Fans pick 100 books like The Weight of a Piano

In The Lost Concerto a woman has set aside her career as a classical pianist, for deeply personal reasons—then finds herself not only reclaiming her music, but also finding answers to a past mystery as well as new connections in the present. Both novels are about loss, love, and the power of music to lift and heal us. What makes The Lost Concerto especially appealing is its cross-genre blend of suspense, intrigue, stolen art, and the journey from vengeance to courage. You won’t be able to put it down!

In Everything You Are, Braden is a cellist who has lost the use of his hands—in his case, through a tragic twist of fate. Enter Ophelia, granddaughter of the man who sold Branden his cello and made Ophelia swear that he will always play it. Author Kerry Anne King weaves a magical spell around these two characters as, together, they find their way to forgiveness. This is a story full of twists and turns, culminating in a beautiful ending that depicts the healing power of music.

I wish I’d read this book twenty years ago when I was still in music school. Brendan Slocumb’s debut is a fast-paced, entertaining mystery but also a gut-wrenchingly personal commentary on what it’s like to be Black in the white world of classical music. Violinist Ray is even kicked out of a paid wedding gig by the bride’s racist uncle. The painful scenes of prejudice are juxtaposed with Ray’s passion for music and determination to be better than everyone thinks he can be. It’s clear that discrimination is rampant in the classical music scene and this book could be a change bringer. 

Among the many works of fiction inspired by classical music, that include Tolstoy’s Kreutzer Sonata, Mann’s Doctor Faustus, and Tremain’s Music and Silence, I have opted for Vikram Seth’s, exquisitely written and highly personal novel of unrequited love, loss, and longing, because his intimate knowledge of the world of classical music, the music and the characters is unsurpassed. 

The novel’s protagonist is a member of a successful string quartet, haunted by memories of a relationship he had had ten years previously. An unlikely reunion with the object of his infatuation, a pianist now happily married with a son, unleashes all kinds of personal and musical dynamics against the magical setups of Venice, Vienna, and… Manchester. The music performed by the different characters and the emotions that music triggers and unleashes are described with consummate sensitivity and insight. Every music lover will love this novel which is a treasure-trove… show more.

Julia Mickenberg’s American Girls in Red Russia touches on a wide array of topics: American women’s participation in pre-1917 revolutionary movements, famine relief in during the Civil War period, the creation of an American colony in Siberia, the establishment of an American-run English language newspaper in Moscow, modern dance, African-American theater and film performances, and the creation of pro-Russian World War II propaganda. But she masterfully weaves these topics together using a central theme: American women, from various cultural spheres, seeking the equality and freedom they thought redefined gender roles in the Soviet Union would give them.

Mickenberg’s book captures the real depth of interest, hope, and fascination that the Soviet Union held for many well-educated, left-leaning American women, and how these feelings were colored by the gap between Soviet ideals and realities. She provides a fascinating account of these women’s willingness to uproot their lives in search of careers,… show more.

Although they are largely forgotten now, the five to six thousand Russian women who enlisted as soldiers were amongst the most photographed and written about women in the First World War, especially the charismatic but tyrannical leader of the 1st Russian Women’s Battalion of Death, Maria Bochkareva. Stoff’s book gives a highly readable and fascinating account of their formation, their military action, their ill-fated involvement in the defence of the Winter Palace when it was stormed by the Bolsheviks in November 1917, and their reception by the rest of the world as the only battalions of women to carry out officially sanctioned combat roles in the war.

Stoff uses their own memoirs alongside other first-hand accounts by American, British, and French diplomats stationed in Russian in the tumultuous year of 1917, and her book provides a balanced and nuanced analysis.

This is a gripping history of the Soviet female fighter, bomber and night bomber squadron pilots told through their interwoven biographies. These were the women who fought and died in the skies above Stalingrad and Kursk, and whose skills, as well as courage, astounded and terrified the Luftwaffe. Although invited to train and serve alongside their male comrades, the women were of course given uniforms and equipment designed for men, plenty of hostility, and a place, for those who survived, only at the back of the victory parades.

I was utterly engrossed by this amazing collection of Red Army women’s recollections, awed by the way they fought against enemy troops as well as misogynists and rapists in their own ranks.

These women were some of the toughest on the planet. They were not given proper uniforms until late in the war; they had the least training and often flew or fought in the most dangerous missions. I breathlessly read about their daring and bravery and became consumed with rage when I read about how their war service became tainted after the war.

Smeared as promiscuous because of their life at the front, many decorated heroines hid their medals in shame. This is a unique look at PTSD and the trauma of reintegration from the perspective of women warriors. 

I originally read this book when it came out in 1990. It is about a group of young women in the Soviet Union who flew as combat pilots during World War II.

With U.S. women still prohibited from flying in combat in 1990, I was thrilled that women had already proven themselves in combat a half-century earlier. The “Night Witches” flew mostly at night, and their bombs relentlessly terrorized German ground forces invading the Russian homeland.

Many of the women were designated as aces for shooting down at least five enemy aircraft, and others were awarded the Hero of the Soviet Union.

Although the book has been criticized in recent years for not being entirely factual, it is still a great read about these courageous women.

This book is incredible, because it tells the story of Stalinist terror through a single house. Moreover, Slezkine creates a world history around this house of victims and perpetrators, which literally begins in the primordial mud and ends on the Day of Judgment. Slezkine takes no prisoners: either you follow him and the apocalyptic horsemen, or you don't, he doesn't care. Like a man possessed, he tells the story of one of the greatest crimes of the 20th century and I found it almost impossible to escape his spell.