66 books like Who Goes There?

Siddhartha is a profound exploration of spirituality, self-discovery, and the pursuit of meaning in life.

It encourages readers to seek their own paths, embrace the present moment, and develop a deep sense of interconnectedness with the world around them. The books protagonist Siddhartha encounters various forms of suffering throughout his journey, and he comes to recognize the necessity and inevitability of pain and hardship in life.

The novel teaches that true wisdom and growth can arise from embracing and accepting suffering rather than trying to escape or avoid it.

Of all of Clarke’s works, this one had, for me, the grandest sense of adventure and mystery. We never do find out who the aliens are or what their goals might be, but we get to join them for part of their journey.

There are puzzles to solve, wonders to behold, and dangers bravely faced. I first read the book when I was nine years old, and it communicated to me just as clearly then as it does today.

This is my favorite hard sci-fi classic. I love the beautiful mix of real science (wormholes excepted), compelling story, and characters, and it touches on both first contact and the way in which human nature might cause us to react to it. That is the power combo, in my opinion!

The movie of the book was very good — Robert Zemeckis is a brilliant director — although it left out some fantastic details that, as a math and science fan, I really loved! (I won’t spoil it here; it’s too good.)

I don’t know what I was expecting when I decided to cross this book off my “should have read a long time ago” list, but right off the bat, the narrator is riffing on humanity’s destruction of its own planet and Europe’s extermination of indigenous groups across the world, and asking if we can really blame the Martians for giving us a taste of our own medicine.

Written in 1898 as the Victorian age waned and the new century loomed, Wells weaves all sorts of still-relevant commentary between the gripping action and horror. Whether it’s the suicidal religious fervor of the curate, the terror of total war and mechanized murder, or societal breakdown as London evacuates, the 1890s had things to say that never stopped being relevant. Maybe we’ll finally sort them out in the next 130 years.

This book is probably the quintessential book of mayhem, in my opinion.

Yep, it’s super dated, and the dialect can be difficult to get into, but I thought it was worth it, especially if you read the European version, which has an additional chapter the US publisher cut out. Abruptly it goes from a novel of unrepentant chaos to one of redemption.

Whilst on humour (including satire): it is an important part of REBT. Humor is another one of those character strengths in positive psychology (again, good for you when used appropriately). It’s not for nothing that laughter is called the best medicine (in fact, I wrote my MSc dissertation on the use of humor in psychotherapy).

Humor, especially satire, and wordplay have helped me a lot in life. Regarding those two things, this book is the best bar none. Both funny and tragic (which sums life up pretty well), considering how much saber rattling is happening today, it’s as relevant now as it has always been.

I'm sure this book will change you for the better. It may also have you challenging authority a little more than you currently do (which alone will work wonders for your mental health and well-being). 

Legends are made of powerful stuff, and nothing has greater power than a total flip in perspective. I still recall the gut-punch end to this book, though it’s been decades since I read it. 

Robert Neville is a vampire hunter by day and a tormented man by night. As seemingly the only living human in post-apocalyptic Los Angeles, Robert faces depression, isolation, alcoholism, and his undead neighbor, Ben Cortman, who appears outside Robert’s front door each night chanting, "Come out, Neville."

But when Robert is finally captured, and the truth of his situation is revealed, he gets a good look at the world through the eyes of the undead and is forced to ask himself, who am I? What have I become? 

This book is a classic now and will still be one hundred years from now. It’s the only truly fiction book on this list, but it contains some of the deepest truths about human nature, the meaning of time, memory, and identity.

Different narrators tell their tragic stories, which converge in a beautifully wrapped-up end set in a dystopian future with an ongoing war among different species descent from modern Homo sapiens. What is not to love about it?

I liked this book because it's a collection of stories about unrelated people's exploits, real and imagined, as they work together to make their mark in a new frontier.

The stories portray amazing accounts of people ranging from the mundane to the supernatural. It's one of the last stories to describe Mars with a somewhat hospitable climate, and that doesn't matter.

The incredible storytelling of Ray Bradbury makes anything that his characters are doing always believable no matter where they are because he writes from the heart.

People who read The Master and Margarita will tell you that it is one of the greatest books they have ever read, but few can tell you why. It defies description.  It is truly unique. 

It opens on a blistering hot day in Moscow, a paradox in itself. The devil, seemingly out of Goethe’s Faust, is on a visit to the town. He and his strange entourage would be laughable, if they were not so lethal. Only the madness of Stalin’s paranoid Communism could have created such a story.

Bulgakov has an uncanny way of investing even the most unlikely scenes with intense realism. You never doubt him.  At times hilarious, at times terrifying, the book shows us what a fragile hold we have on reality.