Here are 100 books that Sisters of the Lost Marsh fans have personally recommended if you like
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Whatever story I’m telling, I try to write female characters who are smart, funny, kind, and ultimately empowering; characters that drive the narrative, not the other way around. It is really important for me that my female characters have agency – that they actively move the story forward, make decisions and step up. Those are the kind of stories I like to read too. The books on this list are some of my favourites and all contain strong female protagonists. I hope you enjoy.
As someone who has always had a somewhat overactive imagination, as soon as I heard the premise of this book – a land created by twins Rose and Arthur that comes to life – I was hooked. The Land of Roar is filled with incredible things – dragons, mermaids, ninja wizards! But it is also filled with their childhood fears, personified by the truly terrifying Crowky. This is a heart-in-your-mouth series with a celebration of childhood adventure at its heart.
The first in a new children's fantasy adventure series, full of imagination, humour and heart, and with echoes of Peter Pan, The Chronicles of Narnia, The Neverending Story and Jumanji.
The Land of Roar is perfect for children aged 8 to 12, and can sit on their bookshelf next to Nevermoor, Wizards of Once and How to Train Your Dragon. Readers can bring their fantasy world to life and meet dragons, unicorns, mermaids and more in this beautifully illustrated children's book.
Believing is just the beginning ...
When Arthur and Rose were little, they were heroes in the Land of…
Whatever story I’m telling, I try to write female characters who are smart, funny, kind, and ultimately empowering; characters that drive the narrative, not the other way around. It is really important for me that my female characters have agency – that they actively move the story forward, make decisions and step up. Those are the kind of stories I like to read too. The books on this list are some of my favourites and all contain strong female protagonists. I hope you enjoy.
I have always been fascinated by sharks, so to read the story of Blue Wing, who lives among them, was an absolute joy. Set on an island near Papua New Guinea, this is a heartbreaking story, beautifully and originally told, that explores grief, friendship, forgiveness, and our relationship with nature. I’ve traveled and swam with sharks near where this book is set and it was so special to revisit those places in the book. But it’s Blue Wing’s selflessness, wisdom, and bravery that make this book utterly unforgettable.
WINNER OF THE EDWARD STANFORD CHILDREN'S TRAVEL BOOK OF THE YEAR 2022
A SUNDAY TIMES CHILDREN'S BOOK OF THE WEEK
Dive beneath the waves with this spell-binding adventure of friendship, forgiveness and bravery, set on the shores of Papua New Guinea, perfect for fans of Katherine Rundell and Eva Ibbotson.
"I want to be able to call the sharks. Teach me the magic and show me the ways."
Blue Wing is desperate to become a shark caller, but instead she must befriend infuriating newcomer Maple, who arrives unexpectedly on Blue Wing's island.
Whatever story I’m telling, I try to write female characters who are smart, funny, kind, and ultimately empowering; characters that drive the narrative, not the other way around. It is really important for me that my female characters have agency – that they actively move the story forward, make decisions and step up. Those are the kind of stories I like to read too. The books on this list are some of my favourites and all contain strong female protagonists. I hope you enjoy.
Where the World Turns Wild plays on one of my biggest fears about the future – a world without nature. Juniper and her little brother Bear live in a walled city where nature has been almost completely eradicated following the outbreak of a disease. What remains is a tightly controlled and terrifying society that they must escape. Juniper’s bravery and her capacity for survival are driven by the fierce, protective love she has for her little brother. This is an adventure story like no other and one I have returned to time and again.
Animals, trees, flowers, our city forbids them all...
Juniper Greene lives in a walled city from which nature has been banished, following the outbreak of a deadly man-made disease many years earlier. While most people seem content to live in such a cage, she and her little brother Bear have always known about their resistance to the disease, and dream of escaping into the wild. To the one place humans have survived outside of cities. To where their mother is.
When scientists discover that the siblings provide the key to fighting the disease, the pair must flee for their lives.…
Whatever story I’m telling, I try to write female characters who are smart, funny, kind, and ultimately empowering; characters that drive the narrative, not the other way around. It is really important for me that my female characters have agency – that they actively move the story forward, make decisions and step up. Those are the kind of stories I like to read too. The books on this list are some of my favourites and all contain strong female protagonists. I hope you enjoy.
This is an absolute heartstopper of a novel. The protagonist, Jess, has a rare skin condition that means she is allergic to sunlight. Even the tiniest exposure can cause her serious injury and pain. She lives her life in a world of loneliness and shadows, but is desperate for an adventure. When she sneaks out one night she discovers a garden of ice that will change her life forever. Not only did I love the magic of this novel, I loved Jess’s humour and I was weeping for her towards the end. A wonderful book that really touched my heart.
