100 books like How Best to Avoid Dying

On the morning of September 11, 2001, I woke up expecting to spend that day – and the rest of my academic career – leisurely studying the interplay of culture and individual temperament in second language acquisition. As the rest of that terrible day unfolded, however, my research up to that point suddenly seemed very small and almost decadently privileged. Recruiting the rudimentary cultural anthropology toolbox I had already amassed, I took a deep breath and plunged into the rabbit hole of studying the role of culture in human conflict. Twenty-two years later, using my Japan base and relevant language skills, my research has focused on the Japanese experience in World War II.

I was 5 when I saw my grandfather die. He drank morphene from a bottle, to stop his cancer pains, and soon after he stopped breathing. In the silent peace that followed, I realized that I too shall die one day, and life on earth will continue. The questions, Who am I? Where do I come from? What am I doing here? and Where will I go when I die? felt like the most important questions to find answers to before I die. The book, In Search of the Miraculous: Healing into Consciousness, was written fifty years later, and is the fruit of my search and discovery of answers to these questions.

I’m Erica Buist, a writer, journalist, lecturer, and playwright based in London. I became interested in death anxiety when I realised mine was out of control after my partner and I found his father dead. Reading up on death anxiety, it struck me that some cultures seem to deal with it by throwing festivals for the dead, which seemed to be the very opposite of our policy of not talking about it unless absolutely necessary. I thought I’d better go and see how they managed that—so I did. Six years, eight countries and about a million espressos later, my book was published.

I’ve been a little bit morbid since childhood. My father died when I was not quite 10 years old, and my mother was a huge fan of horror novels and scary movies. But I became seriously interested in death and dying when my mother got cancer and was facing the end of her own life. I acted as her medical advocate and participated in many aspects of her care. I'm also a sociologist who studies taboo elements of culture and I'm invested in creating a consciousness shift so that the United States is less death-phobic, allowing us all to live our lives more fully by addressing our mortality head-on!

On the morning of September 11, 2001, I woke up expecting to spend that day – and the rest of my academic career – leisurely studying the interplay of culture and individual temperament in second language acquisition. As the rest of that terrible day unfolded, however, my research up to that point suddenly seemed very small and almost decadently privileged. Recruiting the rudimentary cultural anthropology toolbox I had already amassed, I took a deep breath and plunged into the rabbit hole of studying the role of culture in human conflict. Twenty-two years later, using my Japan base and relevant language skills, my research has focused on the Japanese experience in World War II.

Thomas Cathcart and Daniel Klein have been thinking deep thoughts and writing jokes for decades, and now they are here to help us understand philosophy through jokes, and jokes through philosophy. They like philosophy and they like jokes, not necessarily in that order. Best of all, they like combining them. 

My super-power is making brain science accessible and entertaining for children and adults alike. I am living this out as an author, mental health counselor, and the founder of BraveBrains. In addition to training parents and professionals, I have the joy of sharing my passion and expertise through podcast appearances, blogs, and articles. The lightbulb moments are my favorite, and I'm committed to helping people bring what they learn home in practical ways. I write picture books because the magic of reading and re-reading stories light up the brain in a powerful way. But don’t worry…I always include some goodies for the adults in the back of the book.

I have cerebral palsy, but the list of things that I absolutely can’t do is surprisingly short: I can climb a flight of steps or walk the length of a football field, for example, but those tasks are going to take a lot more time and energy for me than they would an able-bodied person. We all choose where to invest in life, but cerebral palsy makes that process much more deliberate, and I’ve been fascinated by it for a long time. I’m always on the hunt for stories that demonstrate that our choices shape our life, not our limitations, and I’m determined to choose joy.

I grew up around a lot of suffering over status. I didn’t want to suffer, so I kept trying to understand why everyone plays a game that they insist they don’t want to play. I found my answer when I studied evolutionary psychology. This answer really hit home when I watched David Attenborough’s wildlife documentaries. I saw the social rivalry among our mammalian ancestors, and it motivated me to research the biology behind it. I took early retirement from a career as a Professor of Management and started writing books about the brain chemistry we share with earlier mammals. I’m so glad I found my power over my inner mammal!

As a writer and editor, I spend a lot of time thinking about what prose—especially first-person nonfiction, which is mostly what I edit—does, and how it sets out to accomplish its project. Across forms, I tend to think humor is largely underused! No matter how serious the subject, there’s always a place for it to sharpen the critique. My book engages with topics like systemic discrimination and inequity, but throughout, I always stay attuned to the comic absurdity of my subject—both as a way to give more pleasure to the reader, and as a way to cut to the heart of what I want to express.