Here are 100 books that How to Survive in Ancient Rome fans have personally recommended if you like
How to Survive in Ancient Rome.
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Simon has been a student and historian of ancient Rome for most of his life, and has authored one non-fiction work and numerous historical novels set in the era, a number of them set in the ancient city itself. He has spent time in Rome over the decades, hunting down traces of the ancient city and studying architecture and finds, ever deepening his understanding of the place, how it worked, what it looked like, and its place in the world. Rome is the core of three decades of research for Simon.
This French book is quite simply the best reconstruction of Rome in the age of Constantine you could hope for. If you read French or are happy to translate it, the sections about each area of the city are informative and interesting, accompanied by beautiful photographs, but even if you speak no French and have no intention of reading it, this book is still worthwhile. Between these sections, the book is filled with large, fold-out maps of reconstructed Rome, including every known building and right down to the alleyways, lovingly depicted. I have used it as a source for every book I’ve set in Rome now for the better part of a decade. An invaluable source and lovely work.
Rome l'éternelle, la magnifique, a été dessinée quartier par quartier, rue par rue, bâtiment par bâtiment, fenêtre par fenêtre, par le stakhanoviste Gilles Chaillet sur un magnifique et somptueux plan la reconstituant au 4ème siècle de notre ère. Un travail de titan de plus de 5000 heures de réalisation, de 3000 heures de mise en couleurs et quasiment toute une vie de recherche et de documentation pour arriver enfin, et avec jubilation, au bout de cette oeuvre sans commune mesure. Dans la Rome des Césars vous est présenté sous deux versions : un port-folio limité à 1000 exemplaires montrant le…
Curious about Ancient Rome and especially about gladiators, I asked myself, who were the backstage team of the Colosseum? The more I searched for the team, the more I realised there was hardly any mention of them. If there were hundreds of animals, dancers, singers, gladiators, criminals, and more about to be shown off to an audience of 60,000, who was planning and managing it all? And so I created the Colosseum’s backstage team – a retired centurion called Marcus and his scribe Althea, along with a motley crew of slaves, a prostitute, a street boy, even a retired Vestal Virgin… they came alive for me while researching and I eventually created a four-book series.
Hour by hour, we follow various Romans as they go about their day, seeing many different jobs and possible fates ahead for a whole cast of characters. Engagingly written, it smoothly shares a real wealth of knowledge and detail about Ancient Rome without falling into the trap of ‘info-dumping’. I really liked that it mainly follows plebians, not the ruling class: no villas and togas here, rather blocks of flats and plain tunics. A great read.
Walk a day in a Roman's sandals ... What was it like to live in one of the ancient world's most powerful and bustling cities - one that was eight times more densely populated than modern day New York?
In this entertaining and enlightening guide, bestselling historian Philip Matyszak introduces us to 24 characters who lived and worked there. In each hour of the day we meet a new character - from a senator to a slave girl, a gladiator to an astrologer, watchmen to washerwomen - and discover the fascinating details of their daily lives.
As a freelance journalist in Italy, I covered, for Timemagazine, the Wall Street Journal, and others, tough topics: terrorism, the Mafia, the heroin traffic which passed via Sicilian laboratories to the U.S. At a certain point I found this overly negative. After taking a course in Rome on archaeology, by chance I was asked to direct a BBC half-hour documentary on Pompeii. In so doing, I realized that it was time to focus upon the many positive elements of Italian life and history. From that life-changing documentary came this book on Pompeii, on which I worked for five rewarding years. My next book was on historical Venice.
The late Amanda Claridge, a professor at the University of London, introduces us to the ancient city in the book she co-authored: Rome: An Oxford Archaeological Guide, now on offer asRome, An archaeological guide. Over time, archaeology itself changes, and today's critics say that her presentation of up-to-date archaeology in Rome equally entrances both tourists and her fellow scholars. She taught at both Oxford and the University of London, as well as at Princeton University in the U.S.
The city of Rome is the largest archaeological site in the world, capital and showcase of the Roman Empire and the centre of Christian Europe.
This guide provides:
* Coverage of all the important sites in the city from 800 BC to AD 600 and the start of the early middle ages, drawing on the latest discoveries and the best of recent scholarship
* Over 220 high-quality maps, site plans, diagrams and photographs
* Sites divided into fourteen main areas, with star ratings to help you plan and prioritize your visit: Roman Forum; Upper Via Sacra; Palatine; Imperial Forums; Campus…
As Damion Hunter, I have written six novels set in the first and second centuries of the Roman Empire, for which I have done extensive research. My picks are all books that I have found most useful and accessible for the writer who wants to ground her fiction in accurate detail and for the reader who just wants to know the little stuff, which is always more interesting than the big stuff.
