Here are 67 books that Who Goes There? fans have personally recommended if you like
Who Goes There?.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am on a self-discovery journey, and each day, I discover more of why I am here on earth. The books I mentioned all have themes related to the human condition. I write to express what I understand. I love writing about characters and their journeys. I love all animals, and dogs are a great comfort. I’d like to see animal abuse come to an end in my lifetime. I write about people who have fallen from great heights and how saving animals and others in need saves them. We need to love more.
I loved the arduous human journey that became a great spiritual one. It was about how Buddha became Buddha. That can only happen when one goes beyond their own comforts and reaches within for faith to continue to understand yourself and others. This book deeply influenced my writing and my life.
Here the spirituality of the East and the West have met in a novel that enfigures deep human wisdom with a rich and colorful imagination.
Written in a prose of almost biblical simplicity and beauty, it is the story of a soul's long quest in search of he ultimate answer to the enigma of man's role on this earth. As a youth, the young Indian Siddhartha meets the Buddha but cannot be content with a disciple's role: he must work out his own destiny and solve his own doubt-a tortuous road that carries him through the sensuality of a love…
I’ve been a science fiction writer since I was old enough to read, and I’ve spent probably way too much of my life reading and writing and researching and thinking about aliens. I’ve worked in the aerospace industry, launching rockets to the moon and Mars and Saturn, and five of the books I’ve published have touched on alien life in one way or another. I’ve worked as a contributing editor for WIRED magazine and the science and technology correspondent for the SyFy channel, and I hold patents in seven countries, including 31 issued U.S. patents.
Of all of Clarke’s works, this one had, for me, the grandest sense of adventure and mystery. We never do find out who the aliens are or what their goals might be, but we get to join them for part of their journey.
There are puzzles to solve, wonders to behold, and dangers bravely faced. I first read the book when I was nine years old, and it communicated to me just as clearly then as it does today.
In the year 2130, a mysterious and apparently untenanted alien spaceship, Rama, enters our solar system. The first product of an alien civilisation to be encountered by man, it reveals a world of technological marvels and an unparalleled artificial ecology.
Since childhood, I have been obsessed with understanding everything — science and the universe. Now, in this age of the JWST and a burgeoning space industry, I do sub-quantum mechanics research at an international physics think-tank, The Quantum Bicycle Society. My own hard sci-fi novel is intended to help publicize these scientific advances, as well as the behavioral psychology concepts that are the subject of my next nonfiction book, The Animal In The Mirror. The books on this list represent the foundation of inspiration that propelled my formative sci-fi journey, stories that also shine the light of insight onto our shared, instinctive nature.
This is my favorite hard sci-fi classic. I love the beautiful mix of real science (wormholes excepted), compelling story, and characters, and it touches on both first contact and the way in which human nature might cause us to react to it. That is the power combo, in my opinion!
The movie of the book was very good — Robert Zemeckis is a brilliant director — although it left out some fantastic details that, as a math and science fan, I really loved! (I won’t spoil it here; it’s too good.)
I’ve been a fan of dinosaurs and other mega-monsters ever since I watched the original Godzilla movie as a kid. It scared me half out of my wits! There’s something about big, scaly, dangerous beasts that makes for a great adventure story. Add fascinating human characters and you’ve got my full attention. I started writing my Dinosaur Wars books precisely to fill the void where there are far too few stories of this type in current literature. Challenges between human heroes and giant beasts have been part of literature from the start, featuring dragons, titans, and ocean leviathans. I see my writings as efforts to continue that tradition.
H.G. Wells delivers an astonishing tale of space invaders from Mars, with breathtaking scenes of monstrously huge three-legged walking machines terrorizing the populace of London and its surrounds. For sheer imagery, few science fiction stories before or since have come close to its gripping, real-world feel.
The story is told by an unnamed protagonist who goes on an odyssey in ravaged London as towering alien war machines chase, kill, or capture fleeing citizens in chaotic scenes of panic and fear. That fear sent chills along my spine on rereading this classic recently.