Tom's Midnight Garden meets The Secret Garden in this mystical, classic-feeling adventure!
'A beautiful book that touches on friendship and the unbreakable bond between a protective parent and her child.' THE SUN
'Elegant, assured, sad and hilarious' GUARDIAN
Jess is allergic to the sun. She lives in a world of shadows and hospitals, peeking at the other children in the playground from behind curtains. Her only friend is a boy in a coma, to whom she tells stories.
One night she sneaks out to explore the empty playground she's longed to visit, where she discovers a beautiful impossiblity: a magical…
I grew up in Uganda and Kenya, and when I moved to the United States, I felt separated from myself. Learning how to be American was exhausting and so I disappeared into books. I’m now more settled, but I still travel through fiction. These days, I am reading fiction by African women. You should be, too! There is so much stunning literature out there. These five books are just the beginning, but they are novels I can’t stop thinking about.
The First Woman is perhaps the best novel you haven’t yet read. Kirabo has never known her mother and she is looking for answers at the same time as she is becoming a woman. She is guided first by the village’s blind witch Nsuuta, who has her own reasons for getting involved. Nsuuta tells Kirabo that women were once, “huge, strong, loud, proud, brave, independent. But it was too much for the world.” The writing in this ambitious novel is sometimes funny and sometimes poignant.
'In Jennifer Makumbi, we have a giant of literature living among us.' Peter Kalu, Jhalak Prize Judge
Longlisted for the Diverse Book Awards, 2021
'Jennifer Makumbi is a genius storyteller.' Reni Eddo-Lodge
A SUNDAY TIMES, OBSERVER, DAILY MAIL, BBC CULTURE & IRISH INDEPENDENT BOOK OF THE YEAR
At once epic and deeply personal, the second novel from prize-winning author Jennifer Makumbi is an intoxicating mix of Ugandan folklore and modern feminism that will linger in the memory long after the final page.
As Kirabo enters her teens, questions begin to gnaw at her - questions which the adults in her…
At the age of seven, already a devoted bookworm, I came upon a large stack of early-20th century children's magazines filled with stories, poems, and especially fairy tales, some the classic kind, and some weird, scary or unfamiliar. I don't know where those dog-eared, well-thumbed annuals came from, or what happened to them afterward – they were lost or given away when our family moved, I suppose. But I have never forgotten them, or the effect they had on my imagination and longings. I've been searching for those long-lost tales ever since... and it finally led me to decide I would just have to write a few of my own.
The 19th-century Scottish writer George MacDonald is said to be the father of the modern fairy tale, inspiring C.S. Lewis, Tolkien, and many others. I chose The Light Princess because I find it his most charming tale: it's about a princess under a wicked spell who has been made weightless, unable to obey the laws of gravity. As in all good fairy tales, a prince eventually comes along to drag her back down to earth. He must sacrifice himself for her, but in the end, it is she who rescues him – from a feminist perspective, a most gratifying conclusion.
George MacDonald (1824-1905), the great nineteenth-century innovator of modern fantasy, influenced not only C. S. Lewis but also such literary masters as Charles Williams and J. R. R. Tolkien. Though his longer fairy tales Lilith and Phantastes are particularly famous, much of MacDonald’s best fantasy writing is found in his shorter stories. In this volume editor Glenn Sadler has compiled some of MacDonald’s finest short works―marvelous fairy tales and stories certain to delight readers familiar with MacDonald and those about to meet him for the first time.
I’ve been fascinated fairy tales, folklore, and horror since I was a child, drawn to these strange stories in which wondrous and terrifying things happen. In many of these tales, the women often lack a sense of agency or control over their lives and work for a better life within the limitations of their situation. The act of retelling these stories provides space to explore this lack of power and how these women might find clever or unusual ways to reclaim it. In particular, I’m interested in the ways characters might make use of the danger or darkness around them to carve their own path in the world.
Much like fairy tales and folklore, horror stories have their own rules and tropes for how the female protagonists or villains are expected to behave within the confines of their own stories. I Am Not Your Final Girl is a powerful collection of horror-themed poetry that gives voice to female characters from horror cinema — the survivors, victims, and monsters who prowl through dark worlds, facing oppression, persecution, violence, and death. Holland’s words provide these women a platform to channel their pain, trauma, and rage into a galvanizing force. These women are survivors and fighters, women who claim their own power and take ownership over their own bodies. They do not give up; they do not relent.
"There is nothing else in this world / like realizing / you’re going to live / and not being sure / you can."