The author is a scholar, a professor of Classics, so he knows his stuff. He is also a wonderful writer. This is a collection of small and fascinating facts about Rome and the ancient world. A sampling of entries includes notes on Hannibal’s reputed use of jars of poisonous snakes as catapult ammunition, Roman fly fishing, window glass, and the mechanics of Nero’s revolving dining room.
The ancient Romans have left us far more information about themselves than has any other Western society until much more recent times. But what we know about them is sometimes bizarre, and hardly fits the conventional view of the Romans as a pragmatic people with a ruthlessly efficient army and a very logical and well ordered language.
A Cabinet of Roman Curiosities is a serendipitous collection of odd facts and opinions, carefully gleaned from the wide body of evidence left to us by the Romans themselves. Each highlights a unique and curious feature of life in ancient Rome. Readers will…
In order to read, I need fast-paced action, adventure, compelling characters with depthful backstories and motives, and a way of challenging and commentating on the most controversial morals of the present day. To write, I need the exact same thing. Every world I create is filled with action in every chapter, characters with invincible will-strength, and situations that bend the very borders of moral thinking.
The Culling, The Sowing, and The Raising by Steven Dos Santos provides one of the most compelling stories of conflicting choices I have ever encountered. My strongest love for this story is the main protagonist, Lucky, and his stoicism through the hardships that he is forced to endure. This story taught me to always search for the best option in life, and that there is always a choice, even when it seems that there isn’t. From this story, I will always take with me the ability to love fiercely and do what I must for that love.
Recruitment Day is here...if you fail, a loved one will die For Lucian “Lucky” Spark, Recruitment Day means the Establishment, a totalitarian government, will force him to become one of five Recruits competing to join the ruthless Imposer task force. Each Recruit participates in increasingly difficult and violent military training for a chance to advance to the next level. Those who fail must choose an “Incentive”—a family member—to be brutally killed. If Lucky fails, he’ll have to choose death for his only living relative: Cole, his four-year-old brother. Lucky will do everything he can to keep his brother alive, even…
I was born in the world’s most isolated capital city – Perth, Western Australia. Ever since my family packed up and drove across the vast Nullarbor Plain to relocate to South Australia, I’ve been fascinated by our eerie, wide-open spaces. There’s no doubt that family folklore fed into this. My Finnish mother arrived as a ten-year-old, recalling that when she first felt the heat, she thought: “This is hell.” My father and his family arrived from the Netherlands. I love my country, but this continent presents dangers in its arid isolation – all captivating to a storyteller.
The Island achieved an incredible feat by inducing two competing thoughts in my mind: this couldn’t possibly happen, and this could possibly happen!
A family of four is on an Australian driving holiday and is unexpectedly allowed entry onto a privately owned Dutch Island. This isolated setting soon makes them vulnerable and reliant on others. I loved following the characters’ journeys as they grappled with how to protect themselves and their loved ones. They’re "ordinary everyday people" who are forced to take action—and there’s plenty of it!
As with most of the best thrillers, there are multiple points of view that ratchet up the tension.
I’ve been a creative writer for over a decade, and I always tell people that writers are readers first. As such, I’ve been in love with both young adult and sci-fi books since I was a kid. Fittingly, my debut book is science fiction for young readers. I believe this sub-genre has so much to offer. The really good, memorable books use high-concept ideas or conflict as a vehicle for exploring compelling, relatable themes. I have always believed that’s the best way to approach writing sci-fi. And, with The Memory Index, I took this approach to heart.
David Arnold's The Electric Kingdomis a beautifully written narrative imbued with love, tragedy, fear, and hope. It is a brilliant love letter to storytelling – a novel that cleverly subverts dystopian conventions and instead paints a wholly original painting of something deeply affecting and inspiring.
I don't want to mention any plot points at all for fear of giving too much away (the official synopsis should be more than enough to hook you). I will say this: I read the entire second half of the book in one sitting. His characters are fully realized—the secrets and tension always growing in a slow burn.
Arnold masterfully connects all his story elements in a riveting third act. And, once I came to the end, I found the book had changed me in subtle ways—as all the greats do.
I cannot recommend TEK enough. Arnold has written what is nothing short of…
New York Times bestseller David Arnold's most ambitious novel to date; Station Eleven meets The 5th Wave in a genre-smashing story of survival, hope, and love amid a ravaged earth.
