100 books like The Worm at the Core

Have you ever read a book that literally changed your life? I have, and that book is The Denial of Death by Ernest Becker, for which he won the Pulitzer Prize for General Non-Fiction in 1974.

Becker’s basic thesis is that the institution of “culture” has evolved not so much to facilitate our physical survival (the orthodox viewpoint), but rather, as an elaborate symbolic framework that psychologically protects us from our species’ unique awareness of our own inevitable mortality, both individually and collectively.

Becker basically blew the top of my head off when I first read him during my PhD work in the mid-Oughts, and he remains a major influence on my teaching and research to this day.

Have you ever encountered an idea in a book that made such a lasting impression on you that, almost like the “flashbulb” memory of a life – or world-changing event, you can remember the exact circumstances of where you were when you first read it?

Jared Diamond’s Collapse – which I picked up at an airport bookshop as “light reading” for a long flight – ended up providing me with just such an experience. The book holds that culture can fatally inure us, like so many slowly (and initially comfortably) boiling frogs, to the existential threat of environmental destruction, particularly in the context of the overexploitation of natural resources.

Diamond’s account of the last days of Easter Island civilization is particularly harrowing, and has haunted me ever since.

In this lively, elegant biography, Andrew Curran retraces the intellectual itinerary of a major eighteenth-century philosopher, Denis Diderot. Very few people ever lived and wrote with as much confidence in the power of posterity to recognize their greatness and the importance of their intellectual contribution after their death. Diderot, indeed, had to hide a significant proportion of his writings because they were just too controversial and ahead of their time. He believed that nothing was more inspirational than to work for the admiration of those who have yet to be born. Diderot and the Art of Thinking Freely is a marvelous introduction to the Enlightenment through the portrait of one of its major thinkers, and a great way to understand why people write books for those they will never meet.

If we want to live life fully we must embrace death fully.

Death is an integral part of life, which cannot be ignored.

This book helps the reader understand the wisdom of the Tibetan Book of the Dead and its purpose to help the dying soul to dis-identify from the worldly attachments and find liberation from within.

While The Swerve is not exactly a book about posterity, it nonetheless provides a wonderful case study of a text that remained on the verge of destruction for centuries, before going on to play a tremendously influential role in shaping our modern world. This book is none other than On The Nature of Things by Lucretius –one of the foundational texts of Western culture, whose impact was postponed to the fifteenth century, as it would not have seen the light of day without its serendipitous rediscovery in a German monastery by Poggio Bracciolini (1380-1459). This gripping work offers a fascinating example of the delayed reception of a prominent cultural object, a proof of its extraordinary resilience, and, at the same time, an illustration of the role played by chance and accidents on the transmission of texts to posterity. 

In his seminal The Selfish Gene, Richard Dawkins suggested that humans (and all other living organisms) exist to further the evolutionary fitness of the self-replicating information packets (“genes”) carried in our DNA – not the other way around.

In the closing section of his book, Dawkins theorized that a similar dynamic might hold true in cultural evolution, playing out through another type of self-replicating information packet, which he termed “memes”.

Some twenty years later, as the dawn of the Internet Age was giving new relevance to this idea, scholar Susan Blackmore took it up and ran with it, essentially singlehandedly creating the new academic field of “memetics” with the publication of The Meme Machine in 1999.

This may seem like an odd recommendation, but Jules’s exploration of the way death keeps the earth going is not only fascinating, but it also widens the perspective away from humans to the animal kingdom—a handy reminder that we’re as much a part of said kingdom as any others species. It’s always a useful reminder that, despite what our individualist culture and stories and tell us, death is not always an aberration, something a sneaky lawyer hid in the small print; it’s normal, necessary, and actually very helpful.

I could not resist this book partly because I was already familiar with Doughty’s, “Ask a Mortician” YouTube series. I loved the way that she used her own experience as a young crematory operator, weaving in details of her personal life along the way, to show us all the different things that happen to bodies after they die.

I loved the dark humor she brought to subjects like embalming, cremation, and funeral directing. The poignant stories about collecting bodies from the places where they died, cremating bodies, and talking to family members or loved ones, helped me see the deeply human side of death care, and I certainly came away understanding a lot more about the realities of different body preparation and disposition options!

The only fiction book on my list, I picked up Owen’s book of short stories while I was at a writer’s residency in Vermont, writing my own book. It’s a delightful collection, wickedly funny, with the exact mix of dread, terror, humour, and lightheartedness I was looking for.

Those Who Write for Immortality is, simply put, a remarkable book. It’s an in-depth study of British writers whose work was written with the goal of surviving what Horace called “the teeth of time.” It confronts the literary careers of authors who managed to be remembered after their deaths to the failed attempts of gifted, but ultimately unsuccessful rivals. This study illuminates both the romantic period and the quest for literary fame in our own time. A must-read for anyone interested in Austen, Keats, Blake, and Lord Biron, it is also indispensable for readers willing to explore the theoretical issues associated with the goal of writing for those who are yet to be born, people whose values and aesthetic preferences might very well become completely different from our own.