From Claire C. Holland, a timely collection of poetry that follows the final girl of slasher cinema - the girl who survives until the end - on a journey of retribution and reclamation. From the white picket fences of 1970s Haddonfield to the apocalyptic end of the world, Holland confronts the role of women in relation to subjects including feminism, sexuality, violence, and healing in the world of Trump and the MeToo…
One Christmas Eve many years ago when I was a little girl, I was too excited to sleep. I prayed to the baby Jesus whom I’d heard about in carols. I felt wrapped in love and woke up well-rested on Christmas morning.
I’ve always believed life is a spiritual journey: I respect and learn from many religious and secular traditions. After I joined a church, I became a spiritual director. When I was sixty, I earned an MA in pastoral ministry and women’s studies. I have pastored two churches and also became a preacher—something I could not imagine I’d ever be able to do. It’s never too late!
This somewhat academic collection of articles, essays, and poems began in a Boston living room when a group of Jewish women recognized that traditional Jewish study was invariably seen through the lens of men. These women had formerly dismissed the Book of Ruth as irrelevant to them, nothing more than a tale about an old man marrying a younger woman.
They decided to compile a commentary about the Book of Ruth using female voices. These writings encouraged me to compile my own midrash (interpretation) and deeply impressed me with their understanding that this Biblical story is relevant for women today to explore powerlessness, vulnerability, loss, women mourning and rejoicing, and relationships.
"The Book of Ruth is one of Western civilization's great narratives of women's relationships. This collection of modern-day interpretations brings together the wisdom, sensitivity, and spirituality of the biblical story with the struggles and insights of contemporary women. Readers will be moved and inspired by these essays." --Susannah Heschel Editor of On Being a Jewish Feminist With Reading Ruth, two creative scholars have brought together an amazingly eclectic group of Jewish novelists, essayists, poets, rabbis, psychologists, and scholars--including Cynthia Ozick, Marge Piercy, Francine Klagsbrun, and Nessa Rapoport--to explore one of the most beloved stories in the Bible. In lively essays,…
I have specialised in writing about radicals and non-conformists who seem to me to be the most interesting people in the world. I like books about people doing challenging things and making a difference. I love travelling to obscure archives in other countries and finding the riches of personal papers in dusty old rooms curated by eccentric archivists who greet me like an old friend.
This provocative book covers 250 years of European history. I find something to argue with on pretty much every page but I have to admire Offen’s ambition in this sweeping narrative extending across the nations of Europe from Finland to Greece, from Portugal to Poland.
I so admired this book that I wrote to Karen Offen asking her if she would read some of the chapters of my book, which she did, making helpful suggestions which improved it no end.
This ambitious book explores challenges to male hegemony throughout continental Europe. It focuses especially on France, but it also offers comparative material on developments in the German-speaking countries and in the smaller European nations and aspiring nation-states. Spanning 250 years, the sweeping coverage extends from Portugal to Poland, Greece to Finland, Ireland to Ukraine, and Spain to Scandinavia-as well as international and transnational feminist organizations.
The study has several objectives. For general readers and those interested primarily in the historical record, it provides a comprehensive, comparative account of feminist developments in European societies, as well as a rereading of European…
My current research centers on the organizing strategies of 20th and 21st-century Black activists in the U.S. and western Europe and on the U.S. as a reference culture for European anti-racism movements, particularly in my native country, the Netherlands. I believe the recent Black Lives Matter protests in Europe are an example of the effectiveness of diasporic politics and the next phase in a much longer history of homegrown activism. Foregrounding ‘Black Europe’ as an independent field of study accordingly helps to create much needed critical knowledge about Black Europeans’ history, agency, and needs as we navigate further into the volatile twenty-first century, while simultaneously challenging the perimeters of diasporic meaning and the centrality of ‘Black America’ within.
While the Black freedom struggle is often approached through the activism of Black males, the history of the struggle in Europe—like in the United States and elsewhere in the world—owes much to Black women, Black female scholar-activists, and Black feminist and Queer networks. Yet they remain woefully underrepresented in scholarship and collective memory.
I, therefore, chose this edited volume, because it uniquely presents the stories, intersectional experiences, and visions of contemporary Black female activists, artists, and scholars from across the continent. This not only uncovers the significant intellectual, political, social, and cultural contributions of Black women, but also expands definitions of (political) activism to include, among others, motherhood and the home.
This book brings together activists, artists and scholars of colour to show how Black feminism and Afrofeminism are being practiced in Europe today, exploring their differing social positions in various countries, and how they organise and mobilise to imagine a Black feminist Europe.
Deeply aware that they are constructed as 'Others' living in a racialised and hierarchical continent, the contibutors explore gender, class, sexuality and legal status to show that they are both invisible - presumed to be absent from and irrelevant to European societies - and hyper-visible - assumed to be passive and sexualised, angry and irrational.
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