100 books like Deliverance

A multi-day walking trip requires a page-turning thriller. It is one of the most intriguing mysteries I’ve ever read. It dragged me into another world and then deeper into a story within a story. Lying in uncomfortable beds in noisy hostels while backpacking in Australia, I was beguiled and forgot my own reality.

Years later, this book stayed with me and influenced my debut novel despite, I think, never really understanding it. However, writing this review has made me start reading it again. I’m already baffled, but I'm hooked!

I find myself re-reading this book every few years. As someone who has visited Vietnam several times, I am particularly drawn to Greene’s vivid descriptions of the country in the early 1950s. The symbolism in the novel is not subtle: an older Brit and a younger American are rivals for the affection of a Vietnamese woman.

I find Greene’s depiction of Pyle, the American, to be especially striking: well-meaning but ultimately unaware of the damage he is doing to the country. 

This classic is technically nonfiction, but it reads like a mystery novel as it follows the story of Jim Williams, an antiques dealer on trial for the killing of Danny Hansford.

I’ve read this book more than once, savoring John Berendt’s lyrical prose and his brilliant evocation of the charm, eccentricity—and fear—one can find in America’s most beautiful and haunted city: Savannah, Georgia.

I love how this book elevates lying into an art form. Following the convention of the era, Defoe published the work as if it were written by its main character, Robinson Crusoe. Crusoe stands out from its peers for the subtlety of its mimicry. I envy how natural and easy Defoe makes writing look.

The book reveals the novel’s roots in other genres, such as satire, journalism, religious writing, and personal narrative. Defoe excelled at all of these, and I find the strange convergence mesmerizing. It’s possible to see the outlines of these earlier traditions even as something like a modern novel comes into view.

With apologies to Oprah and James Frey, this book helps me remember that the best writers have always been a bit loose with the truth. 

I remain astonished at how Nabokov could write a novel with such an objectionable premise (in essence, of an adult man sexually attracted to a 12 year old girl) and yet write it in a talented and compelling way such that I as a reader felt involved and even sympathetic to Humbert.

On re-reading the book, I am impressed by the author's ability to write about a forbidden sexual relationship without dwelling on the erotic. Humbert is witty, intelligent, and self-aware. He is damaged in everyone’s judgment and unaware of the effect of his actions on others. 

Before her mega-hit Gone Girl, Gillian Flynn penned this diabolical noir set in the deep South. It’s an edgy story, presenting a gallery of disturbed characters—including the deeply troubled protagonist, a journalist who returns to her hometown to report on the murders of two young girls.

Some books I forget a week or two after reading, others just stick with me for a year or more, and some leave bootprints in my mind forever. This is one of the latter.

In my humble opinion, this is the greatest adventure tale in the English language!

Robert Louis Stevenson practically invented pirates for the modern world, particularly his chief antagonist, the crippled but formidable Long John Silver. Highly intelligent, cunning, crafty, ruthless, yet somehow appealing, Silver set the standard for all pirate heroes to come.

Whenever I get bogged down studying pirates, I turn to Treasure Island to remember what it is to enjoy my subject!

This spot very nearly went to the great John le Carre, perhaps his brilliant The Little Drummer Girl.

Grady’s debut is not as complex or as dense as le Carre, but it holds a special place in my heart, partly because of its back story.

Grady was a young congressional staffer in my adopted hometown of Washington, DC when he dreamed up a covert CIA unit whose role is to monitor foreign intelligence operations by scouring books and magazines from around the world.

When the novel was adapted into the movie Three Days of the Condor, it was seen by KGB generals who—assuming it was based on truth—set up a similar unit of their own. Amazing but true.

I first read this book not because of interest—in fact, I hadn’t read anything else by its author, Robert Ludlum. Instead, I read this novel because I had been told that my writing was like that of Ludlum’s.

And that is startlingly true. It was as if reading something I had forgotten having written but which was richer with a depth of ever-increasing emotional nuances than works of a comparable kind. It’s a compelling read.

Through a combination of unusual story elements and narrative style, this novel engages a reader in the main character’s journey to discover his forgotten identity. Although this isn’t an all-that-unusual aspect of story-telling, the espionage element makes it a singular literary experience. Over the course of the novel, I progressively felt as if I were spending time with a really awesome friend. And this is owed to, I think, the “slow burn” of empathy compelled… show more.

If you love crime fiction there is no one who writes it better than Agatha Christie. Each one of her books transports you on an adventure where you become part of the crime scene, working to solve the murder before he or she gets away. In Death on the Nile, the vivid descriptions of the ship, the pyramids and the slow winding journey, and even the funny Belgian detective is so well developed you can’t help but be transported. It’s like traveling to exotic locals via armchair.