to Poland.
I so admired this book that I wrote to Karen Offen asking her if she would read some of the chapters of my book, which she did, making helpful suggestions which improved it no end.
This ambitious book explores challenges to male hegemony throughout continental Europe. It focuses especially on France, but it also offers comparative material on developments in the German-speaking countries and in the smaller European nations and aspiring nation-states. Spanning 250 years, the sweeping coverage extends from Portugal to Poland, Greece to Finland, Ireland to Ukraine, and Spain to Scandinavia-as well as international and transnational feminist organizations.
The study has several objectives. For general readers and those interested primarily in the historical record, it provides a comprehensive, comparative account of feminist developments in European societies, as well as a rereading of European…
I started keeping a journal when I was fifteen. Ten years later, I had the raw material for Fugue, a portrait of the artist as a young woman (I had read Joyce's Portrait of the Artist as a Young Man) that ends in celebration, rather than suicide (I had also recently read Plath's The Belljar). It did not get published. Thirty years later, I had so little, far too little, to celebrate. The portrait had become one of relentless frustration and persistent failure, despite my continued effort ... so much effort ... And so I wrote This is what happens, dedicating it to all the passionate, hard-working, competent women — it's not you.
Feminist theorist Dale Spender wrote, in Women of Ideas and What Men Have Done to Them, “We need to know how women disappear….” Although she spoke of women who disappear from the historical record, all too many women seem to disappear from any sort of public life as soon as they leave high school: so many shine there, but once they graduate, they become invisible. What happens?
Marriage and kids is an inadequate answer because married-with-kids straight-A boys are visible. Everywhere. Even the straight-B boys are out there. So what happens?
Whatever story I’m telling, I try to write female characters who are smart, funny, kind, and ultimately empowering; characters that drive the narrative, not the other way around. It is really important for me that my female characters have agency – that they actively move the story forward, make decisions and step up. Those are the kind of stories I like to read too. The books on this list are some of my favourites and all contain strong female protagonists. I hope you enjoy.
I absolutely adore Lucy Strange’s books and her latest one, Sisters of the Lost Marsh, is a gloriously Gothic mystery with sisterhood at its centre. The story is about a family of six sisters reigned over by their tyrannical father. When one of the sisters goes missing, 12-year-old Willa decides to take matters into her own hands and uncover what happened. This book is a beautiful blend of mystery, folktale, and feminism and one I simply could not put down.
From the Waterstones Prize-shortlisted author of Our Castle by the Sea comes a gorgeously gothic story, perfect for fans of Emma Carroll and Frances Hardinge ...
'My book of the year. This is storytelling so secure and shining that you can almost feel the glow.' HILARY MCKAY, COSTA BOOK AWARD-WINNING AUTHOR OF THE SKYLARK'S WAR
'I absolutely love this book ... Lucy Strange is a wonderful, accomplished writer whose books stay with you long after you have finished reading.' NATASHA FARRANT, COSTA BOOK AWARD-WINNING AUTHOR OF VOYAGE OF THE SPARROWHAWK
Life is hard for Willa, Grace and Freya, and their…
My current research centers on the organizing strategies of 20th and 21st-century Black activists in the U.S. and western Europe and on the U.S. as a reference culture for European anti-racism movements, particularly in my native country, the Netherlands. I believe the recent Black Lives Matter protests in Europe are an example of the effectiveness of diasporic politics and the next phase in a much longer history of homegrown activism. Foregrounding ‘Black Europe’ as an independent field of study accordingly helps to create much needed critical knowledge about Black Europeans’ history, agency, and needs as we navigate further into the volatile twenty-first century, while simultaneously challenging the perimeters of diasporic meaning and the centrality of ‘Black America’ within.
While the Black freedom struggle is often approached through the activism of Black males, the history of the struggle in Europe—like in the United States and elsewhere in the world—owes much to Black women, Black female scholar-activists, and Black feminist and Queer networks. Yet they remain woefully underrepresented in scholarship and collective memory.
I, therefore, chose this edited volume, because it uniquely presents the stories, intersectional experiences, and visions of contemporary Black female activists, artists, and scholars from across the continent. This not only uncovers the significant intellectual, political, social, and cultural contributions of Black women, but also expands definitions of (political) activism to include, among others, motherhood and the home.
This book brings together activists, artists and scholars of colour to show how Black feminism and Afrofeminism are being practiced in Europe today, exploring their differing social positions in various countries, and how they organise and mobilise to imagine a Black feminist Europe.
Deeply aware that they are constructed as 'Others' living in a racialised and hierarchical continent, the contibutors explore gender, class, sexuality and legal status to show that they are both invisible - presumed to be absent from and irrelevant to European societies - and hyper-visible - assumed to be passive and sexualised, angry and irrational.