Notable were touching humanistic scenes with Dr. Ogilvy, an astronomer who leads an ill-fated attempt at truce-making, and a defeated soldier whose counterattack with artillery failed horribly.
But planet Earth was not only being watched - soon it would be invaded by monstrous creatures from Mars who strode about the land in great mechanical tripods, bringing death and destruction with them. What can possibly stop an invading army equipped with heat-rays and poisonous black gas, intent on wiping out the human race? This is one man's story of that incredible invasion, from the time the first Martians land near his home town, to the destruction of London. Is this the end of human life on Earth?
When I was about 8 years old, I read a book called Tom and the Two Handles by Russell Hoban. It’s a children’s book designed to teach that every story has two sides. This book stuck with me for some reason. So, when I started writing novels, I always made sure my villains had pure motives. Remember, no well-written bad guy THINKS he’s a bad guy. He thinks he’s doing the right thing. This is true of all the classic Bond villains right up to Thanos in the MCU. Plus, and I’m sure most writers would agree, the bad guys are always more fun to write.
As shocking as I felt Kubrick’s film was, I think the book is possibly more startling. Some scenes Kubrick played for laughs are described as violent and sadistic in the novel. If, like me, you are a fan of the film, it’ll fill in some blanks for you. Ever wonder why Alex and his friends drink milk?
The book is written in futuristic teen-speak that did take me a while to get my head around, but this ultimately adds to the strangeness of the insular world these ‘droogs’ inhabit. Though it was first published in 1962, I think this is still a very relevant and unflinching look at the place of violence in society.
In Anthony Burgess's influential nightmare vision of the future, where the criminals take over after dark, the story is told by the central character, Alex, a teen who talks in a fantastically inventive slang that evocatively renders his and his friends' intense reaction against their society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom. This edition includes the controversial last chapter not published in the first edition, and Burgess's introduction, "A Clockwork Orange Resucked."
I fell in love with Italy the first time I visited as a graduate student. Later, as a professor spending extended periods there with my family, I began investigating Italy’s experience of World War II. I was inspired by the diary of Iris Origo, an Anglo-American who lived in rural Tuscany. She reported of civilians bombed by Allied aircraft and strafed by machine guns from the air—even after Italy had surrendered. In my quest to understand the relations between the Allies and Italian civilians, I came upon a trove of great wartime novels, many recently back in print, and I am eager to share my enthusiasm for them.
I encountered this book backward. As a teenager growing up at the end of the US war in Vietnam, I read the Mad magazine spoof of the movie version long before I saw the movie itself, and then I read the novel. I focused on the antiwar theme and the concern of the bomber crew to get home without getting shot down.
The novel was based on Heller’s wartime experience, but I hardly realized it was about bombing Italy until I discovered the papers one of his crewmates had donated to Cornell University. I learned how many of the episodes were based on real incidents, including the only time the novel focuses on Italian civilians—when the crew objects to destroying an Italian Alpine village of no military significance.
Explosive, subversive, wild and funny, 50 years on the novel's strength is undiminished. Reading Joseph Heller's classic satire is nothing less than a rite of passage.
Set in the closing months of World War II, this is the story of a bombardier named Yossarian who is frantic and furious because thousands of people he has never met are trying to kill him. His real problem is not the enemy - it is his own army which keeps increasing the number of missions the men must fly to complete their service. If Yossarian makes any attempts to excuse himself from the…
I am a young adult fantasy author and paranoid survivalist. I have spent years curating items for my end-of-days go-bag, and nothing gives me greater pleasure than hanging out in universes that are about to go bang!
Legends are made of powerful stuff, and nothing has greater power than a total flip in perspective. I still recall the gut-punch end to this book, though it’s been decades since I read it.
Robert Neville is a vampire hunter by day and a tormented man by night. As seemingly the only living human in post-apocalyptic Los Angeles, Robert faces depression, isolation, alcoholism, and his undead neighbor, Ben Cortman, who appears outside Robert’s front door each night chanting, "Come out, Neville."