When a deadly Fly Flu sweeps the globe, it leaves a shell of the world that once was. Among the survivors are eighteen-year-old Nico and her dog, on a voyage devised by Nico's father to find a mythical portal; a young artist named Kit, raised in an old abandoned cinema; and the enigmatic Deliverer, who lives Life after Life in an attempt to put the world back together. As swarms…
Growing up, I’m not embarrassed to admit the horror genre was too scary for me. I don’t remember when it was but at some point that changed and it’s become my favourite. It started with horror movies but as I became a writer, that love transferred to horror books. My favourite type of horror focuses more on the character than the scares. I don’t see why I should be worried about a character’s fate if they’re one-dimensional. I’d trade in great character development for clichéd scares in horror any day.
First of all, if you go into this book expecting a slasher story, you’ll be disappointed. While its characters are rooted in the horror genre, the story focuses more on thriller until its final act. However, the best thing about the book is its character development with its main character and the other Final Girls. While the plot collapses in on itself every so often, the character work keeps it afloat and provides the suspense to make the reader scared.
VOTED GOODREADS CHOICE AWARD BEST HORROR NOVEL OF 2021
A Good Morning America Buzz Pick
“The horror master…puts his unique spin on slasher movie tropes.”-USA Today
A can't-miss summer read, selected by The New York Times, Oprah Daily, Time, USA Today, The Philadelphia Inquirer,CNN, LitHub, BookRiot,Bustle, Popsugar and the New York Public Library
In horror movies, the final girls are the ones left standing when the credits roll. They made it through the worst night of their lives…but what happens after?
Like his bestselling novel The Southern Book Club’s Guide to Slaying Vampires, Grady…
I've always been fascinated by the toughest survivors, the ones where I say to myself, “I could have never got through that.” Then I’m curious about how they endured: what mindsets and techniques did they use to fight on? When I became a writer I focused on this niche, with my first book Ten Hours Until Dawn which was followed by several other true survival and rescue tales. I became obsessed with researching where the survivors made the correct decisions and how they got trapped by bad ones. When my book The Finest Hours became a Disney movie I was deluged with people sharing their own survival stories.
When sharks are circling your life raft, I do not recommend drinking seawater to quench your excruciating thirst. In Albatross, five people find themselves adrift at sea in a small life raft with no food or water. When one of the sailors drinks seawater we see how that can dehydrate the brain and cause hallucinations. Suddenly the sailor blurts out that he is going to get his car to get some beer, and he steps out of the life raft. The sharks are waiting.
Albatross is not only a story of mistakes made, but also of courageous decisions by two survivors, Deb Kiley and Brad Cavanaugh. It is hair-raising, insightful, and might just keep you off the water.
In 1982 the author and four companions got caught in a storm in a 58 foot yacht off the coast of North Carolina. For five days they kept alive without food or water in a tiny inflatable dinghy after the yacht sank. The first night was spent in the water under the upside down dinghy trying to keep warm, not learning until morning that the area was infested with sharks. Two of the boys drank sea water, went mad, climbed overboard and were never seen again. Meg, badly injured, died of exposure and gangrene. Brad and Debbie were rescued by…
I love dystopian novels. What I love most is trying to figure out what the heck happened? Why did this happen, and what was the world like before this happened? I really love books that are based on Earth, but you can’t tell until you read part or all the way through. The whole idea of “what the heck happened” was the inception of my novel, The Incident. I wanted to begin with the inciting event that caused the world to get knocked off-center and go from normal to not. I wanted to show the changes that would make it impossible for us to recognize the world as the one we live in.
Clarke is a natural leader who wants to take care of everyone but herself, and she will sacrifice her safety for others all in a world that defies the logic of the one she’d always known. She is frail and emotional, but tough when she needs to be, and she develops close bonds with just a few special people, while caring about all, even the ones she wants to shoot with a rifle or hang by a rope.
The Hunger Games meets Lost in this spectacular new series. Now a major TV series on E4.
No one has set foot on Earth in centuries - until now.
Ever since a devastating nuclear war, humanity has lived on spaceships far above Earth's radioactive surface. Now, one hundred juvenile delinquents - considered expendable by society - are being sent on a dangerous mission: to re-colonize the planet. It could be their second chance at life...or it could be a suicide mission.
CLARKE was arrested for treason, though she's haunted by the memory of what she really did. WELLS, the chancellor's…
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