But when Robert is finally captured, and the truth of his situation is revealed, he gets a good look at the world through the eyes of the undead and is forced to ask himself, who am I? What have I become?
An acclaimed SF novel about vampires. The last man on earth is not alone ...Robert Neville is the last living man on Earth ...but he is not alone. Every other man, woman and child on the planet has become a vampire, and they are hungry for Neville's blood. By day he is the hunter, stalking the undead through the ruins of civilisation. By night, he barricades himself in his home and prays for the dawn. How long can one man survive like this?
I have researched human origins professionally for almost decades by studying the trail of fossils that have survived millions of years. But, before then, and since I can remember, I’ve been a lover of adventure and science fiction stories in all formats: action movies (Indiana Jones, Back to the Future), TV shows (The X Files), novels (Jack London!), or anime and manga (Ghost in the Shell, Akira, Alita). So, I guess my mind constantly travels from the past to the future. I think this list will also work as a time machine for others.
This book is a classic now and will still be one hundred years from now. It’s the only truly fiction book on this list, but it contains some of the deepest truths about human nature, the meaning of time, memory, and identity.
Different narrators tell their tragic stories, which converge in a beautifully wrapped-up end set in a dystopian future with an ongoing war among different species descent from modern Homo sapiens. What is not to love about it?
I have always been fascinated by science and everything mysterious. I love to read science fiction and mystery stories. I use art and literature to explore reality. Writing or painting allows me to link seemingly unrelated topics together to create my own explanations for why things are the way they appear to be. The biggest things in the universe are replicated on Earth right down to sub-atomic size. I call that life imitating stars. Life is an endless resource found everywhere in the universe, and it's not restricted to just light or heat to grow; it only needs energy.
I liked this book because it's a collection of stories about unrelated people's exploits, real and imagined, as they work together to make their mark in a new frontier.
The stories portray amazing accounts of people ranging from the mundane to the supernatural. It's one of the last stories to describe Mars with a somewhat hospitable climate, and that doesn't matter.
The incredible storytelling of Ray Bradbury makes anything that his characters are doing always believable no matter where they are because he writes from the heart.
The Martian Chronicles, a seminal work in Ray Bradbury's career, whose extraordinary power and imagination remain undimmed by time's passage, is available from Simon & Schuster for the first time.
In The Martian Chronicles, Ray Bradbury, America’s preeminent storyteller, imagines a place of hope, dreams, and metaphor— of crystal pillars and fossil seas—where a fine dust settles on the great empty cities of a vanished, devastated civilization. Earthmen conquer Mars and then are conquered by it, lulled by dangerous lies of comfort and familiarity, and enchanted by the lingering glamour of an ancient, mysterious native race. In this classic work…
Like a caricature, satire lets you see reality better by exaggerating it. When satire is done right, every element, from the overall plot to the characters to paragraph-level details, is there to cast an exposing light on some part of our real world. They are books that exist on many levels, expose hubris and essential misunderstandings, and generally speak truth to power. They should leave the reader reassessing core assumptions about how the world works. I’ve written a best-selling nonfiction book about machine learning in the past, and I probably could have taken that approach again, but AI and American politics are both ripe for satire.
If I ever have to write a book to get past the censors, this book will be my model. Who knew that a mordant critique of a corrupt state could be so elegant, even whimsical?
The barbs are so oblique that the censor has a hard time finding something to pick on or even noticing it, and yet they’re unmistakable to anyone living in a society with even a passing resemblance to Stalin’s Russia—and after reading The Master and Margarita, I see those resemblances in every organization and every regime.
'Bulgakov is one of the greatest Russian writers, perhaps the greatest' Independent
Written in secret during the darkest days of Stalin's reign, The Master and Margarita became an overnight literary phenomenon when it was finally published it, signalling artistic freedom for Russians everywhere. Bulgakov's carnivalesque satire of Soviet life describes how the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow one Spring afternoon. Brimming with magic and incident, it is full of imaginary, historical, terrifying and wonderful characters, from witches, poets and Biblical tyrants to the beautiful, courageous Margarita, who will…
